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2004/11/27 01. How Long / Ace 02. the Wind of Change / Robert Wyatt 03
2004/11/27 01. How Long / Ace 02. The Wind Of Change / Robert Wyatt 03. The Times They Are A-Changin' / Keb' Mo' 04. Someday We'll All Be Free / Keb' Mo' 05. Back To Tupelo / Mark Knopfler 06. Da Doo Rendezvous / Andy Fairweather Low 07. The Nearness Of You / Norah Jones 08. The Nearness Of You / Ella Fitzerald & Louis Armstrong 09. That's How Strong My Love Is / O.V. Wright with The Keys 10. That's How Strong My Love Is / Taj Mahal 11. Freedom Jazz Dance / Robin Kenyatta 12. Beggars and Stealers / Robin Kenyatta 13. Thank You Jesus / Robin Kenyatta 14. Jessica / Robin Kenyatta 2004/11/20 01. There Will Never Be Any Peace (Until God is Seated at the Conference Table) / Chi- Lites 02. Children of The Sun / Misunderstood 03. Who Do You Love / Misunderstood 04. I'm Not Talking / Misunderstood 05. Little Red Rooster / Misunderstood 06. This Bad Girl / Golden Cups 07. Lucille / Golden Cups 08. Lawdy Mama / Cream 09. Strange Brew / Cream 10. Don't Let Us Get Sick / Jill Sobule 11. Studebaker / Jordan Zevon 12. Si Beg Si Mhor / Cooder/Lindley Family 13. I Want To See The Bright Lights Tonight / Richard Thompson 14. Living For The City / Ray Charles 15. Dear Prudence / Jerry Garcia Band 16. You've Got To Love Her With A Feeling / Butterfield Blues Band 2004/11/13 01. I'm So Bored With The USA / Clash 02. Get Up / Jackie Edwards 03. Living Just A Little / Beres Hammond 04. Living A Little, Laughing A Little / John Hiatt 05. -
Polydor ALLMAN BROTHERS BAND 3
L1 SKYDORIGINALS 425 16 juni 2013 Arnold Rypens - Kirsten 2:11 1 Little Martha (Allman) Polydor ALLMAN BROTHERS BAND 3 Dit zijn The Originals bij L1 Radio, voor de tweede week op rij met Little Martha van The Allman Brothers Band, de laatste compositie van Duane Allman voor die op 24 jarige leeftijd verongelukte. Rockers van tegenwoordig moeten op die leeftijd hun eerste sporen nog verdienen, Duane had toen al een oeuvre bij elkaar waar nu 7 cd's mee gevuld staan op een Retrospectieve boxset die ons sedert vorige week tot leidraad dient. Waar waren we gebleven? Bij The Weight! 2:47 2 The Weight (Robertson) Rounder KING CURTIS II/25 Een tweede The Weights waar Duane Allman op meespeelt, die van King Curtis, die Duane had leren kennen tijdens de opname van datzelfde nummer maar dan voor Aretha Franklin en daar waren we vorige week gebleven. Duane had de grootste bewondering voor King Curtis om diens unieke mix van soul, blues, gospel & jazz en waar hij wat graag in meeging. Toen Curtis in 1971 in een vuurgevecht om het leven kwam was dat een hele schok voor Duane, ook voor Aretha trouwens die op de begrafenis zong. Bij de eerstvolgende gelegenheid live met zijn Allman Brothers Band versmolt Duane Soul Serenade van King Curtis in een medley met hun You Don't Love Me. We pikken in bij dat Soul Serenade- gedeelte. (starten bij 7:02): (tot 11:20) 4:18 3 Soul Serenade (Ousley/Dixon) Rounder ALLMAN BROTHERS BAND VII/4 Duane 'Skydog' Allman's versie van Soul Serenade was eerder al te horen op de Allman Brothers boxset Dreams, nu ook op Skydog - The Duane Allman Retrospective, mede samengesteld door zijn dochter Galadrielle die werkelijk met de kam door al haar vader's opnamen gegaan is om dan alleen maar hoogtepunten over te houden. -
George Lesiw Recognized As One of the Most Prolific and Versatile
George Lesiw Recognized as one of the most prolific and versatile jazz performers on the Connecticut music scene, guitarist George Lesiw has made his surge a topic of conversation and interest amongst the Northeast audience. Lesiw combines the true improvisational essence and language of jazz, the daring electricity of rock-fusion and the gritty fire of blues. Known as a bandleader and sideman for some time now, Lesiw initiates a spark of rock-fusion with a combination of the emotional fire of the blues sprinkled with funk, soul and R& B, making him a desired performer in music venues across the state and beyond. Whether playing a straight-ahead jazz gig with his quartet at Bar 140 in Shelton, Connecticut or wailing his blues with his new blues project, Black Snake Boots, at Connecticut’s premier blues clubs, Black- Eyed Sally’s in Hartford, or playing original jazz fusion music on the main stage of the Long Beach Jazz Festival in California, one thing remains constant – Lesiw exemplifies a passion, virtuosity, versatility and fire to his music like no other. His most recent performances include a duo residency with Lee-Ann Lovelace at Crave, a Latin fusion restaurant and night club in Ansonia. Once a month, he leads the popular blues jam at Café Nine in New Haven. Twice a month, he leads the jazz jam at Bar 140 in Shelton, Connecticut. Lesiw was also the main guitarist with “A Nordic Sound Jazz Orchestra” (2016-17). In 2017, his band “Black Snake Boots” was a finalist at the 2017 Connecticut Blues Challenge. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
WBS Bluesletter Or Online at Www
In This Issue... Tony Fredericison and BB Award Nominee Billy Stoops at the March Blues Bash Sammy Eubanks at the March Blues Bash Mary McPage (Photo by Paul Brown) (Photo by Paul Brown) (Photo by Paul Brown) Letter from the President 2 SJB 2016 European Tour 6 Flat 5 Blues Cartoon 13 On the Cover: Little Bill 2 Photo/Art of Dan Hill 8 Membership Opportunities 14 Letter from the Editor 3 2017 IBC Guidelines 10 What is Victory Music 14 Officers and Directors 4 2017 IBC Application Form 11 Jam Preview: Razzal’s Jam 15 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, there and at the after party down at Hector’s!! Joe Seamons, Billy Stoops & the Dirt Angels, More music and more fun, great food and tasty Trevalyan Blue, and tons of others! 31 bands total: What a whirlwind the first four months of libations! Don’t forget Sunday, April 3rd at the the weekend promises to be a jam-packed three 2016 have been! From the International Blues Kirkland Performance Center, doors open at 2:30! days of fun! This event may sell out, so get online Challenge and the exciting win by Ben Hunter and Check our Facebook page or your members-only and get your tickets and pop down to the charming Joe Seamons the Solo/Duo winners, the Best in e-mail for additional details! little town of Walla Walla! Great wine, cold beers the Blues nomination and voting process, finding and good food plus excellent music make for a a new home for our Second Tuesday Blues Bash Did I mention that this year’s Washington Blues memory filled weekend! See the ad in this issue at the Sound Check Bar & Grill in Lynnwood; Society Best of the Blues Show has no additional for more information. -
Stevie Ray Vaughan
An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec man who urged me to book him was his older tric bass and Chris Layton on drums. -
Wavelength (September 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1983 Wavelength (September 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1983) 35 https://scholarworks.uno.edu/wavelength/35 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. N E W I N E ISSUE NO. 35 • "I'm not sure, but I'm almost positive, You don't want to that all music came from New Orleans." miss Lafayette's Ernie K-Doe, 1979 Festivals Acadiens, eight celebrations rolled into one to Features showcase and savor the Ivan Neville . .................. 8 Acadian culture. Sample the delectable Lenny Zenith . ................ 11 Cajun cuisine, tap your Festivals Acadiens............. 13 foot to Acadian music, walk back through the centuries into the Columns Cajun mystique. Letters ........................ 3 Come join the fun in September . .................... 4 the heart of French Louisiana, where we Art. ......................... 15 have the recipe for Caribbean . ................... 17 joyful living! Cajun ....................... 19 For more information contact the Lafayette Reviews ........... .. ......... 20 Convention and Listings . ..................... 24 Visitors Commission, C/assifieds . .................. 29 P. 0. Box 52066, Dept. WL, Lafayette, LA Last Page . ................... 30 7050513181232-3808. Allons a Festivals Acadiens September 17- 18, 1983 r r r ;- dsf r ; '/2 Price ~~5~ J r rqq<;.- · r r j Select from Thousands of Lps NEW· OUT-OF-PRINT r COLLECTOR'S ITEMS r ) Publisher, Nauman S. -
CBS Newsletter November-2017
November 2017 BLUES NEWS CBS OFFICERS AND BOARD ELECTIONS November 13th, 2017 Cleveland Blues Society 11/10/2017 1 Inside this OCTOBER JAM i s s u e : October Jam Band 2-3 ANTHONY LOVANO’S Blues You Should Know 6-9 SUPERNATURAL BAND By Bob AT THE MUSIC BOX SUPPER CLUB Upcoming Jams 5 Schnuck Announcment 10 Do you have an idea for an article?—email Elaine [email protected] Anthony Lovano on Drums, been hosting jams of his own all around Newsletter town, and for the past three years at Coaches Tim Matson on Guitar, Place every Tuesday. His dad was a big Contributors Art Jenson on Bass and influence, where he gained exposure to John Coltraine, Miles Davis, Elvin Jones, McCoy News Director:...Elaine DeStephano Reginald Redd on Sax Tyner, Stanley Turrentine,and Wayne Shorter Cleveland native and fine drummer, Anthony at a young age. All this led to his current love Layout Editor: ……………….Kris Diehl Lovano, has been blessed with a wonderful for BE BOP JAZZ. Here locally, he points out family background beginning with his dad , Columnists: ……………..…..Bob Frank his guitarist Tim Matson is "his guy" on Tony "Big T " Tony Lovano, who he played guitar. Anthony feels" he is blessed to play Photographers: with right up until his passing in early 1986, music" and it is " his true love". What does he …………………....Elaine DeStephano and his brother, national recording jazz look for when playing and jamming? "A great saxaphone artist Joe Lovano. Anthony has groove!". Currently he has been digging on been a Blues Society member since the the music of Robin Ford. -
ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt. -
Albert Castiglia Albertcastiglia.Com Email: [email protected]
Bluzpik Media Group, Inc. Booking Contact: Leo Gale Phone: 561-818-4335 USA Albert Castiglia albertcastiglia.com Email: [email protected] Albert Castiglia Albertcastiglia.com Albert Castiglia: Living the Dream From the intro electric guitar riffs that kick off the opening track of his new CD, Living the Dream, which is due out June 12 on Blues Leaf Records, blues guitarist/ singer Albert Castiglia announces that this release is something special. And throughout the rest of this impressive new album from the guitar master and former band leader for the legendary Junior Wells, Albert Castiglia delivers big time on the promising steps he’s taken on his previous CDs. Living the Dream sports an even-dozen tracks dripping with soulful, searing blues, the product of his energetic guitar work - alternatively pensive and reflective, then filled with sparks and fire – melding with a vocal style that pays tribute to the masters, but clearly stamped with Castiglia’s own, inimitable sound. Included are five Albert Castiglia originals, plus a song from long-time cohort Graham Wood Drout (Iko-Iko), along with distinctive covers of tunes from artists such as Freddie King (“Freddie’s Boogie”), Little Richard (“Directly from My Heart to You”), Paul Butterfield (“Lovin Cup”) and Mose Allison (“Parchman Farm”). Living the Dream was produced by Ben Elliott, recorded at Showplace Studios in Dover, New Jersey, and features backing by Albert’s regular band of Bob Amsel on drums and A.J. Kelly on bass. Special guests include John Ginty on keyboards, Sandy Mack on harmonica (who also played on Albert’s last CD), Juke Joint Johnny Rizzo on acoustic slide guitar, with Emedin Rivera once again adding his special Mojo on percussion. -
The Lanthorn, 1968-2001 at Scholarworks@GVSU
Grand Valley State University ScholarWorks@GVSU Volume 16 Lanthorn, 1968-2001 9-16-1982 Lanthorn, vol. 16, no. 04, September 16, 1982 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol16 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 16, no. 04, September 16, 1982" (1982). Volume 16. 4. http://scholarworks.gvsu.edu/lanthorn_vol16/4 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 16 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. fieldhouM hour* and a schedule Nobody was singirv the booze at the of activities are on page 11 Urand Valiev's Blues and Jazz Festival. See pages 6 and 7 grand valley state colleges" student-run newspaper the lanthorn Voluma 16 ALLENDALE , MICHIGAN, THURSDAY, SEPTEMBER 16, 1982 Number 4 Students turn sour over lack of Nelson tickets on campus CHRIS GLOSSON The booking agency for the Bashara, the booker of the Stiff Writer Nelson concert, Blue Suede event, set aside 500 tickets for Shows, put up the necessary the GVSC box office. When tickets for the advance funding so it is only Bashara was not available September 24 Willie Nelson natural that rhr avenevO 4 decide for comment about the lack concert hit the stand at Grand where the tickets go. of tickets priced at $14.50. Valley many people were Staging a concert under the Since Blue Suede Shows is caught short. -
JBSL Presskit2021.Pdf
THE BAND CORE MUSICIANS Joe Bell Guitar & Vocals Frankie Starr Guitar & Vocals Doug Johns Bass Guitar Chuck Orange Drums GUEST MUSICIANS Joe Hunter Piano Joe Miller Trumpet Dave Sterner Sax AWARD WINNING SWING, JUMP BLUES, SOUL & FUNK joebell.com Book the Band ank or y r su ort an e’ sî y at e gig! - Joe Concert Schedule Merchandise ACCOLADES Scene Magazine Music Awards On Festival bills, in nightclubs, concert halls and theaters, Joe Bell and the Lizards have spent Multiple winner for: over two decades entertaining blues, jazz, rock and soul fans on the North Coast and around Best Blues Band the country. A critically acclaimed, award winning group, and legendary among all types of Best Swing Band folks known to frequent venues where live music delights the soul, when they take the stage, Finalist for Best Vocalist they truly funk up the place, fi lling the room with their rootsy, feel good energy. Cleveland Free Times Music Awards Multiple winner for: Beginning in 1989, with Joe’s college years and hundred’s of solo acoustic gigs behind him Best R&B Act - JB got the itch to start a band. He named them The Swing Lizards, because of JB’s a nity Best Blues Band for swing (Joe’s Grandfather - Joe Kayser, was a big band leader in Chicago and gave a young Best Swing Band Finalist for Best Vocalist Gene Krupa his fi rst legitimate gig) and based in Cleveland - the Rock and Roll Hall of Fame city - The Lizard’s current sound is a eclectic hybrid of swing, jump blues, soul and funk.