DOCSLIB.ORG

Don Giovanni

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Don Giovanni DON GIOVANNI LYRIC THEATRE @ ILLINOIS Music by Wolfgang Amadeus Mozart | Libretto by Lorenzo Da Ponte Filippo Ciabatti, conductor | Nathan Gunn, director and featured artist Thursday-Saturday, February 22-24, 2018, at 7:30pm Sunday, February 25, 2018, at 3pm Tryon Festival Theatre THANK YOU TO OUR SPONSORS This production of Don Giovanni has been sponsored in part by the following generous gifts: THE ESTATE OF PHYLLIS CLINE MICHAEL AND SUSAN HANEY THE ACT OF GIVING OF ACT THE A. MARK NEUMAN IN HONOR OF SERGEANT SHAWNA M. MORRISON (1978-2004), THE FIRST FEMALE STUDENT FROM THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN TO FALL IN COMBAT SERVICE IN THE UNITED STATES ARMED FORCES 2 WELCOME We are delighted to welcome you to the 2017-18 February brings Mozart’s Don Giovanni to the Lyric Theatre @ Illinois season! We are showcasing Tryon Festival Theatre, directed and sung by a wide range of sung theatre this year, from Nathan Gunn in his directorial debut! classical masterpieces to children’s stories to edgy March, two workshops of new operas, written by off-Broadway titles to absurdist political satire. women for women, in cooperation with American September brought us [title of show], a co- Opera Projects and the Prototype Festival. production with Allerton Park, Jeff Bowen and And finally,She Loves Me, Harnick and Bock’s Hunter Bell’s hilarious and moving exploration of charming musical about a pair of perfume shop the lives of young creative minds in today’s New clerks—is the tension between them secretly love? York City. In November, Hansel and Gretel by the Now in our fourth year, Lyric Theatre continues Brothers Grimm, with a breathtakingly beautiful to grow rapidly. At clinics and masterclasses score by Engelbert Humperdinck. Gingerbread around North America, Europe, and Asia we houses, dew fairies, witches, and angels ushered are being recognized as leaders in the 21st- in the holidays for every age. century development of performers, pedagogy, In December, we explored Russia and the production, and new works. We’re excited to Revolution of 1917 with Tschaikovsky, Borodin, share our community here at Krannert Center for and Prokofiev scenes surrounding the workshop the Performing Arts with the world. of Black Square, a new opera by a creative team Yours, that has recently been at the center of artistic and Julie and Nathan Gunn political events at the Bolshoi Theatre in Moscow. DIRECTORS, LYRIC THEATRE @ ILLINOIS 3 PROGRAM DON GIOVANNI LYRIC THEATRE @ ILLINOIS Music by Wolfgang Amadeus Mozart Libretto by Lorenzo Da Ponte Filippo Ciabatti, conductor Nathan Gunn, director and featured artist Thursday-Saturday, February 22-24, 2018, at 7:30pm Sunday, February 25, 2018, at 3pm Tryon Festival Theatre ACT I 20-minute intermission ACT II This production includes gun shots, smoke, haze, strobe effects, and mature content. Lyric Theatre @ Illinois is produced by the University of Illinois School of Music (Jeffrey Magee, director). 4 DON GIOVANNI CONDUCTOR MEDIA DESIGNER Filippo Ciabatti Anja Hose DIRECTOR PROPERTIES MASTER Nathan Gunn Kyra Lyon CHORUS MASTER/ASSISTANT CONDUCTOR HAIR/MAKEUP COORDINATOR Fernando Malvar-Ruiz Samantha C. Jones CONTINUO MUSIC ADMINISTRATOR Alex Munger Michael Tilley ASSOCIATE DIRECTOR COACHING STAFF/ACCOMPANISTS Sarah Wigley Jaime Cohen Jeeson Eun FIGHT CHOREOGRAPHER Alphonsus Kiu Zev Steinberg Cadis Ying-Jie Lee SCENIC DESIGNER Alex Munger José Manuel Díaz-Soto STAGE MANAGER COSTUME DESIGNER Cathy Fazio Nicole Zausmer TECHNICAL DIRECTOR LIGHTING DESIGNER Dylan Kind Eric Van Tassell ASSISTANT DIRECTOR/SUPERTITLES SOUND DESIGNER Nole F. Jones Matt Powell 5 CAST DON GIOVANNI CHORUS Nathan Gunn^ Corey James Barlow Euigun Lee# Colleen Bruton Kevin Lucas (Cover) Grant Stephen Pierce Ebert Elizabeth Gartman DONNA ANNA Olivia Candace Gronenthal † Anna Kristine Phillips Caitlin Elizabeth Hennessy Yunji Shim* Scott Christian Knier DONNA ELVIRA Nic Koch Gabrielle LaBare* Wes Litten Kimberly Ann Ouellette† Jessica Rose Ragsdale Jessica Rose Ragsdale (Cover) Geoffrey Schmelzer Maggie Wolfe LEPORELLO Jonathan Michael Cortez† PARTY MUSICIANS Dean Perry Moore, II* Terence Lo Grant Stephen Pierce Ebert (Cover) Kayla Schoeny Alyssa Tong ZERLINA Laura Schachner† ^February 22, 23, 24 Loucine Brigitte Topouzian* *February 22, 24 Maggie Wolfe (Cover) †February 23, 25 #February 25 MASETTO Kevin Lucas† Xiaoyi Zha* DON OTTAVIO Ryan Bryce Johnson* Andrew Turner† Corey James Barlow (Cover) COMMENDATORE Philip Phillips DONNA ELVIRA’S WOMAN Caitlin Elizabeth Hennessy 6 ORCHESTRA VIOLIN OBOE Connie Bao Matthew Harms Noah Larson Erin Mathewson Gaeun Kim Edyta Krejner CLARINET Claudia Kubarycz-Hoszowska Dasom Nam Daniel Ostrow Jacey Schick Lina Saleh BASSOON Trevor Thompson Alex Brake Alyssa Tong Megan Braunschweig Hannah Woo FRENCH HORN VIOLA Molly Frederick Natalie Briggs Clark Stevens Elsie Han Jacqueline Scavetta TRUMPET Nicole Gillotti CELLO Saori Kataoka Nikita Annenkov Masha Begacheva TROMBONE Terence Lo Walter Cook Kayla Schoeny Matt Granger Nick Wurl BASS James Jaeger TIMPANI Justin Slater Sebastian Nassar Guilherme Ehrat Zils KEYBOARD FLUTE Jamie Cohen Zach Osinski Cadis Lee Sammy White 7 SYNOPSIS ACT ONE Capitol has acquired and then pillaged to feed Libertine Capitol Building, Manhattan, NY, Elvira’s sexual jealousy by describing these minutes before the close of trading ”belle” as if they were women. Elvira does drugs An office bustling with energy and activity. The to drown her misery. Commendatore attempts to see Don Giovanni about the attempted takeover of his company, The main office Sebastian Shipping. A group of workers from the company arrive to set up for a party. Zerlina has been charged with Leporello stands sentinel outside Giovanni’s getting the party ready for Libertine Capitol. office, complaining about his lot in life and his Masetto’s food truck is catering the event so he desire for power and wealth. Don Giovanni is there working. The staff are goofing around is inside, aggressively taking over Sebastian pretending to be the guests. Masetto and Zerlina Shipping. Donna Anna, his childhood friend and play the guests of honor in a mock wedding. heiress to the family company, is panicking. He Leporello arrives with Giovanni who sets his sight has secretly hacked into her computer and can on Zerlina. see her through her computer camera. Giovanni decides to have an impromptu party The Commendatore has discovered Giovanni’s at his office. Leporello is ordered to distract scheme and bursts in, wishing to fight. Giovanni Masetto. Giovanni and Zerlina are left alone. shoves him out of the door. The Commendatore dies on the stairs. Libertine Capitol lobby Giovanni woos Zerlina, who is intrigued by the Giovanni is under the impression that he killed attention from her employer. Elvira has regained Anna’s father. Leporello considers his master’s consciousness just in time to save the ”miserable takeover of Sebastian Shipping as ”rape” and the innocent” from Giovanni’s clutches. death of the Commendatore ”murder.” Giovanni wants to celebrate after his huge victory Anna asks Ottavio for help in saving her father’s over Sebastian Shipping. Ottavio enters with company. He pledges to spill his own blood in Anna seeking Giovanni’s help. He promises to order to do so. help in every way he can. Elvira enters and attacks Giovanni. He has her escorted out of the building. Leporello upbraids Giovanni for his sins. Giovanni He returns to Anna and Ottavio to apologize and responds angrily, but he is interrupted by the say that he must leave them in order to be sure arrival of his wife, Donna Elvira. The Don tries to Elvira gets home safely. His words gives his true calm Elvira and reassure her that he does love her. nature away: he calls her ”bellissima” (one of his She wants none of it, so he asks Leporello to tell ”belle”). Anna suddenly recognizes him as the her what he has been up to . Leporello begins man who attacked her (Sebastian Shipping) and to weave his web of deceit. then killed her father. He realizes that Elvira is vulnerable. He knows Anna retells the story of Giovanni attacking her exactly how he can begin bringing Giovanni down. (the company) as she was helpless and alone in He uses the list of companies that Libertine her office. Her story is meant to raise jealousy Leporello returns with Elvira, sees the light from in Ottavio. She asks him to avenge her and her the corner where Masetto and Zerlina are, and father. He is determined to help her. decides to investigate. Leporello enters complaining about Giovanni Don Ottavio then enters, having been sent by again. Giovanni sees Leporello and asks him how Donna Anna to avenge her father’s murder. everything is going. Leporello has done all that They all individually want to punish him. Masetto he asked in order to prepare for the party and suggests that all three of them do it. They seize Zerlina has arrived. Finally, things seem to be Leporello, still disguised as Giovanni. going well and a big celebration for his conquest can finally happen. Leporello begs for forgiveness from the four of them and claims that he is also a victim. He Giovanni sings in celebration. escapes to Giovanni’s secret room. Libertine Capitol lobby Ottavio is convinced that there is no doubt Masetto and Zerlina find themselves early for Giovanni is the killer. He goes to the back of the party. In order to make peace with Masetto, the office to get online to spread the news of Zerlina suggests he beat her. Masetto skulks off Giovanni being a ”rapist and murderer.” Masetto to the protest of Zerlina. The party begins. Anna, does the same on his mobile. Elvira also joins the Ottavio, and Elvira arrive in disguise and join the social media attack. festivities. An imbroglio ensues. Leporello has come out of hiding. He is in ACT TWO Giovanni’s office. We see the breaking news of the Commendatore’s death.
Load more

Recommended publications
  • Les Tubes De L'été
    N°23 – juillet 2017 LES TUBES DE L’ÉTÉ Chaque été, on aime écouter en boucle la même chanson, la chanter à tue-tête, danser dessus… Et quand on retourne à l’école, on la réécoute en repensant aux vacances. C’est ça, la magie des tubes de l’été, ces chansons qui connaissent un grand succès. Quel sera le morceau des grandes vacances cette année ? D’où viennent les tubes de l’été ? Comment fait-on un album et comment se fabrique un tube aujourd’hui ? Le P’tit Libé t’emmène en musique sur la route des vacances. ERZA, 11 ANS, CHANTEUSE DES KIDS UNITED En plus, on a tourné le clip au «Je ne pensais avoir ce succès Sénégal pendant quatre jours au début. On me demandait et on s’est vraiment amusés.» des photos, des autographes, on me reconnaissait dans la La jeune chanteuse habite rue... Maintenant je me suis à Sarreguemines, une ville habituée et ça me fait toujours située dans le nord-est plaisir.» de la France. Elle termine son année de sixième avec des Tout le mois de juillet, Erza félicitations. Elle va à l’école se produit devant des milliers la semaine comme tous les de spectateurs lors d’une Erza a 11 ans et elle est déjà autres enfants. Mais le soir, dizaine de concerts en France, une star ! Elle fait partie après avoir mangé et fait en Belgique et en Suisse. En des Kids United, avec quatre ses devoirs, elle répète souvent août, elle pourra enfin autres enfants âgés de de nouveaux morceaux.
    [Show full text]
  • 2020-2021 Season Changes
    CONTACT Amanda J. Ely FOR IMMEDIATE RELEASE Director of Audience Development [email protected] 757-627-9545 ext. 3322 VIRGINIA OPERA REVISES SCHEDULE OF 2020–2021 SEASON PRODUCTIONS: OPENER RIGOLETTO CANCELLED; REVISED TRIO OF PERFORMANCE OFFERINGS TO BEGIN FEBRUARY 2021 WITH DOUBLE BILL LA VOIX HUMAINE/GIANNI SCHICCHI TO REPLACE COMPANY DEBUT OF COLD MOUNTAIN; MOZART’S THE MARRIAGE OF FIGARO AS SCHEDULED; AND THE PIRATES OF PENZANCE RESCHEDULED TO APRIL 2021 Virginia Opera makes major changes to offerings and events in continuing response to effects of COVID-19 Hampton Roads, Richmond, Fairfax, VA (June 30, 2020)—Today, Virginia Opera, The Official Opera Company of the Commonwealth of Virginia, announces an overhaul of the company’s previously announced main stage opera schedule for the 2020-2021 “Love is a Battlefield” season due to ongoing effects and circumstances surrounding the COVID-19 pandemic. A number of revisions affecting every facet of the company’s operations both on and off stage were required, including debuting the 2020–2021 Season offerings in February 2021, with an attenuated three-production statewide schedule between February 5, and April 25, 2021. Giuseppe Verdi’s Rigoletto, formerly the company’s lead-off October 2020 production, will not be performed; Gilbert and Sullivan’s The Pirates of Penzance will be rescheduled from November 2020 to April 2021; and the VO season will now begin in February 2021 with the change of a double bill featuring Francis Poulenc’s La Voix Humaine and Giacomo Puccini’s Gianni Schicchi performed in place of Jennifer Higdon and Gene Scheer’s Cold Mountain.
    [Show full text]
  • La Voix Humaine: a Technology Time Warp
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • 2018 BAM Next Wave Festival #Bamnextwave
    2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts.
    [Show full text]
  • A Season of Thrilling Intrigue and Grand Spectacle –
    A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents.
    [Show full text]
  • LIZZIE MOORE Personal Details Age Range 27-37 Height 173Cm | 5’8” Hair Brown | Shoulder Length Eyes Blue-Green Vocal Range F#3 – C6 (Belt to Eb5)
    Better Management Entertainment Group LIZZIE MOORE Personal Details Age Range 27-37 Height 173cm | 5’8” Hair Brown | Shoulder length Eyes Blue-green Vocal Range F#3 – C6 (Belt to Eb5) Theatre Experience (partial list) 2019 Sweet Charity Nickie/Ursula Understudy Productions: Dir. Maureen Bowra/Kris Stewart 2018 Coal Miner’s Daughter Patsy Cline Mario Maiolo Productions: Dir. Amber Joy Poulton 2017 The Last Five Years Cathy Hiatt Wax Lyrical Productions Dir. Zoe Tuffin 2017 Kiss Me, Kate Hattie Opera Queensland: M.Dir. Guy Noble 2016 Other Women headlining vocalist Wonderland Festival Dir: Zoe Tuffin 2016 State of Origin Margaret Strut & Fret: Dir. David Bell 2016 Gaybies actor / vocalist Melt Festival/Brisbane Powerhouse 2015 Cool Britannia self Brisbane Powerhouse/Queensland Cabaret Festival 2014 Jesus Christ Superstar Mary Magdalene Arts Centre Gold Coast: Dir. Kris Stewart 2014 On A Night Like This Erin Minogue Adelaide and Queensland Cabaret Festival/ BL_NK, London 2013 Ordinary Days Deb Tasmanian Theatre Company: Dir. Kris Stewart 2013 Live! At The Riviera female lead Ten Days on the Island Festival 2012 Cabaret Sally Bowles The Playhouse Theatre: Dir. Allan Jeffries 2011 Trocadero Dance Palace Elizabeth Sydney Festival: Dir. Kris Stewart 2010 [title of show] Heidi Squabbalogic/The Seymour Centre: Dir. Jay James-Moody 2009 Closer solo cabaret season The Duplex, New York City: Dir. Jessica McLeod 2008 La Femme Est Morte Two PS 122, New York City (Off-Broadway): Dir. Shoni Currier 2007 You People Teena/rock soloist The Shalimar, New York City: Dir. Joey Williams 2007 Guerrilla Musicals Project Emily New York Musical Theatre Festival: Dir.
    [Show full text]
  • Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected]
    FOR IMMEDIATE RELEASE CONTACT: Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected] www.playwrightsfoundation.org TOP BAY AREA ACTORS, DIRECTORS AND DRAMATURGS TAPPED FOR 2011 BAY AREA PLAYWRIGHTS FESTIVAL TheatreWorks’ Meredith McDonough, Marin Theatre Company’s Ryan Rilette & Bay Area Actors, Naomi Newman, Nicol Foster and Dan Hiatt Among the Artists Supporting our Playwrights in Annual New Play Festival SAN FRANCISCO – The 34th annual Bay Area Playwrights Festival (BAPF) has completed assembly of its artistic teams and is sure to continue its tradition of producing exciting, innovative theatrical experiences. The Festival lineup includes seven new plays in the making – allowing audiences to witness the creative process as it unfolds – and partake in a rich diversity of voices and topics, ranging from the challenges of welcoming home an Iraqi war veteran to Australian racial identity to life and death on the streets of Oakland. With exceptional directors orchestrating a cast of top Bay Area actors who bring their keen artistic sensibilities to each piece and talented dramaturgs helping the writers further shape their work (a dramaturg’s function is similar to that of a book editor), each play has been carefully staffed to provide playwrights and audiences with an amazing experience in new play development. As in years past, the Festival has attracted some of the most exciting up-and-coming directing talent who are eager to tackle the exciting new work brought by the emerging playwrights. Dan Dietz’s Home Below Zero will be directed by Meredith McDonough, who, despite being a relative newcomer to Bay Area theater, has made a significant mark since her arrival in 2009.
    [Show full text]
  • Céline Dion ? Céline Dion
    0,395 Patrick Delisle-Crevier Qui est RACONTE-MOI Céline Dion ? Céline Dion La fille cadette d’une famille de 14 enfants Patrick Delisle-Crevier La chanteuse que l’on surnomme » la « Reine de Las Vegas L’artiste québécoise la plus connue dans le monde Toutes ces réponses ! Céline Dion chante pour la première fois seule sur une scène à l’âge de quatre ans. Dès ce moment, le rêve de devenir la plus grande chanteuse du monde s’imprime dans le cœur de la petite fille. Aidée de sa mère, Thérèse, Céline Dion et plus tard de son imprésario, René Angélil, elle va - tout faire pour y arriver. Découvre l’histoire de celle qui, avec sa voix exceptionnelle et sa détermination à toute épreuve, est devenue une star mondiale. MOI RACONTE 10 AUTRES TITRES DE LA COLLECTION Raconte-moi 10 – Carey Price – Marie-Mai – René Lévesque – – Les Nordiques – Julie Payette – Pierre Elliott Trudeau – – Joey Scarpellino – Les Canadiens – Max Pacioretty – – Les Jeux olympiques de Montréal – ISBN 978-2-89754-000-5 Illustré par François Couture. Illustration de la couverture : Jean-François Vachon Hébert Christine Design graphique : Raconte-moi Celine Dion.indd All Pages 2016-02-12 11:55 Raconte-moi Céline Dion.indd 2 2016-02-12 11:55 RACONTE-MOI Céline Dion La collection Raconte-moi est une idée originale de Louise Gaudreault et de Réjean Tremblay. Raconte-moi Céline Dion.indd 3 2016-02-12 11:55 Éditrice-conseil : Louise Gaudreault DISTRIBUTEUR EXCLUSIF : Mentor : Réjean Tremblay Pour le Canada et les États-Unis : Coordination éditoriale : Pascale Mongeon MESSAGERIES ADP inc.* Direction artistique : Julien Rodrigue 2315, rue de la Province et Roxane Vaillant Longueuil, Québec J4G 1G4 Illustrations : François Couture Téléphone : 450-640-1237 Design graphique : Christine Hébert Télécopieur : 450-674-6237 Infographie : Chantal Landry Internet : www.messageries-adp.com Céline Dion Correction : Odile Dallaserra * filiale du Groupe Sogides inc., filiale de Québecor Média inc.
    [Show full text]
  • Ouvrir La Voix (Speak Up/Make Your Way): a Conversation with Amandine Gay
    Journal of Feminist Scholarship Volume 16 Issue 16 Spring/Fall 2019 Article 2 Fall 2019 Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay Anupama Arora University of Massachusetts, Dartmouth, [email protected] Sandrine Sanos Texas A&M University- Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the Africana Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Arora, Anupama, and Sandrine Sanos. 2020. "Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay." Journal of Feminist Scholarship 16 (Fall): 17-38. 10.23860/jfs.2019.16.02. This Article is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Arora and Sanos: Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Aman Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay Anupama Arora, University of Massachusetts Dartmouth Sandrine Sanos, Texas A&M University-Corpus Christi Copyright by Anupama Arora and Sandrine Sanos Amandine Gay Photo by Christin Bela of CFL Group Photography Introduction and Commentary “I’m French and I’m staying here … My kids will stay here too, and we’ll be here a while … I’m not going anywhere.” Afro-feminist French filmmaker Amandine Gay’s 2017 documentary film Ouvrir La Voix (Speak Up/Make you Way) ends with this unequivocal assertion, this claiming of French-ness and France as home, by one of the Black-French interviewees in the film.
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]
  • Kappale Artisti
    14.7.2020 Suomen suosituin karaokepalvelu ammattikäyttöön Kappale Artisti #1 Nelly #1 Crush Garbage #NAME Ednita Nazario #Selˆe The Chainsmokers #thatPOWER Will.i.am Feat Justin Bieber #thatPOWER Will.i.am Feat. Justin Bieber (Baby I've Got You) On My Mind Powderˆnger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Can't Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Every Time I Turn Around) Back In Love Again LTD (Everything I Do) I Do It For You Brandy (Everything I Do) I Do It For You Bryan Adams (Hey Won't You Play) Another Somebody Done Somebody Wrong Song B. J. Thomas (How Does It Feel To Be) On Top Of The W England United (I Am Not A) Robot Marina & The Diamonds (I Can't Get No) Satisfaction The Rolling Stones (I Could Only) Whisper Your Name Harry Connick, Jr (I Just) Died In Your Arms Cutting Crew (If Paradise Is) Half As Nice Amen Corner (If You're Not In It For Love) I'm Outta Here Shania Twain (I'll Never Be) Maria Magdalena Sandra (It Looks Like) I'll Never Fall In Love Again Tom Jones (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life Bill Medley-Jennifer Warnes (I've Had) The Time Of My Life (Duet) Bill Medley & Jennifer Warnes (Just Like) Romeo And Juliet The Re˜ections (Just Like) Starting Over John Lennon (Marie's The Name) Of His Latest Flame Elvis Presley (Now & Then) There's A Fool Such As I Elvis Presley (Reach Up For The) Sunrise Duran Duran (Shake, Shake, Shake) Shake Your Booty KC And The Sunshine Band (Sittin' On) The Dock Of The Bay Otis Redding (Theme From) New York, New York Frank Sinatra (They Long To Be) Close To You Carpenters (We're Gonna) Rock Around The Clock Bill Haley & His Comets (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears (You Gotta) Fight For Your Right (To Party!) The Beastie Boys 1+1 (One Plus One) Beyonce 1000 Coeurs Debout Star Academie 2009 1000 Miles H.E.A.T.
    [Show full text]
  • BOOK &MUSIC by Joe Kinosian BOOK
    BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49
    [Show full text]