Savoring the Classical Tradition in Drama
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Drama Book Shop Became an Independent Store in 1923
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION SALUTING A UNIQUE INSTITUTION ♦ Monday, November 26 Founded in 1917 by the Drama League, the Drama Book Shop became an independent store in 1923. Since 2001 it has been located on West 40th Street, where it provides a variety of services to the actors, directors, producers, and other theatre professionals who work both on and off Broadway. Many of its employees THE PLAYERS are young performers, and a number of them take part in 16 Gramercy Park South events at the Shop’s lovely black-box auditorium. In 2011 Manhattan the store was recognized by a Tony Award for Excellence RECEPTION 6:30, PANEL 7:00 in the Theatre . Not surprisingly, its beneficiaries (among them Admission Free playwrights Eric Bogosian, Moises Kaufman, Lin-Manuel Reservations Requested Miranda, Lynn Nottage, and Theresa Rebeck), have responded with alarm to reports that high rents may force the Shop to relocate or close. Sharing that concern, we joined The Players and such notables as actors Jim Dale, Jeffrey Hardy, and Peter Maloney, and writer Adam Gopnik to rally support for a cultural treasure. DAKIN MATTHEWS ♦ Monday, January 28 We look forward to a special evening with DAKIN MATTHEWS, a versatile artist who is now appearing in Aaron Sorkin’s acclaimed Broadway dramatization of To Kill a Mockingbird. In 2015 Dakin portrayed Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the NATIONAL ARTS CLUB Broadway transfer of The Audience. -
Savoring the Classical Tradition in Drama
SAVORING THE CLASSICAL TRADITION IN DRAMA MEMORABLE PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION JIM DALE ♦ Friday, January 24 In the 1950s and ’60s JIM DALE was known primarily as a singer and songwriter, with such hits as Oscar nominee “Georgy Girl” to his credit. Meanwhile he was earning plaudits as a film and television comic, with eleven Carry On features that made him a NATIONAL ARTS CLUB household name in Britain. Next came stage roles like 15 Gramercy Park South Autolycus and Bottom with Laurence Olivier’s National Manhattan Theatre Company, and Fagin in Cameron Mackintosh’s PROGRAM AT 6:00 P.M. Oliver. In 1980 he collected a Tony Award for his title Admission Free, But role in Barnum. Since then he has been nominated for Reservations Requested Tony, Drama Desk, and other honors for his work in such plays as Candide, Comedians, Joe Egg, Me and My Girl, and Scapino. As if those accolades were not enough, he also holds two Grammy Awards and ten Audie Awards as the “voice” of Harry Potter. We look forward to a memorable evening with one of the most versatile performers in entertainment history. RON ROSENBAUM ♦ Monday, March 23 Most widely known for Explaining Hitler, a 1998 best-seller that has been translated into ten languages, RON ROSENBAUM is also the author of The Secret Parts of Fortune, Those Who Forget the Past, and How the End Begins: The Road to a Nuclear World War III. -
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
Theseus a Midsummer Night's Dream Columbia
M A T T H E W R. W I L S O N Theatre Instructor, Scholar, Director, Combat & Movement Specialist, Actor EDUCATION __________________________________________________________________ University of Maryland, College Park Ph.D. Theatre & Performance Studies (anticipated 2017) Dissertation: “Moving from the Archive: Historiography of Commedia dell’Arte’s Past and ‘Authenticity’ in Its Present Performance” (in process) Areas of Specialization: Theatre History and Historical Theatre Architecture with Franklin J. Hildy Dramatic Theory & Criticism with Catherine A. Schuler Performance Studies and Ethnography with Laurie Frederik Meer American Theatre History with Heather S. Nathans Italian Renaissance with Stefano Villani Shakespeare Theatre’s Academy for Classical Acting at The George Washington University M.F.A. Classical Acting Acting with Michael Kahn, Floyd King, Franchelle Stewart Dorn, Ed Gero, Rob Clare Voice and Text with Gary Logan, Ellen O’Brien, Dakin Matthews Movement with Dody DiSanto, Isabelle Anderson, Brad Waller, Roberta Stiehm, Chris Cherry Elizabethan & Jacobean Literature with Leslie Jacobson and Deborah T. Curren-Aquino Columbia University B.A. Philosophy Shakespeare with David Scott Kastan and Edward Tayler Classical Greek Literature and Language with Helene Foley and Gareth Williams PROFESSIONAL DEVELOPMENT____________________________________________________ “Collaboration,” Columbia Graduate School of the Arts (New York, NY) Play Development with Anne Bogart and MFA theatre students (2002-2003) Stage Internazionale di -
Hitchcock Blonde
42nd Season • 405th Production SEGERSTROM STAGE / FEBRUARY 3 - MARCH 12, 2006 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents the American premiere of HITCHCOCK BLONDE written and directed by Terry Johnson William Dudley Chris Parry Ian Dickinson Ian Galloway for Mesmer SCENIC/COSTUME/VIDEO DESIGN LIGHTING DESIGN COMPOSER/SOUND DESIGN VIDEO REALIZATION Magdalena Zira Jeff Gifford Jamie A. Tucker* ASSISTANT DIRECTOR PRODUCTION MANAGER STAGE MANAGER Valerie and Geoff Fearns HONORARY PRODUCERS Hitchcock Blonde • SOUTH COAST REPERTORY P1 THE CAST (in order of appearance) Jennifer .................................................................................. Adriana DeMeo* Alex ............................................................................................. Robin Sachs* Hitch ..................................................................................... Dakin Matthews* Blonde ...................................................................................... Sarah Aldrich* Husband .................................................................................... Martin Noyes* LENGTH Approximately two hours and 10 minutes, including one 15-minute intermission. PRODUCTION STAFF Assistant Stage Manager ................................................. Chrissy Church* Casting .............................................................................. Joanne DeNaut Fight Choreographer ............................................................ Martin Noyes Stage Management Intern -
Texts&Beheadings/Elizabethr New York Premiere Compagnia De
texts&beheadings/ElizabethR New York Premiere Compagnia de' Colombari Karin Coonrod Created and directed by Karin Coonrod Dramaturgy and scenic design by John Conklin Music by Gina Leishman Costume design by Oana Botez Lighting design by Peter Ksander Movement by Adrian Silver BAM Fisher (Fishman Space), 321 Ashland Pl Oct 21—Oct 24 at 7:30pm Tickets: $25 Queen Elizabeth I left an indelible mark on history, inspiring a number of artistic works attempting to capture her extravagant iconography. In texts&beheadings/ElizabethR, director Karin Coonrod constructs a full-length theatrical work from Elizabeth’s own writings—letters, speeches, prayers—as well as those of her contemporaries. Four actresses portray the ever-changing spirit of the queen throughout this four-part work which investigates the great monarch’s as writer, director, designer, and actor of her own “performance” of royalty. Karin Coonrod is a theater maker whose work has been seen and heard across the country and around the world. Coonrod founded two theater companies—Arden Party (1987—97), in downtown New York which re-imagined the classics—and Compagnia de’ Colombari (2004—present), an international company, based in New York, which began a new tradition of theater in Orvieto, Italy when it presented the medieval mystery plays in public spaces and a music-theater piece More or Less I Am (from Walt Whitman’s Song of Myself) performed around New York City. Coonrod is known for her Shakespeare productions including her epic Henry VI (1996) and surprising Love’s Labor’s Lost (2011), both at the Public Theater where she was artist-in-residence from 1995—96; King John (2000), Julius Caesar (2003) and Coriolanus (2005), all with Theatre for a New Audience; Othello at Hartford Stage (2005), and most recently, Tempest at La MaMa (2014). -
JAMES MCMULLAN & EDWARD SOREL Wednesday, February 26
SAVORING THE CLASSICAL TRADITION IN DRAMA MEMORABLE PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION JIM DALE ♦ Friday, January 24 In the 1950s and ’60s JIM DALE was known primarily as a singer and songwriter, with such hits as Oscar nominee “Georgy Girl” to his credit. Meanwhile he was earning plaudits as a film and television comic, with eleven Carry On features that made him a NATIONAL ARTS CLUB household name in Britain. Next came stage roles like 15 Gramercy Park South Autolycus and Bottom with Laurence Olivier’s National Manhattan Theatre Company, and Fagin in Cameron Mackintosh’s PROGRAM AT 6:00 P.M. Oliver. In 1980 he collected a Tony Award for his title Admission Free, But role in Barnum. Since then he has been nominated for Reservations Requested Tony, Drama Desk, and other honors for his work in such plays as Candide, Comedians, Joe Egg, Me and My Girl, and Scapino. As if those accolades were not enough, he also holds two Grammy Awards and ten Audie Awards as the “voice” of Harry Potter. We look forward to a memorable evening with one of the most versatile performers in entertainment history. DAKIN MATTHEWS ♦ Monday, January 27 We look forward to another evening with DAKIN MATTHEWS, who is now portraying Judge Taylor in Aaron Sorkin and Bartlett Sher’s acclaimed Broadway dramatization of o Kill a Mockingbird. In 2015 he played Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the Broadway transfer of The Audience. -
The Cherry Orchard the Winter Js Tale
Bank of An1erica presents THE BRJDGE PROJECT Produced by BAM, The Old Vic & Neal Street Productions THE CHERRY ORCHARD BY ANTON CIJEKIJOY A NEW VERSION OF TJ IE PLAY BY TOM STOPPJ\RD THE WINTER JS TALE BY WILLIAM SHAKE PEARE Directed by Sam Mendes Set design by Anthony Ward Costume design by Catherine Zuber Lighting design by Paul Pyant Sound design by Paul Arditti Hair & wig design by Tom Watson Music by Mark Bennett Music direction by Dan Lipton Casting by Nancy Piccione and Maggie Lunn Choreography by Josh Prince Co-commissioned b; and produced in association \\ith Athens & Epidaurus FestivaL 1 I IE EDGER Auckland (~Z) . Ruhrfestspicle Rccklinghausen. The Singapore Repertory Theatre. Teatro Espanol de Madrid The Cherry Orchard BAM Harvey Theater (651 Fulton St.) Jan 2-3,6-10, 13 , 14t, 15- 17,20- 24,27- 31, Feb 24- 27, Mar 1 and 7 at 7:30ptn Jan 4, 11, 18, 25, and Feb 1 at 3prn Feb 28 and Mar 8 at 2pm ·j·prcss opening The Winter's Tale BAM Harvey Theater (651 Fulton St.) Feb 10- 14, 18- 19, 20t, 2 1, 28, Mar 4 - 6 and 8 at 7:30pm Feb 15 and 22 at 3pm Feb 17* at 8pm Mar I and 7 at 2pm * J"he Bridge Project Benefit· f· or tickets. contact BAi-.1 Patron Sen ices at 718.636.4 182 ·j·pres~ opening I ic~cb : 30. $60. $90 718 636.4100 or Br\\1 org 1 I 6 Arti t Talk on The 1'Vinter 's Tale Lecture by Har ard Professor. -
14Th Annual Meeting in Montreal, Quebec, 1986
THE SHAKESPEARE ASSOCIATION OF AMERICA 1986 MEETING MARCH 27TH-29TH RrTZ,CARLTON HOTEL MONTREAL, QUEBEC THE SHAKESPEARE ASSOCIATION PROGRAM OF AMERICA President, ]. LEEDS BARROLL (University of Maryland, Baltimore County) Executive Secretary, ANN )ENNALIE CooK (Vanderbilt University) Administrative Assistants, DERAH MYERS (Vanderbilt University) ELIZABETH OAKES (Vanderbilt University) THURSDAY TRUSTEES 12:00 noon to 6:30p.m. ANNE LANCASHlRE jONAS BARISH REGISTRATION (University of California, Berkeley) (University of Toronto) BooK DisPLAY MARJORIE GARBER MARION TROUSDALE [Ritz~Carlton Mezzanine Foyer] (Harvard University) (University of Maryland) 3:00p.m. to 4:00p.m. 0. B. HARDISON EuGENE WAITH (Georgetown University) (Yale University) [Salon Bleu] "THE SHAKESPEAREAN 'MYTH OF VENICE'": A SLIDE~ LECTURE jEAN H owARD MICHAEL WARREN DouGLAS LEWIS [National GaUery of Art} (Syracuse University) (University of California, Santa Cruz) 3:00p.m. to 5:30p.m. HOST BBC VIDEO OF King John McGILL UNIVERSITY [Salon Vert] CO-HOSTS CoNCORDIA UNIVERSITY 4:00p.m. to 6:00p.m. UNNERSITY OF QUEBEC AT MONTREAL I Seminar: SHAKESPEARE AND TELEVISION [Salon Ritz~Carlton I] ASSOCIATE HOSTS Chairman: H. R. CouRSEN [Bowdoin College] j oHN ABBOTT COLLEGE Participants: j oHN C. BLANE (Luther College), H. J. BEDARD (University of Dayton), PETER BISHOP'S UNIVERSITY THEATRE DEPARTMENT G. CHRISTENSEN (State University of New York), HARDY CooK (Bowie State College), MYRA DAWSON COLLEGE HINMAN (University of Kansas), KATHLEEN LATIMER (George Mason University) ]AMES P. MARJANOPOLIS COLLEGE LusARDI (Lafayette College), MICHAEL MuLLIN (University of Illinois, Urbana), UNIVERSITY oF MoNTREAL H. M. RicHMOND (University of California, Berkeley), WILLIAM W. E. SLIGHTS (University of UNIVERSITY OF QuEBEC AT CHICOUTIMI Saskatchewan), Louis CHARLES STAGG (Memphis State University), VANIER CoLLEGE RoBERT F. -
DAKIN MATTHEWS Monday, June 4
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB AND EDWIN BOOTH’S CLUB THE PLAYERS, NEW YORK CITY GEORGIANNA ZIEGLER Monday, April 16 GEORGIANNA ZIEGLER is the Louis B. Thalheimer Head of Reference at the Folger Shakespeare Library. After a decade as curator of the renowned Furness Library at the University of Pennsylvania, she moved to Washington in 1992. A former president of the Shakespeare Association of America, Dr. Ziegler has NATIONAL ARTS CLUB organized several important exhibitions, among them 15 Gramercy Park South Shakespeare's Unruly Women, Elizabeth I: Then and Manhattan Now, and Marketing Shakespeare: The Boydell Gallery (1789–1805) and Beyond. She’ll talk with us about her Program 8:00 p.m. current offering, Shakespeare’s Sisters: Voices of English No Admission Charge and European Women Writers, 1500-1700, a show that responds to the lament in Virginia Woolf’s A Room of One’s Own that females in the playwright’s era had little opportunity to accomplish what male writers did. Edward Rothstein accorded it a glowing full-page review in the February 24 New York Times. DAKIN MATTHEWS Monday, June 4 DAKIN MATTHEWS is depicting Senator Carlin in Gore Vidal’s The Best Man, a 2012 Tony nominee. His film credits include Nuts, Thirteen Days, and the Coen brothers’ remake of True Grit. Guest roles on TV have made him familiar to viewers of Dallas, Desperate NATIONAL ARTS CLUB Housewives, House, The West Wing, and Two and a Half Men. For 2011’s Shakespeare in the Park, Mr. -
Chekhov Program Final TEXTLINKED.Pub
The Antaeus Company presents “… between the extremes of CHEKHOV X 4 the established regional stages and tiny theatrical groups struggling to survive are a number of surprising success stories. The Antaeus Company is one of these.” David Mermelstein The New York Times THE PROPOSAL THE ANNIVERSARY THE BEAR SWAN SONG by Anton Chekhov World Premiere Translations by Nicholas Saunders and Frank Dwyer NewPlace Theatre Center 4900 Vineland Avenue Alicia Wollerton and Nike Doukas in The Liar NoHo Arts District Letter from the Artistic Directors "Youth, Nikitushka! Freshness! Life! . Where you've got art, there's no room for old age, there's no room for loneliness or being ill. Even death's only half itself!" — Anton Chekhov, Swan Song Chekhov's words in the play you'll see tonight so poignantly express why we are here, and why we’re happy you are here with us. Art is what sustains us, gives meaning to the mundane, permanence to the passing, and calls us to our highest potential as people. What you will see tonight is the great wealth of our company -- wealth that won't be immediately obvious when you walk in. You won't see it in the rather modest (but most welcome) studio theater you sit in. You won't see it in our offices, or if you walk a little north, in our shell of a mainstage theatre. You won't see it in our bank account or in our (non-existent) salaries. Our wealth resides in our ensemble itself, in the talent and expertise and standing of our actors, directors, designers and other theater artists we attract; in Founding Artistic Director Dakin Matthews' vision for the company, in the members of our diverse and multi-talented Board of Directors, and in the enthusiasm of our audiences, many of you loyal supporters who have been with us for years. -
The Lives of Shakespeare
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION SHAKESPEARE UNCOVERED ♦ Monday, September 17 We’re delighted to launch our 2018-19 SOS season with an evening at which attendees will have an opportunity to hear and talk with London producers Richard Denton and Nikki Stockley and WNET vice president Stephen Segaller about Series 3 of SHAKESPEARE UNCOVERED, a PBS feature that stars F. Murray Abraham THE PLAYERS as the host of a one-hour program about The Merchant 16 Gramercy Park South of Venice. During a gathering that will also include highlights Manhattan of installments about Julius Caesar, Measure for Measure, EACH PROGRAM 7:00 P.M. Much Ado About Nothing, Richard III, and The Winter’s Admission Free, But Tale, Guild constituents will have a chance to meet leaders Reservations Requested of BAFTA New York and other organizations. They’ll also be able to enjoy a number of the portraits, playbills, and other memorabilia to be seen in an institution that was founded by actor Edwin Booth in 1888 and has been described as one of the most resonant theatrical museums in the English-speaking world. THE LIVES OF SHAKESPEARE ♦ September 25-27 In association with The Players Foundation, we’re delighted to present The Lives of Shakespeare, a trilogy in which playwright Mary Jane Schaefer explores the struggles of a literary and dramatic artist whose double life as a respected citizen in Stratford and as an influential THE PLAYERS poet and playwright in London had a significant impact not 16 Gramercy Park South only on history’s most celebrated sonnet sequence but on Manhattan the well-being of such family members as the younger of EACH PROGRAM 7:00 P.M.