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Shropshire Cover August 2017 .Qxp Shropshire Cover 27/07/2017 10:20 Page 1
Shropshire Cover August 2017 .qxp_Shropshire Cover 27/07/2017 10:20 Page 1 ELLIE GOULDING Your FREE essential entertainment guide for the Midlands PLAYS V FESTIVAL SHROPSHIRE WHAT’S ON AUGUST 2017 ON AUGUST WHAT’S SHROPSHIRE Shropshire ISSUE 380 AUGUST 2017 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On shropshirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide THE UNTHANKS Tyneside duo return to Shrewsbury Folk Festival TWITTER: @WHATSONSHROPS TWITTER: musicKABANTU to bridge countries and cultures in The Marches FACEBOOK: @WHATSONSHROPSHIRE flyingBALLOON high at the FESTIVAL British Ironworks in Oswestry SHROPSHIREWHATSON.CO.UK (IFC) Shropshire.qxp_Layout 1 27/07/2017 10:13 Page 1 Contents July Wolves_Shrops_Staffs.qxp_Layout 1 24/07/2017 17:40 Page 2 August 2017 Contents Brassed Off - Grand Theatre production remembers one of Britain’s longest industrial disputes... page 8 Celine Dion The Overtones Miss Saigon the list Grammy Award winner back at Pop, soul & doo-wop at Smash-hit West End musical Your 16-page the Barclaycard Arena Shrewsbury Flower Show continues at the Hippodrome week-by-week listings guide page 15 interview page 16 page 26 page 53 inside: 4. First Word 11. Food 15. Music 24. Comedy 26. Theatre 35. Film 41. Visual Arts 45. Events @whatsonwolves @whatsonstaffs @whatsonshrops Wolverhampton What’s On Magazine Staffordshire What’s On Magazine Shropshire What’s On Magazine Managing Director: Davina Evans [email protected] -
Opportunities Sponsorship
Sponsorship opportunities About Shrewsbury Folk Festival Shrewsbury Folk Festival is one of the UK’s leading folk festivals. Located in the heart of Shrewsbury, the event is held annually from Friday to Monday of the August Bank Holiday weekend. With around 7,000 physical visitors, volunteers, musicians, dancers and workers and a further worldwide audience of more than 30,000, the promotional opportunities for your business are vast. About our visitors The festival attracts a large number of people who stay in the area, shopping, eating, drinking and spending money in Of the day visitors, 54% are local the county town and surrounding area. residents, 27% come from outside Shrewsbury and 19% from even further 76% of them come for the weekend afield. and stay overnight - of those, 19% of them stay in hotels, guest houses Three quarters of our visitors are aged or bed and breakfasts. 24% are day over 45 and more than two thirds are visitors. in in the affluent ABC1 demographic. Age range breakdown Demographic breakdown 16-24 5% AB 29% 25-34 8% 35-44 10% C1 39% 45- 54 23% C2 22% 55-64 43% 65+ 11% DE 10% Visitors to Shrewsbury Folk Festival Demographic key: take the opportunity to do other things AB Managerial, administrative or professional at while visiting the event. senior or intermediate level. C1 Supervisory, clerical (i.e. white collar), junior 22% use it as a reason to go shopping administrative or professional. therefore spending money in local C2 Skilled manual worker. businesses, 4% choose to visit another DE Semi-skilled and unskilled manual worker, attraction, and 33% go into Shrewsbury retired state pensioner, Casual earner, unemployed. -
Showcase PEI 2010: Delegate & Artist Guide
Showcase PEI 2010: Delegate & Artist Guide International Delegates: The United Kingdom Graham Anderson Newcastle-upon-Tyne www.jumpinhot.com Graham Anderson is the Co-Director and Head Programmer of Northern Roots (Jumpin’ Hot Club). Northern Roots, a company with charitable status, is one of the UK's premier promoters of all kinds of roots music. Based in Newcastle Upon Tyne, it specializes in country, singer songwriter, soul, folk, blues, rock and roll, and reggae. The organization was formed in 1985 as an acoustic music club & is celebrating its 25th anniversary in early December. As well as promoting over 70 concerts a year, the club also programs “The SummerTyne Fest Outdoor Stage”, which is part of the Americana Weekender, The Evolution Festival Ballast Hill stage, and the Boss Sounds Reggae Festival. The club operates out of a number of venues in and around Newcastle and Gateshead, including The Cluny, Cluny2 Theatre, Gateshead Town Hall, Live Theatre, and The Studio in Live T. Graham Anderson is also a musician. Ro Cemm Line of Best Fit End of the Road Festival: www.endoftheroadfestival.com Oh! Canada: www.thelineofbestfit.com/tag/oh-canada Canadian Blast: www.canadianblast.com Ro Cemm is one of the team members behind the award winning End of The Road Festival in the UK. The festival has been supportive of new Canadian talent over the last 5 years and this year has 12 Canadian acts performing. End of the Road also have a record label (End of the Road Records), and have released records by Woodpigeon, Charlie Parr, The Low Anthem and The Young Republic. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Warwickshire Cover Online.Qxp Warwickshire Cover 30/01/2017 16:33 Page 1
Warwickshire Cover Online.qxp_Warwickshire Cover 30/01/2017 16:33 Page 1 Your FREE essential entertainment guide for the Midlands ISSUE 374 FEBRUARY 2017 SOPHIE ELLIS-BEXTOR Warwickshire ON TOUR ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On warwickshirewhatson.co.uk inside: Yourthe 16-pagelist week by week listings guide p67 (IBC) Warks.qxp_Layout 1 23/01/2017 15:30 Page 1 Contents February Warwicks_Worcs.qxp_Layout 1 23/01/2017 17:01 Page 2 February 2017 Contents Billy Elliot - West End award winner tours to the region page 30 Kings Of Leon King Arthur Early Adventures the list Nashville quartet visit the Michael Morpurgo’s novel Matthew Bourne entertains at Your 16-page Genting Arena adapted for the stage Warwick Arts Centre week-by-week listings guide page 14 page 27 page 33 page 51 inside: 4. First Word 11. Food 14. Music 20. Comedy 22. Theatre 37. Film 40. Visual Arts 45. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine Worcestershire What’s On Magazine Warwickshire What’s On Magazine Worcestershire What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Whats On Matt Rothwell [email protected] 01743 281719 Editorial: Lauren Foster [email protected] 01743 281707 MAGAZINE GROUP Sue Jones [email protected] 01743 281705 Brian O’Faolain [email protected] 01743 281701 -
The Revival of Plough Monday Traditions and the Performance of Rural Identity in the East Anglian Fenlands Irvine, Richard D
www.ssoar.info Following the bear: the revival of Plough Monday traditions and the performance of rural identity in the East Anglian fenlands Irvine, Richard D. G. Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Irvine, R. D. G. (2018). Following the bear: the revival of Plough Monday traditions and the performance of rural identity in the East Anglian fenlands. EthnoScripts: Zeitschrift für aktuelle ethnologische Studien, 20(1), 16-34. https://nbn- resolving.org/urn:nbn:de:gbv:18-8-12376 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-SA Lizenz (Namensnennung- This document is made available under a CC BY-SA Licence Weitergabe unter gleichen Bedingungen) zur Verfügung gestellt. (Attribution-ShareAlike). For more Information see: Nähere Auskünfte zu den CC-Lizenzen finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.de EthnoS cripts ZEITSCHRIFT FÜR AKTUELLE ETHNOLOGISCHE STUDIEN Tradition, performance and identity politics in European festivals Jahrgang 20 Heft 1 I 2018 Richard D.G. Irvine Following the Bear The revival of Plough Monday traditions and the performance of rural identity in the East Anglian fenlands Ethnoscripts 2018 20 (1): 16-34 eISSN 2199-7942 Abstract In Whittlesey and Ramsey, two market towns in the East Anglian fenlands, farm labourers led a ‘Straw Bear’ through the streets; one of an array of Plough Monday customs marking the start of the agricultural year. The practice seems to have come to an end in the early 20th century, when it was forbidden by a police inspector as a form of begging. -
Performing Englishness in New English Folk Music and Dance: Research Project Closing Report
Winter, Trish and Keegan-Phipps, Simon (2010) Performing Englishness in New English Folk Music and Dance: Research Project Closing Report. Project Report. University of Sunderland, Sunderland. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/2107/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. CENTRE FOR RESEARCH IN MEDIA AND CULTURAL STUDIES Performing Englishness in New English Folk Music and Dance Research Project Closing Report Dr. Trish Winter: Principal Investigator Dr Simon Keegan-Phipps: Project Researcher 19th January 2010 Funded by: [Grant number AH/E009867/1] Abstract Over the last ten years there has been a resurgence of interest in the English folk arts: new artists are exploring their English heritage of tunes, songs and dances, and established artists are finding new audiences; and folk festivals in England are experiencing great popularity. Whilst grass roots involvement in folk flourishes, a developing folk industry is also playing a central role. The research project has looked at the significance of this newly invigorated interest in English traditions as well as focussing on the kinds of English identities being forged and their politics. The project has had three main objectives. Firstly, it has examined the characteristics of this wave of English folk. Secondly it has looked in detail at the particular kinds of ‘Englishness’ that are being circulated when people ‘do’ English folk, whether as participants, performers, audiences or promoters. Thirdly it has examined why this wave of interest is happening now, and how it might relate to wider shifts in national identity. -
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pring brings the promise of new life and A recent Ofsted report found that only a minority rejuvenation. All around our patch, Morris of pupils now receive a good-quality music sides are girding their loins for a new education, suggesting that in future folk music dancing season, and in this issue our roving may have more difficulty in passing the baton to reporter looks into Morris on May Day, tracing the next generation. One established and highly its history back to its origins in ancient fertility effective way of passing on the techniques and rituals. Folk music itself continually needs new the ethos of folk music is informal coaching blood, and in our last issue we took pride in at the local club, but we also need to replace the healthy state of recruitment – the Radio 2 at least some of the formal tuition previously Folk Awards, where emerging talents competed provided by schools. on broadly equal terms with more established artists, justified our optimism. Many of you already participate in training schemes, some of which involve working with Folk music has benefited from an education schools (as EFDSS does), while others are led system which provided a steady stream of by private concerns like the Stables, by music recruits, many with a good general grounding, trusts and foundations such as Folkstock, or by some with advanced musical proficiency. the many independent teachers in our region. We However, student numbers in formal music believe that education and training will become a education – GCSE and A-level, instrument continuing strand in Unicorn, and we begin with grades, youth orchestras and bands – have some thoughtful observations from readers (see been steadily falling. -
Midlands Music Research and Consultation
Arts Council England Midlands Music Research and Consultation Final Report 29 July 2019 Credits ISBN 978-0-7287-1583-7 Written and prepared by Jonathan Todd & Bethany Lewis, BOP Consulting; Jez Collins (Birmingham Music Archive); Ben Ryan (Signifier) Data credits BOP Consulting, Music Venue Trust, Office of National Statistics, UK Music Image credits ‘Title:’ Courtesy of Nottingham Mela Network. Image © New Art Exchange / Bartosz Kali All others: provided by Arts Council England © Arts Council England __ i Contents Executive Summary .............................................................................. 4 8. Appendix: Bibliography ................................................................. 54 1. Introduction and methodology ........................................................ 7 List of Figures 1.1 Introduction .................................................................................................... 7 Figure 1 No of respondents replying as individuals or on behalf of an 1.2 Methodology .................................................................................................. 8 organisation ........................................................................................................ 10 1.3 Report structure ........................................................................................... 10 Figure 2 Genres selected in which respondents’ / their organisation’s musical 2. Midlands music: scale of activity .................................................. 12 activity occurs (respondents -
MUSIC AW Orris
....,........................... .....,.. &AEU- EVAT L HERMIT 7HRiSH a - 11CC 0 orris AW MUSIC C- aSit IF 1351 No. $3.001(:12a.i8l0Fit3elugsi:tOratTn) on SPOTLIGHT 1998 2, February - 19 No. 66 Volume 2 - RPM - Monday February 2, 1998 DELERIUM Jann Arden to hostfirst rafEo musk alwErds Euphoria (Firefly) Shore'fine ziffid Alien Jann Arden will host the premier Canadian Radio TARA MACLEAN SOUL ATTORNEYS Feelings are running high in the new Music Awards, designed to honour first-time top - Evidence So They Say house the Shoreline and Alien lab, charted Cancon artists in four different radio WENDY LANDS Two key awards will be revealed during the settled in new and larger premises was formats. Angels and Ordinary Men awards ceremony: the Breakthrough Award, kick off the new year. They are now k Sponsored by the Canadian Association of BEST NEW GROUP presented by FACTOR to honour the new artist who Denison Avenue, Unit 18 in Markham, 2Z4 and can be reached by phone at 90 Broadcasters (CAB), the awards ceremony will take BREITS won the most airplay during 1997; and the Chart place March 7 during Canadian Music Week '98, No Regrets Topper Award, presented by SOCAN to the artist, fax 905-477-5587 or e-mail (music, at Toronto's Westin Harbour Castle Hotel. The DRIVING BLIND established or new, who attained the most airplay alien.com). categories and nominees follow. Fly in 1997. As well, Jeff Burns, preside SOUL ATTORNEYS Shoreline and Alien, has shuffled st ROCK So They Say M2tareen Jack leaves Jennifer Temple to the position COUNTRY promotion assistant to Tom Kemp, wh BEST NEW SOLO ARTIST Vancouver's Music West promotion and A&R manager.