DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 104, 1984-1985, Subscription

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 104, 1984-1985, Subscription SHARE THE SENSE REMY MARTIN COGNAC EXCLUSIVELY FINE CHAMPAGNE COGNAI Imported By Remy Martin Amerique. Inc NY. NY 80 Prool Seiji Ozawa, Music Director One Hundred and Fourth Season, 1984-85 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President J.R Barger, Vice-President George H. Kidder, Vice-President Mrs. George L. Sargent, Vice-President William J. Poorvu, Treasurer Vernon R. Alden Mrs. Michael H. Davis E. James Morton David B. Arnold, Jr. Archie C. Epps David G. Mugar Mrs. John M. Bradley Mrs. John H. Fitzpatrick Thomas D. Perry, Jr. Mrs. Norman L. Cahners Mrs. John L. Grandin Irving W Rabb George H.A. Clowes, Jr. Harvey Chet Krentzman Mrs. George R. Rowland William M. Crozier, Jr. Roderick M. MacDougall Richard A. Smith Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. John T. Noonan Allen G. Barry Edward M. Kennedy Mrs. James H. Perkins Richard P. Chapman Edward G. Murray Paul C. Reardon Abram T. Collier Albert L. Nickerson Sidney Stoneman Mrs. Harris Fahnestock John L. Thorndike Administration of the Boston Symphony Orchestra, Inc. Thomas W. Morris, General Manager William Bernell, Artistic Administrator Daniel R. Gustin, Assistant Manager Anne H. Parsons, Orchestra Manager Caroline Smedvig, Director of Promotion Josiah Stevenson, Director ofDevelopment Theodore A. Vlahos, Director ofBusiness Affairs Charles S. Fox, Director ofAnnual Giving Anita R. Kurland, Administrator of Youth Activities Arlene Germain, Financial Analyst Richard Ortner, Administrator of Charles Gilroy, ChiefAccountant Tanglewood Music Center Vera Gold, Assistant Director ofPromotion Robert A. Pihlcrantz, Properties Manager Patricia Halligan, Personnel Administrator Charles Rawson, Manager ofBox Office Nancy A. Kay, Director ofSales Eric Sanders, Director of Corporate Development John M. Keenum, Director of Joyce M. Serwitz, Assistant Director of Development Foundation Support Diane Greer Smart, Director of Volunteers Nancy Knutsen, Production Manager Nancy E. Tanen, Media/ Special Projects Administrator Steven Ledbetter Marc Mandel Jean Miller MacKenzie Musicologist & Publications Print Production Program Annotator Coordinator Coordinator Programs copyright ®1985 Boston Symphony Orchestra, Inc. Cover photo by Walter H. Scott Board of Overseers of the Boston Symphony Orchestra, Inc. Harvey Chet Krentzman Chairman Avram J. Goldberg Mrs. August R. Meyer Vice-Chairman Vice-Chairman Ray Stata Mrs. Gordon F. Kingsley Vice-Chairman Secretary- Mrs. Weston W. Adams Mrs. Ray A. Goldberg Mrs. Hiroshi Nishino Martin Allen Jordan L. Golding Vincent M. O'Reilly Bruce A. Beal Haskell R. Gordon Stephen Paine, Sr. Mrs. Richard Berinink Mrs. R. Douglas HaU III John A. Perkins Peter A. Brooke Francis W. Hatch, Jr. Mrs. Curtis Prout William M. Bulger Mrs. Richard D. Hill Peter C. Read Mary Louise Cabot Susan M. Hilles Robert E. Remis James F. Cleary Glen H. Hiner Mrs. Peter van S. Rice John F Cogan, Jr. Mrs. Marilyn Brachman Hoffman David Rockefeller, Jr. Julian Cohen Mrs. Bela T. Kalman John Ex Rodgers Mrs. Nat King Cole Mrs. S. Charles Kasdon Mrs. Jerome Rosenfeld Arthur P. Contas Richard L. Kaye Mrs. William C. Rousseau Mrs. A. Werk Cook John Kittredge Mrs. William H. Ryan Phyllis Curtin Mrs. Carl Koch Gene Shalit A.V. d'Arbeloff Mrs. E. Anthony Kutten Malcolm L. Sherman D.V. d'Arbeloff John P. LaWare Donald B. Sinclair Mrs. Michael H. Davis Mrs. James F Lawrence Ralph Z. Sorenson Mrs. Otto Eckstein Laurence Lesser Mrs. Arthur I. Strang William S. Edgerly Mrs. Charles P. Lyman Mrs. Richard H. Thompson Mrs. Alexander Ellis Mrs. Harry L. Marks William F. Thompson John A. Fibiger C. Charles Marran Mark Tishler, Jr. Kenneth G. Fisher J. William Middendorf II Luise Vosgerchian Gerhard M. Freche Paul M. Montrone Mrs. An Wang Peter H.B. Frelinghuysen Hanae Mori Roger D. Wellington Mrs. Thomas J. Galligan Richard P. Morse John J. Wilson Mrs. Thomas Gardiner Mrs. Robert B. Newman Brunetta Wolfman Mrs. James G. Garivaltis Nicholas T. Zervas Overseers Emeriti Mrs. Frank G. Allen Paul Fromm Benjamin H. Lacy Hazen H. Ayer Mrs. Louis I. Kane Mrs. Stephen V.C. Morris David W Bernstein Leonard Kaplan David R. Pokross Officers of the Boston Symphony Association of Volunteers Mrs. Michael H. Davis President Mrs. Hart D. Leavitt Mrs. Carl Koch Executive I ice-President Treasurer Mrs. Barbara W. Steiner Mrs. August R. Meyer Secretary \ominating Chairman Vice-Presidents Mrs. Gilman W. Conant, Regions Mrs. Craig W. Fischer, Tanglewood Phyllis Dohanian, Fundraising Projects Mrs. Hiroshi Nishino, Youth Activities Mrs. R. Douglas Hall III, Mrs. Mark Selkowitz, Tanglewood Development Services Mark Tishler, Public Relations Chairmen of Regions Mrs. Roman W DeSanctis Mrs. Charles Hubbard Mrs. Frank E. Remick Mrs. Russell J. Goodnow, Jr. Mrs. Herbert S. Judd, Jr. John H. Stookey Mrs. Baron M. Hartley Mrs. Robert B. Newman Mrs. Arthur I. Strang Symphony Hall Operations Cheryl Silvia Tribbett, Function Manager James E. Whitaker, House Manager Earl G. Buker, ChiefEngineer Cleveland Morrison, Stage Manager Franklin Smith, Supervisor ofHouse Crew Wilmoth A. Griffiths, Assistant Supervisor ofHouse Crew William D. McDonnell, ChiefSteward WE HELPED ED MILLER GET BY ON $125,000. LAST YEAR Most people assume that success automatically brings with it a sub- stantially brighter -• and easier -- financial picture. Yet when they reach a comfortable income level, too many find themselves wondering where it all goes. This is one of the most common reasons people come to The Cambridge Group for financial planning. Because success depends as much on preserving and investing your money as on earning it. At The Cambridge Group, our job is to help you focus on your goalsThen help you achieve them. All of them. We can help with business management Investment objectives. Retirement plans Educational needs. Estate planning. And any other special objectives you might have, business or personal. It's only through careful planning All while keeping your taxes at that someone like Ed Miller can feel their lowest legitimate level. comfortable with his income. Knowing To achieve this, we develop an that his money is working as hard for overall, comprehensive financial plan. him as he worked for his money. Our specialists optimize your posi- If you'd like a closer look at what tion in each area giving you a balanced financial planning can do for you, financial picture. Mot a plan skewed we'd be happy to arrange a private toward the stock market by a broker. consultation at no cost or obligation Or toward life insurance by an agent. to you. Just call Charlie Gerrior at But a truly objective perspective. (617)965-7480. Cambridge Group YOU SET THE GOALS WE HELP YOU REACH THEM Boston Symphony Chamber Players at Jordan Hall The Boston Symphony Chamber Players will give BSO the final concert of their 1984-85 Jordan Hall series on Sunday afternoon, 31 March at 3 p.m. Gearing Up For "A Salute to Symphony"' The program will feature mezzo-soprano Jan and "Symphony Sunday" DeGaetani performing Schumann's Liederkreis, Op. 24. The concert will also include The Boston Symphony Orchestra will celebrate Schumann's Quintet in E-flat for piano and A Salute to Symphony" the weekend of 20 and strings, Op. 44; the same composer's Two Melo- 21 April in a community- wide effort to benefit the dramas for voice and piano, with Ms. DeGaetani; BSO and the Boston Pops. Sponsored by the and Robin Holloway's Fantasy-Pieces, Op. 16, on Boston Symphony Association of Volunteers, this Schumann's Liederkreis, for piano and twelve massive fundraising effort—formerly the instruments. For ticket information, call the "Musical Marathon"— will begin with a gala Jordan Hall box office at 536-2412. Kick-Off Party at the Chestnut Hill Mall on Sunday, 14 April, and be capped by a live, 2Vi- 'hour telecast from Symphony Hall featuring the BSO Members in Concert Boston Symphony under Seiji Ozawa and the Ronald Feldman leads the Mystic Valley Orches- Boston Pops under John Williams on Sunday, 21 tra in Stravinsky's Symphony in C and the April on WCVB-TV-Channel 5. That day will be Brahms Double Concerto for violin and cello on declared "Symphony Sunday" by Massachusetts Sunday, 31 March at 3:00 p.m. at Dwight Hall, Governor Michael S. Dukakis, and radio station Framingham State College. BSO members WCRB-FM-102.5 will devote its programming to Harvey Seigel and Martha Babcock are the "Symphony Sunday" from 9 a.m. to midnight. soloists in the Brahms. For ticket information, As in the past, an illustrated premium cata- call 924-4939. logue containing hundreds of gifts will be the Guest artists David Hoose, conductor, and the focal point of "Salute to Symphony" activities, Underground Railway Theatre Company join the with one-of-a-kind musical offerings from orches- contemporary music ensemble Collage on Mon- tra members; restaurant, theater, and store gift day, 1 April at 8 p.m. at Sanders Theater in certificates, and an exclusive line of "Salute to Cambridge for music of Andrew Imbrie and Fred Symphony" merchandise. Premiums will be Lerdahl, and Igor Stravinsky's UHistoire du available at Chestnut Hill Mall beginning 15 April soldat. For complete program and ticket infor- and at Quincy Market the weekend of 20 and 21 mation, call 437-0231. April. In addition, more than 60,000 catalogues will be mailed, and they will also be available at Correction Symphony Hall. This year, all premium orders On the program page for the concerts of 14, 15, will be filled immediately upon receipt. and 16 March, and at the head of the program The volunteer effort to plan and produce "A note in that week's program book, the C major Salute to Symphony" involves more than 400 Mozart symphony conducted by Maurizio Pollini persons, with hundreds more donating merchan- was inadvertently listed as K.388.
Load more

Recommended publications
  • Graciela Paraskevaídis: Homenaje a Silvestre Revueltas 1 -.::GP-Magma
    Graciela Paraskevaídis: Homenaje a Silvestre Revueltas 1 Planos Silvestre Revueltas - pocas veces el nombre y apellido de un artista han sido tan premonitorios como en este caso - es sin duda alguna uno de los creadores más asombrosos y originales del siglo XX. Su México no es sólo el de los mariachis, sones y corridos, sino también el de las calaveras y esqueletos de José Guadalupe Posada, los murales de Diego Rivera, las pinturas de Frida Kahlo, los poetas estridentistas y los trasterrados europeos como Lev Trotski, Tina Modotti, Hanns Eisler, Rodolfo Halffter y Otto Mayer Serra. El momento político de su máxima explosión creativa coincide con el sexenio del gobierno progresista del general Lázaro Cárdenas (1934-1940), impulsor de cambios sociales (la reforma agraria) y culturales (la reforma educativa y el apoyo al cine). Por otro lado, abarca la guerra civil española (que contó a Revueltas como defensor de la República) y el inicio de la segunda guerra mundial. También es el México de su colaboración musical y amistad personal primero y, a partir de 1935, del rompimiento definitivo y la dura confrontación con su coetáneo Carlos Chávez (1899-1978). Tema éste bastante tabú aún hoy en México, la perspectiva histórica ha ido echando luz sobre un enfrentamiento signado sin duda por irreconciliables visiones del mundo. Chávez y Revueltas representaban posicionamientos antagónicos: el pionero Revueltas frente al académico Chávez; el luchador idealista frente al pragmático calculador; el creador apasionado frente al detentador del poder musical en México; el comprometido testigo sonoro de su tiempo y época frente al “músico de hierro” como lo llamara Revueltas 2, primero modernista y luego cultor de un nacionalismo indigenista con tintes neoclásicos europeos, opciones estéticas éstas comparables a algunas del brasileño Heitor Villa-Lobos (1887-1959).
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 100, 1980-1981, Subscription
    # o '?, *ne Hundredth Season . MIST SOFTENS tf/EFYTHING rr touches. What a pleasant way to feel the soft touch of Irish Mist, in "Liquid Sunshine'.' Start with a tall glass of ice. add 1 part Irish Mist and 3 parts orange juice. Irish Mist, the centuries old liqueur sweetened with a hint of heather honey, will blend with almost anything. Pour the soft touch of Irish Mist anytime. anywhere. You'll like the way it feels. IRISH MIST THE LEGENDARY SPIRIT Imported Irish Mist® Liqueur. 70 Proof. ©1980 Heublein, Inc., Hartford, Conn. U.S.A. Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundredth Season, 1980-81 The Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Mrs. Harris Fahnestock, Vice-President Leo L. Beranek, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Mrs. Norman L. Cahners George H. Kidder David Rockefeller, Jr. George H. A. Clowes, Jr. David G. Mugar Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson William A. Selke Mrs. John L. Grandin Thomas D. Perry, Jr. John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Allen G. Barry John T. Noonan Richard P. Chapman Mrs. James H. Perkins Edward G. Murray John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager Peter Gelb Gideon Toeplitz Daniel R.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
    TANGLEWOOD Festival of Contemporary American Music August 9, 10, 11, 12, 13, 1964 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation RCA Victor R£D SEAL festival of Contemporary American Composers DELLO JOIO: Fantasy and Variations/Ravel: Concerto in G Hollander/Boston Symphony Orchestra/Leinsdorf LM/LSC-2667 COPLAND: El Salon Mexico Grofe-. Grand Canyon Suite Boston Pops/ Fiedler LM-1928 COPLAND: Appalachian Spring The Tender Land Boston Symphony Orchestra/ Copland LM/LSC-240i HOVHANESS: BARBER: Mysterious Mountain Vanessa (Complete Opera) Stravinsky: Le Baiser de la Fee (Divertimento) Steber, Gedda, Elias, Mitropoulos, Chicago Symphony/Reiner Met. Opera Orch. and Chorus LM/LSC-2251 LM/LSC-6i38 FOSS: IMPROVISATION CHAMBER ENSEMBLE Studies in Improvisation Includes: Fantasy & Fugue Music for Clarinet, Percussion and Piano Variations on a Theme in Unison Quintet Encore I, II, III LM/LSC-2558 RCA Victor § © The most trusted name in sound BERKSHIRE MUSIC CENTER ERICH Leinsdorf, Director Aaron Copland, Chairman of the Faculty Richard Burgin, Associate Chairman of the Faculty Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director DEPARTMENT OF COMPOSITION Aaron Copland, Head Gunther Schuller, Acting Head Arthur Berger and Lukas Foss, Guest Teachers Paul Jacobs, Fromm Instructor in Contemporary Music Stanley Silverman and David Walker, Administrative Assistants The Berkshire Music Center is the center for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. Perry, Jr., Manager BALDWIN PIANO RCA VICTOR RECORDS — 1 PERSPECTIVES OF NEW MUSIC Participants in this year's Festival are invited to subscribe to the American journal devoted to im- portant issues of contemporary music.
    [Show full text]
  • Symphony Orchestra
    School of Music ROMANTIC SMORGASBORD Symphony Orchestra Huw Edwards, conductor Maria Sampen, violin soloist, faculty FRIDAY, OCT. 11, 2013 SCHNEEBECK CONCERT HALL 7:30 P.M. First Essay for Orchestra, Opus 12 ............................ Samuel Barber (1910–1983) Violin Concerto in D Major, Opus 77 .........................Johannes Brahms Allegro non troppo--cadenza--tranquillo (1833–1897) Maria Sampen, violin INTERMISSION A Shropshire Lad, Rhapsody for Orchestra ..................George Butterworth (1885–1916) Symphony No. 2 in D Major, Opus 43 ............................Jean Sibelius Allegro moderato--Moderato assai--Molto largamente (1865–1957) SYMPHONY ORCHESTRA Huw Edwards, conductor VIOLIN I CELLO FRENCH HORN Zachary Hamilton ‘15, Faithlina Chan ’16, Matt Wasson ‘14 concertmaster principal Billy Murphy ‘16 Marissa Kwong ‘15 Bronwyn Hagerty ‘15 Chloe Thornton ‘14 Jonathan Mei ‘16 Will Spengler ‘17 Andy Rodgers ‘16- Emily Brothers ‘14 Kira Weiss ‘17 Larissa Freier ‘17 Anna Schierbeek ‘16 TRUMPET Sophia El-Wakil ‘16 Aiden Meacham ‘14 Gavin Tranter ‘16 Matt Lam ‘16 Alana Roth ‘14 Lucy Banta ‘17 Linnaea Arnett ‘17 Georgia Martin ‘15 Andy Van Heuit ‘17 Abby Scurfield ‘16 Carolynn Hammen ‘16 TROMBONE VIOLIN II BASS Daniel Thorson ‘15 Clara Fuhrman ‘16, Kelton Mock ‘15 Stephen Abeshima ‘16 principal principal Wesley Stedman ‘16 Rachel Lee ‘15 Stephen Schermer, faculty Sophie Diepenheim ‘14 TUBA Brandi Main ‘16 FLUTE and PICCOLO Scott Clabaugh ‘16 Nicolette Andres ‘15 Whitney Reveyrand ‘15 Lauren Griffin ‘17 Morgan Hellyer ‘14 TIMPANI and
    [Show full text]
  • The Dallas Symphony Orchestra Presents: the Nature of Music May, 2021 Dear Fellow Educators
    The Dallas Symphony Orchestra Presents: The Nature of Music May, 2021 Dear Fellow Educators, As spring arrives each year, I am reminded of the powerful relationship between nature and music. Both start as a single seed (or note!) and go on to blossom into something beautiful. Each plant, like each piece of music, is both a continuation of what came before and the start of something new. With Earth Day just a few weeks before our May concert, we wanted to use this Youth Concert as a way to explore and honor our planet through the lens of classical music. During our program, The Nature of Music, you and your students will hear music inspired by rivers, wildflowers, birds, and a busy bumblebee! Musicians have often used the earth’s natural beauty as inspiration for their music, and they try to use musical sounds to paint a picture for our ears, much like an artist would use different colors to paint a picture for our eyes. Each lesson will help your students explore and experience this connection. This concert will be offered virtually (available May 16 – June 4) but we are also accepting reservations for in-person viewing! Our two back-to-back concerts will be on Wednesday, May 5 at 10am and 11:30am. Please contact me or email my colleague in sales, Sabrina Siggers (contact information below), to reserve your classes reservation. You can see up-to-date Meyerson safety protocol below. We humans have a responsibility to respect and care for animals, plants, and the earth’s natural resources.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996, Subscription, Volume 02
    BOSTON ii_'. A4 SYMPHONY . II ORCHESTRA A -+*\ SEIJIOZAWA MUSIC DIRECTOR 9 6 S E SON The security of a trust, Fidelity investment expertise. A CLjmIc Composition Just as a Beethoven score is at its Fidelity i best when performed by a world- Pergonal ** class symphony — so, too, should your trust assets be managed by Trudt r a financial company recognized Serviced globally for its investment expertise. Fidelity Investments. hat's why Fidelity now offers a naged trust or personalized estment management account ** »f -Vfor your portfolio of $400,000 or ^^ more. For more information, visit -a Fidelity Investor Center or call Fidelity Pergonal Triut Serviced at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. Carol Scheifele-Holmes William F.
    [Show full text]
  • ITALIAN, PORTUGUESE, SPANISH and LATIN AMERICAN SYMPHONIES from the 19Th Century to the Present
    ITALIAN, PORTUGUESE, SPANISH AND LATIN AMERICAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman FRANCO ALFANO (1876-1960, ITALY) Born in Posillipo, Naples. After studying the piano privately with Alessandro Longo, and harmony and composition with Camillo de Nardis and Paolo Serrao at the Conservatorio di San Pietro a Majella, Naples, he attended the Leipzig Conservatory where he completed his composition studies with Salomon Jadassohn. He worked all over Europe as a touring pianist before returning to Italy where he eventually settled in San Remo. He held several academic positions: first as a teacher of composition and then director at the Liceo Musicale, Bologna, then as director of the Liceo Musicale (later Conservatory) of Turin and professor of operatic studies at the Conservatorio di San Cecilia, Rome. As a composer, he speacialized in opera but also produced ballets, orchestral, chamber, instrumental and vocal works. He is best known for having completed Puccini’s "Turandot." Symphony No. 1 in E major "Classica" (1908-10) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 2) CPO 777080 (2005) Symphony No. 2 in C major (1931-2) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 1) CPO 777080 (2005) ANTONIÓ VICTORINO D'ALMEIDA (b.1940, PORTUGAL) Born in Lisbon.. He was a student of Campos Coelho and graduated from the Superior Piano Course of the National Conservatory of Lisbon. He then studied composition with Karl Schiske at the Vienna Academy of Music. He had a successful international career as a concert pianist and has composed prolifically in various genres including: instrumental piano solos, chamber music, symphonic pieces and choral-symphonic music, songs, opera, cinematic and theater scores.
    [Show full text]
  • Origins of the Experimental Music Studios at Illinois: the Urbana School from the Dean
    WINTER 2009 The News Magazine of the University of Illinois School of Music origins of the experimental music studios at illinois: the urbana school From the Dean The School of Music is one of the most respected and visible units in the College of Fine and WINTER 2009 Applied Arts at the University of Illinois, and it is Published for alumni and friends of the School of Music also a vital component of what we are calling the at the University of Illinois at Urbana-Champaign new arts at Illinois, our vision of the college as a The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana- leader in the arts of the future. Champaign and has been an accredited institutional member of the National Association of Schools of Music Throughout the college, we are exploring new since 1933. disciplinary combinations, new definitions of art, and new ways of thinking Karl Kramer, director Edward Rath, associate director and creating. At the same time, we maintain a profound commitment to the Paul Redman, assistant director, business Joyce Griggs, assistant director, enrollment management historical traditions of our art forms. We embrace the notion that the knowl- and public engagement Marlah Bonner-McDuffie, director, development edge arising from the study, interpretation, and creation of art is central to Philip Yampolsky, director, Robert E. Brown Center for World Music the intellectual enterprise of a great university and to the advancement of a David Allen, coordinator, outreach and public engagement great society. Michael Cameron, coordinator, graduate studies B.
    [Show full text]
  • Redalyc.Evolución Y Desarrollo De La Dirección Orquestal En México Y El
    RICSH Revista Iberoamericana de las Ciencias Sociales y Humanísticas E-ISSN: 2395-7972 [email protected] Centro de Estudios e Investigaciones para el Desarrollo Docente A.C. México Villarreal Rodríguez, Guillermo Rommel Evolución y desarrollo de la dirección orquestal en México y el mundo RICSH Revista Iberoamericana de las Ciencias Sociales y Humanísticas, vol. 5, núm. 9, enero-junio, 2016 Centro de Estudios e Investigaciones para el Desarrollo Docente A.C. Available in: http://www.redalyc.org/articulo.oa?id=503954318011 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Revista Iberoamericana de las Ciencias Sociales y Humanísticas ISSN: 2395-7972 Evolución y desarrollo de la dirección orquestal en México y el mundo Evolution and development of the orchestral conducting in Mexico and the world Guillermo Rommel Villarreal Rodríguez Universidad Autónoma de Nuevo León, México [email protected] You conductors who are so proud of your power! When a new man faces the orchestra– from the way he walks up the steps to the podium and opens his score–before he even picks up his baton–we know whether he is the master or we. Franz Strauss Resumen Esta es una mirada al desarrollo de una de las profesiones más jóvenes y polémicas del mundo de la música, un análisis del desarrollo histórico y social de la función del director de orquesta. Incluye los orígenes de la dirección de orquesta: desarrollo y evolución en Europa y América.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 119, 1999
    S E I J I O Z A W A MUSIC Dl RECTOR m ** u « » s* BOSTON y^ : SYMPHONY C H E S T R A i - +r- f MM HfSfllfij HlHiBIPu M M " Z2 000 SEASON Hi BHHH^Bh * •- i-H fc •. , Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill. you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You '11 be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,400,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR a/ Lr/sner Jzi/j BROOKLINE "^s^ ^=£a>- ggaCTtiiffiMwg ^ T n r n in fi" n f? vMmn ivn ' l« ,w m ..«\u^wvAm\witw^: rm CORTLAND Hammond SOTHEBYS <P PROPERTIES INC. RESIDENTIAL International Realty K' f. A I. E S T A Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra. Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson William F. Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R. Willis Leith, Jr. ex-officio ex-officio Charles K. Gifford Ed Linde Peter C.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 107, 1987-1988
    ~1-- V I j 1 iiiillllllllliiii iiiiiiiniiiii" um ,1 »1 f^ ^^ ipkKi "WS BOSTON SYMPHONY ORCHESTRA 107th Season 1987-88 1987 80 Proof. Imported from France by Regal Brands, Inc., New York, N.Y PROHIBITED TO SEND A GIFT OF B&B LIQUEUR ANYWHERE IN THE U S CALL 1 -800-238-4373 VOID WHERE Seiji Ozawa, Music Director Carl St, Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President Mrs. John M. Bradley, Vice-Chairman J.P. Barger, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Roderick M. MacDougall David B. Arnold, Jr. Mrs. John H. Fitzpatrick Mrs. August R. Meyer Mrs. Norman L. Cahners Avram J. Goldberg David G. Mugar William M. Crozier, Jr. Mrs. John L. Grandin Mrs. George R. Rowland Mrs. Lewis S. Dabney Francis W Hatch, Jr. Richard A. Smith Mrs. Michael H. Davis Harvey Chet Krentzman Ray Stata Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W Rabb Allen G. Barry E. Morton Jennings, Jr Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
    fe 1 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director TANGLEWOOD, LENOX, MASSACHUSETTS A GALA EVENING i OF THE BERKSHIRE MUSIC CENTER ERICH LEINSDORF, Director I Wednesdayj August 19, 1964 For the Benefit of The Berkshire Music Center BALDWIN PIANO RCA VICTOR RECORDS A GALA EVENING AT TANGLEWOOD By the Berkshire Music Center PROGRAMS 4:00 WIND MUSIC BY MEMBERS OF THE INSTRUMENTAL DEPARTMENT PORCH OF THE MAIN HOUSE ROUSSEL Fanfare For a Sacred Heathen (For four horns, four trumpets, three trombones and timpani) FLORENT SCHMITT Fanfare from "Anthony and Cleopatra," Op. 69 (For four horns, three trumpets, three trombones, tuba, timpani and percussion) GIOVANNI GABRIELI Canzone II (1597) (For two brass choirs) BOZZA Sonatine I. Allegro vivo II. Andante ma non troppo III. Allegro vivo IV. Largo; Allegro (For two trumpets, horn, trombone and tuba) HAYDN Feldpartie in B flat major (For oboes, clarinets, bassoons and horns) I. Allegro II. Andante (chorale St. Antoni) III. Menuetto IV. Allegretto DESPORTES Italian Suite for Quartet of Flutes Firenze {La Viorentina) Venezia (Picciont) Napoli (Fescatorini) MOZART Serenade in C minor for Winds, K. 388 I. Allegro II. Andante III. Menuetto in canone IV. Allegro 5:00 STRING AND VOCAL CHAMBER MUSIC 6:30 SUPPER CONCERT BY THE TANGLEWOOD CHOIR THEATRE-CONCERT HALL PORCH OF THE MAIN HOUSE Department of Vocal Music: Ralph Berkowitz, Head; Lorna BRAHMS String Quartet in C minor, Op. 51, No. 1 Cooke de Varon, Associate Head I. Allegro PURCELL Scene of the Drunken Poet (from "The Fairy Queen") II. Romanze: Poco adagio Sopranos: Christina Harvey, III. Allegretto molto, moderato e comodo June Le Bell IV.
    [Show full text]