Introducing Theory and Thaumaturgy
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Dal Sanders President of the S.A.M
JULY 2013 DAL SANDERS PRESIDENT OF THE S.A.M. PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Lisa Close M-U-M Advertising Manager Email: [email protected] Telephone/fax: 317-456-7234 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JULY 2013 M-U-M JULY 2013 MAGAZINE Volume 103 • Number 2 COVER STORY S.A.M. NEWS PAGE 36 68 6 From the Editor’s Desk 8 From the President’s Desk 10 Newsworthy 11 M-U-M Assembly News 27 Good Cheer List 26 Broken Wands 69 Photo Contest Winner -
Magnes: Der Magnetstein Und Der Magnetismus in Den Wissenschaften Der Frühen Neuzeit Mittellateinische Studien Und Texte
Magnes: Der Magnetstein und der Magnetismus in den Wissenschaften der Frühen Neuzeit Mittellateinische Studien und Texte Editor Thomas Haye (Zentrum für Mittelalter- und Frühneuzeitforschung, Universität Göttingen) Founding Editor Paul Gerhard Schmidt (†) (Albert-Ludwigs-Universität Freiburg) volume 53 The titles published in this series are listed at brill.com/mits Magnes Der Magnetstein und der Magnetismus in den Wissenschaften der Frühen Neuzeit von Christoph Sander LEIDEN | BOSTON Zugl.: Berlin, Technische Universität, Diss., 2019 Library of Congress Cataloging-in-Publication Data Names: Sander, Christoph, author. Title: Magnes : der Magnetstein und der Magnetismus in den Wissenschaften der Frühen Neuzeit / von Christoph Sander. Description: Leiden ; Boston : Brill, 2020. | Series: Mittellateinische studien und texte, 0076-9754 ; volume 53 | Includes bibliographical references and index. Identifiers: LCCN 2019053092 (print) | LCCN 2019053093 (ebook) | ISBN 9789004419261 (hardback) | ISBN 9789004419414 (ebook) Subjects: LCSH: Magnetism–History–16th century. | Magnetism–History–17th century. Classification: LCC QC751 .S26 2020 (print) | LCC QC751 (ebook) | DDC 538.409/031–dc23 LC record available at https://lccn.loc.gov/2019053092 LC ebook record available at https://lccn.loc.gov/2019053093 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill‑typeface. ISSN 0076-9754 ISBN 978-90-04-41926-1 (hardback) ISBN 978-90-04-41941-4 (e-book) Copyright 2020 by Christoph Sander. Published by Koninklijke -
Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad -
Attention and Awareness in Stage Magic: Turning Tricks Into Research
PERSPECTIVES involve higher-level cognitive functions, SCIENCE AND SOCIETY such as attention and causal inference (most coin and card tricks used by magicians fall Attention and awareness in stage into this category). The application of all these devices by magic: turning tricks into research the expert magician gives the impression of a ‘magical’ event that is impossible in the physical realm (see TABLE 1 for a classifica- Stephen L. Macknik, Mac King, James Randi, Apollo Robbins, Teller, tion of the main types of magic effects and John Thompson and Susana Martinez-Conde their underlying methods). This Perspective addresses how cognitive and visual illusions Abstract | Just as vision scientists study visual art and illusions to elucidate the are applied in magic, and their underlying workings of the visual system, so too can cognitive scientists study cognitive neural mechanisms. We also discuss some of illusions to elucidate the underpinnings of cognition. Magic shows are a the principles that have been developed by manifestation of accomplished magic performers’ deep intuition for and magicians and pickpockets throughout the understanding of human attention and awareness. By studying magicians and their centuries to manipulate awareness and atten- tion, as well as their potential applications techniques, neuroscientists can learn powerful methods to manipulate attention to research, especially in the study of the and awareness in the laboratory. Such methods could be exploited to directly study brain mechanisms that underlie attention the behavioural and neural basis of consciousness itself, for instance through the and awareness. This Perspective therefore use of brain imaging and other neural recording techniques. seeks to inform the cognitive neuroscientist that the techniques used by magicians can be powerful and robust tools to take to the Magic is one of the oldest and most wide- powers. -
The Lost Treasure
Scholastic Australia For all the boys and girls who dream the impossible dream —COS The Lost Treasure For my little For my brother, water-babies, Tom—the born Eva, Jesse & Heath performer Scholastic Australia —James Hart 345 Pacific Highway Lindfield NSW 2070 —Jack Heath An imprint of Scholastic Australia Pty Limited PO Box 579 Gosford NSW 2250 ABN 11 000 614 577 www.scholastic.com.au Part of the Scholastic Group Sydney • Auckland • New York • Toronto • London • Mexico City • New Delhi • Hong Kong • Buenos Aires • Puerto Rico Published by Scholastic Australia in 2018. Text & illustrations copyright © Scholastic Australia, 2018. Text by Cosentino with Jack Heath. By Illustrations by James Hart. Internal images: p14 and various pages, Stars © Alisovna/Creative Market All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, storage in an information retrieval system, or otherwise, without the prior written permission of the publisher, unless specifically permitted under the Australian Copyright Act 1968 as amended. The Grand iLlusionist A National Library of Australia Cataloguing-in- Publication entry exists for this book. ISBN 978 1 74299 415 4 Typeset in PMN Caecilia, Archer, Courney Rough. with Jack Heath Printed in China by MaxiPro. Scholastic Australia’s policy, in association with MaxiPro, is to use papers that are renewable and made efficiently from wood grown in Illustrated by James Hart responsibly managed forests, so as to minimise its environmental footprint. 10 9 8 7 6 5 4 3 2 1 18 19 20 21 22 / 1 A Scholastic Australia Book Recommended for children aged 7 years and over. -
Rare Posters
Public Auction #009 Rare Posters Conjuring, Circus, and Allied Arts For sale at public auction March 26 2011 at 11:00 am Exhibition March 22 - 25 Potter & Potter Auctions, Inc. 3729 N. Ravenswood Ave. -Suite 116- Chicago, IL 60613 Thank you for downloading the digital edition of this catalog. Hard copies can be purhased at our website, www.potterauctions.com. To view detailed, color images of each lot and to place bids online for items in this catalog, please visit our partner website, www.liveauctioneers.com. Introduction Magic is the oldest of the theatrical arts. Its earliest origins was frequently shown with diminutive red devils or imps were in Shamanism and the priesthood. By the time of ancient perched on his shoulder or whispering (presumably arcane Egypt, clever conjurors were using many of the same tricks secrets) in his ear. Some of these portraits include a background performed by magicians today to convince the masses of their which suggests that the person pictured is a magician or the supernatural power. In the thousands of years since its earliest portrait itself is stylized in such a manner as to suggest that recorded beginnings, magic moved from the temples of ancient the person is a mystery worker or, at the very least, an exotic times to the street corners and fairs of the Middle Ages, then personality. Notable in this regard are the portrait lithographs into taverns and drawing rooms and, finally, onto the stage and of Chung Ling Soo, Alexander, and Cater. Also in this category television. are some posters which only vaguely suggest an illusion being When the art of conjuring split from its religious and performed, such as the poster for The Great Rameses. -
The Underground Sessions Page 36
MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From -
By Tom Ewing
Magical Treasures of Philadelphia by Tom Ewing n behalf of the vibrant magic community Hosting this national convention is also noth- in Philadelphia, welcome to the many ing new to the city as we have done so on Onational convention attendees to our city. four other occasions—1931, 1968, 1972, and We have a rich political history as the site of 1976. We can also boast five National S.A.M. the First and Second Continental Congresses Presidents and two Deans of the Society with during the American Revolution. It was here, close ties to the city. too, that the Declaration of Independence was drafted and adopted, and from 1790- In mid-1700s, Philadelphian Jacob Meyer be- 1800 we served as the nation’s capital. It was gan performing magic and eventually adopt- also the home of Benjamin Franklin, Betsy ed the stage name Philadelphus Philadelphia Ross, and other notables. and rose to fame here and abroad. He trav- eled extensively throughout Europe and per- We have a rich magic history stretching back formed before the Empress Catharine and Sultan to those early colonial days up to the present. Mustapha the Third at Constantinople. Also in the late 1700s, conjurors such as should be more on theaters and buildings or Hymen Saunders, Signor Falconi, and John people. Since people are far more interesting, Rannie performed at local taverns and public I went with human treasures. Of course, I had houses in the city. to throw in some buildings and theaters, too. It was also here that Von Kempelen’s chess- Magic Shops playing automaton, “The Turk,” spent its final and last days. -
The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol
Cybaris® Volume 6 | Issue 1 Article 2 2015 The ffecE ts of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law Jared R. Sherlock Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sherlock, Jared R. (2015) "The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol. 6: Iss. 1, Article 2. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Sherlock: The Effects of Exposure on the Ecology of the Magic Industry: Pre Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 2 THE EFFECTS OF EXPOSURE ON THE ECOLOGY OF THE MAGIC INDUSTRY: PRESERVING MAGIC IN THE ABSENCE OF LAW JARED R. SHERLOCK † I. Introduction ................................................................................. 3 II. BackGround of Intellectual Property in the Magic Industry .................................................................................... 4 A. Brief History ...................................................................... 4 B. The -
Robert-Houdin. Conjuror, Author, and Ambassador
ROBERT-HOUDIN. CONJUROR, AUTHOR, AND AMBASSADOR. BY HENRY RIDGELY EVANS. ON a certain day in the year 1843, the Count de I'Escalopier, a scion of the old regime of France, and a great lover of curios, was strolling along an unpreten- tious street of the Marais Quarter, of Paris. He stopped to look at /''' some mechanical toys displayed %*^ in the window of a dark little shop, over the door of which was painted the following modest sign: "M. Robert-Houdin, Pendules de Precision." This sign noted the fact that the proprietor was a watchmaker, and that his wares were distinguished for precise run- ning. What particularly attracted the nobleman's attention was a peculiar looking clock of clearest crystal that ran apparently with- out works, the invention of M. Robert-Houdin. The Count, who was a great lover of science amu- sante, or science wedded to recrea- tion, purchased the magic clock, and better than that made the acquaintance of the inventor, the obscure watchmaker, who was l"The cut represents the magic clock invented by Robert-Houdin about sixty years ago. This very remarkable time-piece consists of a dial composed of two juxtaposed disks of glass, one of which is stationary and carries the hours, while the other is movable and serves for the motion of the hands. This latter disk is provided with a wheel or rather a toothed ring con- cealed within the metallic ring forming a dial. The glass column which constitutes the body of 714 THE OPEN COURT. destined to become the greatest of prestidigitateurs, an author and ambassador. -
Vernon Lecture Magic Castle April 1, 1977 L&L
Dai Vernon Lecture at the Magic Castle, April 1 st , 1977 (DVD from L&L Publishing as part of the 2012 commemorative set) Transcription and Notes by Roberto Giobbi, June 2011/February 2012 G = general remarks TH = theory T = technique S = subtlety E = effect A = anecdote P = presentation Category Content Comment G Tape starts without introduction. DV sits at the table in the “Parlour of Prestidigitation” “Be natural” is one of Dai Vernon’s most of the Magic Castle. misunderstood credos. By watching this and He says that in order to fool people you have to be natural and not use fancy moves, other lectures carefully it is easier to understand which are just exhibition of dexterity, not magic. than if reading the books, one of the few advantages of video. E/T Does vanish of a large ball (used as loads) by apparently transferring it from the right This double vanish is wonderful. I’ve never seen hand to his left hand and using the wand as protection. Repeats, but really places ball anybody except DV do this. The timing on the in left hand, then uses Silent Mora wand spin to vanish. This looks impossible, wand spin is incredible – it looks like real magic. absolutely beautiful. This is explained only briefly. E/T Shows a ball vanish used by Nate Leipzig , were a ball is pushed down into the left fist using the right thumb, and when the right hand moves away, it surreptitiously catches the ball falling from the hand – similar dynamics to the wand spin vanish just shown. -
DOMENICO DANTE FISM International President Dear
DOMENICO DANTE FISM International President Dear President, Dear Friend in Magic, My philosophy has always been this: “facts speak for themselves”. You can check what I did in these three/six years, with the precious help of the Int. Vice Presidents and the Consultancy Groups, in my triennial report that will be sent to you soon. There is still a lot to do of course and this is why I am asking for the re-election (according to our Statutes for the last period of three years possible,) to accomplish something that is very important to me, since one of the main goals of FISM is to improve Magic and to raise the level of Magicians: - FISM Competition Compliance System (CCS) that will provide rules and services to Associated Societies to better Qualify their Competition and promote them as FISM Compliance Competition. - FISM Jury Qualification System (JQS) selecting and training qualified Judges to assure uniformed and high-quality judging all over the World. - To go on promoting FISM also outside the world of magic (including Academies and Universities). The Fism Board is already working on this matter and the success of the project matters to me. I want to thank you all for the support you gave to me and the Board during these years. It is a great reward for the really hard job we did. Kindest regards Domenico Dante DOMENICO DANTE FISM International President Dear President, Dear Friend in Magic, Ma philosophie a toujours été celle-ci : « Les faits parlent d’eux-mêmes ». Vous pourrez vérifier tout ce que j’ai accompli durant ces trois/six ans, avec la précieuse collaboration de mes deux vice-présidents et des Consultancy Groups, dans mon rapport triennal que vous recevrez sous peu.