Vikram Chandra Sigh of Relief Retirement Sells What Is It That

Total Page:16

File Type:pdf, Size:1020Kb

Vikram Chandra Sigh of Relief Retirement Sells What Is It That August 16-31, 2011 Volume 2, Issue 16 `100 38 What is it that draws people away from advertising to other careers? 468 32 18 PLUS LIVINGSOCIAL.COM Surprise, Surprise 20 TWEETLEVEL.COM Who’s Influential? 20 DISNEY/UTV PROFILE TELUGU NEWSPAPERS SBI Between the Lines 34 Vikram Chandra Retirement Sells Sigh of Relief BPL CHIRAG NDTV’s Group CEO has Retirement ads are big “Don’t worry,” says this his work cut out. business for Telugu dailies. new campaign. Lighting up Lives 64 - !"#$%&$$' ( )*+ !" #$ %&$& ' , Sudip Nag, GM (Advertisement) - 96861 88840. Vijaya R - 98440 92091, Nagesh H R - 94498 29038, Anantha Krishnan - 81477 52856 Deepak Menon - 98106 65814 Prabal Deb - 98303 75315 A V Vinod Babu - 99520 16709 Ramachandra Rao - 98490 41737 Rajeev Pathria - 98201 51642. ! [email protected] EDITORIAL This fortnight... Volume 2, Issue 16 here’s nothing earth shattering about switching careers. People have been doing it for ages. What makes a career switch interesting, however, is when the new one is entirely EDITOR T Sreekant Khandekar unexpected. PUBLISHER The advertising industry has always been an interesting melting pot - whether it is people Prasanna Singh and their background or the culture. Advertising folklore is replete with stories CONSULTING EDITOR M Venkatesh such as a doctor becoming a creative director or a tea taster becoming the head of CONTRIBUTING EDITOR an agency. Prajjal Saha August 16-31, 2011 Volume 2, Issue 16 `100 38 And then there are those whose first-career is advertising. Those who worked SENIOR LAYOUT ARTIST Vinay Dominic their steadfast way towards getting that dream job in an agency. But there comes LOGISTICS a time when the mind turns to other things besides the usual grind of creative Rajesh Kanwal layouts and client servicing. Things that, more often than not, have nothing at ADVERTISING ENQUIRIES all to do with advertising. Hansika Koli, (0120) 4077834 4077837 Noida Varun Mohan, (022) 40429702-5 Mumbai Burnout, boredom, erosion of the fun factor or just plain politics, whatever [email protected] What is it that draws people away from may be the reason, this fortnight’s cover story has a fascinating array of advertising advertising to other careers? Marketing Office professionals who went on to do different things. B-3, First Floor, Sector-4, Noida-201301. 468 32 18 PLUS Tel: (0120) 4077800. LIVINGSOCIAL.COM Surprise, Surprise 20 It is not as if they woke up one fine morning and suddenly decided to try TWEETLEVEL.COM Mumbai Who’s Influential? 20 DISNEY/UTV something new. There is much more thought behind the decision than a let’s- 501-502, Makani Center, 5th Floor, PROFILE TELUGU NEWSPAPERS SBI Between the Lines 34 Vikram Chandra Retirement Sells Sigh of Relief BPL CHIRAG NDTV’s Group CEO has Retirement ads are big “Don’t worry,” says this Off Linking Road, Bandra (W), his work cut out. business for Telugu dailies. new campaign. Lighting up Lives 64 try-it-and-see whim. Each of the men and women featured this fortnight had a Mumbai - 400050 dormant passion - or two - that was just waiting for the right spark. Tel: +91-22-40429 709 - 712 There is, in every advertising person, an urge to explore. This is what brought her or him Bengaluru S-1, New Bridge Corporate Centre, into the advertising field in the first place. Explorers will be explorers. They tend to go out 777 D, 100 ft Road, Indira Nagar, and look around for something else to do when there’s nothing much to do in the current job. Bengaluru - 560038, India Subscription Enquiries The overpowering passion to do their ‘own thing’ gets the better of most. However, it is Garima Agnihotri, (0120) 4077837 those who have the stomach to take a risk that jump in with both feet. Life After Advertising [email protected] is the story of such risk-takers. It is also the story of what triggered these admen and women Printed, published, and owned by Prasanna Singh, Publisher, to take that risk. at 7-A/13, Ch. Ratan Singh Complex, Jawala Heri Market, Paschim Vihar, New Delhi-110 063. M Venkatesh Printed at Cirrus Graphics Private Limited B-62/14, Naraina Industrial Area, [email protected] Phase II, New Delhi – 110028. CONTENTS 22 52 PLUS STAR NEWS-IBNLIVE RELIANCE COMMUNICATIONS The Future of Convincing Enough? 14 News afaqs! events presents MVL MOBILES an analysis of the Not Without My Phone 14 news business. DOUBLEMINT Giving that Edge 22 DEFINING MOMENTS 19 62 Shantanu Bagchi NORTH EAST INDIA A film-maker who believes in Fitting the Jigsaw 42 planning thoroughly. SONY TV POV 28 Everyone Likes it 48 Spoofed Out? REALTY POSTERSCOPE-REEBOK Are brands actually over- Quaking Ground Well Toned Out DISCOVERY reacting to being spoofed by Why realty firms are cutting ‘SMS 2 Unveil’ involves a A New Language 62 rival brands? ad spends in NCR. step by step revelation. afaqs! Reporter, August 16-31, 2011 5 HERO MOTOCORP Sponsored by fter splitting with Honda, the ist Wolff Olins was handed over new Hero Motocorp logo the responsibility to create the new Awas launched at a star-stud- brand identity. Maxus will handle ded event in London. It was attended the media mandate for the brand. by celebrity musicians, actors and The logo continues to have the Lakme> Hindustan Unilevers has roped in sports personalities such as Akon, AR colour red, a colour that has been actress Kareena Kapoor as the brand ambas- Rahman, Shahrukh Khan, Anoushka associated with the Indian two- sador for Lakme ABSOLUTE. The brand is a Shankar, Boris Becker and David wheeler giant for ages. high-performance long wear make-up range Coulthard, to name a few. The company has also roped in with products that last up to 16 hours. The new On the new identity, Charles Bollywood actor Ranbir Kapoor and range is inspired by the modern woman who Wright, director, Wolff Olins said, cricketer Irfan Pathan to endorse the plays myriad roles across her personal and pro- “Hero has become an iconic brand in brand. Hrithik Roshan will be associ- fessional life. As the face of Lakme, Kapoor will be a part of India. The task we had at hand was to ated with the brand. The company the brand’s campaigns. build on the image of an Indian com- has also commissioned a new brand pany going international”. It took anthem by AR Rahman. over 3-4 months for Wolff Olins to “The anthem is about human sto- Goa-based Nestle India> The company create a new brand identity for Hero. ries. It won’t focus on the star power designer has tied up with Goa-based fash- “The colour red in but will talk about Wendell Rodricks ion designer Wendell Rodricks to give its confectionery brand the logo depicts con- Indians and their asso- has designed Polo a stylised look. Rodricks has designed the packaging for tinuity and change. It ciation for years with MARKETING the packaging the four new Polo flavours - Lime Mojito, Watermelon Sorbet, also depicts conflicts.” Hero,” says Nair. for the new Polo Peach Schnapps and Cocoa Mocha. The new fashion flavours There is an ‘H’ formed Explaining the new flavours. aim to take the brand from a high street approach to a fash- in the logo. The angu- tagline Hum Main ion label and capture the sensibilities of generation next. lar formation of ‘H’ Hain Hero, Nair says, symbolises that Hero “There is a hero in is no longer dependent The logo each one of us.” Britannia> FMCG major Britannia is all set to venture on foreign expertise designed by According to Nair, into diabetic-friendly products and set up several greenfield for its brands. It will it took several months bakery factories including in Bihar, Orissa and Karnataka. The be focusing on its own Wolff Olins of planning to form the company’s decision to enter the category has been influenced engineering capabli- continues to have new identity. “When by high price of ingredients due to the food inflation. Besides, ties. The position that you migrate, it cannot Bihar, Orissa and Karnataka, the company also has plans to Hero Motocorp will the colour red, a be overnight,” he adds. set up bakery factories in some yet-to-be-disclosed location strive to acquire out colour that has The group is plan- in western India. of this new identity is been associated ning to connect better ‘Catapoult’, a motor- with the Indians. The cycle can transform with the Indian entire creative strategy Avon is planning Avon> Cosmetics company, lives. is engaging and inter- to strengthen its Avon is strengthening its presence two-wheeler giant in India as well as expanding its The logo revolves active. presence in India product portfolio. The company is around high energy for ages. “The new brand as well as expand doubling the number of ‘Beauty Zones’ to tap smaller towns and space. Speaking identity is born out its product port- and cities. These zones are one-stop shops where independ- about the new logo, Anil S Nair, of our desire to break the shack- folio. ent sales representatives can place and collect orders, attend chief executive officer and managing les and realise our potential which sales, product and beauty training programmes. partner at Law & Kenneth, says, “The were restricted by the nature of our new logo is in sync with the overall joint venture (JV) with Honda,” says philosophy of pushing the limits and Pawan Munjal, Hero MotoCorp’s Hermes> The French luxury brand is launching a lim- boundaries. The earlier logo denoted managing director and chief execu- ited edition collection of four to five silk sarees in India in stature.” tive officer at the unveiling event in October.
Recommended publications
  • Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
    [Show full text]
  • Kamal's Party to Fight Corruption
    The Word Edition 5 Page 1_Layout 1 2/27/2018 10:41 AM Page 1 Volume No 18 Issue No 5 February 23, 2018 LAB JOURNAL OF THE ASIAN COLLEGE OF JOURNALISM Cost of dying in Students fret Artists survive Chennai over NEET in a village Page 2 Page 3 Page 4 Kamal’s party to fight corruption PRATIBHA SHARMA felt Haasan’s political venture de - Haasan’s movies, she wouldn’t pended on various factors. vote for him. “He is going to Chennai: Tamil film star Kamal “Kamal’s success in politics de - change once he enters into poli - Haasan launched his political party pends on how attractive or relevant tics,” she said. ‘Makkal Needhi Maiam’ (People’s he is politically. An average voter G.C Shekhar remained sceptical Justice Center) and hoisted the flag likes to vote for a winning candi - of Kamal Haasan’s fanbase turning carrying the party’s symbol at Ot - date rather than a person he likes,” into votes as he believed that he hakadai ground in Madurai on Fe - said G.C Shekhar, a senior journa - had unnecessarily antagonized the bruary 21. list. Hindu fanbase, by making contro - The 63-year-old actor, who is on Duraisamy Ravindaran, a poli - versial statements. a three-day statewide tour, visited tical observer, said “Kamal’s suc - This English speaking middle APJ Abdul Kalam’s home in Ra - cess depends on his political class and the urban population meswaram and spoke about his strategy. So far, he has maintained which comprise the bulk of Haa - entry into politics.
    [Show full text]
  • South Asia Multidisciplinary Academic Journal , Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema 2
    Edinburgh Research Explorer Madurai Formula Films Citation for published version: Damodaran, K & Gorringe, H 2017, 'Madurai Formula Films', South Asia Multidisciplinary Academic Journal (SAMAJ), pp. 1-30. <https://samaj.revues.org/4359> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: South Asia Multidisciplinary Academic Journal (SAMAJ) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 South Asia Multidisciplinary Academic Journal Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema Karthikeyan Damodaran and Hugo Gorringe Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic version URL: http://samaj.revues.org/4359 ISSN: 1960-6060 Electronic reference Karthikeyan Damodaran and Hugo Gorringe, « Madurai Formula Films: Caste Pride and Politics in Tamil Cinema », South Asia Multidisciplinary Academic Journal [Online], Free-Standing Articles, Online since 22 June 2017, connection on 22 June 2017. URL : http://samaj.revues.org/4359 This text was automatically generated on 22 June 2017.
    [Show full text]
  • Spectacle Spaces: Production of Caste in Recent Tamil Films
    South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012.
    [Show full text]
  • Balaji Telefilms Limited 10 20 11 Company Review
    annual report Balaji Telefilms Limited 10 20 11 Company Review 02 A Snapshot of Our World 04 Shifting Paradigms 06 Performance Highlights 07 Financial Highlights 08 Letter to the Shareholders 09 Managing Director’s Review Statutory Report 10 Joint Managing 14 Management Financial Statements Director’s Message Discussion & Analysis 34 Standalone Financial 11 Balaji Shows on 20 Directors’ Report Statements Television 24 Corporate Goverance 61 Consolidated 12 Board of Directors Report Financial Statements Balaji Motion Pictures Limited 86 Directors’ Report 89 Financial Statements 107 AGM Notice Forward looking statement In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements, written and verbatim, that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried wherever possible to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in assumptions. The achievements of results are subject to risks, uncertainties, and even inaccurate assumptions. Should known or unknown risks or uncertainties materialise, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated, or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward looking statements, whether as a result of new information, future events or otherwise. Vision is all about looking ahead It is seldom static but often consistent.
    [Show full text]
  • Digital Dawn
    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
    [Show full text]
  • VICTORIA PAUL Production Designer Victoria-Paul.Com
    VICTORIA PAUL Production Designer victoria-paul.com TELEVISION DIRECTORS PRODUCERS/STUDIOS NCIS: NEW ORLEANS Series Various Directors Joe Zolfo, Gary Glasberg, Jim Hayman CBS MISTRESSES Season 2 Various Directors Reid Shane, Rina Mimoun, KJ Steinberg / ABC DIVIDE & CONQUER Pilot Bryan Gordon Peter Ocko, Keith Raskin / Universal TV / USA SAVE ME Pilot & Series Scott Winant Joanne Toll, Vivian Cannon / Original Film Sony TV / NBC THE FINDER Pilot & Series Dan Sackheim Hart Hanson, Barry Josephson / Fox & Various Directors LIE TO ME Seasons 2 & 3 Dan Sackheim, Tim Busfield, Dan Sackheim, Vahan Moosekian Jim Hayman, Imagine TV / Fox Terrence O’Hara IN THE MOTHERHOOD Richard Shepard Stu Bloomberg, Jenni Konner, Ali Rushfield Pilot & Series ABC DROP DEAD DIVA Pilot James Hayman Josh Berman, Bob Wilson / Sony TV WOMEN’S MURDER CLUB Series Greg Yaitanes & Rick Wallace Ed Milkovich, Liz Craft, Sarah Fain / Fox / ABC DRIVE Series Greg Yaitanes & Various Tim Minear, Greg Yaitanes / Fox VANISHED Series Mimi Leder Ed Milkovich, Josh Berman, Mimi Leder & Various Directors Fox E-RING Series David Barrett Ken Biller, David Barrett & Various Directors Warner Bros. / NBC THRESHOLD Series Felix Alcala Jack Clements / CBS & Various Directors HEAD CASES Series Craig Zisk & Various Directors Jeff Rake, Harry Bring / Fox THE INSIDE Series Tim Minear & Kevin Hooks Tim Minear, Gareth Davies / Imagine TV / Fox MISS MATCH Series Darren Star, Tim Busfield Jeff Rake, Gareth Davies & Various Directors Imagine TV / NBC FIRST YEARS Series Various Directors Jill Gordon,
    [Show full text]
  • Why India Doesn't Make Enough 3D Films
    Publication: Mint Date: 08/07/2017 Why India doesn’t make enough 3D films Rajinikanth’s ‘2.0’ and director Vikram Bhatt’s 2015 vigilante thriller ‘Mr. X’ are among few films in India that have actually been shot in 3D 3D viewing is increasing day by day in India. Photo: Reuters New Delhi: In the run-up to the January release of its science fiction film 2.0, starring Rajinikanth, Lyca Productions organized a “meet-and-greet” with exhibitors across Tamil Nadu earlier this week to make sure more screens become 3D enabled by the time the film arrives in theatres to maximize its box office prospects. 2.0, a sequel to Rajinikanth’s 2010 hit Enthiran that has been made at a budget of Rs400 crore, has been directed by S. Shankar and also features Bollywood actor Akshay Kumar. Perhaps one reason the film is so particular about getting the right showcasing is that it has actually been shot in 3D. Most Indian films, however, convert to 3D from 2D during post-production to save costs which is one major reason, say industry experts, for 3D not really having caught on in the country. Online Link - http://www.livemint.com/Consumer/RP43NNUCL7ifbcUEkWxCuJ/Why- India-doesnt-make-enough-3D-films.html Publication: Mint Date: 08/07/2017 “Even in the early phase of the 3D movie spurt, one of the difficulties in India was that people tried to ride the wave by taking a shortcut and converting films shot in 2D into 3D,” said Rajesh Mishra, chief executive officer of Indian Operations, at cinema distribution network UFO Moviez.
    [Show full text]
  • Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
    Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil.
    [Show full text]
  • B.Sc. B.Ed. Syllabus
    MOHAN LAL SUKHADIA UNIVERSITY, UDAIPUR (Raj.) SYALLBUS FACULTY OF EDUCATION SCHEME OF EXAMINATION & COURSE OF STUDIES B.Sc.B.Ed. FOUR- YEARS INTEGRATED PROGRAMME Mohanlal Sukhadia University, Udaipur (Raj.) – 313 001 MOHAN LAL SUKHADIA UNIVERSITY, UDAIPUR (Raj.) MOHAN LAL SUKHADIA UNIVERSITY, UDAIPUR (Raj.) Scheme of Examination and Course of Studies BACHELOR OF SCIENCE (B.Sc) & BACHELOR OF EDUCATION (B.Ed.) B.Sc.B.Ed FOUR YEARS INTEGRATED COURSE (B.Sc.B.Ed. Programme Is a Full Time, Four Academic Session Programme; Each Session Will Be of 200 Days Duration) 1. INTRODUCTION Destiny of a nation is shaped in its classrooms and teacher is the architect who shapes the destiny. Enlightened, emancipated and empowered teachers lead communities and nations towards better and higher quality of life. Teachers are expected to create soul cohesion, national integration and learning society. They disseminate knowledge and generate new knowledge. It is therefore, essential for nation to have a sound and effective programme of teacher preparation. The teacher education programme needs to be upgraded and updated periodically. A perusal of the reports of various commissions and committees indicate the preference for longer duration of B.Sc.B.Ed.course. It was also endorsed by the Hon‟ble Supreme Court of India in its judgement on 15 June 1993. “The Teachers Training Institutes are meant to teach children of impressionable age and we cannot let loose on the innocent and unwary children the teachers who have not received proper and adequate training. True, they will be required to pass the examination but that may not be enough.
    [Show full text]
  • Select CHENNEL PRISE Chennel Selected Packed Price 0 0 Colors
    Select CHENNEL PRISE Chennel Selected Packed Price 0 0 Colors 19 Imagine TV 18 SAB 13 Sahara One 18 Sony 19 STAR One 20 STAR Plus 17 STAR Utsav 5 UTV Bindass 9 Zee TV 13 Aaj Tak 7 CNBC Awaaz 5 IBN7 5 India TV 5 NDTV India 5 STAR News 5 Zee Business 5 Zee News 8 FILMY 15 MAX 16 STAR Gold 16 UTV Movies 14 Zee Cinema 13 UTV Action 9 Zee Classic 10 9XM 7 Channel V 5 E24 14 MTV 7 VH1 5 Zoom 8 Animal Planet 7 Discovery 22 Discovery Science 17 Fox History 6 National Geographic 8 Animax 5 Cartoon Network 18 Disney Channel 13 Disney XD 13 Hungama 11 Nick 9 Pogo 18 AXN 14 BBC Entertainment 6 Discovery Turbo 9 Fox Crime 14 FX 14 NDTV Good Times 9 STAR World 5 TLC 9 Zee Cafe 8 BBC World 5 CNBC TV 18 8 CNN 5 CNN-IBN 5 ET Now 8 Headlines Today 5 NDTV 24x7 8 Bloomberg UTV 8 NDTV Profit 6 NEWSX 8 Times Now 8 HBO 23 Lumière Movies 21 MGM 9 PIX 17 STAR Movies 24 TCM 14 WB 9 UTV World Movies 14 Zee Studio 10 ESPN 29 STAR Sports 29 STAR Cricket 25 NEO Sports 24 NEO Cricket 32 Ten Sports 20 Ten Cricket 30 Discovery HD World 22 National Geographic HD 22 Star Plus HD 22 24 Ghanta 10 Aakaash Bangla 5 Rupashi Bangla 5 ETV Bangla 10 ETV Oriya 10 OTV 5 Sangeet Bangla 5 Zee Bangla 8 Sony Aath 9 STAR Ananda 11 STAR Jalsha 6 Tarang 9 ETV Gujarati 10 TV9 Gujarati 5 MH One 5 PTC News 5 PTC Punjabi 5 Zee Punjabi 5 24 Taas 8 ETV Marathi 10 IBN Lokmat 7 MI Marathi 5 Zee Talkies 15 STAR Majha 5 STAR Pravah 5 Zee Marathi 8 Chutti TV 12 Isai Aruvi 5 Jaya TV 5 Kalaignar TV 5 KTV 14 Raj TV 11 STAR Vijay 5 Sun Music 7 Sun News 5 Sun TV 12 ETV Telugu 10 ETV2 5 Gemini Music 7 Gemini
    [Show full text]
  • Introduction 1
    Notes Introduction 1. Abha Dawesar, Babyji (New Delhi: Penguin, 2005), p. 1. 2. There are pitfalls when using terms like “gay,” “lesbian,” or “homosexual” in India, unless they are consonant with “local” identifications. The prob- lem of naming has been central in the “sexuality debates,” as will shortly be delineated. 3. Hoshang Merchant, Forbidden Sex, Forbidden Texts: New India’s Gay Poets (London: Routledge, 2009), p. 62. 4. Fire, dir. by Deepa Mehta (Trial by Fire Films, 1996) [on DVD]. 5. Geeta Patel, “On Fire: Sexuality and Its Incitements,” in Queering India, ed. by Ruth Vanita (London: Routledge, 2002), pp. 222–233; Jacqueline Levitin, “An Introduction to Deepa Mehta,” in Women Filmmakers: Refocusing, ed. by Jacqueline Levitin, Judith Plessis, and Valerie Raoul (Vancouver: UBC Press, 2002), pp. 273–283. 6. A Lotus of Another Color, ed. by Rakesh Ratti (Boston: Alyson Publi- cations, 1993); Queering India, ed. by Ruth Vanita; Seminal Sites and Seminal Attitudes—Sexualities, Masculinities and Culture in South Asia, ed. by Sanjay Srivastava (New Delhi: Sage Publications, 2004); Because I Have a Voice: Queer Politics in India, ed. by Arvind Narrain and Gautam Bhan (New Delhi: Yoda Press, 2005); Sexualities, ed. by Nivedita Menon (New Delhi: Women Unlimited, 2007); The Phobic and the Erotic: The Politics of Sexualities in Contemporary India, ed. by Brinda Bose and Suhabrata Bhattacharyya (King’s Lynn: Seagull Books, 2007). 7. Walter Jost and Wendy Olmsted, “Introduction,” in A Companion to Rhetoric and Rhetorical Criticism, ed. by Walter Jost and Wendy Olmsted (Oxford: Blackwell, 2004), pp. xv–xvi (p. xv). 8. Quest/Thaang, dir.
    [Show full text]