Week 21 Andris Nelsons Music Director
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Graciela Paraskevaídis: Homenaje a Silvestre Revueltas 1 -.::GP-Magma
Graciela Paraskevaídis: Homenaje a Silvestre Revueltas 1 Planos Silvestre Revueltas - pocas veces el nombre y apellido de un artista han sido tan premonitorios como en este caso - es sin duda alguna uno de los creadores más asombrosos y originales del siglo XX. Su México no es sólo el de los mariachis, sones y corridos, sino también el de las calaveras y esqueletos de José Guadalupe Posada, los murales de Diego Rivera, las pinturas de Frida Kahlo, los poetas estridentistas y los trasterrados europeos como Lev Trotski, Tina Modotti, Hanns Eisler, Rodolfo Halffter y Otto Mayer Serra. El momento político de su máxima explosión creativa coincide con el sexenio del gobierno progresista del general Lázaro Cárdenas (1934-1940), impulsor de cambios sociales (la reforma agraria) y culturales (la reforma educativa y el apoyo al cine). Por otro lado, abarca la guerra civil española (que contó a Revueltas como defensor de la República) y el inicio de la segunda guerra mundial. También es el México de su colaboración musical y amistad personal primero y, a partir de 1935, del rompimiento definitivo y la dura confrontación con su coetáneo Carlos Chávez (1899-1978). Tema éste bastante tabú aún hoy en México, la perspectiva histórica ha ido echando luz sobre un enfrentamiento signado sin duda por irreconciliables visiones del mundo. Chávez y Revueltas representaban posicionamientos antagónicos: el pionero Revueltas frente al académico Chávez; el luchador idealista frente al pragmático calculador; el creador apasionado frente al detentador del poder musical en México; el comprometido testigo sonoro de su tiempo y época frente al “músico de hierro” como lo llamara Revueltas 2, primero modernista y luego cultor de un nacionalismo indigenista con tintes neoclásicos europeos, opciones estéticas éstas comparables a algunas del brasileño Heitor Villa-Lobos (1887-1959). -
Boston Symphony Orchestra Concert Programs, Season 100, 1980-1981, Subscription
# o '?, *ne Hundredth Season . MIST SOFTENS tf/EFYTHING rr touches. What a pleasant way to feel the soft touch of Irish Mist, in "Liquid Sunshine'.' Start with a tall glass of ice. add 1 part Irish Mist and 3 parts orange juice. Irish Mist, the centuries old liqueur sweetened with a hint of heather honey, will blend with almost anything. Pour the soft touch of Irish Mist anytime. anywhere. You'll like the way it feels. IRISH MIST THE LEGENDARY SPIRIT Imported Irish Mist® Liqueur. 70 Proof. ©1980 Heublein, Inc., Hartford, Conn. U.S.A. Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundredth Season, 1980-81 The Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Mrs. Harris Fahnestock, Vice-President Leo L. Beranek, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Mrs. Norman L. Cahners George H. Kidder David Rockefeller, Jr. George H. A. Clowes, Jr. David G. Mugar Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson William A. Selke Mrs. John L. Grandin Thomas D. Perry, Jr. John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Allen G. Barry John T. Noonan Richard P. Chapman Mrs. James H. Perkins Edward G. Murray John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager Peter Gelb Gideon Toeplitz Daniel R. -
Week 13 Andris Nelsons Music Director
bernard haitink conductor emeritus seiji ozawa music director laureate 2014–2015 Season | Week 13 andris nelsons music director season sponsors Table of Contents | Week 13 7 bso news 17 on display in symphony hall 18 bso music director andris nelsons 20 the boston symphony orchestra 23 a brief history of the bso 29 this week’s program Notes on the Program 30 The Program in Brief… 31 Wolfgang Amadè Mozart 37 Anton Bruckner 49 To Read and Hear More… Guest Artist 53 Lars Vogt 56 sponsors and donors 80 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on january 16 is given by elizabeth seitz of the boston conservatory. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Marco Borggreve cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 134th season, 2014–2015 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • Carmine A. Martignetti, Vice-Chair • Arthur I. Segel, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara Hostetter • Charles W. -
Martynas Levickis (* 1990) Litauische Volkslieder in Arrangements Für Akkordeon »Rūta Žalioj« (Die Grüne Straße) »Beauštanti Aušrelė« (Die Morgendämmerung Bricht An)
Bach und Baltikum SO 29. MRZ 2020 | KULTURPALAST PROGRAMM Pēteris Vasks (* 1946) »Cantus ad pacem« für Orgel solo (1984) Martynas Levickis (* 1990) Litauische Volkslieder in Arrangements für Akkordeon »Rūta žalioj« (Die grüne Straße) »Beauštanti aušrelė« (Die Morgendämmerung bricht an) Veli Kujala (* 1976) »Photon« für Orgel und Akkordeon (2015) Fantasie und Fuge a-Moll BWV 561 für Orgel (Arrangement für Akkordeon von Martynas Levickis) Johann Sebastian Bach (1685 – 1750) »Pièce d'Orgue« – Fantasie G-Dur BWV 572 für Orgel (um 1728) Fantasie und Fuge a-Moll BWV 561 für Orgel (Arrangement für Akkordeon von Martynas Levickis) Pēteris Vasks »Veni Domine« für gemischten Chor und Orgel (2018) Iveta Apkalna | Orgel PALASTORGANISTIN Martynas Levickis | Akkordeon Philharmonischer Chor Dresden Gunter Berger | Leitung Riga, die lettische Hauptstadt 2 JOHANNA ANDREA WOLTER Komponieren, um die Welt im Gleichgewicht zu halten Pēteris Vasks CANTUS AD PACEM FÜR ORGEL SOLO Pēteris Vasks wurde am 16. April 1946 in Aizpute (Lettland) als Sohn eines in Lettland bekannten baptistischen Pastors geboren. Er bekam zunächst Musik- unterricht an der örtlichen Musikschule, begann bald zu komponieren und erhielt Pēteris Vasks eine Ausbildung als Kontrabassist an der Emīls Dārziņš-Musikschule in Riga. Da ihm der Zugang zu einem Studium Ab 1961 war er Mitglied verschiedener an einer Musikhochschule in Lettland Sinfonie- und Kammerorchester: beim zunächst verwehrt blieb, wich er ins Philharmonischen Orchester von Litauen liberalere Litauen aus, besuchte 1964 bis (1966 – 1969), beim Philharmonischen 1970 die Kontrabassklasse von Vytautas Kammerorchester von Lettland (1969 – Sereika am Litauischen Konservatorium 1970) und beim Lettischen Rundfunk- in Vilnius und leistete anschließend und Fernsehorchester (1971 – 1974). seinen Militärdienst in der Sowjetarmee. -
To See the 2018 Tanglewood Schedule
summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary -
A World-Class City of Music Experience the Fascinating Power of Music
www.leipzig.travel Experience music Leipzig A World-Class City of Music Experience the fascinating power of music Gewandhaus concert hall Leipzig – where music calls the tune 3 Gewandhausorchester – a world-renowned ensemble 4 Leipzig Opera – a superlative artistic experience 5 Johann Sebastian Bach – his heirs, his followers 6 Mahler, Bach, Mendelssohn, Wagner. Music Festivals in 2021/22. 8 Experience authentic historic places 12 Leipzig Music Trail 14 Organ building and BurgenLandKlänge I Leipzig Region 16 Event highlights 18 Travel offer 20 Richard Wagner’s “The Ban on Love, or The Novice of Palermo” at the Leipzig Opera 2 Leipzig – where music calls the tune In Leipzig you can feel the fascinating power of music everywhere – in the streets and squares, in churches, concert halls and in the many authentic places where famous composers and musicians lived and worked. A long-standing tradition: over 500 composers have lived here over the centuries including the greatest names in music history – Johann Sebastian Bach, Felix Mendelssohn Bartholdy and the married couple Clara and Robert Schumann, as well as Richard Wagner, Edvard Grieg, Albert Lortzing, Gustav Mahler and Hanns Eisler. Music comes to life The city’s rich musical heritage also includes the Gewandhaus- orchester and the world-renowned St. Thomas Boys Choir, which can look back on over 800 years of history. Leipzig Opera, which has always sought to preserve Wagner’s heritage, is the third oldest civic venue for musical theatre in Europe. In the capital of music, outstanding ensembles and soloists delight audiences at concerts, ballets, the Summer Organ Festival and the world- famous Leipzig Bachfest. -
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
TANGLEWOOD Festival of Contemporary American Music August 9, 10, 11, 12, 13, 1964 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation RCA Victor R£D SEAL festival of Contemporary American Composers DELLO JOIO: Fantasy and Variations/Ravel: Concerto in G Hollander/Boston Symphony Orchestra/Leinsdorf LM/LSC-2667 COPLAND: El Salon Mexico Grofe-. Grand Canyon Suite Boston Pops/ Fiedler LM-1928 COPLAND: Appalachian Spring The Tender Land Boston Symphony Orchestra/ Copland LM/LSC-240i HOVHANESS: BARBER: Mysterious Mountain Vanessa (Complete Opera) Stravinsky: Le Baiser de la Fee (Divertimento) Steber, Gedda, Elias, Mitropoulos, Chicago Symphony/Reiner Met. Opera Orch. and Chorus LM/LSC-2251 LM/LSC-6i38 FOSS: IMPROVISATION CHAMBER ENSEMBLE Studies in Improvisation Includes: Fantasy & Fugue Music for Clarinet, Percussion and Piano Variations on a Theme in Unison Quintet Encore I, II, III LM/LSC-2558 RCA Victor § © The most trusted name in sound BERKSHIRE MUSIC CENTER ERICH Leinsdorf, Director Aaron Copland, Chairman of the Faculty Richard Burgin, Associate Chairman of the Faculty Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director DEPARTMENT OF COMPOSITION Aaron Copland, Head Gunther Schuller, Acting Head Arthur Berger and Lukas Foss, Guest Teachers Paul Jacobs, Fromm Instructor in Contemporary Music Stanley Silverman and David Walker, Administrative Assistants The Berkshire Music Center is the center for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. Perry, Jr., Manager BALDWIN PIANO RCA VICTOR RECORDS — 1 PERSPECTIVES OF NEW MUSIC Participants in this year's Festival are invited to subscribe to the American journal devoted to im- portant issues of contemporary music. -
Symphony Orchestra
School of Music ROMANTIC SMORGASBORD Symphony Orchestra Huw Edwards, conductor Maria Sampen, violin soloist, faculty FRIDAY, OCT. 11, 2013 SCHNEEBECK CONCERT HALL 7:30 P.M. First Essay for Orchestra, Opus 12 ............................ Samuel Barber (1910–1983) Violin Concerto in D Major, Opus 77 .........................Johannes Brahms Allegro non troppo--cadenza--tranquillo (1833–1897) Maria Sampen, violin INTERMISSION A Shropshire Lad, Rhapsody for Orchestra ..................George Butterworth (1885–1916) Symphony No. 2 in D Major, Opus 43 ............................Jean Sibelius Allegro moderato--Moderato assai--Molto largamente (1865–1957) SYMPHONY ORCHESTRA Huw Edwards, conductor VIOLIN I CELLO FRENCH HORN Zachary Hamilton ‘15, Faithlina Chan ’16, Matt Wasson ‘14 concertmaster principal Billy Murphy ‘16 Marissa Kwong ‘15 Bronwyn Hagerty ‘15 Chloe Thornton ‘14 Jonathan Mei ‘16 Will Spengler ‘17 Andy Rodgers ‘16- Emily Brothers ‘14 Kira Weiss ‘17 Larissa Freier ‘17 Anna Schierbeek ‘16 TRUMPET Sophia El-Wakil ‘16 Aiden Meacham ‘14 Gavin Tranter ‘16 Matt Lam ‘16 Alana Roth ‘14 Lucy Banta ‘17 Linnaea Arnett ‘17 Georgia Martin ‘15 Andy Van Heuit ‘17 Abby Scurfield ‘16 Carolynn Hammen ‘16 TROMBONE VIOLIN II BASS Daniel Thorson ‘15 Clara Fuhrman ‘16, Kelton Mock ‘15 Stephen Abeshima ‘16 principal principal Wesley Stedman ‘16 Rachel Lee ‘15 Stephen Schermer, faculty Sophie Diepenheim ‘14 TUBA Brandi Main ‘16 FLUTE and PICCOLO Scott Clabaugh ‘16 Nicolette Andres ‘15 Whitney Reveyrand ‘15 Lauren Griffin ‘17 Morgan Hellyer ‘14 TIMPANI and -
The Dallas Symphony Orchestra Presents: the Nature of Music May, 2021 Dear Fellow Educators
The Dallas Symphony Orchestra Presents: The Nature of Music May, 2021 Dear Fellow Educators, As spring arrives each year, I am reminded of the powerful relationship between nature and music. Both start as a single seed (or note!) and go on to blossom into something beautiful. Each plant, like each piece of music, is both a continuation of what came before and the start of something new. With Earth Day just a few weeks before our May concert, we wanted to use this Youth Concert as a way to explore and honor our planet through the lens of classical music. During our program, The Nature of Music, you and your students will hear music inspired by rivers, wildflowers, birds, and a busy bumblebee! Musicians have often used the earth’s natural beauty as inspiration for their music, and they try to use musical sounds to paint a picture for our ears, much like an artist would use different colors to paint a picture for our eyes. Each lesson will help your students explore and experience this connection. This concert will be offered virtually (available May 16 – June 4) but we are also accepting reservations for in-person viewing! Our two back-to-back concerts will be on Wednesday, May 5 at 10am and 11:30am. Please contact me or email my colleague in sales, Sabrina Siggers (contact information below), to reserve your classes reservation. You can see up-to-date Meyerson safety protocol below. We humans have a responsibility to respect and care for animals, plants, and the earth’s natural resources. -
Haydn's Symphony No. 94 'Surprise'
Haydn’s Symphony IB No. 94 ‘Surprise’ Hanh Doan is a former AST and head of music, and currently works as a part-time music teacher at Beaumont School in Hanh Doan St Albans. She is the author of various books, and writes articles and resources for Music Teacher magazine, exam boards and other music education publishers. Introduction aydn’s ‘Surprise’ Symphony is one of the International Baccalaureate’s prescribed works for 2020-2021 and will feature in the listening paper. Students will have to answer questions about Hthe Symphony in terms of analysis, and if they are students doing music Higher level, they will need to compare elements from this work with the other prescribed work, Rachmaninov’s Rhapsody on a Theme of Paganini. This resource will give a detailed analysis of the work by movement, including the notable features of each of the elements. Context Haydn is often regarded as the ‘father of the symphony’, and over the 40 years in which he wrote his 106 symphonies, the nature of the genre changed dramatically, from a work that served a variety of musical and social functions to a genre that would become central to musical life for the next two centuries. Haydn’s output proves he was extraordinary at making this transition, and throughout his career he gradually reshaped the nature of the symphony, providing a model for future composers of the genre. Haydn’s symphonies are often separated into periods of time or places over the course of his career: Ɂ The symphonies for Eisenstadt (1761-5) Ɂ Esterház and the Advent of Sturm und Drang (1766-74) Ɂ The symphonies of 1775-84 Ɂ The Paris symphonies (1785-6) Ɂ The Tost symphonies (1787) Ɂ The symphonies for Comte d’Ogny (1788-9) Ɂ The ‘Salomon’ symphonies (London, 1791-5) Haydn wrote his ‘Surprise’ Symphony in 1791 for a concert series in London during one of his first visits to England. -
Summer 2019 Boston Symphony Orchestra
boston symphony orchestra andris nelsons music director summer 2019 EXPERIENCE THE For the Discriminating NEW MET SEASON Shopper PHOTO: PAOLA KUDACKI / MET OPERAPHOTO:/ PAOLA KUDACKI The Met’s 2019 – 20 season features five new productions, including Philip Glass’s Akhnaten, starring Anthony Roth Costanzo (pictured) as the Egyptian pharaoh opposite J’Nai Bridges as Nefertiti. Tickets go on sale June 23 — or curate your own series of performances and save up to 15%. Peter Gelb GENERAL MANAGER Learn more at metopera.org/tickets or by Yannick Nézet-Séguin world class calling 212.362.6000. JEANETTE LERMAN-NEUBAUER MUSIC DIRECTOR C+I 2019 studs.indd 2 8/29/19 12:15 PM Tanglewood_Jun_SingleTickets.indd 2 5/29/19 9:18 AM For the Discriminating Shopper world class BRANDS ManchesterDesignerOutlets.com C+I 2019 studs.indd 3 8/29/19 12:15 PM Tanglewood_Jun_SingleTickets.indd 2 5/29/19 9:18 AM C+I 2019 studs.indd 4 8/29/19 12:16 PM Andris Nelsons, Ray and Maria Stata Music Director Bernard Haitink, LaCroix Family Fund Conductor Emeritus Seiji Ozawa, Music Director Laureate Thomas Adès, Deborah and Philip Edmundson Artistic Partner Thomas Wilkins, Germeshausen Youth and Family Concerts Conductor 138th season, 2018–2019 Trustees of the Boston Symphony Orchestra, Inc. Susan W. Paine, Chair • Joshua A. Lutzker, Treasurer William F. Achtmeyer • Noubar Afeyan • David Altshuler • Gregory E. Bulger • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Cynthia Curme • William Curry, M.D. • Alan J. Dworsky • Philip J. Edmundson • Thomas E. Faust, Jr. • Todd R. Golub • Michael Gordon • Nathan Hayward, III • Ricki Tigert Helfer • Brent L. -
Riga Jurmala Music Festival Announces Doc- Umentary Honouring the Great Latvian Con- Ductor Mariss Jansons
RIGA JURMALA MUSIC FESTIVAL ANNOUNCES DOC- UMENTARY HONOURING THE GREAT LATVIAN CON- DUCTOR MARISS JANSONS March 11, 2021 ‘Mariss Jansons: A Tale of Four Orchestras’, a film by Peter Maniura, tells the Latvian maestro’s story through the eyes of the four leading orchestras which he led. The Riga Jurmala Music Festival today announced the commissioning of a documentary dedi- cated to honouring legendary Latvian conductor Mariss Jansons (1943-2019), due for broad- cast in early 2022. ‘Mariss Jansons: A Tale of Four Orchestras’ will be directed and conceived by Peter Maniura, an award-winning television producer and director with more than twenty- five years’ experience in music and arts broadcasting at the BBC, the European Broadcasting Union and independently. For the first time, Jansons’ story will be told through the eyes of the musicians from the four ensembles for which Jansons was either Music Director or Chief Conductor: the Oslo Philhar- monic Orchestra, the Pittsburgh Symphony Orchestra, the Concertgebouworkest and the Ba- varian Radio Symphony Orchestra. Paying tribute to the legacy of a conductor that marked each of them, the orchestras will contribute specially filmed performances. In addition to archival material featuring performances by and interviews with Jansons, new interviews with the orchestra musicians and others will provide insight into why Jansons was so profoundly appreciated both on and off the conducting podium. Latvian Television and the Norwegian Broadcasting Corporation (NRK) have already provided support by filming and ac- cess to their rich archives; the list of partners will expand during production. Peter Maniura, Director of ‘Mariss Jansons: A Tale of Four Orchestras’, said: “Mariss Jansons was a great conductor and this new film will reveal fresh insights into the music-making and the man by delving into his relationships with the four great orchestras that were most important in his life, in four very different cities: Oslo, Pittsburgh, Amsterdam and Munich.