And Innovative Fanzine Assembler 101, Or: What I Want
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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
The Love That Refuses to Speak Its Name : Examining Queerbaiting and Fan-Producer Interactions in Fan Cultures
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2015 The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures. Cassandra M. Collier, University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Collier,, Cassandra M., "The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures." (2015). Electronic Theses and Dissertations. Paper 2204. https://doi.org/10.18297/etd/2204 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women’s and Gender Studies Department of Women’s and Gender Studies University of Louisville Louisville, Kentucky August 2015 THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Approved on May 27, 2015 by the following Thesis Committee: ____________________________________________________ Dr, Dawn Heinecken ____________________________________________________ Dr, Diane Pecknold ____________________________________________________ Dr. -
Meeting Josh Groban (Again): Fan/Celebrity Contact As Ordinary Behavior
Meeting Josh Groban (Again): Fan/Celebrity Contact as Ordinary Behavior Gayle Stever Empire State College, Rochester, NY [email protected] Abstract In a participant-observer ethnographic study, the researcher offers evidence from 10 years of observation of the Josh Groban fandom as an example of fans becoming friendly acquaintances of celebrities. Contrary to the way much of the psychological literature depicts fans, as celebrity worshippers or stalkers, the largest percentage of the fans observed in this study showed normal social engagement with others outside of their fan activity, and a friendly acquaintanceship with Groban that is similar to other kinds of relationships happening outside of the context of mediated relationships. Fans who pursued these relationships did so within a social context and network of other fans in most cases. Connection through music, relief from various kinds of life stressors, or the desire to participate in charity efforts are offered as some of the explanations for what motivates the fan to seek out this kind of relationship with an attractive media persona. KEYWORDS: fan, celebrity, parasocial, ethnography, audience Introduction Social relationships are defined within a culture in a myriad of ways. While more traditional relationships have been the focus of much social psychological research, little has been done to try to define the face-to-face social relationships that develop between a media celebrity and his or her fans. These relationships exist, they can be significant in the lives of both celebrities and fans, and they are a normal occurrence for a media-saturated society. IASPM@Journal vol.6 no.1 (2016) Journal of the International Association for the Study of Popular Music ISSN 2079-3871 | DOI 10.5429/2079-3871(2016)v6i1.7en | www.iaspmjournal.net Meeting Josh Groban (Again) 105 This trend to overlook the ongoing relationships that fans have with celebrities is part of what has been referred to as the “marginalization of celebrity” (Duffett 2014: 163). -
Orienting Fandom: the Discursive Production of Sports and Speculative Media Fandom in the Internet Era
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ORIENTING FANDOM: THE DISCURSIVE PRODUCTION OF SPORTS AND SPECULATIVE MEDIA FANDOM IN THE INTERNET ERA BY MEL STANFILL DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications with minors in Gender and Women’s Studies and Queer Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor CL Cole, Co-Chair Associate Professor Siobhan Somerville, Co-Chair Professor Cameron McCarthy Assistant Professor Anita Chan ABSTRACT This project inquires into the constitution and consequences of the changing relationship between media industry and audiences after the Internet. Because fans have traditionally been associated with an especially participatory relationship to the object of fandom, the shift to a norm of media interactivity would seem to position the fan as the new ideal consumer; thus, I examine the extent to which fans are actually rendered ideal and in what ways in order to assess emerging norms of media reception in the Internet era. Drawing on a large archive consisting of websites for sports and speculative media companies; interviews with industry workers who produce content for fans; and film, television, web series, and news representations from 1994-2009 in a form of qualitative big data research—drawing broadly on large bodies of data but with attention to depth and texture—I look critically at how two media industries, speculative media and sports, have understood and constructed a normative idea of audiencing. -
One Direction Infection: Media Representations of Boy Bands and Their Fans
One Direction Infection: Media Representations of Boy Bands and their Fans Annie Lyons TC 660H Plan II Honors Program The University of Texas at Austin December 2020 __________________________________________ Renita Coleman Department of Journalism Supervising Professor __________________________________________ Hannah Lewis Department of Musicology Second Reader 2 ABSTRACT Author: Annie Lyons Title: One Direction Infection: Media Representations of Boy Bands and their Fans Supervising Professors: Renita Coleman, Ph.D. Hannah Lewis, Ph.D. Boy bands have long been disparaged in music journalism settings, largely in part to their close association with hordes of screaming teenage and prepubescent girls. As rock journalism evolved in the 1960s and 1970s, so did two dismissive and misogynistic stereotypes about female fans: groupies and teenyboppers (Coates, 2003). While groupies were scorned in rock circles for their perceived hypersexuality, teenyboppers, who we can consider an umbrella term including boy band fanbases, were defined by a lack of sexuality and viewed as shallow, immature and prone to hysteria, and ridiculed as hall markers of bad taste, despite being driving forces in commercial markets (Ewens, 2020; Sherman, 2020). Similarly, boy bands have been disdained for their perceived femininity and viewed as inauthentic compared to “real” artists— namely, hypermasculine male rock artists. While the boy band genre has evolved and experienced different eras, depictions of both the bands and their fans have stagnated in media, relying on these old stereotypes (Duffett, 2012). This paper aimed to investigate to what extent modern boy bands are portrayed differently from non-boy bands in music journalism through a quantitative content analysis coding articles for certain tropes and themes. -
The Contradictory Communities of Wizard Rock
Identity, Rhetoric and Behavior: The Contradictory Communities of Wizard Rock by Kelli Rohlman, B.M. A Thesis In MUSICOLOGY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Approved Dr. Christopher J. Smith Chair Professor Angela Mariani Dr. Thomas Cimarusti Ralph Ferguson Dean of the Graduate School December, 2010 Copyright 2010, Kelli Rohlman Texas Tech University, Kelli Rohlman, December 2010 ACKNOWLEDGMENTS In the December 2003 issue of O Magazine, American critic and writer Bell Hooks said “Life-transforming ideas have always come to me through books.” The Harry Potter book series is one that many would claim has changed their lives in one way or another, and I am no exception. I would first like to thank, with the utmost respect and admiration, author J.K. Rowling for her literature that has inspired such a flourishing, creative, and beautiful community of fans. I would then like to register my complete gratitude to each of my informants; without their cooperation, generosity, and eagerness to share their incredible talents and expertise, this thesis would not have been possible. I would like to thank the hundreds of “wizards” that I have met or communicated with along my journey for their undying enthusiasm. I would also like to thank, specifically, Dinah Russell of the Wizrocklopedia.com for her assistance in general community support for my research. Thank you to Melissa Anelli of The Leaky Cauldron website and Pottercast for her accessibility and for answering all of my questions about Harry, A History on multiple occasions. -
An Ethnography of Harry Potter Fans
UNIVERSITY OF CALGARY Trust, Friendship and Hogwarts Houses: An Ethnography of Harry Potter Fans by Heather Victoria Dunphy A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ANTHROPOLOGY CALGARY, ALBERTA September 2011 © Heather Victoria Dunphy 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre refdrence ISBN: 978-0-494-81404-8 Our file Notre r6f6rence ISBN: 978-0-494-81404-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Distracted Spectatorship, the Cinematic Experience and Franchise Films
Distracted Spectatorship, the Cinematic Experience and Franchise Films By Elizabeth Nichols BA, MA Lancaster University 2017 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy This thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere P a g e | ii Contents List of Figures ........................................................................................................................... iv Abstract ...................................................................................................................................... v Introduction: Distracted Spectatorship and the Cinematic Experience ..................................... 1 Chapter One: Defining the Cinematic Experience ................................................................... 17 Section One: Defining the Cinematic ................................................................................... 17 Section Two: Defining Experience ...................................................................................... 22 Chapter Two: Defining Distracted Spectatorship .................................................................... 37 Section One: Defining Spectatorship ................................................................................... 37 Section Two: Defining Distraction ....................................................................................... 49 Section Three: Defining Distracted Spectatorship Throughout -
Fangirl Culture in the Chinese Rock Music Scene
Fangirl Culture in The Chinese Rock Music Scene by Tianyi Wang B.A., Communication University of China, 2018 Extended Essay Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication (Dual Degree Program in Global Communication) Faculty of Communication, Art and Technology © Tianyi Wang 2020 SIMON FRASER UNIVERSITY Summer 2020 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Tianyi Wang Degree: Master of Arts Title: Fangirl Culture in The Chinese Rock Music Scene Examining Committee: Katherine Reilly Milena Droumeva Senior Supervisor Assistant Professor Katherine Reilly Program Director Associate Professor Date Approved: August 31, 2020 ii Ethics Statement iii Abstract In the summer of 2019, a TV variety show about indie/rock bands became popular in China. Since then, these so-called 'underground' bands have experienced idolization and were moved to a mainstream stage. This also brought a large group of fangirls into the Chinese rock music scene. Such a large-scale invasion of female fans poses a challenge for the rock culture scene which is usually considered to be ‘masculine’. In this project, I explore how the participation of female fans challenge the gender norms constructed in the discourse of Chinese rock and bring changes to the Chinese rock music scene. Keywords: Chinese rock; fangirl; popular music; authenticity; gender iv Table of Contents -
Laugh out Loud in Real Life: Women's Humor and Fan Identity MASSACHUSETTS INSTITUTE by of TECHNOLOGY Madeline Lenore "Flourish" Klink JUN 292010 B.A
Laugh Out Loud In Real Life: Women's Humor and Fan Identity MASSACHUSETTS INSTITUTE by OF TECHNOLOGY Madeline LeNore "Flourish" Klink JUN 292010 B.A. Religion LIBRARIES Reed College, 2008 SUBMITTED TO THE PROGRAM IN COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2010 ARCHNES @ 2010 Madeline LeNore "Flourish" Klink. All rights reserved. The author hereby grants MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created., Signature of author: Program in C6mparative Media Studies May 2010 Certified by: I Henry Jenkins III Comparative Media Studies Affiliate Provost's Professor of Communication, Journalism and Cinematic Arts (USC) Thesis Supervisor Accepted by: William Charles Uricchio Professor of Comparative Media Studies Co-director, Comparative Media Studies Laugh Out Loud In Real Life: Women's Humor and Fan Identity by Madeline LeNore "Flourish" Klink Submitted to the Program in Comparative Media Studies on May 5, 2010, in Partial Fulfillment of the Requirements for the Degree of Master of Science Comparative Media Studies ABSTRACT The emerging field of fan studies has, until recently, been defined only by the research that has taken place within it. Almost universally, this research focuses on self-identified fans. However, scholars are beginning to examine and debate what the limits of the field should be. This study argues that self-identified fans are not the only group that ought to be examined under the heading of fan studies. -
Crossover Literature and Age in Crisis at the Turn of the 21St Century : Harry
At the turn of the 21st century, the widely visible popularity of children’s and young adult literature with adult readers lead literary and social critics Crossover Literature and Age in Crisis to ask whether the inhabitants of Western culture were refusing to grow up. Whilst books had been crossing over the line between the adult and at the Turn of the 21st Century: children’s book market ever since the separation into two markets had been introduced, the perceived rise in this traffic led to a felt crisis concerning Harry Potter’s Kidults and age and identity. At the example of theHarry Potter and the Twilight novels, Maria Verena Peters analyzes the discourse about childhood, coming of the Twilight Moms age and adulthood inside and outside the pages of children’s and young adult literature as the 20th century came to an end and a new millennium was beginning. Her analysis suggests that this discourse was determined by an anxiety that without the patriarchal, heterosexual, nuclear family, age Maria Verena Peters cannot serve to produce meaningful identity categories. Beyond the policing of gender and sexuality, the discourse of age in crisis – as the examples of Harry Potter’s kidults and the Twilight moms serve to show – also functions to naturalize notions of class and consumption. In addition to the prominent two novel series of the title, the PhD thesis covers a wide range of popular culture artefacts, from Near Dark to Buffy the Vampire Slayer and from The Big Bang Theory to Hotter than my Daughter. It builds upon key findings of fan studies to uncover the intersectionality of age, gender, class and consumption in the marketing, reception and critique of children’s and young adult literature. -
Fanatics and Frowners: Struggling Discourses of Fandom on Wieisdemol.Com
Fanatics and Frowners: Struggling discourses of fandom on Wieisdemol.com Bachelor Thesis Ruud Dielen 5484359 Media & Cultuur Thesis tutor: Anne Kustritz June 2016 – 2017 (4th term) Submission date: 23 – 06 – 2017 Word Count: 9,040 words Table of Contents Abstract ................................................................................................................................................... 3 Honours Thesis ........................................................................................................................................ 3 Introduction ............................................................................................................................................. 4 Chapter 1: Theoretical Framework ......................................................................................................... 7 Online Fan Practices ............................................................................................................................ 7 Critical and anti-fandom ...................................................................................................................... 9 Chapter 2: Method ................................................................................................................................ 11 Corpus................................................................................................................................................ 11 Discourse Analysis ............................................................................................................................