Vikram Chandra Sigh of Relief Retirement Sells What Is It That
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Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Kamal's Party to Fight Corruption
The Word Edition 5 Page 1_Layout 1 2/27/2018 10:41 AM Page 1 Volume No 18 Issue No 5 February 23, 2018 LAB JOURNAL OF THE ASIAN COLLEGE OF JOURNALISM Cost of dying in Students fret Artists survive Chennai over NEET in a village Page 2 Page 3 Page 4 Kamal’s party to fight corruption PRATIBHA SHARMA felt Haasan’s political venture de - Haasan’s movies, she wouldn’t pended on various factors. vote for him. “He is going to Chennai: Tamil film star Kamal “Kamal’s success in politics de - change once he enters into poli - Haasan launched his political party pends on how attractive or relevant tics,” she said. ‘Makkal Needhi Maiam’ (People’s he is politically. An average voter G.C Shekhar remained sceptical Justice Center) and hoisted the flag likes to vote for a winning candi - of Kamal Haasan’s fanbase turning carrying the party’s symbol at Ot - date rather than a person he likes,” into votes as he believed that he hakadai ground in Madurai on Fe - said G.C Shekhar, a senior journa - had unnecessarily antagonized the bruary 21. list. Hindu fanbase, by making contro - The 63-year-old actor, who is on Duraisamy Ravindaran, a poli - versial statements. a three-day statewide tour, visited tical observer, said “Kamal’s suc - This English speaking middle APJ Abdul Kalam’s home in Ra - cess depends on his political class and the urban population meswaram and spoke about his strategy. So far, he has maintained which comprise the bulk of Haa - entry into politics. -
South Asia Multidisciplinary Academic Journal , Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema 2
Edinburgh Research Explorer Madurai Formula Films Citation for published version: Damodaran, K & Gorringe, H 2017, 'Madurai Formula Films', South Asia Multidisciplinary Academic Journal (SAMAJ), pp. 1-30. <https://samaj.revues.org/4359> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: South Asia Multidisciplinary Academic Journal (SAMAJ) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 South Asia Multidisciplinary Academic Journal Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema Karthikeyan Damodaran and Hugo Gorringe Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic version URL: http://samaj.revues.org/4359 ISSN: 1960-6060 Electronic reference Karthikeyan Damodaran and Hugo Gorringe, « Madurai Formula Films: Caste Pride and Politics in Tamil Cinema », South Asia Multidisciplinary Academic Journal [Online], Free-Standing Articles, Online since 22 June 2017, connection on 22 June 2017. URL : http://samaj.revues.org/4359 This text was automatically generated on 22 June 2017. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Balaji Telefilms Limited 10 20 11 Company Review
annual report Balaji Telefilms Limited 10 20 11 Company Review 02 A Snapshot of Our World 04 Shifting Paradigms 06 Performance Highlights 07 Financial Highlights 08 Letter to the Shareholders 09 Managing Director’s Review Statutory Report 10 Joint Managing 14 Management Financial Statements Director’s Message Discussion & Analysis 34 Standalone Financial 11 Balaji Shows on 20 Directors’ Report Statements Television 24 Corporate Goverance 61 Consolidated 12 Board of Directors Report Financial Statements Balaji Motion Pictures Limited 86 Directors’ Report 89 Financial Statements 107 AGM Notice Forward looking statement In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements, written and verbatim, that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried wherever possible to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in assumptions. The achievements of results are subject to risks, uncertainties, and even inaccurate assumptions. Should known or unknown risks or uncertainties materialise, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated, or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward looking statements, whether as a result of new information, future events or otherwise. Vision is all about looking ahead It is seldom static but often consistent. -
Digital Dawn
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
VICTORIA PAUL Production Designer Victoria-Paul.Com
VICTORIA PAUL Production Designer victoria-paul.com TELEVISION DIRECTORS PRODUCERS/STUDIOS NCIS: NEW ORLEANS Series Various Directors Joe Zolfo, Gary Glasberg, Jim Hayman CBS MISTRESSES Season 2 Various Directors Reid Shane, Rina Mimoun, KJ Steinberg / ABC DIVIDE & CONQUER Pilot Bryan Gordon Peter Ocko, Keith Raskin / Universal TV / USA SAVE ME Pilot & Series Scott Winant Joanne Toll, Vivian Cannon / Original Film Sony TV / NBC THE FINDER Pilot & Series Dan Sackheim Hart Hanson, Barry Josephson / Fox & Various Directors LIE TO ME Seasons 2 & 3 Dan Sackheim, Tim Busfield, Dan Sackheim, Vahan Moosekian Jim Hayman, Imagine TV / Fox Terrence O’Hara IN THE MOTHERHOOD Richard Shepard Stu Bloomberg, Jenni Konner, Ali Rushfield Pilot & Series ABC DROP DEAD DIVA Pilot James Hayman Josh Berman, Bob Wilson / Sony TV WOMEN’S MURDER CLUB Series Greg Yaitanes & Rick Wallace Ed Milkovich, Liz Craft, Sarah Fain / Fox / ABC DRIVE Series Greg Yaitanes & Various Tim Minear, Greg Yaitanes / Fox VANISHED Series Mimi Leder Ed Milkovich, Josh Berman, Mimi Leder & Various Directors Fox E-RING Series David Barrett Ken Biller, David Barrett & Various Directors Warner Bros. / NBC THRESHOLD Series Felix Alcala Jack Clements / CBS & Various Directors HEAD CASES Series Craig Zisk & Various Directors Jeff Rake, Harry Bring / Fox THE INSIDE Series Tim Minear & Kevin Hooks Tim Minear, Gareth Davies / Imagine TV / Fox MISS MATCH Series Darren Star, Tim Busfield Jeff Rake, Gareth Davies & Various Directors Imagine TV / NBC FIRST YEARS Series Various Directors Jill Gordon, -
Why India Doesn't Make Enough 3D Films
Publication: Mint Date: 08/07/2017 Why India doesn’t make enough 3D films Rajinikanth’s ‘2.0’ and director Vikram Bhatt’s 2015 vigilante thriller ‘Mr. X’ are among few films in India that have actually been shot in 3D 3D viewing is increasing day by day in India. Photo: Reuters New Delhi: In the run-up to the January release of its science fiction film 2.0, starring Rajinikanth, Lyca Productions organized a “meet-and-greet” with exhibitors across Tamil Nadu earlier this week to make sure more screens become 3D enabled by the time the film arrives in theatres to maximize its box office prospects. 2.0, a sequel to Rajinikanth’s 2010 hit Enthiran that has been made at a budget of Rs400 crore, has been directed by S. Shankar and also features Bollywood actor Akshay Kumar. Perhaps one reason the film is so particular about getting the right showcasing is that it has actually been shot in 3D. Most Indian films, however, convert to 3D from 2D during post-production to save costs which is one major reason, say industry experts, for 3D not really having caught on in the country. Online Link - http://www.livemint.com/Consumer/RP43NNUCL7ifbcUEkWxCuJ/Why- India-doesnt-make-enough-3D-films.html Publication: Mint Date: 08/07/2017 “Even in the early phase of the 3D movie spurt, one of the difficulties in India was that people tried to ride the wave by taking a shortcut and converting films shot in 2D into 3D,” said Rajesh Mishra, chief executive officer of Indian Operations, at cinema distribution network UFO Moviez. -
Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil. -
B.Sc. B.Ed. Syllabus
MOHAN LAL SUKHADIA UNIVERSITY, UDAIPUR (Raj.) SYALLBUS FACULTY OF EDUCATION SCHEME OF EXAMINATION & COURSE OF STUDIES B.Sc.B.Ed. FOUR- YEARS INTEGRATED PROGRAMME Mohanlal Sukhadia University, Udaipur (Raj.) – 313 001 MOHAN LAL SUKHADIA UNIVERSITY, UDAIPUR (Raj.) MOHAN LAL SUKHADIA UNIVERSITY, UDAIPUR (Raj.) Scheme of Examination and Course of Studies BACHELOR OF SCIENCE (B.Sc) & BACHELOR OF EDUCATION (B.Ed.) B.Sc.B.Ed FOUR YEARS INTEGRATED COURSE (B.Sc.B.Ed. Programme Is a Full Time, Four Academic Session Programme; Each Session Will Be of 200 Days Duration) 1. INTRODUCTION Destiny of a nation is shaped in its classrooms and teacher is the architect who shapes the destiny. Enlightened, emancipated and empowered teachers lead communities and nations towards better and higher quality of life. Teachers are expected to create soul cohesion, national integration and learning society. They disseminate knowledge and generate new knowledge. It is therefore, essential for nation to have a sound and effective programme of teacher preparation. The teacher education programme needs to be upgraded and updated periodically. A perusal of the reports of various commissions and committees indicate the preference for longer duration of B.Sc.B.Ed.course. It was also endorsed by the Hon‟ble Supreme Court of India in its judgement on 15 June 1993. “The Teachers Training Institutes are meant to teach children of impressionable age and we cannot let loose on the innocent and unwary children the teachers who have not received proper and adequate training. True, they will be required to pass the examination but that may not be enough. -
Select CHENNEL PRISE Chennel Selected Packed Price 0 0 Colors
Select CHENNEL PRISE Chennel Selected Packed Price 0 0 Colors 19 Imagine TV 18 SAB 13 Sahara One 18 Sony 19 STAR One 20 STAR Plus 17 STAR Utsav 5 UTV Bindass 9 Zee TV 13 Aaj Tak 7 CNBC Awaaz 5 IBN7 5 India TV 5 NDTV India 5 STAR News 5 Zee Business 5 Zee News 8 FILMY 15 MAX 16 STAR Gold 16 UTV Movies 14 Zee Cinema 13 UTV Action 9 Zee Classic 10 9XM 7 Channel V 5 E24 14 MTV 7 VH1 5 Zoom 8 Animal Planet 7 Discovery 22 Discovery Science 17 Fox History 6 National Geographic 8 Animax 5 Cartoon Network 18 Disney Channel 13 Disney XD 13 Hungama 11 Nick 9 Pogo 18 AXN 14 BBC Entertainment 6 Discovery Turbo 9 Fox Crime 14 FX 14 NDTV Good Times 9 STAR World 5 TLC 9 Zee Cafe 8 BBC World 5 CNBC TV 18 8 CNN 5 CNN-IBN 5 ET Now 8 Headlines Today 5 NDTV 24x7 8 Bloomberg UTV 8 NDTV Profit 6 NEWSX 8 Times Now 8 HBO 23 Lumière Movies 21 MGM 9 PIX 17 STAR Movies 24 TCM 14 WB 9 UTV World Movies 14 Zee Studio 10 ESPN 29 STAR Sports 29 STAR Cricket 25 NEO Sports 24 NEO Cricket 32 Ten Sports 20 Ten Cricket 30 Discovery HD World 22 National Geographic HD 22 Star Plus HD 22 24 Ghanta 10 Aakaash Bangla 5 Rupashi Bangla 5 ETV Bangla 10 ETV Oriya 10 OTV 5 Sangeet Bangla 5 Zee Bangla 8 Sony Aath 9 STAR Ananda 11 STAR Jalsha 6 Tarang 9 ETV Gujarati 10 TV9 Gujarati 5 MH One 5 PTC News 5 PTC Punjabi 5 Zee Punjabi 5 24 Taas 8 ETV Marathi 10 IBN Lokmat 7 MI Marathi 5 Zee Talkies 15 STAR Majha 5 STAR Pravah 5 Zee Marathi 8 Chutti TV 12 Isai Aruvi 5 Jaya TV 5 Kalaignar TV 5 KTV 14 Raj TV 11 STAR Vijay 5 Sun Music 7 Sun News 5 Sun TV 12 ETV Telugu 10 ETV2 5 Gemini Music 7 Gemini -
Introduction 1
Notes Introduction 1. Abha Dawesar, Babyji (New Delhi: Penguin, 2005), p. 1. 2. There are pitfalls when using terms like “gay,” “lesbian,” or “homosexual” in India, unless they are consonant with “local” identifications. The prob- lem of naming has been central in the “sexuality debates,” as will shortly be delineated. 3. Hoshang Merchant, Forbidden Sex, Forbidden Texts: New India’s Gay Poets (London: Routledge, 2009), p. 62. 4. Fire, dir. by Deepa Mehta (Trial by Fire Films, 1996) [on DVD]. 5. Geeta Patel, “On Fire: Sexuality and Its Incitements,” in Queering India, ed. by Ruth Vanita (London: Routledge, 2002), pp. 222–233; Jacqueline Levitin, “An Introduction to Deepa Mehta,” in Women Filmmakers: Refocusing, ed. by Jacqueline Levitin, Judith Plessis, and Valerie Raoul (Vancouver: UBC Press, 2002), pp. 273–283. 6. A Lotus of Another Color, ed. by Rakesh Ratti (Boston: Alyson Publi- cations, 1993); Queering India, ed. by Ruth Vanita; Seminal Sites and Seminal Attitudes—Sexualities, Masculinities and Culture in South Asia, ed. by Sanjay Srivastava (New Delhi: Sage Publications, 2004); Because I Have a Voice: Queer Politics in India, ed. by Arvind Narrain and Gautam Bhan (New Delhi: Yoda Press, 2005); Sexualities, ed. by Nivedita Menon (New Delhi: Women Unlimited, 2007); The Phobic and the Erotic: The Politics of Sexualities in Contemporary India, ed. by Brinda Bose and Suhabrata Bhattacharyya (King’s Lynn: Seagull Books, 2007). 7. Walter Jost and Wendy Olmsted, “Introduction,” in A Companion to Rhetoric and Rhetorical Criticism, ed. by Walter Jost and Wendy Olmsted (Oxford: Blackwell, 2004), pp. xv–xvi (p. xv). 8. Quest/Thaang, dir.