Nürnberg Reichsparteitag
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Nationalsozialistische Festkultur in Wiesbaden 1933
Nationalsozialistische Festkultur in Wiesbaden 1933 Ein Projekt des Leistungskurses Geschichte 12 des Gymnasiums am Mosbacher Berg 2010/11 Diese Broschüre wurde während der Projektwoche im Herbst des Schuljaheres 2010/11 erstellt. Dabei war uns die Leiterin des Wiesbadener Stadtarchivs, Frau Dr. Brigitte Streich, in großzügiger Weise behilflich. Ein herzliches Dankeschön auch an ihre Mitarbeiter, vor allem Herrn Habs, der mit viel Geduld den Schülerinnen und Schülern nicht nur viele gute Tipps gab, sondern uns auch in vielfältiger Weise sachkundig zur Seite stand. Unmittelbar nach dem mit großem Pomp inszenierten Feiertag der „nationalen Arbeit“ wurden reichsweit, also auch in Wiesbaden, die Gewerkschaften gewaltsam zerschlagen und zahlreiche ihrer Verbandsfunktionäre verhaftet und misshandelt. Eine Schülergruppe – unter der Leitung von Frau Antina Manig - hat die Vorgänge am 2. Mai 1933 recherchiert. Bildnachweis: Wenn nicht ausdrücklich anders vermerkt, stammen alle Fotografien aus dem Wiesbadener Stadtarchiv. 2 Inhaltsverzeichnis Einleitung: Nationalsozialistische Festkultur in Wiesbaden 1933 Chronologie der Ereignisse 1933 Wie urteilten die Nationalsozialisten über das Jahr 1933? Die Wahlergebnisse aus Wiesbaden von 1928-1933 Eine Schule feiert die „Machtergreifung“ Der 2. Mai 1933 in Wiesbaden Erntedankfest – „Der Tag des deutschen Bauern“ „Führers Geburtstag“ 1933 Der Bau des Opelbades Der nationalsozialistische Fahnenkult Festkultur und die Militarisierung der Gesellschaft Geschlechterpolitik in der NS-Zeit Ausgrenzung von „rassisch-minderwertigen“ und politischen Konkurrenten in Wiesbaden 1933 3 Einleitung: Nationalsozialistische Festkultur in Wiesbaden 1933 Die nationalsozialistische Festkultur im Urteil von Historikern Bereits im Jahr 1933 jagten sich überall im Deutschen Reich die nationalsozialistischen Großveranstaltungen, so auch in Wiesbaden. Sie wurden mit einem gewaltigen organisatorischem Aufwand inszeniert, zahlreiche Parteigliederungen und Unterorganisationen wurden hierzu mobilisiert. -
Guides to German Records Microfilmed at Alexandria, Va
GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared -
Hans Rößler Nationalsozialismus in Der Fränkischen Provinz Neuendettelsau Unterm Hakenkreuz
Hans Rößler Nationalsozialismus in der fränkischen Provinz Neuendettelsau unterm Hakenkreuz Hans Rößler Nationalsozialismus in der fränkischen Provinz Neuendettelsau unterm Hakenkreuz Bibliografische Informationen der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbib- liografie; detaillierte bibliografische Daten sind im Internet unter http://dnb.d-nb.de abrufbar. 1. Auflage 2017 © Diakonie Neuendettelsau ISBN 978-3-9809431-9-2 Gestaltung: Andrea Töcker/Neuendettelsau Druck: VDS VERLAGSDRUCKEREI SCHMIDT 91413 Neustadt an der Aisch Umschlagsgestaltung: Reinhard Zimmermann/Mörsach Bildvorlage: Postkarte „Heilgrüße aus Neuendettelsau“ (Verlag SA. Trupp 4/19 Neuendettels- au/Mfr.), 1933 Inhalt Geleitwort von Rektor Dr. Mathias Hartmann .......................................................... 9 Vorwort: NS-Forschung in der fränkischen Provinz ................................................... 11 Einleitung: Der Ort Neuendettelsau in den 1930-er Jahren ....................................... 17 1. Teil: Christian Keyßers Hitler-Lied und seine Unterzeichner (1933) ............................... 21 1.1 Das Hitler-Lied von Christian Keyßer ......................................................................... 21 1.2 Dr. h. c. Christian Keyßer (1877–1961) – von der Missionspraxis der Stammesbekehrung zur völkischen Ideologie ............................................................ 24 1.3 Dr. Friedrich Eppelein (1887–1969) – durch die Volksmission zum Nationalsozialismus -
Jonathan C. Got Berlin Perspectives on Architecture 1 Olympiastadion
Jonathan C. Got Berlin Perspectives on Architecture Olympiastadion – Germania and Beyond My personal interest with the Olymiastadion began the first week I arrived in Berlin. Having only heard about Adolf Hitler’s plans for a European Capital from documentaries and seen pictures of Jesse Owen’s legendary victories in the ill-timed 1936 Summer Olympics, I decided to make a visit myself. As soon as I saw the heavy stone colonnade from the car park I knew it could only have been built for one purpose – propaganda for the Third Reich beyond Germania. Remodelled for the 1936 Summer Olympics in Berlin by Hitler’s favorite architects Werner March (whose father, Otto March, designed the original 1913 stadium) and Albert Speer, the Olympiastadion was a symbol of power for the National Socialist party and an opportunity to present propaganda in the form of architecture. Being the westernmost structure on Hitler’s ‘capital city of the world’, the stadium was designed to present the then National Socialist Germany to the rest of the world as a power to be reckoned with. Any visitor to the stadium doesn’t only see the gigantic stadium, but also experiences the whole Olympic complex. Visitors would arrive at a 10-platform S-Bahn station able to serve at high frequencies for large events and then walk several hundred meters with a clear view of the huge imposing stone stadium as soon as visitors reached the car park. Though some might argue that neither the U- nor S-Bahn stations named after the stadium provided convenient access to the sports grounds, one has to consider the scale of the event. -
Die Polizei Im NS-Staat
INHALTSVERZEICHNIS VORWORT 9 EINLEITUNG 11 I. TEIL: POLIZEIBEGRIFF - POLIZEIRECHT 1. Der Polizeibegriff und seine Verwendung in der Neuzeit . 13 2. Rechtsgrundlagen für die Polizei 17 II. TEIL: DIE POLIZEI IN DER ENDPHASE DER WEIMARER REPUBLIK 1. Die Polizeibehörden in der Weimarer Republik 22 2. Die Situation der Polizei in der Schlußphase der Weimarer Republik 28 3. Der »Preußenschlag« und seine Auswirkung auf die preußische Polizei 32 III. TEIL: DER ZUGRIFF DER NATIONALSOZIALISTEN AUF DIE POLIZEI 1. Die Übernahme der Polizeigewalt durch die National- sozialisten 37 2. Die Verselbständigung der Politischen Polizei 40 3. Die Aufstellung von Formationen »zur Unterstützung« der Polizei 47 a) Hilfspolizei 47 b) »Polizeiabteilung Wecke z.b.V.« 48 c) Politische Bereitschaften 50 d) Das Feldjägerkorps 51 4. Die Verhängung von Schutzhaft und die Errichtung von Konzentrationslagern 53 5. Die Übernahme der Polizeihoheit durch das Reich 60 6. Die »Gleichschaltung« der polizeilichen Interessen- verbände 63 7. Die Militarisierung der Schutzpolizei und ihre Überführung in die Wehrmacht 65 8. NS-Propaganda: »Die Polizei - Dein Freund und Helfer« 70 Inhaltsverzeichnis IV. TEIL: DIE »VERREICHLICHUNG« DER POLIZEI UND IHRE VERSCHMELZUNG MIT DER SS P . j 1. Die Vorbereitung der »Verreichlichung« der Polizei 73 ") 2. Die Ernennung des Reichsführers-SS zum Chef der 1_ Deutschen Polizei im Reichsministerium des Innern 74 3. Die Neuordnung der Sicherheitspolizei 78 a) Der Ausbau der Geheimen Staatspolizei 78 b) Die Einsetzung von Inspekteuren der Sicherheitspolizei 79 c) Die Neuordnung der Kriminalpolizei 81 4. Die Entwicklung der Ordnungspolizei und der Gendarmerie 83 a) Die Kommandostruktur des Hauptamtes Ordnungspolizei 83 b) Die Einsetzung von Inspekteuren der Ordnungs- polizei 84 c) Die Schutzpolizei 85 d) Die Umgestaltung der Landjägerei 86 5. -
The Nazi Party Rally Grounds in Nuremberg. a Difficult Heritage and a Public Space
Print: ISBN 978-1-78969-873-2 Online: ISSN 2531-8810 EX NOVO Journal of Archaeology, Volume 5, December 2020: 63-78 63 Published Online: Dec 2020 The Nazi Party Rally Grounds in Nuremberg. A Difficult Heritage and a Public Space Alexander Schmidt Documentation Centre Nazi Party Rally Grounds, Nuremberg Abstract The former Nazi Party Rally Grounds in Nuremberg reflect politics and public debates in Germany between suppression, non-observance and direct reference to the National Socialist Past since 1945. Within this debate, various ways of dealing with the architectural heritage of the National Socialism exist. Those approaches are often contradictory. Since 1945 (and until today), the former Nazi Party Rally Grounds have been perceived as an important heritage. However, despite innumerable tourists visiting the area, parts of the buildings were removed and through ignoring the historic past of the Nazi Party Rally Grounds, an everyday usage of the area was established. As of the public representation of the city, Nuremberg’s Nazi Past was played down and hidden. Simultaneously, considerable efforts were made to maintain and renovate areas of the Party Rally Grounds, partly out of a pragmatic manner as well as to document and educate about history. The special role Nuremberg played under National Socialism, led to a particularly prominent culture of remembrance (Erinnerungskultur). However, this isn’t the outcome of a simple success story coming from initial public suppression to a conscious examination of the National Socialist Past. It has been a rather contradictory non – linear process, continuing until today. Keywords: Nuremberg, heritage, Nazi Party Rally Grounds Introduction Together with Tempelhof Airport and the Olympic Stadium, both in Berlin, as well as the unfinished Kraft durch Freude (Strength Through Joy) seaside resort Prora on Rügen Island, the Nuremberg Nazi Party Rally Grounds are among the most extensive architectural remains from the time of National Socialism in Germany (Doosry 2002; Schmidt & Urban 2006; Schmidt 2017a). -
The Nuremberg Party Rallies, Wagner, and the Theatricality of Hitler And
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 Cathedral of Light: The his imagery and music by the Nazi Party.7 Hitler was obsessed with Wagnerian operas. It was the only type of Nuremberg Party Rallies, music he listened to with any enthusiasm, and he could Wagner, and The Theatricality be heard whistling it perfectly.8 He was witnessed to be visibly calmed by the music of Wagner when agitated. of Hitler and the Nazi Party According to Goebbels, Hitler had a “strong inner need Stacey Reed for art,” and was known to, in the middle of important History 395 political negotiations or tactical battles to go by himself Fall 2012 or with a few comrades, to sit in a theater and listen to “the heroically elevated measures of a Wagnerian music The National Socialist, or Nazi, Party was drama in artistic unison with his political being.”10 This keenly aware of the power of the arts, the elements of was a tendency that began long before his appointment the theatre, and the power of spectacle on the minds and as Chancellor. Already a passionate follower of Wagner's attitudes of the German people. This was especially true works, Hitler was further directed on his path towards of music, and they found fertile ground in the minds of Führer when, upon meeting Wagner's son-in-law at the people through the imagination of Richard Wagner his Villa Wahnfried in Bayreuth in September, 1923, and his great, nationalistic Operas. The Nazi Party the master of the house told him that he saw in Hitler, engaged with the political philosophy of the composer Germany's savior.11 Hitler would go on to make Wagner and elevated the enjoyment of his art to a key ritual of a central part of his Nazi Mythos, incorporating his works the cult of Nazism. -
How Much Did the Germans Know About the Final Solution?: an Examination of Propaganda in the Third Reich
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College Spring 2010 How Much Did the Germans Know about the Final Solution?: An Examination of Propaganda in the Third Reich Issa A. Braman Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Holocaust and Genocide Studies Commons Recommended Citation Braman, Issa A., "How Much Did the Germans Know about the Final Solution?: An Examination of Propaganda in the Third Reich" (2010). Honors Theses. 3371. https://scholarworks.wmich.edu/honors_theses/3371 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. How Much Did the Germans Know about the Final Solution?: An Examination of Propaganda in the Third Reich by Melissa A. Braman In 1925, while Adolf Hitler was serving a short sentence in jail for his failed Beer Hall Putsch, he wrote in Mein Kampf, “With the year 1915 enemy propaganda began in our country, after 1916 it became more and more intensive till finally, at the beginning of the year 1918, it swelled to a positive flood.” Hitler, a soldier of World War I, had experienced firsthand the power of propaganda during the war. With the failure of Germany to counter-act the Allied propaganda, Hitler noted, “The army gradually learned to think as the enemy wanted it to.”1 Hitler applied this same concept to promoting the rhetoric of the Nationalsozialistische Deutsche Arbeiterpartei (NSDAP). -
The White Rose in Cooperation With: Bayerische Landeszentrale Für Politische Bildungsarbeit the White Rose
The White Rose In cooperation with: Bayerische Landeszentrale für Politische Bildungsarbeit The White Rose The Student Resistance against Hitler Munich 1942/43 The Name 'White Rose' The Origin of the White Rose The Activities of the White Rose The Third Reich Young People in the Third Reich A City in the Third Reich Munich – Capital of the Movement Munich – Capital of German Art The University of Munich Orientations Willi Graf Professor Kurt Huber Hans Leipelt Christoph Probst Alexander Schmorell Hans Scholl Sophie Scholl Ulm Senior Year Eugen Grimminger Saarbrücken Group Falk Harnack 'Uncle Emil' Group Service at the Front in Russia The Leaflets of the White Rose NS Justice The Trials against the White Rose Epilogue 1 The Name Weiße Rose (White Rose) "To get back to my pamphlet 'Die Weiße Rose', I would like to answer the question 'Why did I give the leaflet this title and no other?' by explaining the following: The name 'Die Weiße Rose' was cho- sen arbitrarily. I proceeded from the assumption that powerful propaganda has to contain certain phrases which do not necessarily mean anything, which sound good, but which still stand for a programme. I may have chosen the name intuitively since at that time I was directly under the influence of the Span- ish romances 'Rosa Blanca' by Brentano. There is no connection with the 'White Rose' in English history." Hans Scholl, interrogation protocol of the Gestapo, 20.2.1943 The Origin of the White Rose The White Rose originated from individual friend- ships growing into circles of friends. Christoph Probst and Alexander Schmorell had been friends since their school days. -
Günther Domenig's Documentation Center of the National Socialist
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Architecture Program: Faculty Scholarly and Architecture Program Creative Activity 2017 Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany Rumiko Handa University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/arch_facultyschol Part of the Architecture Commons, Modern Art and Architecture Commons, and the Theory and Criticism Commons Handa, Rumiko, "Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany" (2017). Architecture Program: Faculty Scholarly and Creative Activity. 45. https://digitalcommons.unl.edu/arch_facultyschol/45 This Article is brought to you for free and open access by the Architecture Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Architecture Program: Faculty Scholarly and Creative Activity by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Montreal Architectural Review Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany Rumiko Handa University of Nebraska Abstract Buildings have a way of bringing the past into the present. This is important because experiences of the past often constitute impactful moments in everyday lives and allow a contemplation of existential meaning. It is an aspect often neglected by architectural professionals and critics because it lies outside the Vitruvian triad of aesthetic, functional, and structural virtues. It goes without saying that a building’s presentation of the past is ontological. In other words, individual perceptions of a building are subjective, and the building’s objective traits or histories do not guarantee that it will turn into a place of memory for everybody. -
Erhalten! Wozu? Perspektiven Für Zeppelintribüne, Zeppelinfeld Und Das Ehemalige Reichsparteitagsgelände Aufsatzband Zur Gleichnamigen Tagung Am 17./18
Schriften des Kulturreferats der Stadt Nürnberg Erhalten! Wozu? Perspektiven für Zeppelintribüne, Zeppelinfeld und das ehemalige Reichsparteitagsgelände Aufsatzband zur gleichnamigen Tagung am 17./18. Oktober 2015 in Nürnberg 02 Erhalten! Wozu? Perspektiven für Zeppelintribüne, Zeppelinfeld und das ehemalige Reichsparteitagsgelände Aufsatzband zur gleichnamigen Tagung am 17./18. Oktober 2015 in Nürnberg Herausgegeben von Julia Lehner Schriften des Kulturreferats der Stadt Nürnberg Band 02 Herausgegeben von Julia Lehner Nürnberg 2017 Schwerpunkt Erinnerungskultur im Kulturreferat der Stadt Nürnberg: Matthias Klaus Braun, Annekatrin Fries (verantwortlich) Für den Inhalt der Aufsätze sind die Verfasserinnen und Verfasser verantwortlich. Fotonachweis: Umschlag: Zeppelintribüne, Foto: Uli Kowatsch (Stadt Nürnberg) Seiten: 14, 78, 146, 206, 266, Foto: Ulrike Manestar (Kulturreferat der Stadt Nürnberg) Impressum Redaktion: Martina Bauernfeind, Kulturreferat der Stadt Nürnberg Matthias Klaus Braun, Kulturreferat der Stadt Nürnberg Lektorat: Michaela Wolf, Kulturreferat der Stadt Nürnberg Layout: grafikbuero x, Nürnberg Satz: Micha Beißer, Kulturreferat der Stadt Nürnberg Druck: Frischmann Druck und Medien GmbH ISBN: 978-3-9817369-1-5 © 2017 Stadt Nürnberg, Kulturreferat, Hauptmarkt 18, 90403 Nürnberg Inhalt 6 Grußwort des Oberbürgermeisters der Stadt Nürnberg 10 Vorwort der Kulturreferentin der Stadt Nürnberg ARCHITEKTUR/DENKMALPFLEGE 16 Überlegungen zum Umgang mit dem ehemaligen Reichsparteitagsgelände Winfried Nerdinger 24 Auch ein schwieriges -
What Are the Former Nazi Party Rally Grounds? from “Sleeping” Cipher to Productive Monument for the Future of Remembrance
embracing humanity - Menschlichkeit als Maß what are the former nazi party rally grounds? from “sleeping” cipher to productive monument for the future of remembrance Idea and concept: Marietta Piekenbrock on behalf of the Bid Office, N2025 - European Capital of Culture, Director: Prof. Dr. Hans-Joachim Wagner, May 2020 Everyone living in Western democracies has Nuremberg in their history. The former Reichsparteitagsgelände, known in English as the Nazi party rally grounds is one of the largest places of remembrance in Europe. The Zeppelin grandstand and the unfinished Congress Hall illustrate the architectural militarism of National Socialism. The scaleless psychological function of its architecture was to mould individuals into a Volksgemeinschaft, a national or ethnic community that is willing to make sacrifices and to use violence. There are reasons to doubt the effectiveness of our public culture of remembrance. Two generations after the Holocaust, anti-Semitism and racism are again on the rise, not only in our urban and media spaces, but also among the elites. Where does this sinister trend originate? In what gestures is it manifested in urban planning? What driving forces result from these dynamics for dealing with monuments and national myths? What driving forces result from these dynamics for dealing with monuments and places of remembrance? Not only government and scholars, but also art and culture are facing new challenges and tasks. embracing humanity - Menschlichkeit als Maß The German word Schauplatz describes an arena, a scene, a setting or location and, literally, a showplace. If we probe the meaning, we are soon examining the history of the theatre, a genre from which the eventful, presentational character attached to the term is derived.