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The Research of Motifs in Interactive Media Art Concerning the Visual
The Research of Motifs in Interactive Media Art Concerning the Visual Aspect Penesta Dika Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy April, 2008 Institute of Interface Cultures at the University of Art and Industrial Design in Linz, Department for Media Studies Supervisors: Prof. Christa Sommerer & Prof. Oliver Grau Table of Contents 1. State of the Art: Books and Online Sources 2. Introduction to Interactive Media Art Digital art and new media art Forms and origins of interactive media art Origin, meaning and forms of interaction Interfaces as GUI, or as devices and environments equipped with sensors The history of the technology of interactive media art Mechanical calculators, electronic computers Software developments Inventions in form of devices/equipments 3. Introduction to Motifs, Visual Motifs and the Methods for their Research Categories of Visual Motifs 4. Objective Visual Motifs 4.1. Human Motifs: Historical Overview 4.2. Human Motifs in Interactive Media Art 4.2.1. Portrait and Bust in Interactive Media Art 4.2.2. Author‐Visitor‐Portrait and Visitor‐Portrait Invitation to be touched and the Touch ‐ Screen 4.2.3. Interactive Video‐Portrait and Interactive Bust Interactive Self‐portrait 2 4.2.4. The Inside of the body: the trip through our insides 4.2.5. Body Parts Dancing sculptures of legs “Talking” virtual hands and “real” third hand 4.2.6. Résumé 4.3. Animals or Plants as Motifs: Historical Overview 4.4. Animals and Plants as Motifs in Interactive Media Art 4.4.1. Evolutionary Designed Biological Motifs 4.4.2. -
Framed Memories of Berlin
Framed Memories of Berlin Kacmaz Erk, G., & Wilson, C. (2018). Framed Memories of Berlin: Film, Remembrance and Architecture. Architecture and Culture, 6(2), 243-263. https://doi.org/10.1080/20507828.2018.1478513 Published in: Architecture and Culture Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2018 Taylor and Francis. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:02. Oct. 2021 Framed Memories of Berlin: Film, Architecture and Remembrance Abstract Collective memory can be defined as a shared notion of how a social group constructs its past. Architecture and cinema play a major role in the creation of collective memory, buildings by structuring lived experiences and films by framing, re-presenting and fixing those experiences so that they can be collectively revisited. -
Miller, Schwaag, Warner the New Death Strip Blaster of Architecture № ① 1.MMXI
Miller, Schwaag, Warner The New Death Strip blaster of architecture THE HEURIS GONZO BLURBANISM T IC JOURNAL FOR № ① THE 1.MMXI NEW DEATH StRIP THE NEW DEATH StRIP MIller, Schwaag, Warner SLAB Magazine The Heuristic Journal for Gonzo Blurbanism Imprint Content Published by: Arno Brandlhuber, Silvan Linden akademie c/o Architektur und Stadtforschung, Forward 4 AdBK Nürnberg Method 6 Editors: Oliver Miller, Daniel Schwaag, Ian Warner Re-Coding the Environs 8 All photos: the authors Rewe + Aldi =Rewaldi 18 Layout: Blotto Design, Berlin Europarc.de 20 Typefaces: Vectora, News Gothic, LiSong Kernel Memory Dump 28 Cover photo: Traffic police filming motorists on A Future Squat 30 the A113 in south east Berlin Color Plates 33 Printed by: Druckerei zu Altenburg Distribution: www.vice-versa-vertrieb.de La Dolcé Ignoranza! 49 © Publishers and authors, Hashing out the Grey Zone 56 Nürnberg / Berlin, January 2011 Landscape Rules: The Lessons of A113 60 Free Form 68 Die Deutsche Bibliothek verzeichnet diese Publikation in der National bibliografie; Hyperbolic Seam 69 detaillierte bibliografische Daten sind im Internet Striptonwickburgshirehamwaldetinow 72 abrufbar. Postscript: For Unreal 76 http://dnb.ddb.de List of Projects / Bibliography 78 ISSN 1862-1562 The Authors / Slab Magazine 79 ISBN 978-3-940092-04-5 fied Berlin, land that very quickly became prime real estate once the geopolitical FORWARD map of the Cold War was trashed in ’89. OlIver MIller The concern of this study, however, is to look elsewhere: to the forlorn corners of the death strip in 2010. To be sure, this is not the death strip from ten, twenty or thirty years ago. -
The Nazi Party Rally Grounds in Nuremberg. a Difficult Heritage and a Public Space
Print: ISBN 978-1-78969-873-2 Online: ISSN 2531-8810 EX NOVO Journal of Archaeology, Volume 5, December 2020: 63-78 63 Published Online: Dec 2020 The Nazi Party Rally Grounds in Nuremberg. A Difficult Heritage and a Public Space Alexander Schmidt Documentation Centre Nazi Party Rally Grounds, Nuremberg Abstract The former Nazi Party Rally Grounds in Nuremberg reflect politics and public debates in Germany between suppression, non-observance and direct reference to the National Socialist Past since 1945. Within this debate, various ways of dealing with the architectural heritage of the National Socialism exist. Those approaches are often contradictory. Since 1945 (and until today), the former Nazi Party Rally Grounds have been perceived as an important heritage. However, despite innumerable tourists visiting the area, parts of the buildings were removed and through ignoring the historic past of the Nazi Party Rally Grounds, an everyday usage of the area was established. As of the public representation of the city, Nuremberg’s Nazi Past was played down and hidden. Simultaneously, considerable efforts were made to maintain and renovate areas of the Party Rally Grounds, partly out of a pragmatic manner as well as to document and educate about history. The special role Nuremberg played under National Socialism, led to a particularly prominent culture of remembrance (Erinnerungskultur). However, this isn’t the outcome of a simple success story coming from initial public suppression to a conscious examination of the National Socialist Past. It has been a rather contradictory non – linear process, continuing until today. Keywords: Nuremberg, heritage, Nazi Party Rally Grounds Introduction Together with Tempelhof Airport and the Olympic Stadium, both in Berlin, as well as the unfinished Kraft durch Freude (Strength Through Joy) seaside resort Prora on Rügen Island, the Nuremberg Nazi Party Rally Grounds are among the most extensive architectural remains from the time of National Socialism in Germany (Doosry 2002; Schmidt & Urban 2006; Schmidt 2017a). -
Berliner Mauer Und Innerdeutsche Grenze Bestandsverzeichnis Aus Der Bibliothek Der Bundesstiftung Aufarbeitung
Berliner Mauer und innerdeutsche Grenze Bestandsverzeichnis aus der Bibliothek der Bundesstiftung Aufarbeitung In der Nacht zum 13. August 1961 begann die Abriegelung der Grenze zu den Berliner Westsektoren durch das SED-Regime. Mit einem Großaufgebot an Einsatzkräften von Volks- und Grenzpolizei sowie Betriebskampfgruppen der SED wurden Verbindungs- straßen aufgerissen, Spanische Reiter und Stacheldrahtverhaue errichtet und der öffentliche Nahverkehr zwischen den beiden Stadtteilen dauerhaft unterbrochen. In den folgenden Tagen und Wochen wurden die provisorischen Stacheldrahtsperren unter scharfer Bewachung durch DDR-Grenzposten mit einer Mauer aus Hohlblock- steinen und Betonplatten ersetzt. Walter Ulbricht hatte sein Ziel erreicht. Der letzte noch offene Fluchtweg in den Westen war geschlossen und die bis dahin stetig wachsende Fluchtbewegung aus der DDR gestoppt. Die Berliner Mauer existierte über 28 Jahre lang und wurde zum Symbol für das menschenverachtende Regime in der DDR-Diktatur und zum Symbol der Deutschen Teilung und des Kalten Krieges. Die Mauer stand zudem für die Unerbittlichkeit eines Regimes, das auch vor Todesschüssen auf Flüchtlinge nicht zurückschreckte. Die vorliegende Bibliographie umfasst sämtliche Monographien, Broschüren und audiovisuellen Medien aus dem Bestand der Stiftungsbibliothek, die sich dem Themenkomplex Berliner Mauer und innerdeutsche Grenze widmen. Das Verzeichnis ist in folgende Rubriken gegliedert: Mauerbau und Vorgeschichte ● Leben mit der Mauer ● Innerdeutsche Grenze ● Flucht und Opfer der Mauer/innerdeutschen Grenze ● Grenze und Fluchtbewegung vor 1961 ● Gedenkstätten und Erinnerung ● Ausreise Mauerbau und Vorgeschichte 3 x durch den Zaun. Bonn: Büro Bonner Berichte, 1963. Signatur: F 9591 13. August 1961. Bonn: Kuratorium Unteilbares Deutschland, 1961. Signatur: F 9963 13. August 1961. 2., überarb. Aufl. Bonn: Gesamtdt. Inst., 1986. (Seminarmaterial des Gesamtdeutschen Instituts). -
Günther Domenig's Documentation Center of the National Socialist
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Architecture Program: Faculty Scholarly and Architecture Program Creative Activity 2017 Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany Rumiko Handa University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/arch_facultyschol Part of the Architecture Commons, Modern Art and Architecture Commons, and the Theory and Criticism Commons Handa, Rumiko, "Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany" (2017). Architecture Program: Faculty Scholarly and Creative Activity. 45. https://digitalcommons.unl.edu/arch_facultyschol/45 This Article is brought to you for free and open access by the Architecture Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Architecture Program: Faculty Scholarly and Creative Activity by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Montreal Architectural Review Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany Rumiko Handa University of Nebraska Abstract Buildings have a way of bringing the past into the present. This is important because experiences of the past often constitute impactful moments in everyday lives and allow a contemplation of existential meaning. It is an aspect often neglected by architectural professionals and critics because it lies outside the Vitruvian triad of aesthetic, functional, and structural virtues. It goes without saying that a building’s presentation of the past is ontological. In other words, individual perceptions of a building are subjective, and the building’s objective traits or histories do not guarantee that it will turn into a place of memory for everybody. -
What Are the Former Nazi Party Rally Grounds? from “Sleeping” Cipher to Productive Monument for the Future of Remembrance
embracing humanity - Menschlichkeit als Maß what are the former nazi party rally grounds? from “sleeping” cipher to productive monument for the future of remembrance Idea and concept: Marietta Piekenbrock on behalf of the Bid Office, N2025 - European Capital of Culture, Director: Prof. Dr. Hans-Joachim Wagner, May 2020 Everyone living in Western democracies has Nuremberg in their history. The former Reichsparteitagsgelände, known in English as the Nazi party rally grounds is one of the largest places of remembrance in Europe. The Zeppelin grandstand and the unfinished Congress Hall illustrate the architectural militarism of National Socialism. The scaleless psychological function of its architecture was to mould individuals into a Volksgemeinschaft, a national or ethnic community that is willing to make sacrifices and to use violence. There are reasons to doubt the effectiveness of our public culture of remembrance. Two generations after the Holocaust, anti-Semitism and racism are again on the rise, not only in our urban and media spaces, but also among the elites. Where does this sinister trend originate? In what gestures is it manifested in urban planning? What driving forces result from these dynamics for dealing with monuments and national myths? What driving forces result from these dynamics for dealing with monuments and places of remembrance? Not only government and scholars, but also art and culture are facing new challenges and tasks. embracing humanity - Menschlichkeit als Maß The German word Schauplatz describes an arena, a scene, a setting or location and, literally, a showplace. If we probe the meaning, we are soon examining the history of the theatre, a genre from which the eventful, presentational character attached to the term is derived. -
Nazi Site in Nuremberg to Be Preserved but Not Restored
AiA Art News-service Nazi site in Nuremberg to be preserved but not restored German city launches €85m plan to prevent further decay of infamous rally grounds CATHERINE HICKLEY 20th May 2019 10:22 BST A 2007 survey revealed that the Zeppelin Grandstand, once the centrepiece of Nazi rallies, had been damaged by corrosion, dry rot and mildewStadt Nürnberg/Christine Dierenbach Should a modern democracy preserve an architecture and landscape designed to glorify the 20th century’s most infamous dictator? And, if the answer is yes, how? The city of Nuremberg has grappled with these questions for years. It is now about to embark on an €85m plan to conserve the vast Nazi party rally grounds designed by Adolf Hitler’s architect Albert Speer. The complex, including the 140,000 sq. m Zeppelin Field and the huge Zeppelin Grandstand, is the best surviving testimony in stone to Hitler’s megalomania. Unlike other Nazi edifices such as the Haus der Kunst in Munich, which is now an exhibition hall, or the Olympic Stadium in Berlin, which still serves as a sports arena, the rally complex—designed for enormous crowds, choreographed military parades and torchlit processions—was hard to repurpose in the new, democratic Federal Republic of Germany. Intended to survive the “Thousand-Year Reich”, it is now a decaying endangered historic site. “We won’t rebuild, we won’t restore, but we will conserve,” says Julia Lehner, Nuremberg’s chief culture official. “We want people to be able to move around freely on the site. It is an important witness to an era—it allows us to see how dictatorial regimes stage- manage themselves. -
THERE | Site of Sights in Time
THERE | Site of Sights in Time East Berlin 1962 03 00 Bus tour 7 months after Antifaschistischer Schutzwall erected: 1 Friedrichstrasse: Checkpoint Charlie: arrival from Zimmerstrasse in West Berlin 2 Friedrichstrasse: Checkpoint Charlie: street fronts for US Army, Paul Hans, Noster, Apotheke 3 Friedrichstrasse: Checkpoint Charlie: Gebäude Neue Zeit, Tageszeitung der Christlich-Demokratische Union Deutschlands 4 Leipziger Strasse at Friedrichstrasse: Tuteur Haus (right of IFA truck) on Charlottenstrasse 5 Wilhelmstrasse toward West Berlin: construction of Berliner Philharmonie (Kemperplatz) beyond mound 6 Wilhelmstrasse toward Pariser Platz: Deutsche Akademie der Künste off left, Brandenburger Tor 7 Wilhelmstrasse toward Pariser Platz: Deutsche Akademie der Künste off left, Brandenburger Tor, Reichstagsgebäude (West Berlin) 8 Wilhelmstrasse toward Pariser Platz: Reichstagsgebäude (West Berlin) behind ghost station Unter den Linden S-Bahnhof 9 Unter den Linden: Deutsche Staatsoper, Bebelplatz, Alte Bibliothek a.k.a. ‘Kommode’ 10 Reichstagufer over Spree (unseen) toward Schiffbauerdamm: Berliner Ensemble on Bertolt-Brecht-Platz 11 Monbijoubrücke: Bode-Museum 12 Bodestrasse: Neues Museum, bombed remains of Kolonnaden and Verbindungsgalerie, Altes Museum 13 Am Lustgarten: Altes Museum 14 Am Lustgarten: Berliner Dom 15 Karl-Liebknecht-Strasse: Berliner Dom 16 Karl-Liebknecht-Strasse: Marx-Engels-Platz: Staatsratsgebäude being built (center), Gebäude des Zentralkomitee und Politbüros der Sozialistische Einheitspartei Deutschlands being rebuilt -
Assessing the Role of Architecture As Propaganda in the Third Reich
Page | 107 Assessing the role of architecture as propaganda in the Third Reich CAROLYN WOODS MHIS321 Twentieth Century Europe ArChiteCture played a Fundamental role in the propaganda oF the Third ReiCh. The aim oF any kind oF propaganda is to promote an idea or an ideology and Hitler and his Nazi Party used arChiteCture to promote their own program and ideology with an unquestionable emphasis on nationalism. The Nazi Party had several aims with their arChiteCtural propaganda. Firstly they aimed to promote and Create a single Cohesive Community through the idea oF ‘VolksgemeinsChaft’. ArChiteCture was one way they Could simultaneously express the values oF the Nazi party while teaChing the German people the ideal way to live. There was also a symboliC aim with Nazi arChiteCture. Hitler’s desire to Create a thousand year ReiCh would need buildings worthy oF standing the test oF time and through vast overstated struCtures Hitler and his Party attempted to reClaim the lost power oF the Holy Roman Empire. Lastly there was an aim to quell any demonstration oF an ideology or principle whiCh did not Correspond to the Nazi agenda. Fervently anti-Communist and anti- expressionist, the Nazi Party were able to promote their own ideology while at the same time persuade against any that they did not believe in. The Common thread through these key aims is the intense FoCus on nationalism. With each oF these three major aims oF Nazi arChiteCture we will see strong nationalistiC undertones and will Clearly see that advanCement oF the German nation through nationalism underpinned all arChiteCtural aims oF the Nazi regime. -
Obligation to the Past
Nuremberg – A City Faces Its History In the course of its history of nearly one thousand years, Nuremberg went through epochs of flourishing and wealth, but also of disaster. In its heyday, the city was a radiant metropolis of wide renown, but for the last City of Nuremberg 50 years, the name of Nuremberg, more than that of any other German city, has been linked with National Socialism and its crimes. The special Lord Mayor´s Office part that Nuremberg was assigned during the National Socialist reign of terror resulted in a historic responsibility for human rights. The city therefore feels committed in a very special way to making an active contribution to peace and the implementation of human rights. The Darkest Chapter in Nuremberg's History Shortly after the National Socialists seized power in 1933, Adolf Hitler declared the former city of imperial diets to be the future "City of Party Rallies". Hitler started a gigantic construction programme for this mass spectacle of National Socialist self-promotion: the monumental buildings of the Party Rally Grounds in the south eastern districts of the city. During the "Party Rally of Freedom" in 1935, two laws were adopted which Human Rights Office for millions of people marked the starting point of the road to the gas chambers in the extermination camps. The so-called "Law for the Hans-Sachs-Platz 2 Protection of German Blood" prohibited marriages between Jews and 90403 Nuremberg Germans (a fatal distinction!), and from this derived the criminal offence of Tel.: +49 (0)9 11 / 2 31-50 30 "Rassenschande" (the Nazi term for sexual relations with "non-Aryans"). -
Stories Behind the Berlin Wall: Lesson Modules
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 5-2018 Stories Behind the Berlin Wall: Lesson Modules Nicholas Redmon Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the Cultural History Commons, Eastern European Studies Commons, European History Commons, Geographic Information Sciences Commons, German Literature Commons, Human Geography Commons, Secondary Education Commons, and the Social History Commons Recommended Citation Redmon, Nicholas, "Stories Behind the Berlin Wall: Lesson Modules" (2018). All Graduate Plan B and other Reports. 1200. https://digitalcommons.usu.edu/gradreports/1200 This Creative Project is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. ! 1! !! ! ! ! ! Stories!Behind!the!Berlin!Wall:!Lesson!Modules! Nicholas!Redmon! Utah!State!University! November!18,!2017! ! ! ! 2! Introduction!to!Lesson!Module! This!website!is!a!collection!of!primary!documents!focused!in!three!pivotal!years,! 1961,!or!at!the!construction!of!the!Wall,!1980,!almost!two!decades!into!the!midst!of! German!Democratic!Republic!(GDR!or!East!Germany)!since!the!Wall’s!erection,!and!1989,! as!the!Wall!is!brought!down.!This!component!on!the!website!is!a!lesson!module,!which!is!a! road!map!for!teachers!and!students!studying!what!life!was!like!in!the!GDR,!behind!the!