2016 Using the Literature to Understand Achilles' Fate
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Hamilton's Theseus.Pdf
'1 I\!I, 208 Mythology lnstantlysaw his opportunity. He went straight to the pal- ace and entered the hall. As he stood at the entrance, Athena's shining buckler on his breast, the silver wallet at his side, he drew the eyes of every man there. Then before 1\' any could look away he held up the Gorgon's head; and at the sight one and all, the cruel King and his servile courtiers, were turned into stone. There they sat, a row of statues, each, ! as it were, frozen stiff in the attitude he had struck when he first saw Perseus. CHAPTER II When the islanders knew themselves freed from the tyrant it was-easyfot Perseus to find Danae and Dictys. He made Theseus Dictys king of the island, but he and his mother decided that This dearest of heroes to the Athenians engaged the atten- they would go back with Andromeda to Greece and try to tion of many writers. Ovid, who lived in the Augustan Age, be reconciled to Acrisius, to see if the many years that had tells his life in detail and so does Apollodorus, in the first or passed since he had put them in the chest had not softened second century A.D. Plutarch, too, toward the end of the fi·rst century A.D. He is a prominent character in three of Eurip- him so that he would be glad to receive his daughter and ides' plays and in one of Sophocles. There are many allusions grandson. When they reached Argos, however, they found to him in ptose writers as well as poets. -
B. L. Gildersleeve on Pindar Nemean 3.74-75
BRIGGS, WARD W., JR, B. L. Gildersleeve on Pindar "Nemean" 3.74-75 , Greek, Roman and Byzantine Studies, 25:3 (1984) p.233 B. L. Gildersleeve on Pindar Nemean 3.74-75 Ward W. Briggs, Jr N 1898 Charles Eliot Norton, the nation's foremost champion of I Dante and a leading Northern literary critic who influenced a host of literary figures from Henry James to T. s. Eliot,l wrote to Basil Lanneau Gildersleeve, the nation's most visible representative of German philological training and a man of considerable critical ability. Named emeritus at Harvard in November 1897, with his duties confined to teaching a small class in Dante, Norton was depressed at the thought of retirement,2 and sought the advice of his Southern near-contemporary on the Greek view of the ages of man and its accompanying virtues, as described in Pindar Nemean 3.70-75. Gil dersleeve's answer, one of his rare letters on purely philological matters, gives considerable insight into his critical method. The poem in question is a hymn on the victory in the pancration by Aristocleides, an Aeginetan. It opens with a picture of the youths standing on the banks of the Asopus waiting for the Muse to arrive with their victory song (1-8). The Muse is to sing of Aegina, which the victor has ennobled by a triumph worthy of the Myrmidons, and he has thus figuratively passed the pillars of Heracles (9-26). The mention of Heracles leads Pindar to digress on the Aeacids, Peleus, Telamon (31-42), and the young Achilles (43-63). -
1 Divine Intervention and Disguise in Homer's Iliad Senior Thesis
Divine Intervention and Disguise in Homer’s Iliad Senior Thesis Presented to The Faculty of the Undergraduate School of Arts and Sciences Brandeis University Undergraduate Program in Classical Studies Professor Joel Christensen, Advisor In partial fulfillment of the requirements for the degree of Bachelor of Arts By Joana Jankulla May 2018 Copyright by Joana Jankulla 1 Copyright by Joana Jankulla © 2018 2 Acknowledgements First and foremost, I would like to thank my advisor, Professor Joel Christensen. Thank you, Professor Christensen for guiding me through this process, expressing confidence in me, and being available whenever I had any questions or concerns. I would not have been able to complete this work without you. Secondly, I would like to thank Professor Ann Olga Koloski-Ostrow and Professor Cheryl Walker for reading my thesis and providing me with feedback. The Classics Department at Brandeis University has been an instrumental part of my growth in my four years as an undergraduate, and I am eternally thankful to all the professors and staff members in the department. Thank you to my friends, specifically Erica Theroux, Sarah Jousset, Anna Craven, Rachel Goldstein, Taylor McKinnon and Georgie Contreras for providing me with a lot of emotional support this year. I hope you all know how grateful I am for you as friends and how much I have appreciated your love this year. Thank you to my mom for FaceTiming me every time I was stressed about completing my thesis and encouraging me every step of the way. Finally, thank you to Ian Leeds for dropping everything and coming to me each time I needed it. -
Heroic Death in Ancient Greek Poetry and Art
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 2009 The Hero Beyond Himself: Heroic Death in Ancient Greek Poetry and Art Corinne Ondine Pache Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Pache, C.O. (2009). The hero beyond himself: Heroic death in ancient Greek poetry and art. In S. Albersmeier (Ed.), Heroes: Mortals and myths in ancient Greece (pp. 88-107). Walters Art Museum. This Contribution to Book is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. In all those stories the hero is beyond himself into the next thing, be it those labors of Hercules, or Aeneas going into death. I thought the instant of the one humanness in Virgil's plan of it was that it was of course human enough to die, yet to come back, as he said, hoc opus, hie labor est. That was the Cumaean Sibyl speaking. This is Robert Creeley, and Virgil is dead now two thousand years, yet Hercules and the Aeneid, yet all that industrious wis- dom lives in the way the mountains and the desert are waiting for the heroes, and death also can still propose the old labors. -Robert Creeley, "Heroes" HEROISM AND DEATH The modern mind likes its heroism served with death. -
The Geotectonic Evolution of Olympus Mt and Its
Bulletin of the Geological Society of Greece, vol. XLVII 2013 Δελτίο της Ελληνικής Γεωλογικής Εταιρίας, τομ. XLVII , 2013 th ου Proceedings of the 13 International Congress, Chania, Sept. Πρακτικά 13 Διεθνούς Συνεδρίου, Χανιά, Σεπτ. 2013 2013 THE GEOTECTONIC EVOLUTION OF OLYMPUS MT. AND ITS MYTHOLOGICAL ANALOGUE Mariolakos I.D.1 and Manoutsoglou E.2 1 National and Kapodistrian University of Athens, Faculty of Geology and Geoenvironment, Department of Dynamic, Tectonic & Applied Geology, Panepistimioupoli, Zografou, GR 157 84, Athens, Greece, [email protected] 2 Technical University of Crete, Department of Mineral Resources Engineering, Research Unit of Geology, Chania, 73100, Greece, [email protected] Abstract Mt Olympus is the highest mountain of Greece (2918 m.) and one of the most impor- tant and well known locations of the modern world. This is related to its great cul- tural significance, since the ancient Greeks considered this mountain as the habitat of their Gods, ever since Zeus became the dominant figure of the ancient Greek re- ligion and consequently the protagonist of the cultural regime. Before the genera- tion of Zeus, Olympus was inhabited by the generation of Cronus. In this paper we shall refer to a lesser known mythological reference which, in our opinion, presents similarities to the geotectonic evolution of the wider area of Olympus. According to Apollodorus and other great authors, the God Poseidon and Iphimedia had twin sons, the Aloades, namely Otus and Ephialtes, who showed a tendency to gigantism. When they reached the age of nine, they were about 16 m. tall and 4.5 m. wide. -
Summer Assignment / Edith Hamilton's MYTHOLOGY
Summer Assignment / Edith Hamilton’s MYTHOLOGY English I Honors (Grade 9) Many times, the terms “folk tale,” “fairy tale,” “legend," and “myth” are used interchangeably. Folk tales or fairy tales are usually purely imaginative, fictional stories intended to amuse, entertain, or teach. Legends are usually true stories of events in history but exaggerated for dramatic or humorous effect. Myths are imaginative stories resulting from man's attempt to understand the phenomena of nature or to explain cultural customs and rituals. Mythology is a way to explain things in the world that had no explanation before. Your summer reading assignment is Edith Hamilton’s Mythology: Timeless Tales of Gods and Heroes (1942). The book is long, but the reading is not difficult. It has been established as a popular classic, a valuable tool, and a necessary reference work that is essential for any well-read student. Much of the literature you will read in school will contain allusions to Greek, Roman, or Norse mythology. For example, a character in a novel may be described as narcissistic, as an Adonis, or as undertaking Herculean tasks; all of these are references to Greek myths. Recognizing the myth leads to greater understanding of the character. As Western culture traces its political, philosophical, and social roots back to Greek culture, mythological stories also serve as the subject for works of art, commercial products and advertisements, comic books, and much more. REQUIRED ACTIVITIES ¨ Reading Guide: Character Chart ¨ Short-answer Responses ¨ Creative Writing: Poetry ¨ “Magical Musings: Harry Potter in Greece?” and Open-ended Response ¨ Literary Crossword Puzzle READING GUIDE: CHARACTER CHART OLYMPIAN GODS & GODDESSES Greek name Roman name Realm SymboM T Facts / Characteristics Zeus Hera Poseidon Hades Athena Apollo Artemis Aphrodite Hermes Ares Hephaestrus Hestia Demeter Dionysus SHORT-ANSWER RESPONSES . -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Magee, Bruce Robert, "The Amazon Myth in Western Literature." (1996). LSU Historical Dissertations and Theses. 6262. https://digitalcommons.lsu.edu/gradschool_disstheses/6262 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the tmct directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Greek Mythology #13: HERACLES by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the November 2016 WRBA Territorial News. Enjoy! Please join WRBA! Go to www.WRBA.us WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Greek Mythology #13: HERACLES by Joy Journeay Gatekeeper of Olympus God of: Strength, heroes, sports, athletes, health, agriculture, fertility, trade, oracles and the divine protector of mankind Home: MOUNT OLYMPUS Symbols: Club, Nemean Lion, Lion Skin, Bow and Arrows Parents: Zeus and Alcmene Consorts: Hebe Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Dionysus, Hebe, Hermes, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Children: Alexiares and Anicetus, Telephus, Hyllus, Tlepolemus Roman Counterpart: Hercules Heracles was both a hero and a god. It is told that when he died his mortal body went to the Underworld and he ascended to Mount Olympus to join the gods as reward for his heroism. He is associated with the famous Twelve Labors. From the beginning, Hera loathed Heracles as a son from one of Zeus’ infidelities. Zeus had made love to the mortal woman Alcmene by disguising himself as her husband. The same night her true husband returned and also made love to her. As a result, she carried twins from two fathers. Hercules Farnese, a Roman Heracles’ mother was to deliver twins, each baby from a different father marble copy of the (one mortal and one a god). The infant Heracles was from Zeus, and part original sculpture by immortal. -
Torresson Umn 0130E 21011.Pdf
The Curious Case of Erysichthon A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Elizabeth Torresson IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Nita Krevans December 2019 © Elizabeth Torresson 2019 Acknowledgments First, I would like to thank the department for their support and especially the members of my committee: Nita Krevans, Susanna Ferlito, Jackie Murray, Christopher Nappa, and Melissa Harl Sellew. The seeds of this dissertation were planted in my senior year of college when Jackie Murray spread to me with her contagious enthusiasm a love of Hellenistic poetry. Without her genuine concern for my success and her guidance in those early years, I would not be where I am today. I also owe a shout-out to my undergraduate professors, especially Robin Mitchell-Boyask and Daniel Tompkins, who inspired my love of Classics. At the University of Minnesota, Nita Krevans took me under her wing and offered both emotional and intellectual support at various stages along the way. Her initial suggestions, patience, and encouragement allowed this dissertation to take the turn that it did. I am also very grateful to Christopher Nappa and Melissa Harl Sellew for their unflagging encouragement and kindness over the years. It was in Melissa’s seminar that an initial piece of this dissertation was begun. My heartfelt thanks also to Susanna Ferlito, who graciously stepped in at the last minute and offered valuable feedback, and to Susan Noakes, for offering independent studies so that I could develop my interest in Italian language and literature. -
Amazons, Myth & Magic
Issue 3 October 2008 MINOTAUR The Official, Irregular Webzine of the Mazes & Minotaurs Revival DOUBLE-SIZED, TRIPLE-THEMED SPECIAL ! AMAZONS , MYTH & MAGIC Two Scenarios, New Creatures & Mythic Items, Official Background Material, Rule Variants, Inspiration for Maze Masters and more ! A Word from the Editor MINOTAUR MIRTH Three Times the Fun ! Greetings, fellow Minotaurians… and welcome to the third issue of the Minotaur, the one-and-only official webzine of the Mazes & Minotaurs roleplaying revival ! To celebrate our first anniversary (yup, the first issue of Minotaur Quarterly was released roughly one year ago – which, incidentally, explains why it is no longer Quarterly) and since we couldn’t agree on a single theme for this third installment, we decided to offer you a 48 page triple-themed issue. The first of these three themes is Amazons . This issue’s Mythika Gazetteer tells you everything you ever wanted to know (and possibly a little bit more) about the warrior-women of M&M, while The Alternate Amazon presents a variant, liberated version of the character class. Lastly, this issue’s Maze Master’s Lore includes the description and stats of Mythika’s mightiest living Amazon heroine, Princess Titania. - An Amazon special ? Well, that was about time ! The second theme is (wait for it)… Magic ! This Well, at least we didn’t get a chainmail bikini cover… issue’s Pandora’s Box offers you various arcane accessories, the impenitent Luke G. Reynard tells us what he thinks about Mystic Fortitude in his ever- popular Twist in the Maze column and this issue’s Griffin Archives resurrect a long-lost M&M class Game Session Credits from the glorious 80s : Erik Sieurin’s Beastmaster - presented for the Original and Revised rules… all Merciless Maze Master : Olivier Legrand. -
Achilles.Pdf
ffi ffi Achilles : GreeP Mythology By: English For Students Introduction Achilles, in Greek mytholo_gy, greafesl of the Greek warriors in the Troian Wor. He was the son of the seo nymph Thetis and Peleus, king of the Myrmidons of Thessoly. When the Fates prophesied that Achiltes would die in the Trojon War, Thetis aitempted to make her infant son immortal. In one version of the story, Thetis rubbed Achiltes with ombrosia and placed him in the hearth fire to moke him immortat. According to a later legend, she bothed him in the River Styx. The waiers made him invulnerable except for fhe heel by which his mother hetd him. The term Achilles heel has become popularized to refer to someone's or something's key weakness. Youth White Achitles wos growing up, the Greek armies were preparing for their assoult on Troy in Asia Minor. Knowing thot her son wos fated to die if he took pari in the war, Achiltes's mother dressed him in women's clothing ond sent him to Skyros io live omong ihe young women in the court of King Lycomedes. Warned that they coutd not conquer Troy without the aid of Achilles, the Greeks sent Odysseus, king of Ithaca, to find him. Disguised as a peddler, Odysseus went to Skyros bearing o shield and o speor dmong his goods. When Achitles betrayed his identity by seizing the weopons, Odysseus persuaded him to join the GreeR expedition to Troy. The Trojon Wor Achiltes fought mony baftles during the Greeks' len-yeor siege of Troy. When ihe Mycenoean king Agomemnon seized the capiive slave Briseis from him during the wor, Achitles withdrew the Myrmidons from baftte ond sulked in his tent.