Télécharger Le Programme
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ontario Report: Process Or Content?
Ontario Report: Process or Content? Murray G. Ross * The Learning Society. Report of the Commission on Post-Secondary Education in Ontario. Toronto : the Ministry of Government Services, 1972. The final report of the Commission on Post-Secondary Education in Ontario is such a vast improvement on its Draft Report that one is tempted to greet this new document with unqualified enthusiasm. The Draft Report published in January 1972 was a near disaster. Ill-conceived and badly written, it shocked the academic world — less by the ideas it proposed than by the level and quality of intellectual activity it represented. The final report, which is entitled The Learning Society, has been tidied up considerably : it is well-organized, clearly focused, and the writing has improved remarkably. But a comparison with the Draft Report is not an adequate basis upon which to judge the result of the Commission's work. One must see this latter in terms of the time, money and resources available. This is a Commission that has been in existence for four years, it had ample funds (spending $304,000 on its meetings, $671,000 for research, $273,000 for public hearings), members of the Commission visited 11 foreign countries including Japan, Norway, Denmark and West Germany, and it was in receipt of 742 briefs from individuals, groups, and institutions in the Province. Given these resources in time, money and ideas one has a right to expect a thorough examination of the post-secondary system of education in Ontario ; a well-documented and reason pre- sentation of problems, issues and solutions ; and a series of recommendations that give direction not only to the post-secondary educational system as a whole but for the various parts of that system as well. -
Les Tubes De L'été
N°23 – juillet 2017 LES TUBES DE L’ÉTÉ Chaque été, on aime écouter en boucle la même chanson, la chanter à tue-tête, danser dessus… Et quand on retourne à l’école, on la réécoute en repensant aux vacances. C’est ça, la magie des tubes de l’été, ces chansons qui connaissent un grand succès. Quel sera le morceau des grandes vacances cette année ? D’où viennent les tubes de l’été ? Comment fait-on un album et comment se fabrique un tube aujourd’hui ? Le P’tit Libé t’emmène en musique sur la route des vacances. ERZA, 11 ANS, CHANTEUSE DES KIDS UNITED En plus, on a tourné le clip au «Je ne pensais avoir ce succès Sénégal pendant quatre jours au début. On me demandait et on s’est vraiment amusés.» des photos, des autographes, on me reconnaissait dans la La jeune chanteuse habite rue... Maintenant je me suis à Sarreguemines, une ville habituée et ça me fait toujours située dans le nord-est plaisir.» de la France. Elle termine son année de sixième avec des Tout le mois de juillet, Erza félicitations. Elle va à l’école se produit devant des milliers la semaine comme tous les de spectateurs lors d’une Erza a 11 ans et elle est déjà autres enfants. Mais le soir, dizaine de concerts en France, une star ! Elle fait partie après avoir mangé et fait en Belgique et en Suisse. En des Kids United, avec quatre ses devoirs, elle répète souvent août, elle pourra enfin autres enfants âgés de de nouveaux morceaux. -
Québec.Ca/Alertecovid
OBTENEZ L'INTÉGRALITÉ DU JOURNAL EN LIGNE! ~ WWW.PONTIACJOURNAL.COM ~ GET THE ENTIRE JOURNAL ONLINE! Elite BARRIÈRES, MANGEOIRES, CHUTES GATES, FEEDERS, Alain Guérette M.Sc., BAA CHUTES Courtier immobilier inc. 819.775.1666 www.mandrfeeds.com [email protected] Micksburg 613-735-3689 Astrid van der Linden Pembroke 613-732-2843 Courtier immobilier Shawville 819-647-2814 819.712.0635 OCTOBER 21 OCTOBRE 2020 ~ VOL. 34 #20 [email protected] Michaela termine 3e en finale de La Voix Marie Gionet Tout le Pontiac a suivi le parcours de Michaela Cahill à la populaire émission La Voix alors que l’artiste a ouvert ses ailes pour partir à la conquête de la province! Quatre juges se sont retournées aux auditions à l’aveugle, suivis des duels, chants de bataille, quarts de finale, demi-finales, finale; un parcours complet attendait l'artiste originaire de Fort-Coulonge. Pour une première fois dans l’histoire de l’émission, la finale était 100% féminine et l’aventure de Cahill s’est terminée le 18 octobre. Malgré le soutien de la population, l’artiste locale n’a finalement pas pu remporter la dernière étape de la compétition. L’émission lui a donné la chance de travailler aux côtés de talentueux artistes, de Ginette Reno à Tyler Shaw, sans bien sûr oublier qu’elle a pu tout au long de l’aventure compter sur les conseils de son coach, Marc Dupré. Cette expérience lui aura aussi permis de se retrouver sur l’album La Voix chante. Pour Mme Cahill, La Voix était l’occasion de prouver à ses filles qu’il n’est jamais trop tard pour accomplir ses rêves. -
2020-2021 Season Changes
CONTACT Amanda J. Ely FOR IMMEDIATE RELEASE Director of Audience Development [email protected] 757-627-9545 ext. 3322 VIRGINIA OPERA REVISES SCHEDULE OF 2020–2021 SEASON PRODUCTIONS: OPENER RIGOLETTO CANCELLED; REVISED TRIO OF PERFORMANCE OFFERINGS TO BEGIN FEBRUARY 2021 WITH DOUBLE BILL LA VOIX HUMAINE/GIANNI SCHICCHI TO REPLACE COMPANY DEBUT OF COLD MOUNTAIN; MOZART’S THE MARRIAGE OF FIGARO AS SCHEDULED; AND THE PIRATES OF PENZANCE RESCHEDULED TO APRIL 2021 Virginia Opera makes major changes to offerings and events in continuing response to effects of COVID-19 Hampton Roads, Richmond, Fairfax, VA (June 30, 2020)—Today, Virginia Opera, The Official Opera Company of the Commonwealth of Virginia, announces an overhaul of the company’s previously announced main stage opera schedule for the 2020-2021 “Love is a Battlefield” season due to ongoing effects and circumstances surrounding the COVID-19 pandemic. A number of revisions affecting every facet of the company’s operations both on and off stage were required, including debuting the 2020–2021 Season offerings in February 2021, with an attenuated three-production statewide schedule between February 5, and April 25, 2021. Giuseppe Verdi’s Rigoletto, formerly the company’s lead-off October 2020 production, will not be performed; Gilbert and Sullivan’s The Pirates of Penzance will be rescheduled from November 2020 to April 2021; and the VO season will now begin in February 2021 with the change of a double bill featuring Francis Poulenc’s La Voix Humaine and Giacomo Puccini’s Gianni Schicchi performed in place of Jennifer Higdon and Gene Scheer’s Cold Mountain. -
La Voix Humaine: a Technology Time Warp
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
The College System Stong
The College System Stong. The unique character of Calumet College life and governance developed during the many years in Atkinson when Calumet served only commuter students. Master Eric Winter opened the college's first computer A distinguishing feature of York University is the college system that lab and introduced computer-related college courses. In 1991, through the uniquely bridges the large multi-Faculty university to smaller units for a leadership of Master Peggy Keall, Calumet College and Calumet closer relationship between faculty members and students. York Colleges Residence buildings were opened. Calumet is affiliated with the Faculty of are small interdisciplinary communities, with distinctive characters and Arts; we also house the "Business History and Ethics" course in the BBA mandates, that offer a welcoming, innovative and convivial environment programme of the Schulich School of Business. supportive of students successful adjustment to the university and the successful completion of their degree requirements. Each undergraduate As do all colleges, Calumet aims to provide services, facilities and student entering York University for the first time is placed in a college. The opportunities for students in all aspects of university life: academic, social, seven colleges serving day students -- Calumet, Founders, McLaughlin, cultural, and recreational. All members of the Calumet community, Norman Bethune, Stong, Vanier and Winters -- provide a wide range of students, Fellows, alumni, alumnae, and administration are encouraged to academic and extra-curricular activities to complement the instructional participate. programmes of the various Faculties and to enrich the experience of the Behind all of Calumet's activities there is a fundamental point of view, a York student. -
Proquest Dissertations
"The House of the Irish": Irishness, History, and Memory in Griffintown, Montreal, 1868-2009 John Matthew Barlow A Thesis In the Department of History Present in Partial Fulfilment of the Requirements For the Degree of Doctor of Philosophy at Concordia University, Montreal, Quebec, Canada March 2009 © John Matthew Barlow, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-63386-1 Our file Notre reference ISBN: 978-0-494-63386-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre im primes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
Ouvrir La Voix (Speak Up/Make Your Way): a Conversation with Amandine Gay
Journal of Feminist Scholarship Volume 16 Issue 16 Spring/Fall 2019 Article 2 Fall 2019 Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay Anupama Arora University of Massachusetts, Dartmouth, [email protected] Sandrine Sanos Texas A&M University- Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the Africana Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Arora, Anupama, and Sandrine Sanos. 2020. "Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay." Journal of Feminist Scholarship 16 (Fall): 17-38. 10.23860/jfs.2019.16.02. This Article is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Arora and Sanos: Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Aman Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay Anupama Arora, University of Massachusetts Dartmouth Sandrine Sanos, Texas A&M University-Corpus Christi Copyright by Anupama Arora and Sandrine Sanos Amandine Gay Photo by Christin Bela of CFL Group Photography Introduction and Commentary “I’m French and I’m staying here … My kids will stay here too, and we’ll be here a while … I’m not going anywhere.” Afro-feminist French filmmaker Amandine Gay’s 2017 documentary film Ouvrir La Voix (Speak Up/Make you Way) ends with this unequivocal assertion, this claiming of French-ness and France as home, by one of the Black-French interviewees in the film. -
TORONTO RENAISSANCE and REFORMATION COLLOQUIUM Members
- 87 - TORONTO RENAISSANCE AND REFORMATION COLLOQUIUM Members. 1967-68 Miss Anne Begor, Dept. of English, University College, Univ. of Toronto Mrs, Lita-Rose Betcherman, k Gardiner Road, Toronto 10, Ontario William P. Blissett, Depto of English, University College, Univ. of Toronto David A„ Blostein, Dept. of English, Victoria College, Univ» of Toronto A.H.Brodie, Dept. of English, University of Guelph, Guelph, Ontario Miss Marion Bro\m, Rare Book Room, University of Toronto Library Mrs. Patricia L. Briickmann, Dept. of English, Trinity College, Univ. of Toronto Allen Bo Cameron, Dept. of English, New College, Univ. of Toronto James A. Carscallen, Dept. of English, Victoria College, Univ. of Toronto Miss A.L.Cook, 3^ Tranby Avenue, Toronto 5, Ontario Miss Beatrice M. Corrigan, Dept. of Italian and Hispanic Studies, Univ. of Toronto L. Cummings, St. Jerome's College, Univ. of Waterloo, Waterloo, Ontario John P. Cutts, Dept. of English, Wayne State Univ., Detroit, Mich» 48202 U.S.A. Mrs. Natalie Z. Davis, Dept. of History, Univ. of Toronto Miss Ellen Denoon, Dept, of English, University College, Univ. of Toronto EoJoDevereux, Dept. of English, Univ. of Western Ontario, London, Ontario ReVo R.B.Donovan, Dept. of French, St. Michael's College, Univ. of Toronto Stillman Drake, Inst, for the History and Philosophy of Science and Technology, 'it. Univ. of Toronto (621 Spadina Ave,, Toronto) -__ - G.Warren Drake, Faculty of Music, Univ. of Toronto Thomas F, Dunn, Dept. of English, Canisius College, Buffalo 1^4-208 N.Y., U.S.A. Alvin J. Dust, Dept. of English, Univ. of Waterloo, Waterloo, Ontario Miss L.Diane Dyer, Depto of Romance Languages, McMaster Univ., Hamilton, Ontario Mrs, Gwenda Echard, Dept. -
Sherbrooke : Sa Place Dans La Vie De Relations Des Cantons De L’Est Pierre Cazalis
Document généré le 1 oct. 2021 05:11 Cahiers de géographie du Québec Sherbrooke : sa place dans la vie de relations des Cantons de l’Est Pierre Cazalis Volume 8, numéro 16, 1964 Résumé de l'article Because they are due to economic contingencies rather than to unfavourable URI : https://id.erudit.org/iderudit/020498ar natural conditions, present-day regional disparities compel the geographer to DOI : https://doi.org/10.7202/020498ar modify his concept of the region. Whereas in the past the region was considered essentially as a physical entity, to many authors it appears today to Aller au sommaire du numéro be « a functional area, based on communication and exchange, and as such defined less by its limits than by its centre » (Juillard). It is this concept which will be used in regional planning. Éditeur(s) Taking the city of Sherbrooke as a nodal centre, the author attempts to define such a region through an analysis and graphical representation of the Département de géographie de l'Université Laval complementary roles in influence and attraction played by the city in the fundamental aspects of employment, trade, finance, education, ISSN communication, health and government. Although it is already well-developed in the secondary sector, with more than 9,000 workers employed in industry 0007-9766 (imprimé) and an annual production worth more than $100 million, Sherbrooke bas a 1708-8968 (numérique) power of attraction and influence which is due essentially to its tertiary sector : wholesale trade, insurance, education, communication. Ac-cording to the Découvrir la revue criteria mentioned above, the area dominated by Sherbrooke includes the whole of the following counties : Sherbrooke, Stanstead, Richmond, Wolfe and Compton ; and the greater part of Frontenac, Mégantic, Artbabaska, Citer cet article Drummond and Brome counties.