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(EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard -
Tam Metin(PDF)
International SOCIAL SCIENCES STUDIES JOURNAL SSSjournal (ISSN:2587-1587) Economics and Administration, Tourism and Tourism Management, History, Culture, Religion, Psychology, Sociology, Fine Arts, Engineering, Architecture, Language, Literature, Educational Sciences, Pedagogy & Other Disciplines in Social Sciences Vol:5, Issue:31 pp.1198-1218 2019 / March / Mart sssjournal.com ISSN:2587-1587 [email protected] Article Arrival Date (Makale Geliş Tarihi) 23/01/2019 The Published Rel. Date (Makale Yayın Kabul Tarihi) 19/03/2019 Published Date (Makale Yayın Tarihi) 19.03.2019 İBRAHİM ALİMOĞLU MÜZİK MÜZESİ ÇALGI SESLİ REHBERİ: SES KAYIT- KONVOLÜSYON VE SANAL ÇALGI GELİŞTİRME İBRAHIM ALIMOĞLU MUSIC MUSEUM INSTRUMENT VOICE GUIDE: SOUND RECORDING-CONVOLUTION AND VIRTUAL INSTRUMENT DEVELOPMENT Dr. Öğretim Üyesi Seyhan CANYAKAN Mehmet Akif Ersoy Üniversitesi, Türk Müziği Devlet Konservatuvarı, Müzik Teknolojileri Bölümü, [email protected], Burdur, Türkiye. Article Type : Research Article/ Araştırma Makalesi Doi Number : http://dx.doi.org/10.26449/sssj.1338 Reference : Canyakan, S. (2019). “İbrahim Alimoğlu Müzik Müzesi Çalgi Sesli Rehberi: Ses Kayit-Konvolüsyon Ve Sanal Çalgi Geliştirme”, International Social Sciences Studies Journal, 5(31): 1198-1218 ÖZ Bu çalışmanın amacı İbrahim Alimoğlu Müzik Müzesinde bulunan 298 adet çalgının ses kayıt, edit, mix aşamalarının betimlenmesidir. Çalgı sesleri kaydedilirken bir taraftan da çalgıların sergilendiği alanın konvolüsyon yöntemiyle yansışım değerleri modellenmiştir. Bu sayede müzenin internet sitesine giren bir bireyin, çalgıyı müzenin içerisindeki koridorlar da çalınıyormuş gibi duyması sağlanmıştır. Bu anlamda bu çalışma, ülkemizde yapılan ilk çalışmadır. Literatür taramasında ülkemizde tek seferde bu kadar sayıda dört kıtaya ait çağdaş ve otantik çalgı ses kaydı yapan, bu ses kayıtların kendi ortamındaki konvolüsyon yöntemiyle efektlendirilmesinin sağlandığı, çalınamayan çalgıların ise sanal çalgı haline getirilip tınısının ziyaretçilere duyurulmasının sağlandığı bir çalışmaya rastlanılmamıştır. -
Local-Level Politics in Uganda
Local-level Politics in Uganda: Institutional Landscapes at the Margins of the Benjamin Jones Development Studies Institute London School of Economics Submitted for the degree of PhD 2005 ABSTRACT Uganda has been considered one of Africa's few "success stories" over the past decade, an example of how a country can be transformed through a committed state bureaucracy. The thesis questions this view by looking at the experiences of development and change in a sub- parish in eastern Uganda. From this more local-level perspective, the thesis discusses the weakness of the state in the countryside, and incorporates the importance of religious and customary institutions. In place of a narrow view of politics, focused on reforms and policies coming from above, which rarely reach rural areas in a consistent or predictable way, the thesis describes political developments within a rural community. The thesis rests on two premises. First, that the state in rural Uganda has been too weak to support an effective bureaucratic presence in the countryside. Second, that politics at the local-level is an "open-ended" business, better understood through investigating a range of institutional spaces and activities, rather than a particular set of actions, or a single bureaucracy. Oledai sub-parish, which provides the empirical material for the thesis, was far removed from the idea of state-sponsored success described in the literature. Villagers had to contend with a history of violence, with recent impoverishment, and with the reality that the rural economy was unimportant in maintaining the structures of the government system. The thesis shows that the marginalisation of the countryside came at a time when central and local government structures had become increasingly reliant on funding from abroad. -
Downbeat.Com August 2014 U.K. £3.50
AUGUST 2014 U.K. £3.50 DOWNBEAT.COM August 2014 VOLUME 81 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Žaneta Cuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan -
Vol 2 Issue 07 K E E P O N M O V I N G Friday, 12Th October 2018
THE NORTH GREEN LEAF W E E K L Y N E W S L E T T E R O F T H E N O R T H G R E E N S C H O O L Vol 2 Issue 07 K E E P O N M O V I N G Friday, 12th October 2018 Half Term! 15th - 19th October Bravo! Year 3 for warming up our morning with a very entertaining assembly Half term It’s already half term! Indeed, time flies. It has been a very busy half term with lots of changes and adjustments made by everyone in the school. Thank you, children, parents and teachers, for your patience and for being proactive. We believe it only gets better as we go on. To our beloved parents thanks a lot for all the constructive feedback and support that you have given us. Kindly note that our half term is from 15th October up to 19th October 2018. Children will return to school on Monday 22nd October 2018. School dues Music teachers We would like to remind all parents who have not cleared school dues (School fees, We are pleased to welcome Mr Emmanuel Winerson Mukisa as our new club fees and late pick up fees) to do so during this break. School fees defaulters Primary School Music teacher. He has been facilitating our guitar club since will not be allowed into school after half term break. last year. Mr Mukisa comes with a wealth of knowledge and experience in Year 1LN reciting a poem 'Uganda my Country' during Independence assembly music. -
MIMO Digitisation Standard
ECP 2008 DILI 538013 MIMO MIMO Definition Of Scanning Properties And Recommendations For Photographing Musical Instruments Version 3 Deliverable number D1.8 Dissemination level Restricted Delivery date 29 August 2011 Status Draft Authors Frank P. Bär, Franziska Pfefferkorn (GNM) eContent plus This project is funded under the eContent plus programme 1, a multiannual Community programme to make digital content in Europe more accessible, usable and exploitable. 1 OJ L 79, 24.3.2005, p. 1. Based on partners’ further practical work in digitising musical instruments and in application of version 2 of this paper (D1.5), feedback, MIMO-born images and practical hints were con- tinuously collected by WP1 lead (GNM) in order to prepare the final version 3 of the standard paper. An external evaluation conducted by WP5 among members of ICOM-CIMCIM led to im- provements in form and content. The attached document shall be made public as soon as the English wording will be checked by a native speaker and will be delivered as final version of Deliverable D1.8. Attached document: The MIMO digitization standard. Definition Of Scanning Properties And Recommendations For Photographing Musical Instruments - final Version 3 (draft) 2 The MIMO Digitisation Standard Definition of scanning properties and recommendations for photographing musical instruments final version 3 - draft - Frank P. Bär Franziska Pfefferkorn for Nürnberg, 2011 3 Content: 0. Introduction ...................................................................................................................... -
Die Harfe Das Himmlische Inst
4 d i e h a r f e das himmlische instrument Das himmlische Instrument eine kurze Geschichte der harfe 109 von Nancy Thym und Wolfgang Meyering ie Musikwissenschaft ordnet die Instrumente üblicherweise nach der Art der D Tonerzeugung, was in den meisten Fällen bedeutet: dem Verhältnis zwischen dem, was der Mensch tut, und dem Ort, wo und wie das Instrument daraus hörbare Töne macht. Dies ist dann auch der Unterschied zwischen Harfe und Leier: Eine „Harfe ist ein zusammengesetztes Chordophon, dessen Saitenebene senkrecht im Verhältnis zur Decke des Schallkörpers verläuft. Die Längsachse des letzteren leitet die Schwin- gungen der Saiten weiter“, klärt uns das Musiklexikon Musik in Geschichte und Ge- genwart – kurz MMG – des Bärenreiter-Verlages auf. „Die Harfe besitzt also keinen Quersteg wie die Lauten-Instrumente – gewisse Sonderformen wie z.B. die afrika- nischen Harfen-Lauten ausgenommen. Je nach dem gegenseitigen Verhältnis der or- ganologisch wichtigsten Bestandteile Resonanzkörper und Saitenträger unterscheidet man mehrere Großformen, von denen die Bogen-, Winkel- und Rahmen-Harfen die Ausschnitt aus Hieronymus wichtigsten und allgemein anerkannten sind.“ Nachdem wir uns also in etwa vorstel- Boschs (1450–1516) Garten der Lüste, wo len können, wie eine Harfe auszusehen hat, wollen wir uns im Folgenden der Geschich- man das „himmlische“ Instrument höchst dialektisch in der „Musikantenhölle“ findet … te des Instruments, seinen wichtigsten Formen und Verbreitungsgebieten widmen. tff magie 2011 m a G i c h a r p s 4 d i e h a r f e das himmlische instrument Harfe und Kythera auf einer griechischen Vase, 5. Jh. v.Chr. „’luja sag i!“ – Das fällt mir bei dagegen spricht, ist, dass bei einem Jagdbogen sehr aufwendig verziert und wurden sowohl langten die In- Harfe immer zuerst ein.