Marianne Moore, 1932–1936 Passionate Collaborations
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1 Sponsored by the International Lawrence Durrell Society And
1 Sponsored by The International Lawrence Durrell Society and Louisiana Tech University Provisional Program Schedule Wednesday, July 7, 2010 (7-9pm) Informal reception at the Carousel Bar in the Hotel Monteleone Thursday, 8 July Registration—8:00 (and continuing throughout the day) Welcome (8:45-9:00): —Don Kaczvinsky, President Session I (9:00—10:45) “Owed to America: Durrell, New Orleans, and the American Experience” – Chair, Don Kaczvinsky 1 "Of Oysters, Watermelon, Rice, and Thyme: Food Imagery in the Alexandria Quartet and the Historical Cuisines of Alexandria and New Orleans"—Merianne Timko (Houston, Texas) 2. "Historical Fiction at Its Best: The Landscape and Mores of Durrell's Alexandria and Frank Yerby's New Orleans"--Normajean MacLeod (Nashville, Indiana) 2 Thursday, 8 July, Session I (continued) 3. "Reverie of Utopia and Actuality in the City: The Cases of Justine and Blanche DuBois"—Michiko Kawano (Bukkyo University) 4. "'Where the blue Algonquin flows': Durrell and the American Environment"—Donald P. Kaczvinsky (Louisiana Tech University) Plenary Session I (11:00-12:00) Alan Friedman (University of Texas) Lunch Break Session IIA (1:30-2:45) “Cityscapes of Modernism” – Chair, Charles Sligh 1. "'Roses, faeces and vampires': The Carnivalesque in Durrell"—Fiona Tomkinson (Yeditepe University, Istanbul) 2. "The Landscape of War, part 1: London, 1939-1941"-- Pamela J. Francis (Rice University) 3. "Anarchism and Poetics in Late Modernism: Paris, Cairo, San Francisco, London"—James Gifford (Fairleigh Dickinson University, Vancouver) Session IIB (1:30-2:45) “City Spaces and Urban Places” – Chair, Anne Zahlan 1. "'The City Begins and Ends in Us': Durrell's City as Interior Space"—Linda Stump Rashidi (Mansfield University of Pennsylvania) 2. -
Lawrence Durrell: Panic Spring: a Romance
Lawrence Durrell: Panic Spring: A Romance Notes &c. __________ _ Objectives __________ 1. To describe the concept of Late Modernism. _ 2. To recognize that Modernism occurred in a variety of locations __________ and times, and hence, postcolonial criticism overlaps with it. _ 3. To relate international, racial, and imperial, and colonial __________ discourses with those we have encountered in Modernism. 4. To describe the influence of the modernists on the generation of authors who came of age during the Second World War. 5. To demonstrate understanding of how the reader is made active in some texts. Reading Assignment Durrell, Lawrence. Panic Spring: A Romance. 1937. Ed. James Gifford. Victoria: ELS Editions, 2008. Print. Adam, Peter. “Spirit of Place: Lawrence Durrell’s Greece.” BBC. 9 July 1984. https://youtu.be/EIOjaroRfEI Commentary This unit takes our readings beyond the typical end point for Modernism: 1928 or at best 1934. Many older modernist scholars prefer not to pursue “Modernism” beyond any hint of World War II even though many of the authors we have read continued to be very active well beyond this date – in fact, Woolf, Eliot, and Lewis published some of their major works after 1939, and Joyce published his last major novel in that year. Much recent research has been dedicated to this notion of “Late Modernism,” including Tyrus Miller’s Late Modernism, Marina MacKay’s Modernism & World War II, and Robert Genter’s Late Modernism: Art, Culture, & Politics in Cold War America. Other scholars, like Jean-François Lyotard, have argued that postmodernism is largely a late development of Modernism itself. -
Vassanji's Toronto and Durrell's Alexandria
Vassanji’s Toronto and Durrell’s Alexandria: The View from Across or the View from Beside? James Gifford Fairleigh Dickinson University The British and Canadian authors Lawrence Durrell and M. G. Vassanji do not, at first thought, call out for a comparative study under the rubric of Indian diasporic literature. Neither are typically regarded in criticism through their origins or ethnicity. The focus instead goes to their characters and subject matter, their cosmopolitan experiences. Confusions surrounding both authors have limited biographical studies, in Durrell’s case typically excluding him from diasporic literature. Moreover, their distinct prose styles limit their immediate affinities—Durrell is known for lush writing and playfulness with textuality while Vassanji’s terse and conversational diction is more likely to remind a reader of Hemingway. Nevertheless, Vassanji provokes readers to make comparisons on precisely these terms, though he has acknowledged the unexpected nature of his suggestion—in 2002 he delivered a public lecture on Lawrence Durrell in Ottawa, “The Boy in the Street: The View from Across.” It begins with his statement: I can’t imagine that the organizers who first contacted me to speak at this conference realized that I had a much thumbed set of Lawrence Durrell’s Alexandria Quartet on my shelves. Amazing coincidence… It turns out to be a coincidence brought about by the fact of imperial rule that Durrel’s [sic] life and mine intersect. (Vassanji, “The Boy” 1) The text of Vassanji’s lecture is now held in the Lawrence Durrell Collection at the University of Victoria’s McPherson Library. While authors, or at least effective authors, tend to be slippery, deceptive, and cunning as any con artist, I will naïvely take Vassanji at his word. -
The Alexandria Quartet'
UvA-DARE (Digital Academic Repository) The elegant velvet glove: A textual and visual reading of the gothicised female form in Lawrence Durrell’s 'The Alexandria quartet' Kreuiter, A.D. Publication date 2014 Link to publication Citation for published version (APA): Kreuiter, A. D. (2014). The elegant velvet glove: A textual and visual reading of the gothicised female form in Lawrence Durrell’s 'The Alexandria quartet'. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:02 Oct 2021 Bibliography Abraham, Nicholas & Torok, Maria. 1994. The Shell and the Kernel: Renewals of Psychoanalysis vol. 1. University of Chicago Press: Chicago. — 2005. The Wolfman’s Magic Word: A Cryptonomy. (trans. Nicholas Rand). University of Minnesota Press: Minneapolis. Adams, Parveen. -
The International Lawrence Durrell Society Herald
The International Lawrence Durrell Society Herald Number 29 May 1, 2013 Anne R. Zahlan and David Radavich, Acting Editors Susan S. MacNiven, Founding Editor The President’s Column conference offered to new Correspondence.” These efforts colleagues and the continued and others mark the continuing James Gifford, activity since are the best tributes importance of Durrell’s works th President, ILDS one could offer to the sprit of beyond his 100 year. Durrell 2012 , and I thank the Each year also brings colleagues and dear friends whose sadness, and in 2013 we said our The past year has brought energies made the celebration ave atque vale to friends, mentors, remarkable events to the happen. and colleagues. Ray Morrison, a International Lawrence Durrell The centenary year brought longstanding member of the ILDS Society and, more generally , to abundance to the International whose A Smile in His Mind’s Eye: A research on Durrell’s works. I am Lawrence Durrell Society. Open Study in the Early Works of privileged to have served as the Road Media has published the Lawrence Durrell appeared in 2005 Society’s president while we ebook editions of Durrell’s works through the University of Toronto celebrated the centenary with in America, as has Faber & Faber in Press, passed away. Those who Durrell 2012 , the seventeenth On the UK. Faber also released new attended Durrell 2012 met the Miracle Ground conference, at editions of The Alexandria Quartet Cypriot poet and travel writer Niki Goodenough College, London, and and The Black Book with fresh Marangou, who became a fast the British Library. -
George Seferis and Lawrence Durrell)
George Thaniel Dwellers in the Greek Eye (George Seferis and Lawrence Durrell) "All my favourite characters have been I Out of all pattern and proportion," Lawrence Durrell announces at the start of his poem "Mythology" (Collected Poems: 251) 1 which he once sent to Seferis, primarily to amuse him. Seferis became sufficiently interested in the poem to translate it into idiomatic Greek appropriate to the style of the original (Andigrafes: 133). Durrell's claim to have a predilection for extraordinary characters is certainly true about his fictional char acters, especially those of the Alexandria Quartet, the work which made him famous. It was also true about some real characters whom he had known, either personally, like George Katsimbalis, Miller's Colossus of Maroussi, who figures in "Mythology," or Cavafy, the Alexandrian poet whom he knew through his work. To some degree, Durrell's assertion may also be taken to include himself as well as Seferis. The two men, the extroverted Durrell and the introverted Seferis (senior to Durrell by twelve years) were close friends through most of Seferis' life and sources of inspiration for each other, particularly during the early part of their acquaintance. The Cyprus conflict eventually found them in different camps and may have soured their friendship Qudging from Seferis' diaries and correspondence), but the break seems to have been temporary. Through the 60's they kept in touch and exchanged letters, though less frequently than in the early years. They also wrote brief memoirs about each other. Durrell's on Seferis postdates the latter's death in 1971. -
331 Bce 1851 1863 1869 1874 1876 1879 1881
331 BCE April: Alexander, son of Philip of Macedonia, founds the city of Alexandria on the southern shore of the Mediterranean Sea 1851 Samuel Durrell (LD’s paternal grandfather) is born in Suffolk, England. 1863 April 29: Contsantine P. Cavafy is born in Alexandria, Egypt. 1869 At the age of 18, Samuel Durrell enlists in the British Army. 1874 Having transferred to the Royal Artillery two years previously, Samuel Durrell marries Emma Cooper in Portsea, an event shortly followed by the birth of two daughters. 1876 Sergeant Samuel Durrell is posted to India and travels with his family by ship via the Suez Canal, a three week voyage in the equivalent of steerage aboard the troopship Malabar. By the end of the year both daughters die. 1879 January 1: Edward Morgan Forster is born in London. 1881 3 Having given birth to two more children, only one of which, a daughter, survives infancy, Emma Cooper Durrell dies in Allahabad. 1882 January 25: Virginia Woolf (née Stephens) is born in London. February 2: James Joyce is born in Rathgar, Dublin. 1883 His first wife Emma having died two years previously, Samuel Durrell marries Dora Maria Johnstone at Lucknow. 1884 Lawrence Samuel Durrell is born in Calcutta to Samuel and Dora. 1885 September 11: David Herbert Lawrence is born at Eastwood, Nottinghamshire. 1887 Jack Kahane is born in Manchester, England. 1888 September 26: Thomas Stearns Eliot is born in St. Louis, Missouri. 1891 3 4 December 26: Henry Valentine Miller is born in Brooklyn, New York. 1892 July 8: Richard Aldington is born in Portsea, Hampshire. -
Introduction
UvA-DARE (Digital Academic Repository) The elegant velvet glove: A textual and visual reading of the gothicised female form in Lawrence Durrell’s 'The Alexandria quartet' Kreuiter, A.D. Publication date 2014 Link to publication Citation for published version (APA): Kreuiter, A. D. (2014). The elegant velvet glove: A textual and visual reading of the gothicised female form in Lawrence Durrell’s 'The Alexandria quartet'. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 Introduction The writer, Lawrence George Durrell’s most renowned work of fiction, The Alexandria Quartet (1957-1960), has been considered by certain Durrell scholars to be one of the canonical texts of twentieth century Modernism (Zahlan 1999: 87). Others contend that his position in modern literature is strained. -
Pied Piper of Lovers
Pied Piper of Lovers Lawrence Durrell Copyright © Lawrence Durrell !"#$. ,345657 689 :5;<3=>? @A /68696 /6B6C@DE38D 38 FE4C3;6B3@8: Introduction copyright © %&&' Richard Pine. Pied Piper of lovers / Lawrence Durrell; Preface and annotations copyright edited and with an introduction by © %&&' James Gi(ord. James Gi(ord. )e right of Lawrence Durrell to be identi*ed as the author of this (+,- monograph series, work has been asserted by him in G--H &'%"-2I'! ; "") accordance with the Copyright, Originally published: London : Faber & Designs & Patents Act !"''. Faber, !"#2, under the pseudonym Charles Norden. +,- Editions Department of English Includes bibliographical references. University of Victoria G-.H "2'-!-$$&$'-#'!-I Victoria, ./, Canada 0'1 #1! ! Gi(ord, James, !"2J– www.elseditions.com G Title. GG Series. Founding Editor: Samuel L. Macey FKI&&2.L2IF# %&&' '%#’."!% General Editor: /%&&'-"&#%2#-M Luke Carson Book design by Jason Dewinetz. Printed in Canada. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from )e Canadian Copyright Licensing Agency (Access Copyright). For an Access Copyright licence, visit www.accesscopyright.ca or call toll free to !–'&&–'"#–$222. Contents vii Editor’s Introduction — James Gi!ord "#$% "#&$' () *(+$', 1 Prologue 25 Book I 109 Book II 189 Book III 249 Epilogue 269 A!erword: An Unacknowledged Trilogy — James A. Brigham 277 Works Cited & Selected Bibliography Editor’s Introduction -./$, 0#))('% position in modern lit- *er.a1tu're$,2 p3a$rt i4cu5l'ar'ly$ 6in6 r7e(la6ti%on, t.o ,t8h'e .B#r2it$is%h Empire. -
Prospero's Cell Lawrence Durrell and the Quest For
PROSPERO'S CELL LAWRENCE DURRELL AND THE QUEST FOR ARTISTIC CONSCIOUSNESS by JAMES ALBERT BRIGHAM B.A., University of British Columbia, I963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OP THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June, I965 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, 1 agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives,, It is understood that copying or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia Vancouver 8, Canada 4 August 1965 ii ABSTRACT The purpose of this thesis is to consider the movement toward and achievement of artistic consciousness on the part of Lawrence Durrell. The emphasis is on the early work, particularly Prospero's Cell, "Prospero's Isle", Reflections On A Marine Venus, Durrell*s published correspondence with Henry Miller, and "Cities, Plains and People". The 1937-1946 period was chosen because it was the period which Durrell spent in Greece in a voluntary exile from England. A discussion of the poems and articles from this period and of the later Alexandria Quartet, which traces the growth toward artistic consciousness in a more objective way, was not possible within the limits of the thesis. -
Lawrence Durrell Collection (SC040)
University of Victoria Special Collections and University Archives Finding Aid - Lawrence Durrell collection (SC040) Generated by Access to Memory (AtoM) 2.5.3 Printed: February 19, 2020 Language of description: English University of Victoria Special Collections and University Archives Special Collections and University Archives University of Victoria PO Box 1800 STN CSC Victoria BC Canada V8W 3H5 Telephone: 250-721-8257 Fax: 250-721-8215 Email: [email protected] https://www.uvic.ca/library/locations/home/archives/ https://uvic2.coppul.archivematica.org//index.php/lawrence-durrell-collection Lawrence Durrell collection Table of contents Summary information ...................................................................................................................................... 6 Administrative history / Biographical sketch .................................................................................................. 6 Scope and content ........................................................................................................................................... 6 Notes ................................................................................................................................................................ 7 Access points ................................................................................................................................................... 7 Collection holdings ......................................................................................................................................... -
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Sappho Librettist Lawrence Durrell 1912 - 1990 Lawrence George Durrell was born on 27 February 1912 in Jullundur in northern India, near Tibet. His English father, Lawrence Samuel Durrell, and his Irish-English mother, Louisa Florence Dixie, had also been born in India. This mix of nationalities marked Durrell's creative imagination. He would claim in later years that he had ‘a Tibetan mentality’. Durrell's ‘nursery-rhyme happiness’ came to an end when he was shipped to England at age 11 to be formally educated. The immediate discomfort he felt in England he attributed to its lifestyle, which he termed ‘the English death’. He explained that ‘English life is really like an autopsy. It is so, so dreary’. Deeply alienated, he refused to adjust himself to England and resisted the regimentation of school life, failing to pass university exams. Instead, he resolved to be a writer. At first he had difficulty finding his voice in words, both in verse and in fiction. After publishing his first novel, Pied Piper of Lovers (1935), he invented a pseudonym, Charles Norden and wrote his second novel, Panic Spring (1937), for the mass market. Two fortunate events occurred in 1935 that changed the course of his career. First, he persuaded his mother, siblings, and wife, Nancy Myers, to move to Corfu, Greece, to live more economically and to escape the English winter. Life in Greece was a revelation; Durrell felt it reconnected him to India. While in Greece, he wrote a plan for The Book of the Dead , which was an ancestor - though it bore little resemblance - to what may be his greatest literary accomplishment, The Alexandria Quartet.