ORNITHOLOGY OCTOBER 2019 a Short List E-Catalogue Donald A
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Timeline of Significant Events in the Development of North American Mammalogy
SpecialSpecial PublicationsPublications MuseumMuseum ofof TexasTexas TechTech UniversityUniversity NumberNumber xx66 21 Novemberxx XXXX 20102017 A Timeline of SignificantTitle Events in the Development of North American Mammalogy Molecular Biology Structural Biology Biochemistry Microbiology Genomics Bioinformatics and Computational Biology Computer Science Statistics Physical Chemistry Information Technology Mathematics David J. Schmidly, Robert D. Bradley, Lisa C. Bradley, and Richard D. Stevens Front cover: This figure depicts a chronological presentation of some of the significant events, technological breakthroughs, and iconic personalities in the history of North American mammalogy. Red lines and arrows depict the chronological flow (i.e., top row – read left to right, middle row – read right to left, and third row – read left to right). See text and tables for expanded interpretation of the importance of each person or event. Top row: The first three panels (from left) are associated with the time period entitled “The Emergence Phase (16th‒18th Centuries)” – Mark Catesby’s 1748 map of Carolina, Florida, and the Bahama Islands, Thomas Jefferson, and Charles Willson Peale; the next two panels represent “The Discovery Phase (19th Century)” – Spencer Fullerton Baird and C. Hart Merriam. Middle row: The first two panels (from right) represent “The Natural History Phase (1901‒1960)” – Joseph Grinnell and E. Raymond Hall; the next three panels (from right) depict “The Theoretical and Technological Phase (1961‒2000)” – illustration of Robert H. MacArthur and Edward O. Wilson’s theory of island biogeography, karyogram depicting g-banded chromosomes, and photograph of electrophoretic mobility of proteins from an allozyme analysis. Bottom row: These four panels (from left) represent the “Big Data Phase (2001‒present)” – chromatogram illustrating a DNA sequence, bioinformatics and computational biology, phylogenetic tree of mammals, and storage banks for a supercomputer. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
The Making of a Conservationist: Audubon's Ecological Memory
Journal of Ecocriticism 5(2) July 2013 The Making of a Conservationist: Audubon’s Ecological Memory Christian Knoeller (Purdue University)* Abstract While Audubon’s exploits as consummate artist, accomplished naturalist, and aspiring entrepreneur are widely recognized, his contributions as author and nascent conservationist remain less fully appreciated. Extensive travels observing and documenting wildlife as an artist-naturalist gave him a unique perspective on how human-induced changes to the landscape impacted wildlife. He lamented the reduction in range of many species and destruction of historic breeding grounds, as well as declining populations caused by overhunting and habitat loss. His understanding of changing landscapes might be thought of in terms of ecological memory reflected in his narratives of environmental history. He described the destruction of forests and fisheries as well as the shrinking ranges of species including several now extinct such as the Passenger Pigeon, Carolina Parakeet, and Ivory-billed Woodpecker. Quadrupeds of North America and the Missouri River Journals depict the impact of environmental destruction he witnessed taking place in the first half of the 19th century. While these later works suggest a growing interest in conservation, Audubon had already voiced such concerns frequently in his earlier writings. Copious journals kept throughout his career in the field on America’s westering frontier reveal a keen appreciation for environmental history. By the time he arrived on the Upper Missouri in 1843, his values regarding the preservation of wildlife and habitat had been forged by writing for decades about his observations in the wild. What began as a quest to celebrate the natural abundance of North America by documenting every species of bird took on new dimensions as he expressed increasing concerns about conservation having recognized the extent of development and declines in wildlife during his lifetime. -
Online Covers 21 X 27.Indd
Ornithology Shapero Rare Books has moved! 1st floor After nearly 25 years in Saint George Street, the sale of our much-loved building forced us to find a new home. However, we have been fortunate to find not one but two new spaces in Mayfair for Shapero Rare Books and for Shapero Modern, our post war and contemporary gallery. Shapero Rare Books is now head-quartered at 106 New Bond Street (1st floor) whilst Shapero Modern has expanded into a stunning ground-floor gallery at 41-43 Maddox Street. Ornithology Everyone likes birds. What wild creature is more accessible to our eyes and ears, as close to us and everyone in the world, as universal as a bird? Sir David Attenborough 106 New Bond Street [email protected] www.shapero.com London W1S 1DN +44 (0)20 7493 0876 Item 27 SPALOWSKY UNCOMMON - BOOTH’S GREAT WORK 1. BOOTH, EDWARD THOMAS. Rough notes on the birds observed during twenty-five years’ shooting and collecting in the British Islands. London, R.H. Porter and Messrs. Dulau & Co., 1881-1887. £6,500 [ref: 97458] Edward Booth was a renowned bird-watcher and sportsman who always aimed to present the birds he had stuffed and mounted in as natural an attitude and setting as possible. It was these specimens, chiefly from the Scottish Highlands and Norfolk Broads (now in the Brighton Museum), which Neale used for his drawings. ‘These are very handsome folio plates whose composition is similar to those in Dresser’s book’ (Jackson). Provenance: ‘Wootton Fitzpaine, Charmouth’ (blind stamp to flyleaves). -
Exhibition Guide
Exhibition Guide February 7, 2019 Contents Illumination to Illustration: Art of the Book ......................................................................................................................... - 2 - Illumination ............................................................................................................................................................................. - 3 - Woodcuts ............................................................................................................................................................................... - 6 - Engravings/Etchings ........................................................................................................................................................... - 10 - Illustration ............................................................................................................................................................................. - 13 - Photography ........................................................................................................................................................................ - 16 - Fine Art Press ...................................................................................................................................................................... - 19 - Children’s ............................................................................................................................................................................. - 24 - Graphic Novels -
SCIENCE Able Persons Will Consider the Progress of Man- of the Demands of the Farm for the Summer Kind, Not by the Years of Generations Merely, 1 Months
SCIENCE able persons will consider the progress of man- of the demands of the farm for the summer kind, not by the years of generations merely, 1 months. The boy very early displayed an in but by centuries or millenia. We may learn tense love of nature and a keen interest in by the history of mankind in the last 20,000 all its manifestations. While this did not years how near it has come to extinction; and meet with the wishes of his father there was we must recognize that it will take only a no active or unkind opposition, and from his little interference with natural instincts and mother he met only sympathy. a little interference with natural selection Dependent at first solely upon his own ef- during a few generations to bring the species, forts, without the aid of books or the ac- or one race of it, rather abruptly to an end, quaintance of naturalists, the boy showed :i just as other human races have come to an end great determination to interpret the life about in historical times. The human species must him. Later, when his attendance at Wilbra- eventually go the way of all species of which ham Academy led up to Cambridge and the we have a paleontological record; already there opportunity of studying under Louis Agas- are clear signs of a widc-spread deterioration in siz, he was prepared to make the most of this most complex and unstable of all animal every opportunity. 'IIowever, this zeal for types. A failure to be influenced by the find- tho constant study of nature, in addition to ings of the students of eugenics or a continu- the work necessary in helping on the farm, ance in our present fatuous belief in the resultcd in the overtaxing of his strength and potency of money to cure racial evils will the impairment of his health, a condition hasten the end. -
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
In Memoriam: Joel Asaph Allen2
THE AUK: ORNITHOLOGY. VOL. XXXlX. JANUARY, 1922. No. 1 IN MEMORIAM: JOEL ASAPH ALLEN2 BORN JULY 19, 1838--D•ED AUGUST29, 1921. BY FRANK M. CHAPMAN. Plate 1. DR. JOELASArH ALLEN, a Founderof the AmericanOrnitholog- ists' Union, died after a short illnessat CornwMl-on-the-Hudson, New York, on August29, 1921,in the eighty-fourthyear of his life. Five years beforehis death at the urgent solicitationof the Presidentof the AmericanMuseum of Natural History, Dr. Allen consentedto preparea brief autobiographyas an introduction to a bibliographyof hisscientific publications. This was published in November,19162 Only one familiar with Dr. Allen's retiring nature can realize the extremereluctance with which he complied with PresidentOsborn's request; but having set his hand to the task, he determinednot to sparehimself and with the thorough- nesswhich marked all his work he prepareda history of his life and criticalanalysis of his dominantcharacteristic traits. The value of this obviouslyauthoritative document is so groat • Read before the thirty-ninth Meeting of the A. O. U. at Philadelphia, Novem- ber 9, 1921. 2 Autobiographical Notes and a Bibliography of the Scientific Publications of Joel Asaph Allen. 8re. pp. xi q- 215. Ttt•. ArK, Von. XXXIX. PI•TE I. 2 ChArcoAl,In Memoriam:Joel Asaph Allen. Jan.Auk that it is clearly not only the privilegebut the duty of the biog- rapherto useDr. Allen'sown words in recordingthe moreintimate, personalside of the historyof his life. Of especialinterest is the accountof his boyhoodand the light it throwson the first mani- festations of his inborn love of nature. "I wasborn," Dr. Allen writes,"in Springfield,Massachusetts, July 19, 1938,the eldes.tson of Joeland Harriet (Trumbull)Allen, both of early New Englandstock. -
Washington, D. C. June 1, 1967. the National Gallery Today Announced It
SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • 737-4215 extension 224 Washington, D. C. June 1, 1967. The National Gallery today announced it will lend 17 American paintings, including the work of Gilbert Stuart, Winslow Homer, and Rembrandt Peale, to the Mint Museum of Art in Charlotte for the inauguration of its new building this fall. John Walker, Director of the National Gallery said the paintings will be on view from September 15 to October 27. He called the opening of the new Mint Museum building a significant event for Charlotte and the Carolinas. Of foremost interest in the exhibition is Gilbert Stuart's portrait of Richard Yates. from the Andrew Mellon Collection, - 2 - and the colorful Allies Day, May 1917 by Childe Hassam. The Yates portrait was finished soon after Stuart returned from Dublin to begin his famous series of George Washington portraits. The Rembrandt Peale painting is of the artist's friend, Thomas Sully, an important American portraitist who was raised in South Carolina. The Winslow Homer painting shows a small boat being beached at sunset. In addition to six primitive American paintings by unknown 18th and 19th century limners, the exhibition will include the work of John James Audubon, Robert Henri, Charles Hofmann, Ammi Phillips, Jeremiah Theus, Ralph E. W. Earl, and Joseph Badger. Director Walker observed that the pictures "share the common value of presenting America as interpreted by artists in their own time." He also noted that a good many of the painters repre sented in the collection lived or worked in the South. -
Learn More About John James Audubon
“How could I make a little book, when I have seen enough to make a dozen large books?” Birds of America, the culmination of 15 years of passionate study, was a mammoth undertaking. It cost $115,640 (approximately $2,000,000 today) and included 435 life- size prints of 497 bird species, engraved on copper plates by Robert Havell, Jr. and colored by an assembly line of 50 colorists. Printed on “double elephant” sized paper, Audubon laid out the images with an artist’s eye rather than by biological classification, reaping the scorn of ornithological purists, but winning praise even from King George IV. Scottish artist, John Syme, painted his portrait in frontier regalia (which now hangs in the White House). London’s Royal Society elected him a fellow. English and French noblemen became subscribers. “To have been torn from the study would have been as death; my time was entirely occupied with art.” Life after Birds of America was a continuing roller coaster ride for Audubon. He reunited with his family in the United States only to return to England to find that many of his subscribers were in default and that he had lost others due to the poor quality of the coloring of the plates. Yet he continued to add to his collection of bird and wildlife drawings, exploring the west, the Florida coast, and Labrador, and publishing three more books, including an octavo edition of Birds of America that included 65 additional plates. “A true conservationist is a man who knows that the world is not given by his fathers, but borrowed from his children.” After his death, Lucy sold the New York Historical Society all of the 435 preparatory watercolors for Birds of America. -
Mia Thuro Annotated Bibliography 1. National Geographic. (2017
Mia Thuro Annotated Bibliography 1. National Geographic. (2017). Keystone Species. This National Geographic article talks about zoologist Robert T. Paine, who came up with the term “keystone species” and did the first major research on them. This article also explains the different types of keystone species such as, nutrient vectors, keystone prey, keystone hosts, and keystone trophics. The article provides several examples and explanations for each type. This article was helpful as a beginning place for me to find basic information on different types of keystone species. 2. Greentumble.com. (2017). 12 Examples of Keystone Species. This article lists 12 very important keystone species. It also goes into some more detail about what each of these species does, and what makes them a keystone species. This is helpful to me so that I can understand why these species are important and so that I can begin to narrow down which species I want to draw, and do further research on each of these species. 3. Defenders of Wildlife. (2017). Basic Facts About Prairie Dogs. This Defenders of Wildlife article focuses on important facts about Prairie Dogs. The article gives information about their diet, behaviors, habitats, and why they are keystone species. It talks about how Prairie Dogs’ burrows provide habitats to many other species, how they are prey to many species, and how they aerate and fertilize the land so that more plants can grow. All of this information is helpful to me in better understanding the importance of Prairie Dogs in their habitats, and how I can portray them in my drawings to relay this information. -
Frank Michler Chapman 1864-1945
NATIONAL ACADEMY OF SCIENCES OF THE UNITED STATES OF AMERICA BIOGRAPHICAL MEMOIRS VOLUME XXV FIFTH MEMOIR BIOGRAPHICAL MEMOIR OF FRANK MICHLER CHAPMAN 1864-1945 BY WILLIAM KING GREGORY PRESENTED TO THE ACADEMY AT THE AUTUMN MEETING, 1947 FRANK MICHLER CHAPMAN 1864-1945 BY WILLIAM KING GREGORY HEREDITY, ENVIRONMENT AND CULTURE Frank Michler Chapman was born in what is now West Engle- wood, New Jersey, on June 12, 1864. The family home was an ample country residence, with wide lawns, fine old trees and high formal gate posts. This home was set in the midst of a large and prosperous farm, in a region abounding in woods and ponds, orchards and wide fields. The region was then a veritable paradise for birds; it was also an ideal environment for a child who grew up to be a most eloquent apostle of the birds and a faunal naturalist of immense achievement. The home farm had been purchased from its Jersey Dutch owners in 1863. It was successfully run and developed under the general supervision of Frank's maternal grandfather, Chester Parkhurst. He was a retired physician whose ancestors came from Chelmsford, Essex, England. Our best sources of biographic material are Chapman's de- lightful Autobiography of a Bird Lover (1933), his Camps and Cruises of an Ornithologist (1908) and his array of books, monographs and special reports upon the birds and bird faunas of North and South America. Frank's mother, Mary Augusta (Parkhurst) Chapman was an ardent lover of flowers and a "born musician." "Always," he writes, "she had a garden and at times a small conservatory, and music was as much a part of our daily life as food." Her mother, Mary (Johnson) Parkhurst was also a "born musician." "It appears" (Autobiography) "that I have to thank .