We l c o m e t o

A glorious welcome to all!!! And just look what a load of new treasures your Old Globe has in store! Thank you for joining us for another exciting Brilliant director, Dan Sullivan, Summer Festival at The Old Globe. returns to uncork his searing vision of We have so much to celebrate this summer – Julius Caesar, if ever, a play for our own two of Shakespeare’s most beloved plays, Julius time, and one that has not been seen in Caesar and Much Ado About Nothing; the hilarious Balboa Park for much too long with an Time Flies; and the Broadway hit Dirty Blonde. astonishing cast... There is a flurry of activity off stage as well, with Hometown heroine Kathy Najimy brings to the Globe her our Real Globe summer theater camp, where mid- inimitable presence and the brilliant performance of Claudia Shear’s dle and high schools students come to the Old Dirty Blonde that pretty much stopped the New York theatre crowd in Globe for an intense experience in every aspect of the theater, from design- its tracks, in James Lapine’s staging, directed here by Gareth ing sets to performing their own version of Shakespeare’s The Tempest. Just Hendee... one of many outstanding educational outreach programs at the Globe, That wildly wicked David Ives returns to the intimacy of the which include the award-winning, bilingual playwriting program, Teatro Carter with another bundle of hilarious and idiosyncratic looks at Meta, the annual Language Arts Awards, as well as the Playguides program each and every one of us with Time Flies, directed by Matt August in and Insights Seminars, which offer learning opportunities surrounding his welcome directorial debut... each production for both children and adults. And finally, Brendon Fox gives us the glowing Much Ado About These programs would not be possible without the strong support of Nothing and welcomes back to the Globe one of our favorite actors as our Members. With the cuts in government and corporate support that all Benedick, the irresistable Billy Campbell... non-profit organizations are facing, we rely even more heavily on the sup- Words of explanation or qualification are hardly necessary. A port from individuals who love the work we do. I encourage you to not bumper crop, and each one “Globe-guaranteed” to please. We’re truly only subscribe to the Globe as an endorsement of the art and artists on happy to have you with us. our stages, but to help secure the continued health of the theatre through membership in our annual fund. You may be receiving a friendly call in the coming months from one of our staff whose job it is to secure membership support for our annual fund campaign. We know how much you value your theatre-going experiences at the Globe, and I sincerely hope you will give our knowledgeable Globe representatives a moment of your time when JACK O’BRIEN they contact you later in the summer and ask you to contribute to this Artistic Director beloved institution you obviously enjoy. Once again, thank you so much for being with us at the Globe this summer, and thank you, in advance, for your continued support. As we cel- ebrate the glorious accomplishments of this great theatre and plan for its future, we remember and pay tribute to our closest friends at the Old Globe.

LOUIS G. SPISTO Executive Director

PERFORMANCES MAGAZINE P1 S p o n s o r s

Our 2003 Season Sponsors continue a tradition of annual leadership gifts of $50,000 or more to The Old Globe that help us sustain the highest possible quality of work appearing on our stages. We are deeply grateful to these most generous donors. The Lipinsky Family Donald and Darlene Shiley Anonymous Sheryl and Harvey P. White Karen and Donald Cohn

We also gratefully acknowledge our generous sponsors of this production of Julius Caesar: Joan and Irwin Jacobs and

Joan and Irwin Jacobs have been enthusiastic supporters of The Old Globe for many years, and the theatre has greatly benefited from their generosity and involvement. Joan and Irwin also support numerous organizations in San Diego and La Jolla, including UCSD, the Museum of Contemporary Art, San Diego Hospice, San Diego Opera, La Jolla Music Society, La Jolla Playhouse, the Jewish Community Foundation, the JCC – Jacobs Family Campus, and, of course, the San Diego Symphony.

California Bank & Trust, one of the largest commercial banks in California, has been a loyal friend of the Globe family for many years, both as a Corporate Leader and a Production Sponsor. Their previous production support has included Dinner with Friends, All in the Timing, Henry V and Pericles. Sandra Redman, the bank’s Senior Vice President, serves on the Globe’s Board and is chair of the endowment committee.

The Old Globe applauds the leadership of Joan and Irwin Jacobs and California Bank & Trust for their active roles in the commu-

We are also grateful to our Media Sponsor:

P2 PERFORMANCES MAGAZINE THE LOWELL DAVIES FESTIVAL THEATRE | JULY 5, 2003 – AUGUST 10, 2003

P R E S E N T S

Julius Caesar

BY William Shakespeare

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC & SOUND DESIGN Ralph Funicello + Lewis Brown + Mimi Jordan Sherin Dan Moses Schreier

DRAMATURG FIGHT DIRECTOR VOICE & SPEECH COACH Dakin Matthews + Robin H. McFarquhar Jan Gist

STAGE MANAGER ASSISTANT STAGE MANAGER Peter Van Dyke* Lindsay Byrne*

DIRECTED BY Daniel Sullivan

Casting by: Liz Woodman, C.S.A. and Brendon Fox

* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States. + Associate Artist of The Old Globe.

PERFORMANCES MAGAZINE P3 CAST OF C h a r a c t e r s in order of appearance

A Soothsayer ...... KURT REICHERT A Child ...... MORGAN THOMAS HOLLINGSWORTH Flavius, a tribune ...... JONATHAN McMURTRY*+ Marullus, a tribune ...... DAVID PURDHAM* A Carpenter ...... ANDREW McGINN* A Cobbler ...... JAMES WATERSTON* Mark Antony ...... MICHAEL JAMES REED* Julius Caesar ...... ROBIN GAMMELL* Calpurnia, wife to Caesar...... KANDIS CHAPPELL*+ Casca ...... DAKIN MATTHEWS*+ Marcus Brutus...... ROBERT FOXWORTH* Caius Cassius ...... JOEL POLIS* Portia, wife to Brutus ...... CAITLIN O’CONNELL* Artimedora ...... EMMELYN THAYER Cicero ...... TOM RAMIREZ* Decius Brutus ...... DAVID PURDHAM* Cinna ...... LIAM CRAIG* Lucius ...... JAMES WATERSTON* Metellus Cimber...... TOM RAMIREZ* Trebonius ...... MICHAEL NEWMAN Caius Ligarius ...... JONATHAN McMURTRY*+ Publius...... PAUL BOURQUE Popilius Lena ...... ANDREW McGINN* Cinna the Poet ...... JONATHAN McMURTRY*+ Octavius Caesar ...... ANDREW McGINN* Lepidus ...... DAVID PURDHAM* Lucilius...... JONATHAN McMURTRY*+ Pindarus ...... DAVID RAPHAEL D’AGOSTINI Messala, friend to Brutus and Cassius ...... LIAM CRAIG* Titanius, friend to Brutus and Cassius...... DAVID PURDHAM* Young Cato, friend to Brutus and Cassius ...... MICHAEL DOYLE Clitus, officer to Brutus ...... MICHAEL NEWMAN Dardanius, officer to Brutus ...... PAUL BOURQUE Volumnius, friend to Brutus and Cassius...... TOM RAMIREZ* Guards, Citizens, Servants, Plebeians...... PAUL BOURQUE, LIAM CRAIG*, DAVID RAPHAEL D’AGOSTINI, BAYARDO MANELICK DE MARGUIA, MICHAEL DOYLE, ANDREW MCGINN*, JENNI LYNN MCMILLIN, MICHAEL NEWMAN,DAVID PURDHAM*, TOM RAMIREZ*, NEIL SHAH, JENNIFER STEWART, EMMELYN THAYER, DANIEL J. VILORIA, JAMES WATERSTON*

* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States. + Associate Artist of The Old Globe.

T H E R E W I L L B E O N E 1 5 - M I N U T E I N T E R M I S S I O N .

P4 PERFORMANCES MAGAZINE P r o f i l e s

Liam Craig Paul Bourque (Cinna, Messala, Plebeian) Bayardo Manelick De Murguia (Publius, Dardanius, Citizen, Plebeian) THE OLD GLOBE: Pericles. OFF-BROAD- (Citizen, Plebeian) THE OLD GLOBE: Debut. ELSEWHERE: As WAY: Don Juan, Theatre for a New Audience; THE OLD GLOBE: Debut.ELSEWHERE: The You Like It, Flanagan’s Wake, The Music Man, Guys The Secret Order, EST; Juno and the Paycock, Illusion, Fallacy, A Streetcar Named Desire. and Dolls, The Sound of Music, South Pacific, My Roundabout Theatre; Hotel Universe, Blue Light Fair Lady, Arsenic and Old Lace, Scrooge. TV: Theatre Co. REGIONAL: Moving Picture, Hunter, Married Men’s Club, America’s Most Williamstown; Amphitryon, Huntington Wanted, Invisible Man, Silk Stalkings, Cover Me, Theatre Co ; The Lady from the Sea, Intiman Hollywood Safari, Civil War Correspondent, Theatre; Henry V, Shakespeare on the Sound; Deadwood, The Boy Who Saved Christmas, Rosencrantz and Guildenstern Are Dead, California Fundamental Truths. Shakespeare Festival; Side Man, Arizona Theatre Co. TV: Late Night with Conan O’Brien, Law and Order, Law and Order: SVU. FILM: The Royal Tenenbaums. EDUCATION: Mr. Craig received his MFA from NYU’s Graduate Acting Program. Michael Doyle (Trebonius, Young Cato, Servant to Octavius, Plebeian) THE OLD GLOBE: Pericles. With The Old Globe/USD Professional Actor’s Training Program: All in the Timing, The Misanthrope, The Winter’s Tale. ELSEWHERE: Machinal, Scenes From Kandis Chappell Associate Artist an Execution, Much Ado About Nothing, New York; (Calpurnia) Dancing at Lughnasa, Arcadia, Ivanov, A Midsummer THE OLD GLOBE: Numerous productions Night’s Dream, The American Plan, Middlebury including Henry V, Collected Stories, The Magic Fire, Private Lives, The Doctor Is Out, King Lear, The College. FILM: Stardust, SlowDown. EDUCA- Merchant of Venice, Intimate Exchanges. BROAD- David Raphael D’Agostini TION: BA in Theatre from Middlebury College. WAY: Getting Away with Murder, Rumors.OFF- (Pindarus, Citizen, Plebeian) BROADWAY: Pride’s Crossing, Lincoln Center. THE OLD GLOBE: Pericles, The Taming of the Shrew. REGIONAL: Shadowlands, The Crucible, Woman With The Old Globe/USD Professional Actor’s Train- in Mind, Collected Stories, and others, South ing Program: The Winter’s Tale, The Misanthrope, Psy- Coast Rep; The Guardsman, Arcadia, chopathia Sexualis, Heartbreak House, Two Gentlemen of Huntington Theatre, Boston; Arcadia, Mark Taper Forum; Rumors, Ahmanson Theatre; Verona. REGIONAL: Oliver!, The Umbrellas of Cherbourg, Antony & Cleopatra, The Magic Fire, Berkeley Rep; Sundance Theatre Festival; Richard III, A Christmas Intiman Theatre, San Jose Rep, Pasadena Carol,Sacramento Theatre Company; Evita, Fiddler on the Playhouse; Milwaukee Rep; Williamstown. Roof, South Pacific,Sacramento Music Circus. ELSE- TELEVISION: Frasier, L.A. Law, Shannon’s Deal. WHERE: Savior of the World, Promised Valley Play- FILM: Another You. house; Rosencrantz And Gildenstern Are Dead, Hamlet, Much Ado About Nothing,Actors Repertory Theatre Ensemble; The Cherry Orchard, The Secret Garden, Dancing Robert Foxworth at Lughnasa, Henry V,Brigham Young University. TV: (Brutus) Touched by an Angel, The Restoration.EDUCATION: Mr. THE OLD GLOBE: Below the Belt, Private Lives, D’Agostini holds a BFA in Music/Dance/Theatre from Love Letters, Antony and Cleopatra. BROADWAY: Brigham Young University. Judgement at Nuremberg, Honour, Ivanov, Love Let- ters, Candida. REGIONAL: Proof (tour, Pulitzer and Tony awards); Uncle Vanya, Geffen Play-

PERFORMANCES MAGAZINE P5 P r o f i l e s CONTINUED

house; Macbeth, Iago, Guthrie Theatre; The Seag- including recently recurring roles on The Practice, ull, Habeus Corpus, The Matrix; Cyrano de Bergerac, King of Queens and Gilmore Girls. Mr. Matthews Great Lakes Theatre Festival; Who’s Afraid of Vir- is also a playwright, translator, Emeritus ginia Woolf?, Hartford Stage; Galileo, Center Professor of English, and an Antaean. Stage. TV: Six Feet Under, Lateline, Falcon Crest.

Morgan Hollingsworth (Child) THE OLD GLOBE: How the Grinch Stole Christmas!. ELSEWHERE: Evita, The Wizard of Oz, Starlight Theatre; Peter Pan, Poway Performing Arts Center; A Midsummer Night’s Dream, Grossmont High School; The Music Andrew McGinn Man, Peter Pan Junior Theatre. (Octavius Caesar, Popilius Lena, Cobbler) Robin Gammell THE OLD GLOBE: Debut.BROADWAY: The (Julius Caesar) Invention of Love, Lincoln Center. OFF-BROAD- THE OLD GLOBE: Debut. REGIONAL: WAY: The Glory of Living, Manhattan Class Com- Cinders, Hamlet, The Tempest, New York pany; Andorra, Theater for a New Audience; Shakespeare Festival; Alma, Teatro Aldui Three-Cornered Moon, Keen Company; Twelfth Night, (Venice, Italy); Hedda Gabler, The Shakespeare Cymbeline, The Skin of our Teeth, Henry VIII, New York Theatre; Temptation, Largo Desolato, Checkhov in Shakespeare Festival; Twelfth Night, Tartuffe, Macbeth, Yalta, Twelfth Night, Center Theatre Group; The Rivals, The Acting Company; REGIONAL: Waiting for Godot, Dangerous Corner, Mad Forest, Tartuffe, New Jersey Shakespeare Festival; A Skull in Endgame, The Tavern, Matrix Theatre Company; Connemara, A Contemporary Theater. FILM/TV: Richard III, The Soldier’s Tale, Arturo Ui, Long Law and Order, Law and Order: SVU, Glengarry Bob Wharf Theatre; School for Scandal, Cymbeline, Dakin Matthews Associate Artist Ross. EDUCATION: Mr. McGinn is a graduate of Italian Straw Hat, King Lear, A Midsummer Night’s (Casca/Dramaturg) the Juilliard School. Dream, Stratford Theatre Festival; Peer Gynt, THE OLD GLOBE: Playwright/Director: Sheffield Playhouse; Arturu Ui, House of Atreus, Uncommon Players; Director: Henry V; Co- Homecoming, Tango, Guthrie Theatre; Endgame, Director: Julius Caesar; Adapter: Henry IV; King Lear, Six Characters in Search of an Author. Dramaturg: The Taming of the Shrew, Twelfth Film: Dave, Guilty by Suspicion, Circle of Two, Night, Cymbeline, Romeo and Juliet, Othello, King Bulworth, Austin Powers, Full Circle, Sister Act II, Lear, The Winter’s Tale, The Tempest, The Comedy of Starchamber, Bone Daddy, Last Night. TV: Errors, The Way of the World. Actor: The Taming of the Shrew, Twelfth Night, The Merry Wives of Providence, Judging Amy, The Practice Snoops, If Windsor, Henry IV, Much Ado About Nothing, These Walls Could Talk, Millenium, Boys of Twilight, Coriolanus (Critics’ Circle Award), Henry V, A Dark Skies, WIOU, The Commish, Civil Wars, Party Midsummer Night’s Dream, The Winter’s Tale, of Five, Star Trek, Manhattan AZ, Amazing Grace, Scapino (on tour, Critics’ Circle Award). OFF- Murder, She Wrote, Lincoln, The Blue and the Gray. BROADWAY:Freedomland, Playwrights’ Jenni Lynn McMillin Horizons; The Hostage, School for Scandal, The (Citizen, Plebeian) Acting Company. REGIONAL: Leading roles THE OLD GLOBE: Debut. With The Old and directing assignments for the American Globe/USD Professional Actor Training Program: The Conservatory Theatre, The Ahmanson Theatre, Winter’s Tale.REGIONAL: Catholica, Mark Taper Mark Taper Forum, Denver Center, South Forum; My Fair Lady, Santa Monica Playhouse; Coast Rep, LATC, Berkeley Shakespeare Mahabarhata, McMarter Theatre, MCC; Miss Julie, Festival, California Actors Theatre, The UCLA; Jack and Jill, Ensemble Studio Theatre; But Above Antaeus Company, and many others. FILM: The Fighting Temptations, Thirteen Days, The Muse, All, Access Theatre. EDUCATION: Ms. McMillin is a The Siege, Rising Sun, Nuts. TV: Numerous guest graduate of UCLA, and a founding member of the New and regular appearances on episodic television, York based theatre company THEATRE MITU.

P6 PERFORMANCES MAGAZINE ter; The Road to Mecca, Electra, Intiman Theatre Co; On the Verge, The 9/11 Project, Chautauqua Theatre. TV: The Stepchild, Law and Order, Homi- cide, Perry Mason, Another World. Ms. O’Connell is the recipient of a Fox Foundation Grant.

Jonathan McMurtry Associate Artist Michael Newman (Flavius, Cinna the Poet, Lucilius) (Clitus, Citizen, Plebeian) THE OLD GLOBE: Over 180 productions THE OLD GLOBE: Debut. REGIONAL: The since 1961, including The Taming of the Shrew, Alchemist, Hamlet, A Midsummer Night’s Dream, Memoir, Da, Henry V, The Seagull, Romeo and Juliet, Rosencrantz and Guildenstern Are Dead, Othello, Macbeth, American Buffalo, Henry IV, Shenandoah Shakespeare; The Laramie Project, Hamlet, Waiting for Godot, Timon of Athens, There’s Wrong Turn at Lungfish, Magic Circle Center; One in Every Marriage, (SD Critics’ Circle Hamlet, Cymbeline, Red Monkey Theatre Award), King Lear, Rashomon, Dear Liar. ELSE- Festival; Picasso at the Lapin Agile, Greenville Joel Polis WHERE: A Life in the Theatre (SD Critics’ Circle Community Theater; Our Town, Hay Fever, (Cassius) Award), Gaslamp Theatre; Picasso at the Lapin Hillside Theater Festival. ELSEWHERE: Man THE OLD GLOBE: A Midsummer Night’s Agile, A Christmas Carol, Uncle Vanya, San Diego and Superman, Loot, Twelfth Night, The Father, True Dream. OFF-BROADWAY: Names, American Rep; A Long Day’s Journey into Night, Renaissance West, Occidental College. EDUCATION: Mr. Jewish Theatre; The Baby Dance,Lucille Lortel Theatre Co; leading roles at theatres through- Newman holds a BA in theatre from Theatre; Claptrap, Manhattan Theatre Club; out the U.S., including South Coast Rep, Alley Occidental College. Family Business, Astor Place Theatre; Just Like the Theatre, Studio Arena, Syracuse Stage, Arizona Night, Playwright’s Horizons. REGIONAL: The Theatre, San Jose Rep, Alaska Rep, Ahmanson Cherry Orchard, Richard III, Odyssey Theatre; Theatre, Mark Taper Forum, Indiana Rep, Oleanna, American Renegade Theatre; Riga, Berkeley Rep and the roles of Shylock and John Anson Ford Theatre; Names, Matrix Macbeth at Walnut Creek’s Regional Center for Theatre; The Baby Dance, Pasadena Playhouse, the Arts. Mr. McMurtry is the recipient of 30 Long Wharf Theatre; Ghetto, Cakewalk, The Last Drama-Logue Awards, the ‘92 Joe Callaway Survivor, Mark Taper Forum; Troilus and Cressida, Award, and an L.A. Critics Circle Award for the Yale Rep; A Penny for the Guy, GeVa; DogLogic, title role in Uncle Vanya. FILM: Beautiful Joe South Coast Rep; Future Hollow, Wellfleet (with Sharon Stone), Little Nikita, Best Laid Harbor; Boy Meets Girl, Passing By, Hartford Plans and The Settlement. TV: Encore! Encore!, The Stage Co. FILM: Alien Hunter, Tumbleweeds, Stalk, Skin of Our Teeth (live PBS telecast from the Caitlin O’Connell It’s My Party, My Blue Heaven, True Believer, The Globe), thirtysomething, Cheers, Almost Perfect, The (Portia) Thing, The Rookie. TV: Mister Sterling, Ally Naked Truth, Wings, Frasier. Mr. McMurty teach- THE OLD GLOBE: Debut. REGIONAL: Mrs. McBeal, Judging Amy, Chicago Hope, Picket Fences, es Shakespeare for The Old Globe/USD Warren’s Profession, Playboy of the Western World, Home Improvement, Cheers, Bull, Invisible Man, Professional Actors Training Program. Guthrie Theatre; Give Me Your Answer, Do!, Rocket’s Red Glare, The Sleepwalker Murders, Fatal Roundabout Theatre; Much Ado About Nothing, Vision, A Death in California, Prison of Secrets, Twelfth Night, Henry IV, The Merry Wives of Wind- Twilight Man, The Ninja Murders. sor, The Comedy of Errors, Macbeth, Measure for Measure, Shakespeare Theatre; The Winter’s Tale, Othello, Romeo & Juliet, Slavs!, How I Learned to Drive, A Doll’s House, Oh, Pioneers, The Film Society, There ‘s One in Every Marriage, Center Stage; Din- ner with Friends, The Little Foxes, The Cherry Orchard, Playboy of the Western World, The Front Page, Arms and the Man, Quilters, The Importance of Being Earnest, Denver Center Theater Co; An Experiment With an Air Pump, Dallas Theatre Cen-

PERFORMANCES MAGAZINE P7 P r o f i l e s CONTINUED

Berkeley Shakespeare Festival; A Christmas Carol. San Jose Stage Co; A Midsummer Night’s Dream, Arms and the Man, Absent Friends, California Actors Theatre. FILM: The Prince, You’re Not Listening. TV: Beverly Hills 90210, Babylon 5, Air America, Eastside/Westside, Tomorrow/Today, Silent Movies.

David Purdham Kurt Reichert (Lepidus, Decius Brutus, Marullus, Titanius, (Soothsayer) Plebeian) THE OLD GLOBE: Debut. REGIONAL: Faust, THE OLD GLOBE: Debut. BROADWAY: Piaf, Jedermann, Salzburg Festival; From Vienna, The Little Prince. OFF-BROADWAY: Absent Music Box Theatre; Macbeth, Sierra Rep; The Friends, Titus Andronicus, Rosencrantz and Dybbuk, In the Matter of J. Robert Oppenheimer, Guildenstern Are Dead, Toulouse Lautrec, The Winter’s A Midsummer Night’s Dream, Island, San Diego Tale, Once on a Summer’s Day, Twelfth Night, Journey’s Rep; Teibele and her Demon, Vanya Works, Bent, End. REGIONAL: Moby Dick-Rehearsed, Blackfriars Theatre; The Seagull, The Film Society, Berkshire Theatre Festival; The Real Thing, Michael James Reed Children of a Lesser God, Devour the Snow, North Pasadena Playhouse; The Seagull, Philadelphia (Mark Antony) Coast Rep. ELSEWHERE: The Legacy, Gaslamp Theatre Festival; Interrogating the Nude, Yale Rep; THE OLD GLOBE: Pericles, Twelfth Night, The Quarter Theatre; An American Christmas (annu- ‘Tis Pity She’s a Whore, American Repertory Trojan Women. BROADWAY: La Bete. OFF- ally), 1776, A Midsummer Night’s Dream, Much Theatre; Progress, Long Wharf Theatre; The Rover, BROADWAY: Amphitryon, Classic Stage Co; Ado About Nothing, The Chalk Garden, The Miser, Williamstown Theatre Festival; The Taming of the King Lear (starring Hal Holbrook), Roundabout Rhinoceros, Dracula, Lamb’s Players Theatre; Shrew, Huntington Theatre; Tartuffe, Pittsburgh Theatre; A Forest in Arden, New York Theatre Oldtimers, Playwright’s Project; Twelve Angry Public Theatre; Faust, Stella Adler Theatre; Henry Workshop; Twelfth Night, The Venetian Twins, The People, San Diego Black Ensemble; Fiddler on the V, Great Lakes Theatre Festival; Nicholas Nickelby, Beaux Strategem, Pearl Theatre. REGIONAL: Roof, San Diego Civic Light Opera; Goodbye Blackstone Theatre. Angels in America (Parts I & II), Alley Theatre; Howard, Concerning the Infanticide, The Nostalgia (world premiere), South Coast Rep; Harmfulness of Tobacco, The Lady of Larkspur Three Musketeers, Life of Galileo, Repertory Lotion, The Swan Song, What We Do with It, Songs Theatre of St. Louis; Great Expectations, A Tale of on Aging, MusicLesson, Springtime: Vienna: 1938, Two Cites, Prisoner of Zenda, Paper Mill Open Your Sinful Blue Eyes, San Diego Actor’s Playhouse; Charley’s Aunt, Breaking the Silence, Festival. Berkshire Theatre Festival; The Lady from Maxim’s, King Lear, Great Lakes Theatre Festival; Androcles and the Lion, Syracuse Stage; Nora, Asolo Theatre Co; Henry IV: part I, Shakespeare Santa Cruz. ELSEWHERE: Shopping and F***ing, Celebration Theatre (Los Angeles pre- Tom Ramirez miere); Richard III (starring Antony Sher), (Cicero, Melettus Cimba, Volumnius) Royal Shakespeare Co.; L’Illusion, Actor’s THE OLD GLOBE: Henry V, The Seagull,The Touring Co. FILM: The Dressmaker, Love Potion. Merry Wives of Windsor, The Time of my Life, The TV: Six Feet Under, 24, JAG, Family Law, Silk Way of the World. REGIONAL: Inventing Van Stalkings, Ladies Man, That 70’s Show, The City, Gogh, Last Night of Ballyhoo, Arizona Theatre Co; Another World, One Life to Live, Someone Had to Be Neil Shah The Tempest, Twelfth Night, As You Like It, Romeo Benny, Alfred Hitchcock Presents, Confessional, Once (Servant to Caesar, Citizen) and Juliet, Shakespeare Festival LA; Peter Pan, in a Lifetime, Small World. EDUCATION: Mr. THE OLD GLOBE: Debut. With The Old Intiman Theatre; Twelfth Night, South Coast Reed is a graduate of the professional actor Globe/USD Professional Actor’s Training Rep; God’s Country, Henry IV, part II, Oregon training program at Guildhall School of Music Program: The Winter’s Tale, The Misanthrope, All in Shakespeare Festival; Nuts, The Philadelphia and Drama in London. the Timing. OFF-BROADWAY: The Balcony, Story, The Country Girl, San Jose Rep; The Medea, The Merchant of Venice, Brecht’s Edward II, Merchant of Venice, Richard III, The Tempest, The Butter and Egg Man. REGIONAL: Henry IV,

P8 PERFORMANCES MAGAZINE parts I &II, Cymbeline, A Midsummer Night’s Chalk Circle, The Three Sisters, To Kill a Mockingbird, Company, a founding member of the comedy Dream, Much Ado About Nothing, You Can’t Take it Brigham Young University. EDUCATION: Ms. troupe Circus Maximus, and a New Orleans-style with You, Henry V, Theatre at Monmouth. ELSE- Thayer received a BA in Acting from Brigham Young pianist. WHERE: Love’s Labour’s Lost, Easter, Lone Star, University and her MFA from USD. The Zoo Story, Measure for Measure. EDUCA- TION: Mr. Shah received a BFA in acting from Marymount Manhattan College. Daniel Sullivan (Director) THE OLD GLOBE: Cymbeline, Romeo & Juliet, The Merry Wives of Windsor, Othello, Cat’s Paw. BROADWAY: Proof (Tony Award), Ah, Wilderness!, The Sisters Rosensweig, The Heidi Chronicles, Conversations with My Father, I’m Not Rappaport, A Moon for the Misbegotten, Morning’s at Seven, Major Barbara . OFF-BROADWAY: Daniel J. Viloria Psychopathia Sexualis, A Fair Country, The (Citizen, Plebeian) Substance of Fire (also in Los Angeles), London THE OLD GLOBE: Debut. ELSEWHERE: Bye Suite, In Real Life, Ten Unknowns, Far East. Jennifer Stewart Bye Birdie, Jesus Chris Superstar, Holy Family REGIONAL: Artistic Director of Seattle (Citizen, Plebeian) Performing Arts Academy; Tama’s Hula Nanis Repertory Theatre (1981-1997), where he THE OLD GLOBE: Debut. With The Old Polynesian Revue, Hale Koa Hotel Luau; The directed over 60 productions including Uncle Globe/USD Professional Actor’s Training Program: Illusion, USD. Vanya, Caucasian Chalk Circle, She Stoops to The Winter’s Tale, The Misanthrope, All in the Timing. Conquer, Inspecting Carol, The Mandrake, The ELSEWHERE: End Times, Text Theatre; The Last Wedding, As You Like It, among others. Mr. Night of Ballyhoo, Aurora Fox Theatre, Terra Nova, Sullivan established Seattle Rep’s New Plays Denver Civic Theatre; Jake’s Women, Colorado Stage Program, developing new works by Bill Irwin, Co; Christ’s Passion, Twelfth Night Theatre; The Ruling Charlayne Woodard, Wendy Wasserstein, Jon Passion, New Harmony Project. EDUCATION: Ms. Robin Baitz, A.R. Gurney, Michael Weller and Stewart holds a BFA in Theatre Performance from Arthur Miller. FILM: The Substance of Fire. TV: the University of Evansville. Far East.

James Waterston (Lucius) Ralph Funicello Associate Artist THE OLD GLOBE: An Infinite Ache, Twelfth Night. (Scenic Design) OFF-BROADWAY: Another Time (with Malcolm THE OLD GLOBE: Pericles, The Taming of the McDowell & Marian Seldes), AJT; The Lady and Shrew (twice), The Trojan Women, Henry V, The the Clarinet, Ubu Rep; Circus Maximus, Caroline’s Merry Wives of Windsor, The Hostage, Paramour, Comedy Club. REGIONAL: Long Day’s Journey Romeo and Juliet, Othello, The Comedy of Errors, into Night (twice, once with Elizabeth Franz, John Pride's Crossing, Macbeth, American Buffalo, Private Emmelyn Thayer Slattery and Mr. Waterston’s father); The Seagull, Lives, The Gate of Heaven, Mister Roberts, Henry IV, (Artimedora/Plebeian) George Street Playhouse; Ah, Wilderness!, Dancing at Lughnasa, Hedda Gabbler, The Way of THE OLD GLOBE: Loves & Hours, Pericles, Smash, Huntington Theatre; Our Town, Fulton Opera the World, Twelfth Night, King Lear, Ghosts, Interior Betrayal (understudy). With The Old Globe/USD House; Arcadia, Pittsburgh Public Theatre; also, Decoration, From the Mississippi Delta, The Winter's Professional Actor Training Program: The Winter’s three seasons as musical director for the Greylock Tale, Mr. Rickey..., Bargains, The Tempest, The Tale, Psychopathia Sexualis, Heartbreak House, Two Project at the Williamstown Theater Festival. FILM: Merchant of Venice, The White Rose, Hamlet, Our Gentlemen of Verona. ELSEWHERE: Goblin Market, Dead Poets Society, Little Sweetheart, Oscar, The Debutantes, Town, Driving Miss Daisy, Measure for Measure. The Handcart Ensemble; The Merry Wives of Windsor, A Dog Race in Alaska.TV: Christy(3-part miniseries),13 ELSEWHERE: Mr. Funicello has designed Actors Repertory Theatre Ensemble; I Do! I Do!, Bourbon Street, HBO’s Live from Baghdad, ER. ADDI- scenery on and off-Broadway and for many Provo Theatre Company; The Cherry Orchard, King TIONAL CREDITS: Mr. Waterston is a member of theatres across the country, including Lincoln John, Bedroom Farce, Riders to the Sea, The Caucasian the Board of Directors for the Malaparte Theater Center, American Conservatory Theatre, A

PERFORMANCES MAGAZINE P9 P r o f i l e s CONTINUED

Contemporary Theatre, Mark Taper Forum, American Theatre Wing Award, two Obie Arizona Theatre Co, Seattle Rep, Berkeley Rep awards, the EDDY award, and five Drama Desk and Milwaukee Rep, Denver Center Theatre nominations. In London she has worked with Company, the Guthrie Theatre, South Coast the National Theatre and the Royal Shakespeare Robin H. McFarquar Rep, the Oregon Shakespeare Festival, the Company. Ms. Sherin has also designed exten- (Fight Director) Williamstown Theatre Festival, the Intiman sively in opera including productions at the Robin McFarquhar choreographs extensively Theatre, the Stratford Festival, New York City Vienna Staatsoper, Bayerische Staatsoper, in Chicago where recent credits include One Opera, and the Houston Grand Opera. He cur- Glyndegbourne, Chicago Lyric Opera, Houston Flew over the Cuckoo's Nest, with Gary Sinise rently holds the position of Powell Chair in Set Grand Opera, English National Opera, La (2001 Tony for Best Revival) and the pre- Design at San Diego State University. Fenice, Bregenz Festival, Opera North, Opera mieres of The Libertine (with John Malkovich), du Rhin, Operahaus Zurich, Wales National Time to Burn, The Berlin Circle, The Ballad of Little Opera, New Israeli Opera, Royal Danish Opera, Jo, and A Clockwork Orange, all for the Lisbon Opera, Nationale Reisopera, Canadian Steppenwolf Theatre Company. The premieres Opera, Washington Opera, New York City of Griller and All the Rage, for the Goodman. Lewis Brown Associate Artist Opera, Seattle Opera, Santa Fe Opera, The premieres of Among the Thugs, and The (Costume Design) Glimmerglass Opera, and Opera Australia. Her Incident for Next Theatre. The premieres of Fair THE OLD GLOBE: Faith Healer, The Taming of design associate is D.M. Wood. Ladies at a Game of Poem Cards, and In The Penal the Shrew, God’s Man in Texas, Henry V, The Merry Colony for Court Theatre. Julius Caesar, Hamlet, Wives of Windsor, Cymbeline, Paramour, The Romeo and Juliet, and Pacific Overtures for the Comedy of Errors, Henry IV, The Way of the World, Chicago Shakespeare Theatre. His work has The Merchant of Venice, Hamlet, Our Town, And a also been seen at theatres throughout the Nightingale Sang..., Measure for Measure, Dan Moses Schreier country, including the Idaho, Illinois, Utah and Coriolanus, Antony & Cleopatra, There’s One in (Original Music & Sound Design) Virginia Shakespeare Festivals, and interna- Every Marriage, Rashomon, Othello. BROADWAY: THE OLD GLOBE: Floyd Collins, Cymbeline. tionally on tours to England, Japan, Cyprus The Government Inspector, Mulebone. REGION- BROADWAY (Sound Design): Into the Woods, and Hungary. AL: The School for Scandal, Oregon Shakespeare Top Dog/Underdog, Dirty Blonde, Amour, Dance of Festival; The Tempest, The Caucasian Chalk Circle, Death, The Ride Down Mt. Morgan, The Diary of Seattle Rep; Henry V, Richard III, The Caucasian Anne Frank, The Tempest, Bring in ‘Da Noise/Bring Chalk Circle, A Streetcar Named Desire, Camille, in ‘Da Funk, The Governement Inspector, Hedda The Guthrie Theatre; Kiss Me, Kate, My Fair Gabler. OFF-BROADWAY: Homebody/Kabul, Jan Gist Lady, Stratford Festival, Canada; Candide, Radiant Baby, Spinning into Butter, Far East, Floyd (Voice & Speech Coach) Cyrano de Bergerac, Dream on Monkey Mountain, Collins, Spic-O-Rama, God’s Heart and many oth- Jan Gist has worked as a voice, speech, and Idiot’s Delight, Chemin de Fer, The Miser, Center ers. As a composer, Dan wrote the music for dialect coach at theatres around the country, Theatre Group; A Flea in Her Ear, ACT, San the Broadway productions of Dance of Death including: Betrayal, Compleat Female Stage Beauty, Francisco; The Matchmaker, Arizona Theatre starring Ian Mckellen and Helen Mirren, An Infinite Ache, Smash, Faith Healer, Taming of the Company. Opera designs include: Faust, Los George C. Wolfe’s production of The Tempest Shrew, Pericles, and Pentecost at The Old Globe. Angeles Music Center Opera; Don Giovanni, and Daniel Sullivan’s production of Major Credits at Oregon Shakespeare Festival Opera Theatre of St. Louis; La Fanciulla del Barbara. Innova Recordings will release a CD of include four plays in 1991; David Edgar’s new West, Deutsch-Oper Berlin. his music/theater piece The Shoulder, written play Continental Divide and Noel Coward’s with Dan Hurlin and produced by the Long Present Laughter in 2003; A Weaving of Words and Wharf Theater/Dance Theater Workshop/ Sounds (her original poetry). Other credits Walker Arts Center. Dan has received the 2003 include about 140 productions at the Alabama Entertainment Design Award for sustained Shakespeare Festival, about 20 productions at Mimi Jordan Sherin excellence, two Drama Desk Awards (Into the Utah Shakespearean Festival, The Shakespeare (Lighting Design) Woods, Floyd Collins), an Obie Award, Audelco Theatre, Arena Stage, Milwaukee Repertory Ms. Jordan’s regional theatre work includes Award and grants from the National Theare and about 6 productions at designs for Baltimore Center Stage, McCarter Endowment for the Arts. PlayMakers’ Repertory. Additionally, Ms. Gist Theatre, Hartford Stage Company, American has taught and led workshops around the Repertory Theatre, American Conservatory country, and worked on the film The Rosa Parks Theatre, Long Wharf Theatre, Actors Theatre of Story. In 2001, Ms. Gist led the national Louisville, and Trinity Repertory Company. For VASTA conference in Shakespeare’s Shapely her work in New York she has been awarded the Language on speaking the text’s structures.

P10 PERFORMANCES MAGAZINE Ms. Gist is an originating and published mem- Beauty, An Infinite Ache, All My Sons, Faith Healer, ber of the Voice and Speech Trainers’ Pericles, The Taming of the Shrew, Twelfth Night, The ADDITIONAL STAFF Association and has been published in The Boswell Sisters, A Midsummer Night’s Dream, Art, Voice and Speech Trainers Associations’ Journal (her Dinner with Friends, The Countess, Love’s Labour’s Assistant Director ...... Jason King Jones original poetry), The Voice and Speech Workout Lost, The Trojan Women, The Full Monty, God1s Assistant Scenic Designer ...... Amanda Stephens Book (voice exercises), and More Stage Dialects Man in Texas, Orson’s Shadow, Cymbeline, Things Assistant Costume Designer ...... Shelly Williams (Yiddish dialect). Gist holds a BFA from We Do For Love, Private Eyes, The Weir, Bedroom Assistant Lighting Designer ...... Patrica Nichols Carnegie Mellon University and an MFA from Farce, Blues for an Alabama Sky, Paramour, Romeo Studio Teacher ...... Judy Ridgeway Wayne State University. and Juliet, The Old Settler, Cowgirls, All in the Timing. ELSEWHERE: Ms. Woodman has cast many plays in New York, from Sugar Babies to UNDERSTUDIES Timon of Athens (National Actors Theatre) to Julius Caesar ...... Paul Bourque Cowgirls, The Full Monty and A Thousand Clowns Octavius Caesar ...... Neil Shah Peter Van Dyke with Tom Selleck. She cast Not About Nightingales Mark Antony, Lucius ...... Michael Doyle (Stage Manager) for Trevor Nunn in both London and New Cassius, Flavius, THE OLD GLOBE: More than 50 productions York. Currently, she is the casting director for Cinna, Lucilius ...... Michael Newman since Foxfire in 1984, including Much Ado About the national company of The Full Monty (Artios Brutus, Decius Brutus, Nothing and Henry IV with Jack O’Brien; Award Nomination). REGIONAL: The Alley Marullus...... David Raphael D’Agostini Measure for Measure and The Tempest with Adrian Theatre, Hartford Stage. FILM: The Lunch Date Calpurnia ...... Emmelyn Thayer Hall; Two Gentlemen of Verona and Twelfth Night (Academy Award). TV: Loving (Artios Nom.), Portia ...... Jennifer Stewart with Laird Williamson; Pride’s Crossing, Lost Another World, Texas Dottie. MEMBERSHIPS: Artimedora ...... Jennifer Lynn McMillin Highway, Cowgirls, Forever Plaid, Heartbeats, Blues Casting Society of America, ATAS, League of in the Night. NATIONAL TOURS: Les Miserables, Professional Theatre Women. The Phantom of the Opera (Production Stage Manager). REGIONAL: Denver Center Theatre Co, Arizona Theatre Co, Pasadena Playhouse, Geffen Playhouse. ELSEWHERE: Forever Plaid, Beverly Hills, Pasadena, Old Town.

Lindsay L. Byrne (Assistant Stage Manager) THE OLD GLOBE: The Boswell Sisters. With The Old Globe/Professional Actor Training Program: All in the Timing, The Misanthrope, The Winter’s Tale, Psychopathia Sexualis, Heartbreak House. ELSEWHERE: The Red Diaper Trilogy, Sledgehammer Theatre; Death and the Maiden, Stone Soup Theater Co; Pippin, The Lion in Winter, La Jolla Stage Co; 110 in the Shade, The Tempest, Lysistrata, Arcadia, S.D.S.U. EDUCA- TION: Ms. Byrne holds a BA in Theatre Arts from San Diego State University.

Liz Woodman Casting The Scenic, Costume, Lighting, and Sound Designers in LORT Theatres (Assistant Stage Manager) are represented by United Scenic Artists Local USA-829, IATSE. THE OLD GLOBE: Splendour, Loves and Hours, The Director is a member of the Society of Stage Knowing Cairo, Pentecost, Compleat Female Stage Directors and Choreographers, an independent national labor union.

PERFORMANCES MAGAZINE P11 Program Notes This Our Lofty Scene By Dan Sullivan, Director

Julius Caesar is often the first play by Shakespeare that American students encounter. It has been a part of the high school curriculum for at least a century. Four hundred years after Cassius asked the question of his fellow conspirators – “How many ages hence/shall this our lofty scene be acted over?” – an answer is still not forthcoming. Cassius is, of course, talking about future reenactments of the assassination of Caesar, of plays and pageants that will enshrine the conspirators as heroic liberators of the people. In fact, the “lofty scene” will be “acted over” in the real world as nations and their political systems rise and fall. The endless conflict between democracy and demagogy, as seemingly irresolvable in some parts of the world as it was 2000 years ago in Rome, has strengthened this play’s power for us and it is difficult, as we read it, not to cast an eye on the damaged world around us. We, as artists, have chosen to look even further into the future, in fact, and see the play as a kind of futuristic polit- ical nightmare. Here is some of what I told the cast on the first day of rehearsal. I share it with you not only as a way of understanding the context of the production, but as insight into how we begin to work on a play as complicated and demanding as this one.

Rome, towards the end of the 21st century, in a world destroyed by religious wars and economic collapse from the tapping out of natural resources. The American Empire has long since ended, but a series of nation states riven by civil war and internecine tribal fighting covers the globe. Socially the world has devolved for the first time since the Middle Ages. God is now the god that failed and monotheism of any religious persuasion has been identified as the root cause of the world’s woes. Priests and ayatollahs, rabbis and gurus have been put to silence. There is no industry, no money to buy anything were it created. Little petrol, electricity only for the powerful. The only systems working are security systems and these are primitive at best, patched together from several generations of discarded equipment. Iraq, before the war could be a likely model here. Chechnya. Bosnia. Foraging, barter and theft are the principal occupations. Superstition, occultism, astrology and augury have replaced the failed organized religions. The Republic is a sham democracy, corrupt and jealous of its power. He who can protect his life and his property has power. If there is a newspaper, there is only one newspaper and it is run by whoever runs Rome. No television because the citizens don’t have the electricity to run them (see President Bush’s address to the Iraqi people beamed to a blacked out city). People scavenge rope, wire, re-bar. Thread is hard to come by. You wear what you’ve always had. Or the clothing of the recently deceased. The powerful have roofs. Citizens are ordered to wear identity badges. The anxiety level of the population, fueled by hunger and the probability of a limited life span, breeds a feverish, paranoid energy.

Shakespeare presents us with a doomed society, repeating forever the same act of cowardice: trading freedom for security and liberty for self-interest.

P12 PERFORMANCES MAGAZINE To Err is Human Humanizing Heroes in Julius Caesar By Dakin Matthews, Dramaturg

Julius Caesar is undeniably a familiar play – with lines that most English speakers will recognize instantly. And the subject matter is almost as familiar today as it was four hundred years ago. To Shakespeare's contemporaries, the assas- sination of Julius Caesar was, after the death of Christ, the second most significant event in all of western history; for the death of Caesar led to the reign of Octavius and created the ideal circumstances for the birth of Jesus and the spread of Christianity. The fall of one “J.C." prepared the way for the rise of the other. The assassination was, in short, one of the seminal events of western history, sacred or secular. Yet the historical record Shakespeare inherited was not all that clear. Two quite contradictory strains came down to him. In one, Caesar was a tyrant and Brutus the great idealist, the “noblest Roman of them all." In the other, Caesar was the great hero-general-savior of ancient Rome, and Brutus, a murderer and a traitor, second only to Judas in malice. And Shakespeare inherited this ambiguous historical record at the very moment in his career when he was becom- ing fascinated with a subject quite new to English theatre – the complex and hidden inner life of public persons. “If such people existed" – one can imagine the playwright saying to himself – “and if they did all the things that history has recorded of them and had the reputations that history has accorded them; and if they were – like us – simply human beings, then what in the world was going on inside them? Inside their heads? Inside their hearts?" As common as these questions seem to us today in our post-Freudian – and post-Stanislavskian – world, these were not, amazing- ly enough, questions that playwrights had explicitly and regularly asked themselves before Shakespeare. To answer such questions, Shakespeare found in his own professional life an invaluable insight into the elaborate “role-playing" that occupies so much of the double lives of public persons, and how much that “role-playing" disguises from them their true identity. In the run of plays surrounding Caesar, the theme of the “actor" is one of the most fre- quent motifs. Richard II in prison finds that in his mind he plays many parts, none of them contented. Henry V, as a young prince, tries on a succession of roles and even participates in ex tempore plays, all in an effort to prepare himself for his greatest role – that of king. Hamlet, painfully aware of his own shortcomings in the role of avenger, spends almost as much time talking about acting as about avenging his father's death. And Brutus struggles with the chal- lenge of keeping up his public Stoic face while being, in fact, in agonizing turmoil over the role his comrades expect him to play, preserver of the republic and killer of his friend; it is Roman actors he urges his fellow conspirators to imi- tate – for their tireless ability to sustain a constant, and manufactured, outward demeanor. The result, in Julius Caesar, is a kind of passionate docudrama – where the real events of history are tempered by a humanizing of the historical agents involved. If the characters are sometimes ambiguous, if sometimes we have diffi- culty figuring out whose side we are supposed to be on, this is not an accident. It seems to have been Shakespeare's exact intention. Received history does tend to be simplifying at times; great figures from the past do tend to calcify into marble representations of themselves. These errors of oversimplification can only be overcome by the injection of human thought, human emotion, and even human error into the mix.

PERFORMANCES MAGAZINE P13 2 0 0 3 B o a r d o f D i r e c t o r s

Welcome home to The Old Globe. We’re pleased that you’re here. There are changes in the air. We hope you’ll approve. One change is the return to our original name. We’re “The Old Globe” again, after a period of marketing ourselves as “The Globe Theatres.” We learned from that experiment that the theatrical world cannot resist calling us by the name we grew up with, “The Old Globe,” so we decided to go back to using it ourselves. On our three stages themselves, you’ll find a lot more that’s new at The Old Globe. In the year ahead, we will continue to bring meaningful works to you from the great masters of classical theatre like Shakespeare and Moliere. What a treat to have them both on our current production schedule. We also look forward to having you join us for plays by some of the world’s lead- ing contemporary playwrights, including Arthur Miller, William Inge, Tom Stoppard and Nicky Silver, among others. We’re working hard at being accessible to you off-stage, as well as on-stage. Have you logged on to our new web site? Please try it out for your next subscription, or for your next purchase of individual tickets. Encourage your out of town guests to do so, as well. The site is filled with information about our productions, artists, staff, history, events for supporters, and much, much more. We thank American Express for the grant which allowed us to develop this site, and we invite you to visit us there, at www. theoldglobe.org. Well, the lights seem to be dimming. It’s time to sit back and enjoy the performance. One last thing. Please let us know, from time to time, how we’re doing. We’ll succeed in keeping The Old Globe new, only with your thoughtful advice. We look forward to it. Now, on with the show!

Paul I. Meyer, President, Board of Directors

Board of Lisa A. Barkett Sheila Lipinsky EMERITUS DIRECTORS Directors Joseph Benoit Timothy A. MacDonald Garet B. Clark John A. Berol Carlos Malamud* J. Dallas Clark Harvey P. White, Honorary Chairman Samuel Brown Richard V. McCune Sister Sally Furay, R.S.C.J. Mary N. Clendeninn Laurie D. Munday Bernard Lipinsky Paul I. Meyer*, Karen Cohn* Robert L. Noble, A.I.A. (1914–2001) President Valerie S. Cooper Sandra Redman Delza Martin Susan Major*, Christopher L. Crockett Tom Sayles Patsy Shumway Executive Vice President David W. Down Phyllis Schwartz Robert H. Gleason*, Bruce M. Dunlap Louis G. Spisto* HONORARY DIRECTORS Vice President – Development Sue Ebner Anne C. Taubman Mrs. Richard C. Adams Tim K. Zinn*, Vice President – Finance Bea Epsten Dean Thorp Clair Burgener Sally Furay*, R.S.C.J., Lee Goldberg Cherie Halladay Tirschwell Mrs. John H. Fox Treasurer Ronald Heller, M.D. Evelyn Mack Truitt (1908–2003) Sheryl White*, Kay Taylor Hopkins Carol M. Veit Audrey Geisel Secretary Joseph E. Jessop, Jr. Patricia Weil Paul Harter Sheri Karpinski Julie Meier Wright Gordon Luce Katherine Kennedy Carolyn Yorston Dolly Poet Stephen M. Krant, M.D. Deborah Szekely *Denotes Executive Committee Member Hon. Pete Wilson

The Old Globe is supported in part by grants from the City of San Diego Commission for Arts and Culture, the California Arts Council, the County of San Diego and the National Endowment for the Arts; and is a constituent of the Theatre Communications Group and a member of the League of Resident Theatres and the San Diego Performing Arts League. This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States; and also under an agreement with the Society of Stage Directors and Choreographers (an independent, national labor union), and the International Alliance of Theatrical Stage Employees Local 122.

P14 PERFORMANCES MAGAZINE A d v i s o r y C o u n c i l M e m b e r s

Robert S. Albritton Marion M. Eggertson Bob Martinet/Susan Parkin Saks Fifth Avenue & George Leslie Barbara & Dick Enberg Dr. Marianne McDonald Donald & Darlene Shiley Lawrence Alldredge Danah H. Fayman Merrill Lynch/ Ms. Roberta J. Simpson & Dawn Moore Fifth & Hawthorn Mr. Scott Wilson Dorothy & Joel Sollender Paul Black Restaurant/Ed Nickelson Judy & George Miller Gail Squires & Yaman Sencan Patricia Butler & Dave Witt Rena Minisi & Rich Paul Jeanette Stevens Dr. & Mrs. Edgar D. Canada Susanna & Michael Flaster Harle Garth Montgomery Jay & Diane Sweeney Dallas & Mary Clark Mary Ann & Arnold Ginnow Maria & Michael Morris Marc Tarasuck, AIA Steven J. Cologne Sheryl A. Harris David & Noreen Mulliken Harry & Selma Tennebaum R. Patrick & Sharon Connell Michelle Hetlinger Neiman Marcus Evelyn Mack Truitt Celeste & Stephen Cowell Leonard & Elaine Hirsch Arthur & Marilyn Neumann Dixie & Ken Unruh Susan B. Cowell Alfred & Pat JaCoby Charles Noell Jordine & Harvey Von Wantoch Sid & Jenny Craig Russell & Mary Johnson Jane & Victor Ottenstein Lewis L. Warner Dr. & Mrs. Marge & Jerry Katleman James & Claudia Prescott Omar & Carol Winter Francis C. Cushing, Jr. Mr. & Mrs. Julian Kaufman RAdm. Arthur June Yoder Darlene G. Davies Bob & Gladys King & Peggy Price, Jr. Robert & Deborah Young Pat & Dan Derbes Ken & Sheryl King Paul & Katherine Ponganis *Deceased Mrs. Philip H. Dickinson Dr. Ara & Sosi Klijian Ann & Ernest Pund Nina & Robert Doede Phyllis & Martin Kornfeld Bobbie & Blaine Quick For more information, Bernard Eggertson, M.D. Ruth & Ronald G. Leonardi Jeannie & Arthur Rivkin please contact Brad Ballard & Ms. Florence Nemkov Peter & Inge Manes Mr. & Mrs. Roger Roberts at 619/231-1941, ext. 2309. M e m b e r s M a k e t h e D i f f e r e n c e The Old Globe rewards its members with the following exclusive benefits, services and events: General Membership: BRONZE ($50 to $249): 10% discount on purchases at the Helen Edison Gift Shop; discount on subscriptions to American Theatre maga- zine; complimentary backstage tour and reception; free admission to Insights Seminars; complimentary subscription to Upstage; invita- tion to the annual members’ meeting; ticket exchange fee waived (in person, by phone or via fax)  SILVER ($250 to $499) all Bronze benefits, plus: listing as a contributor in program magazine for one year; Discounts at participating restaurants for pre- and post-show dining; Service charge waived for all single ticket purchases  GOLD ($500 - $999) all Silver benefits, plus: one complimentary admis- sion for two to the Lipinsky Family Suite (VIP Lounge); two Bard Cards for desserts or beverages at Lady Carolyn’s Pub; $10 gift certificate for purchases at the Gift Shop (no cash exchange value); two complimentary blanket rentals for Festival productions  PLATINUM ($1,000 - $1,499) all Gold benefits, plus: one additional admission for two to the Lipinsky Family Suite (total of 2); four additional Bard Cards (total of 6); complimentary 12 oz. bag of Globe gourmet roasted coffee or specialty tea selection (available through the Helen Edison Gift Shop). The Circle Patrons: The Circle Patrons play an important role and provide significant financial support by making gifts of $1,500 or more. Circle Patron membership includes the following special benefits and services: CRAIG NOEL CIRCLE ($1,500 - $2,499) all Platinum benefits, plus: unlimited admission to the Lipinsky Family Suite; personal VIP ticket service; four additional Bard Cards (total of 10); Invitations to all Circle Patron events; listing as a contributor in Upstage, the Globe’s quarterly newsletter; priority upgrades on subscription seating.  PLAYWRIGHT CIRCLE ($2,500 - $4,999) all Craig Noel Circle benefits, plus: two complimentary meals form the Lipinsky Family Suite menu; collector’s edition of Shakespeare’s works (upon request); listing as a contributor on lobby signs in Old Globe Theatre lobby; Listing as a contributor on Globe website (upon request).  FOUNDER CIRCLE ($5,000 - $9,999) all Playwright Circle benefits, plus: compli- mentary admission for two to a Circle Patron event of your choice; two additional Lipinsky Family Suite meals (total of four).  DIREC- TOR CIRCLE ($10,000 - $24,999) all Founder Circle benefits, plus: complimentary valet parking for one performance of each produc- tion; two house seats to a performance of your choice; access to host a reception or meeting at The Old Globe; eligibility for production sponsorship in the Cassius Carter Centre Stage ($15,000 and above; please call for details). Production Sponsorships: ($25,000 and above): Many individual and corporate members at the Diamond Circle level choose to direct their support toward spon- sorship of productions or specific education programs. Additional benefits for production sponsorships at this level include prominent recognition at The Old Globe, as well as many special VIP privileges.

For more information about membership at any level, please contact The Old Globe development department at (619) 231-1941, x2309. PERFORMANCES MAGAZINE P15 M e m b e r s h i p

The Old Globe, the flagship of San Diego’s performing arts community, maintains a long-standing reputation as one of this country’s leading non-profit theatres. The ability to uphold this standard, while keeping ticket prices affordable, is due in large part to the annual financial support of nearly 4,000 individuals, businesses, and foundations. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and many other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight: Diamond Circle Mr. Steve Miller Playwright Circle ($25,000 and above) Laurie D. Munday ($2,500 to $4,999) Mr. & Mrs. William J. Barkett Robert L. Noble, AIA Dr. & Mrs. Wayne Akeson John A. Berol John & Laura Robbins Robert S. Albritton California Arts Council Patsy & Forrest Shumway Dr. Tony & Sue Allessandra City of San Diego, Anne Taubman & David Boyle Anonymous (1) Commission for Arts & Culture Mr. & Mrs. Lawrence Veit Jan & Rich Baldwin/ J. Dallas & Mary H. Clark Fund of Patricia & Christopher Weil Nth Generation Computing Inc. The San Diego Foundation Family Foundation Melissa Garfield Bartell & Michael Bartell Karen & Donald Cohn Weingart-Price Fund of Charles & Molly Brazell County of San Diego The San Diego Foundation Garet & Wendy Clark Audrey S. Geisel/The San Diego Carolyn W. Yorston Sid & Jenny Craig Foundation Dr. Seuss Fund Ellen & Tim Zinn Ann & John Davies Globe Guilders Dean & Mrs. M. H. Dessent Kathryn Hattox Silver Circle Bernard J. Eggertsen & Florence Nemkov Joan & Irwin Jacobs ($7,500 to $9,999) Martha & George Gafford Mr. & Mrs. Neil Kjos Madeline L. & Milton D Goldberg The Lipinsky Family Cecilia Carrick & Stan Nadel Family Foundation National Endowment for the Arts Bob Martinet Rita C. Grady Mr. & Mrs. Victor H. Ottenstein Arthur & Marilyn Neumann Russell & Mary Johnson The Parker Foundation Ms. Jeanette Stevens Dr. & Mrs. Richard L. Kahler (Gerald & Inez Parker) Evelyn Mack Truitt Bob & Gladys King Donald & Darlene Shiley Dr. Ron & Mrs. Ruth Leonardi The Shubert Foundation Founder Circle Peter & Inge Manes Mandell Weiss Charitable Trust ($5,000 to $7,499) Drs. Frank & Pat Montalbano Sheryl & Harvey P. White Maria & Michael Morris Stanley E. Willis II Lawrence G. Alldredge & Dawn Moore Michael Nova, Kristie Connell, Evan Nova Anonymous (2) Mrs. Margaret F. Peninger Mr. & Mrs. James W. Bastien Dolly & Jim Poet Gold Circle Teresa & Tom Bernard Mr. & Mrs. Blaine Quick ($10,000 to $24,999) Nina & Robert Doede Mr. & Mrs. Jeremiah B. Robins Anonymous (2) Mrs. Danah H. Fayman The San Diego Foundation Elisabeth & John Bergan Susanna & Michael Flaster Jay & Diane Sweeney The Louis Yager Cantwell Mrs. John H. Fox* Dr. & Mrs. Andrew J. Viterbi Private Foundation Samuel J. & Katherine French Fund, Lewis & Jean Warner Neil & Mary Clendeninn Wells Fargo Trustee Jean & Tim Weiss Valerie & Harry Cooper Mary Ann & Arnold Ginnow Robert & Deborah Young J. Dave Cours/ICON Systems, Inc. Fred & Alicia Hallett Mr. & Mrs. Brian Devine Arthur & Eleanor Herzman Christina L. Dyer Dr. & Mrs. Harry F. Hixson, Jr. Craig Noel Circle Dr. Robert and Bea Epsten Melissa & James Hoffmann ($1,250 to $2,499) Robert Gleason & Marc Matys Dr. Marianne McDonald Mrs. Mary Thomas Adams Lee & Frank Goldberg Money/Arenz Foundation, Inc. Richard Addesso Dr. Ronald & Susan Heller Pratt Memorial Fund In Memory of Charles R. Allen and Family Ellen C. Revelle Anonymous (1) Wanda & Tom Insley Jeannie & Arthur Rivkin Atkins & Associates Deni & Jeff Jacobs Deborah Szekely Mr. & Mrs. John E. Barbey, Jr. Joseph E. Jessop, Jr. Howard G. Tirschwell, D.D.S.* & Diana Barliant & Nowell Wisch Katherine Kennedy/ Cherie Halladay Tirschwell Dr. C. K. Barta & Inge Lehman Relocation Coordinates Brent V. Woods & Laurie C. Mitchell Jack Benson Nina Lannan Associates, Inc. Mrs. June E. Yoder Joan & Jeremy Berg Mrs. Anna P. Lord John & Karen Berger, M.D. Susan & John Major Stephen & Pamela Billings Paul & Maggie Meyer/ Paul Black Latham & Watkins Cynthia Bolker & Greg Rizzi

P16 PERFORMANCES MAGAZINE Robert & Lillie Breitbard Foundation Laura Martin Geraldo & Scarrain Gomes Mr. & Mrs. Blaine A. Briggs Elizabeth & Edward McIntyre Dr. & Mrs. William Gott Arthur & Sophie Brody Law Offices of Miller, Monson, Norman & Valerie Jacobs Hapke Mrs. Jeanette Burnett Peshel, Polacek & Hoshaw James & Betty Hempstead Dr. & Mrs. Robert M. Callicott Judy & George Miller Sharon Lee Hudson Ruth Mary Picard Campbell Rena Minisi & Rich Paul Rosalie Kostanzer Dr. & Mrs. Edgar D. Canada Harle Garth Montgomery Bob & Laura Kyle Ken & Deni Carpenter David & Noreen Mulliken Dr. & Mrs. James E. Lasry Dr. & Mrs. Clifford W. Colwell Ruth & Jim Mulvaney Ms. Leah S. Liersch Ms. Heidi Conlan/ Dr. Gail Naughton Mr. Calvin Manning The Sahan Daywi Foundation Josiah & Rita Neeper Nathan & Sandy McCay R. Patrick & Sharon Connell Charles E. Noell Mr. & Mrs. James S. Milch Richard & Stephanie Coutts Jack O’Brien Judith & Neil Morgan Celeste & Steve Cowell Paul & Katherine Ponganis Gail Powell Davis Susan B. Cowell James & Claudia Prescott Brenda Marsh-Rebelo & John Rebelo Mrs. Willard T. Cudney RAdm. Arthur & Peggy Price, Jr. William & Susane Roberts Dr. & Mrs. Francis C. Cushing, Jr. Ann & Ernest Pund Ms. Nancy J. Robertson Darlene G. Davies Roger & Christine Roberts Dr. H. Warren Ross in memory of Lowell Davies Mrs. William C. Ruzich Margery P. Schneider Desire Igual DeMontijo Warren & Beverly Sanborn David & Sharon Snelling Pat & Dan Derbes Ms. Roberta J. Simpson Mrs. Philip Hugh Dickinson Skyy Vodka The Tarlov Family Marion Eggertsen Rodney & Dolores Smith Celeste & Gene Trepte Barbara & Dick Enberg Dotti & Joel Sollender Uncle Biff’s California Killer Cookies Ira & Noddy Epstein Gail Squires & Yaman Sencan Laki & Carol Vassiliadis Ron & Sandy Erbetta Eugene L. & Hannah Step Beverly & Allan Zukor Dieter & Susan Fischer/ Gwen Stoughton Dieter’s Mercedes Service Takahashi Family Fund of Hon. & Mrs. Charles W. Froehlich, Jr. The San Diego Foundation Patron Members Elaine & Murray Galinson Marc R. Tarasuck, AIA ($500 to $999) Barbara & Albert Garlinghouse Mr. & Mrs. Charles Taubman Anonymous (3) Bill & Judy Garrett Mrs. Claire Tavares Susan Atkins Nancy Reed Gibson Harry & Selma Tennebaum Mike & Rhoda Auer Bud, Nancy & Rebecca Goodpasture Dixie & Ken Unruh Mr. & Mrs. David A. Baer John Greenbush & Dr. Marilyn Friesen Doris & Lou Vettese Joseph C. Baker Sandra Gulden & Leon J. Goldberger Jordine & Harvey Von Wantoch Randall & Vivian Black Gulden Private Foundation Merle & Phil Wahl Mary Ann Blair Mrs. Cheryl Haimsohn John & Christy Walton Drs. Gary & Barbara Blake Sheryl A. Harris Shirli Fabbri Weiss Mr. & Mrs. Robert H. Blayney Maria & Michael Herman Betty Jo & Hal Williams Joyce & Bob Blumberg Mr. & Mrs. Leonard Hirsch Omar & Carol Winter Mrs. Suzanne I. Bond Dr. David K. Hostetler Ms. Julie Meier Wright Ronda & Stanley Breitbard Richard & Janet Hunter Carol & Anthony Broad Mrs. T. Bruce Iredale Ted Bromfield, Esq. Alfred & Pat JaCoby Premiere Circle Stuart & Joanne Butler Ron & Christy Johnson ($1,000 to $1,249) Sandra & Harry Carter Marge & Jerry Katleman Ms. Gail Andrade Harry & Carol Cebron Mrs. Katherine Kaufman Anonymous (2) Drs. Lynne Champagne & Wilfred Kearse William & Edyth Kenton Ken & Ginger Baldwin Doug & Elisabeth Clark Mr. & Mrs. Irving J. Kern Sally & John Berry Judith Clifton-Menzel Ken & Sheryl King Charlotte & Charles Bird Steve & Carolyn Conner Dr. Ara & Sosi Klijian William & Janice Bopp Gordon F. Costine Phyllis & Martin Kornfeld Carol & Rudy Cesena Clif & Jane Cowgill Ledford Enterprises Inc. Carol & Jeff Chang Wes & Elaine Dillon Terry & Mary Lehr James H. & Rita F. David Dr. & Mrs. William R. Dito Ms. Sherrill Leist Rick & Linda Dicker Jim & Sally Ditto Carl Levinger Dr. Charles C. & Sue K. Edwards Dr. Paul & Kelly Dougherty Tom Mabie & Rhonda Heth Bruce & Patricia Fischer Mr. Robert E. Mackey, Jr. Silvia Dreyfuss/LABS, Inc. Karen & Orrin Gabsch Mary & David Fitz Joseph L. Marshall & Martin & Enid Gleich Rosemarie Marshall Johnson, M.D. Ms. Pat Frost

PERFORMANCES MAGAZINE P17 M e m b e r s h i p CONTINUED

Hal & Pam Fuson Dr. Joseph Traube & Capt. & Mrs. Donald L. Dill Drs. Tom & Jane Gawronski Dr. Christine A. White In Memory of Edith Dolnick Arthur & Judy Getis Daniel J. Travanti Mr. & Mrs. Glen Doughty Dr. & Mrs. Michael Goldbaum Stephen & Greta Treadgold Hal & Jacque Eastman The Golemb Family Will & Vanessa Van Loben Sels Ms. Elizabeth Eldridge Carol & Don Green Natalie C. Venezia & Paul A. Sager Peggy Elliott Mr. & Mrs. James Harris Dennis & Carol Wilson Dan & Phyllis Epstein Alice B. Hayes Bill & Heidi Woods Lisa Erburu & M. Cocalis Dorothy V. Hill Zona Weekly Donald & Patricia Falkner Drs. Andrew & Sonia Israel Dr. Susan Fee Sandra & Robert Kritzik Dr. Barry & Susan Fefferman Mr. & Mrs. Fritz Kuhn Sponsor Members Mr. & Mrs. Robert Fei Elaine & Adrian Kuyper ($250 to $499) Richard & Donna Ferrier Dr. Eric Lasley Mr. Gale Acker & Dr. Nancy Acker Drs. Lawrence & Irene Fine Georgie B. Leslie B.J. & Sybil Adelson Larry & Jan Ford Arthur & Sandy Levinson Tom & Louise Adler Dr. & Mrs. Richard Friedman Don & Mary Jane Lincoln George Amerault Joseph & Annette Fritzenkotter Mrs. Thelma Lindblade Anonymous (10) Christopher W. Garrett Ernie & Sandy Lippe John Randolph Backman, M.D. Patricia & Norman Gillespie Mr. & Mrs. Edward Lyon Mrs. Ina S. Bartell Deni D. Goodman Ms. Jo Bobbie MacConnell Beverly Bartlett & Barbara Sailors Hubert F. Gordon, Trustee/ Carl Maguire & Margaret Sheehan Richard & Linda Basinger The San Diego Foundation Drs. Betty Joan Maly & John Meyers Mr. & Mrs. William E. Beamer Gordon Family Trust Fund Dr. Robert & Marcia Malkus Lee & Amnon Ben-Yehuda Stephen J. Gordon, M.D. Ron & Mercy Mandelbaum Edgar & Julie Berner Ms. Euvoughn L. Greenan Charlie & Jackie Mann Lanie & Lazare F. Bernhard Dr. Henry & Mary Ellen Gregg Gary & Margaret Mathews Douglas & Dawn Bertozzi Vivienne D. Griffin R.J. Maus, Architects Mr. & Mrs. Stanley Birstein Mr. George Guerra Dr. & Mrs. M. Joseph McGreevy Robert Blanton & Ann Clark Dan Guest & Catherine Lee Elizabeth & Louis Meyer Ms. Sheila M. Bobenhouse & Dr. A.T. Hagler & Dr. Ronald H. Miller Mr. Jeffrey C. Truesdell Ms. Martha Obermeier Akiko Charlene Morimoto Nick Bonaker Deborah A. Hammond William E. & Lollie M. Nelson Dr. James Lewis Bowers Robert W. & Helen M. Hammond Audrey Newman Mrs. Henri Brandais Robert M. & Helen M. Hansen Katherine Newton Dr. Andrew Breiterman Jay & Mary Hanson Willene D. Nichols Ruth Bunn George D. Hardy Rod & Barbara Orth Clint & Susie Burdett Mayme & Albert Harris Mr. & Mrs. David J. Pettitt Linda Burgum-Sunkel Dr. & Mrs. William E. Hendrix Marcia & Jim Piper David Burns & Diane Lischio Dr. & Mrs. C.R. Henkelmann Ken D. Pischel, M.D. & John & Kirk Butler Thomas M. Henry Katherine Ozanich, M.D. Beth & Tim Cann Mr. & Mrs. Arnold Hess Mary & Kedar Pyatt Jane Carrigan George Burke Hinman Stuart & Linda Robinson William & Shirley Carrington Mr. & Mrs. Thomas O. Hippie Don & Darlene Russell George & Ellen Casey Alexa Kirkwood Hirsch Phoebe & David Sackett Charlene Chatham & Wm. “Skip” Price Mark & Lynn Hofflund Marilies Schoepflin, PhD. Woo Y. Choi Peggy & John Holl Barry & Janet Sharpless Mr. & Mrs. Henry B. Clark, Jr. Terry Usher Holt & Peter D. Holt In Memory of Edward Silverstein Randy Clark & Michael Fairchild Jean E. Holtz Mr. & Mrs. Randall Silvia Gary & Penny Cowell Nancy & Bill Homeyer Susan Sincoff & Dr. Joseph Yedid Brian Cromer Bonnie & Cecil Hornbeck Dr. Timothy S. Smith Mr. Ronald D. Culbertson Kendyl & Merri Houdyshell Herbert & Elene Solomon Ms. Frances Curtis Frederick M. Howden, M.D. Harold Stanley Robert P. Dahlquist Kenneth Hoyt Ann & Robert Steiner John Wm. Davis & William M. Hughes Bettina J. Huber Mr. Robert H. Stickel Theodore E. Davis Rob & Liz Jackson Mrs. John R. Stitt Alex & Betty DeBakcsy Richard & Katherine Jarvis Charles B. Tesar, M.D. Ms. Pauline des Granges In Memory of Donald Jenkins

P18 PERFORMANCES MAGAZINE Mr. & Mrs. William S. Johnston Mrs. S. Falck Nielsen Mrs. J. B. Swedelius Kenneth & Marilyn Jones Judge A. V. Nigro Mr. & Mrs. Clifford Sweet Judge Anthony C. & Joyce Joseph Gwen & Dr. Mike Nobil Dr. Blake S. & Mrs. Peggy Jean Talbot Drs. Irvin & Nancy Kaufman Ray & Diane Nobis Dr. Terry & Naomi Tanaka Patricia & Alexander Kelley Judge & Mrs. Paul Overton Dr. Marshall & Leila Taylor Terri & Paul Kidd Sheila Palmer Design Associates Betsy & Michael Thomas/ Patricia Kirk/Spin-Tek Systems Dr. Vic Pankey & Elena Pankey San Diego Area Postal Annex+ Mark Kjos & Kelly Gale Susan C. Parker Judge & Mrs. David R. Thompson Mr. Philip M. Klauber William & Sandra Peavey Lt. & Mrs. Jack E. Timmons Leroy & Jo Ann Knutson Clifford T. Pentrack & John & Kay Torell Curt & Nancy Koch Mary E. Giovaniello Mr. & Mrs. Stan Ulrich Marvin Krichman & Francy Starr Mrs. Seymour W. Perlman Ginny Unanue Marvin Kripps, M.D. Deborah Brooks Pettry Mr. & Mrs. James van der Plaats Inger & Kai Kristensen Drs. Julie Prazich & Sara Rosenthal Mrs. Nellora J. Walker Paul K. Laikind Bill & Judi Quiett Kathy & Jim Waring John Q. Lalas, Jr. Vicki Quinones-Hartwell Pitt & Virginia Warner Mr. Daniel La Marche Dr. Helen Ranney Jo & Howard Weiner Pinkee Lauridsen Anne F. Ratner Mr. & Mrs. David Weinrieb Harriet Lazer & James Walker Jeffrey & Vivien Ressler Mr. & Mrs. James D. Welterlen Dixon & Pat Lee Ms. Kalpana Rhodes Ross & Barbara White Jim & Veronica Lee George A. Rice Mr. & Mrs. Roland Wilhelmy Dick & Sonie Lennon Andrew Ries, M.D. & Michael & Penny Wilkes Tom & Terry Lewis Vivian Reznik, M.D. Cass Witkowski Mr. & Mrs. James Lim Dr. & Mrs. David Roseman Mr. & Mrs. John W. Witt Donald C. Lipkis & Arlene Pollard Ursula R. Roth Dr. Perri L. Wittgrove Stan & Susan Loft Beatrice Rotzow Keith Wong Mr. & Mrs. Mathew Loonin Dr. Norman & Barbara Rozansky Kaye I. Wynne Mark C. Lorenzo Frank & Cheryl Ruyak Vicki Zollweg & J. Michael Dunteman Charles & Robin Luby Amy Rypins Sally & Bill Luster Joseph & Carol Sabatini Judge & Mrs. Frederick Mandabach George & Karen Sachs *Deceased Delza Martin Edward & Rae Samiljan Harold & Beverly Martyn Ms. Susan Sanderson Cdr. & Mrs. John C. Mathews III Regina J. Schard Chris Maxin & Mr. & Mrs. Arthur Schiff Stephanie Buttell-Maxin Dr. & Mrs. Roger H. Schmitt Valli & Tom McDougle Stephen & Brenda Schulman Teresa McEuen Linda J. Seifert Harold O. McNeil, Esq. Alice & Lew Silverberg L.M. & Marcia McQuern Eunice M. Simmons, M.D. This list is current as of June 1, 2003 Metropolis Furniture Tina & Marvin Simner James & Dorothy Mildice Anne & Ronald Simon Dr. & Mrs. Isaac Mizrahi Terrence & Kathryn Slavin Carole Morrison Mr. & Mrs. Fred C. Stalder Connie Myers Mr. & Mrs. Charles M. St. Laurent Dr. & Mrs. James H. Nelson Abbe & David Stutz Niddrie & Hegemier LLP Mr. & Mrs. Ronald Styn Stephen Nielander & Dominique Alessio Virginia Sunelli

To learn more about membership and the benefits offered at each level, please visit the Globe’s website at www.theoldglobe.org or call (619) 231-1941, ext 2305.

PERFORMANCES MAGAZINE P19 C o r p o r a t e L e a d e r s Executive Leaders ($25,000 and above)

Members of the Corporate Leaders enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Chris Graham at (619)231-1941, ext. 2308.

S A K S F I F T H A V E N U E

Leaders ($2,500 to $24,999) FloraStyle Nokia Goldman Ferguson Partners Nordstrom Ariston Consulting Higgs, Fletcher & Mack, LLP The Prado at Balboa Park & Technologies, Inc. Home Bank of California Relocation Coordinates Barney & Barney ICON Systems, Inc. San Diego National Bank Bertrand at Mister A’s Kforce Professional Staffing Scudder Private Investment Counsel BRG Consulting KPMG, LLP Slayton International Executive Search Chalone Wine Estates Latham & Watkins Stewart Title of California City National Bank Marsh, Inc. Target Stores Cornerstone America Merrill Lynch The T Sector Cush Automotive Mervyn’s TK&A Custom Catering Charitable Foundation Mission Federal Credit Union WD-40 De Anza Harbor Resort Neiman Marcus Fifth & Hawthorn

National Corporate Theatre Fund is a non-profit corporation created to increase and strengthen support from the business community for eleven of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions of $10,000 or more to National Corporate Theatre Fund:

Benefactors ($20,000 & Above) Pacesetters ($15,000 to $19,999) Donors ($10,000 to $14,999) Altria Group, Inc. Citigroup CreditSuisseFirstBoston Ogilvie & Mather Ernst & Young CVS/pharmacy Gershman Brown New York Quick & Reilly Davis, Polk & Wardwell JPMorgan Chase Robert K. Futterman & Praxis Media/Palace Production Fleet Bank Center/Rabbit Ears Entertainment GE Fund Marsh & McLennan Companies, Inc. Associates, LLC KPMG Merrill Lynch & Co. Vellmeir Development Stauback Retail Services Mintz, Levin, Cohn, Ferris, Viacom Inc. UBS Glovsky & Popeo Zaremba Group

P20 PERFORMANCES MAGAZINE T h e C r a i g N o e l L e a g u e

“I want this theatre to have the security of an endowment so that we may continue to engage and inspire audiences for generations to come.” — Craig Noel The Craig Noel League was established in November 2000 to build the endowment and secure the legacy Craig Noel and countless others fashioned for The Old Globe. The League honors those thoughtful friends who help to secure our future through a gift by will or trust. Please join us in thanking these very generous friends who are helping to build the Craig Noel League.

Craig Noel Robert S. Albritton Jerry Lester Foundation B. Sy & Ruth Ann Silver Nancine Belfiore Dr. Bernard Lipinsky* John & Cindy Sorensen League Members Garet & Wendy Clark Heather Manion Marje Spear J. Dallas & Mary H. Clark Calvin Manning Nancy A. Spector Securing the future Patricia W. Crigler, Ph.D., Paul I. & Margaret W. Meyer & Alan R. Spector through planned gifts. CAPT/USN/Ret. Judy & George Miller Eric Leighton Swenson Patricia & Donn DeMarce Steve Miller Anne C. Taubman Mrs. Philip H. Dickinson Dr. Robert W. Miner Marian Trevor Dr. & Mrs. Robert Epsten Laurie Dale Munday (Mrs. Walter M.)* Frank A. Frye, III Shirley Mulcahy Evelyn Mack Truitt Robert H. Gleason Stanley Nadel & Harvey & Jordine & Marc Matys Cecilia Carrick Von Wantoch Marcy Goldstone Arthur & Marilyn Neumann Sheryl & Harvey P. White Kathryn Crippen Hattox Craig Noel Mrs. Jack Galen Whitney David & Debbie Hawkins Greg & Polly Noel Julie Meier Wright Craig & Mary Hunter PACEM (Pacific Academy of Carolyn Yorston Barbara Iredale Ecclesiastical Music) *Deceased Bob Jacobs Mrs. Margaret F. Peninger Joseph E. Jessop Florence Borgeson Plunkert* For more information on J. Robert & Gladys H. King Dolly & Jim Poet The Craig Noel League, please contact Brad Ballard Marilyn Kneeland Dorothy Shorb Prough* at (619) 231-1941, x 2309. Jean & David Laing Donald & Darlene Shiley

Endowment The Old Globe has received Anonymous (2) National Endowment Gifts gifts, dedicated to John A. Berol for the Arts the endowment, from many Joe A. Callaway* Stephen Nielander & Supporting the theatre generous supporters over the Dr. David & Ava Carmichael Dominique Alessio in perpetuity. years. Just as past gifts to Maria Carrera Mrs. Margaret F. Peninger the endowment have helped J. Dallas & Mary H. Clark Florence Borgeson Plunkert* to create the theatre and In Memory of Lowell Davies Jessie W. Polinsky* educational programs of today, Morey & Jeanne Feldman Jeannie & Arthur Rivkin continued support of the and Family San Diego Trust and Savings endowment will ensure a The Globe Guilders Mr. & Mrs. Gene Trepte financially strong and artisti- Jim & Betty Hempstead *Deceased cally excellent Globe for Hollis Foundation tomorrow. Please join us in Mrs. Anna P. Lord For more information, thanking these very special Mission Valley please contact Brad Ballard donors for their far-sighted Community Foundation at (619) 231-1941, x 2309. support of The Old Globe.

PERFORMANCES MAGAZINE P21 A s s o c i a t e A r t i s t s OF THE OLD GLOBE

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theater.

Jack O’Brien, Artistic Director Louis G. Spisto, Executive Director Craig Noel, Artistic Director

William Anton Monique Fowler Tom Lacy Robert Morgan Don Sparks Jacqueline Brookes Ralph Funicello Diana Maddox Steve Rankin David Ogden Stiers Lewis Brown Lillian Garrett-Groag Dakin Matthews Marion Ross Conrad Susa Kandis Chappell Harry Groener Deborah May Steven Rubin Deborah Taylor George Deloy A.R. Gurney Katherine McGrath Ken Ruta Sada Thompson Tim Donoghue Joseph Hardy John McLain Douglas W. Schmidt Paxton Whitehead Richard Easton Mark Harelik Jonathan McMurtry Seret Scott James R. Winker Tovah Feldshuh Bob James Stephen Metcalfe David F. Segal Robert Wojewodski

PATRON INFORMATION

Ticket Services Restrooms & Telephones HOURS Restrooms are located in the lower lobby of the Old Globe Theatre and Monday / noon – 6:00 pm adjacent to the Festival Theatre; pay phones may be found in the lower Tuesday through Saturday / noon – 8:30 pm Globe lobby and next to the Gift Shop. Sunday / noon – 7:30 pm Closed Holidays Seating of Latecomers Although we understand parking is often at a premium, the seating of PHONE (619) 23-GLOBE or (619) 239-2255 latecomers is extremely disruptive. Latecomers may be given alternative FAX (619) 239-1037 seating and will be seated at an appropriate interval. Administration Young Children HOURS Children under 5 years of age will not be admitted to performances. Monday – Friday / 9:00 am – 5:00 pm PHONE (619) 231-1941 Electronic Devices & Cameras WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS wearing a digital watch or pager, or if you are carrying a cellular phone, The Old Globe please silence it prior to entering the theater. P.O. Box 122171 San Diego, CA 92112-2171 Direct Ear™ Listening System For the convenience of the hearing impaired, the Direct Ear™ Listening Ordering Tickets / Change of Address System has been installed in the Old Globe Theatre. Lightweight head- The Old Globe accepts Visa, Discover, MasterCard , or American sets may be obtained from the house manager prior to performances. Express. Phone orders are subject to a $6.00 per order service charge. Direct Ear™ Listening System is provided courtesy of Sonus. Ticket exchanges are subject to a service charge. If you have moved, please notify the subscription office so records may be updated. Phone Public Tours (619) 235-2250 during business hours or mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the subscription office. three stages, shops and crafts areas. Open tours: most Saturdays and Sundays at 10:30 a.m. Groups by reservation. $5 adults; $2 seniors and Unable to Attend? students. Phone (619) 231-1941 for information/reservations. If you find you are unable to use your tickets, please give them to a friend or turn them in to the Box Office and receive a tax credit for your donation.

P22 PERFORMANCES MAGAZINE DIRECTOR P r o f i l e s

Jack O’Brien Craig Noel Louis G. Spisto Artistic Director Artistic Director Executive Director Recent Globe productions include Imaginary Craig Noel was first appointed director in 1939, Louis G. Spisto was appointed Executive Friends, Twelfth Night, The Full Monty, The Seagull, The directing 15 productions prior to World War II, Director of The Old Globe in October 2002. He Magic Fire, How the Grinch Stole Christmas!, the Since then has directed more than 221 plays of has over twenty years experience managing some world premieres of Associate Artist A.R. Gurney’s all styles and periods, and produced more than of this country’s leading arts organizations, Labor Day and Tina Howe’s Pride’s Crossing, as well 365 (over 40 of which were directed by William where his track record for fiscal as well as artistic as Time and Again, The Doctor Is Out (Getting Away Roesch from 1961 through 1976) His vision leadership has been highly praised. He returns to With Murder) by Stephen Sondheim and George from the Globe during the past 60 years resulted the Southern California arts community from Furth, plus productions of Henry IV, Much Ado in the establishment of the Shakespeare Festival his most recent position as Executive Director of About Nothing, Oleanna, Damn Yankees, King Lear, in the late '40s, expansion to two theaters in the American Ballet Theatre in New York City. While Ghosts, Hamlet, Uncle Vanya, and world premieres of '50s, Globe Educational Tours in the '70s and there, he increased ticket income and annual Terrence McNally’s Up in Saratoga, A.R. Gurney’s Teatro Meta in the '80s. Among recent directori- contributions for the organization by nearly 20 The Snow Ball and The Cocktail Hour, Tom Dulack’s al assignments were The Pavilion and Over the percent. He also tripled the Ballet’s touring Breaking Legs, Stephen Metcalfe’s Emily. else- River and Through the Woods. ELSEWHERE: dur- weeks and the resources devoted to education where: Hairspray (Tony Award), The Invention of ing the 1940s, dialogue director, 20th Century and training programs. Prior to his position at Love (Tony nominations, best director and play), Fox Studios; former director, Ernie Pyle Theatre, the ABT, he served as the President of the Lincoln Center Theater, The Full Monty (Tony Tokyo. Honors include the Governor's Award for Detroit Symphony Orchestra, where he provided nominations, best director and musical), Eugene the Arts; the mayoral proclamation of “the Year fundraising leadership and creative direction for O’Neill Theatre; More to Love; Labor Day, of Craig Noel" (1987) in San Diego; inclusion in the orchestra’s $60 million renovation project, Manhattan Theatre Club; St. Louis Woman, City The San Diego Union's list of 25 persons who and helped dramatically increase ticket sales Center Encores!; Pride’s Crossing, The Little Foxes, shaped San Diego; 1985 Outstanding Alumnus while initiating several new series for the orches- Hapgood (Lucille Lortel Award for Direction, of the Year, SDSU; Honorary Doctor of Humane tra. Spisto established a reputation as a superb 1995), Lincoln Center; Damn Yankees (Tony nomi- Letters, University of San Diego; a combined arts executive here in California, where he spent nation, best musical revival) and Two tribute from the Public Arts Advisory Council over ten years as the Executive Director of the Shakespearean Actors (Tony nominations, best and San Diego County Board of Supervisors; the Pacific Symphony Orchestra in Orange County. director and play) on Broadway; Porgy and Bess for mayor's Living Treasure Award; Member, College During his tenure there, he tripled the orchestra’s Houston Grand Opera and Broadway (Tony of Fellows of the American Theatre. annual budget all while eliminating a prior Award), as well as Radio City Music Hall; The deficit and successfully completing the orches- Magic Flute, San Francisco Opera; Tosca, Santa Fe tra’s first endowment campaign. In addition, he Opera; Cosi fan Tutte and Aida, Houston Grand established a series of innovative recording pro- Opera; The Most Happy Fella, Michigan Opera and jects with Sony Classical and oversaw many Broadway. TV: An Enemy of the People, All My Sons, I nationally-recognized commissioning projects. A Never Sang for My Father, Painting Churches, and The strong advocate of arts education, he built one of Skin of Our Teeth, all for PBS’ American Playhouse. the largest and most respected music training Recent awards: 2002 “Mr. Abbott” Award and outreach efforts. During his career, Spisto (SDCF), 2001 Joan Cullman Award for has also served as Director of Marketing for the Extraordinary Creativity, 2001 Joe A. Callaway Pittsburgh Symphony Orchestra and Director of Award (SDCF), the Drama League’s Julia Hansen Operations and Development for the Performing Award for Excellence in Directing, 2001. Arts Center at UC Berkeley. He holds a Masters Member, College of Fellows of the American degree from the University of Wisconsin in Arts Theatre; Honorary Doctor of Humane Letters, Administration and a Bachelors of Business University of San Diego. Mr. O’Brien is the recip- Administration from the University of Notre ient of the Drama League’s Julia Hansen Award Dame, and spent many years acting, directing for Excellence in Directing, 2001. Member, and producing plays and musicals throughout College of Fellows of the American Theatre; his student days, as well as in professional sum- Honorary Doctor of Humane Letters, University mer theater. of San Diego.

PERFORMANCES MAGAZINE P23 THE OLD GLOBE S t a f f

Jack O’Brien Louis G. Spisto Craig Noel Artistic Director Executive Director Artistic Director Karen Carpenter CARPENTERS Properties Sean La Motte MARKETING ASSOCIATE ARTISTIC Nick Fouch Neil A. Holmes BUILDING MANAGER Becky Biegelsen DIRECTOR CHARGE CARPENTER, CARTER PROPERTIES DIRECTOR Violanda Corona, Ismael PUBLIC RELATIONS MANAGER Michael G. Murphy Danny Griego M.H. Schrenkeisen Delgado, Humberto Elvira, Frank Teplin GENERAL MANAGER CHARGE SCENIC ARTIST SHOP FOREMAN David Gaspar, Roberto AUDIENCE DEVELOPMENT Dave Henson Edee Armand, Ken Scar Rory Murphy Gonzalez, Margarita Meza, MANAGER DIRECTOR OF MARKETING ASSISTANT SCENIC ARTISTS LEAD CRAFTSMAN Jose Morales, Maria Rios Jessica Brodkin AND COMMUNICATIONS J.W. Caldwell, Victoria Erbe, Jennifer G. Brawn Gittings BUILDING STAFF MARKETING COORDINATOR Mark Somers Marcella Lucenti, Analisa BUYER Andrea Rhodes DIRECTOR OF FINANCE Tombrelo Raphael Acosta, Ryan Buckalew, PROFESSIONAL MARKETING ASSISTANT Richard Seer SCENIC ARTISTS Patricia Rutter, Kristin Steva TRAINING Craig Schwartz, Ken Jacques DIRECTOR OF CRAFTSPERSONS Llance Bower PRODUCTION PROFESSIONAL TRAINING Costumes Pat Cain PROGRAM COORDINATOR PHOTOGRAPHERS Stacy Sutton PROPERTY MASTER, GLOBE Maria Carrera, Cynthia COSTUME DIRECTOR Marcus Polk Caywood,Gerhard Gessner, Jan Ticket Services ARTISTIC Charlotte Devaux PROPERTY MASTER, CARTER Gist, Victoria Hayne, Colleen Shamayne Hakim Brendon Fox RESIDENT DESIGN ASSISTANT ASSOCIATE DIRECTOR Trevor Hay Kelley, Fred Robinson, Terry Ross OF SALES ASSOCIATE DIRECTOR/ Jennifer Hanson PROPERTY MASTER, FESTIVAL MFA FACULTY CASTING ASSISTANT TO THE DIRECTOR Tim Cole, Lisa Starace James Connelly James Feinberg,Corey ASSISTANT MANAGERS Lorraine Boyd Shelly Williams PROPERTIES ASSISTANT Johnston, Robin Sanford EXECUTIVE ASSISTANT Diana Sparta DESIGN ASSISTANT, FESTIVAL Roberts, Chris Rynne Diane Sinor LEAD TICKET SERVICES Lucien Rose Anselmo Lighting MFA PRODUCTION STAFF REPRESENTATIVE DRAMATURGY ASSOCIATE DESIGN ASSISTANT/SHOPPER David Lee Cuthbert Deborah Dimery Raúl Moncada K. Glee Brandon LIGHTING DIRECTOR EDUCATION ASSISTANT MANAGER, LITERARY ASSOCIATE DYER/PAINTER Kurt Doemelt Donna Marie Cory, GROUP SALES Janet Hayatshahi Linda Black ASSISTANT LIGHTING DIRECTOR Patti Saraniero John Donlon LITERARY ASSISTANT LEAD CRAFTSPERSON Tonnie Ficken DIRECTORS OF EDUCATION GROUP SALES ASSISTANT Jan Gist Louise M. Herman, Gwen MASTER ELECTRICIAN, Tom Hyatt VOCAL COACH Dunham, Marsha Kuligowski, GLOBE REGISTRAR Elisabeth Everhart Chris Moad, Randal Sumabat Jim Dodd Holly Ward VIP TICKET SERVICES Stage Management DRAPERS MASTER ELECTRICIAN, REPRESENTATIVE CARTER TOUR COORDINATOR D. Adams, Grayson Meritt, Gloria Bradford, Su Lin Chen, Carol Green Heather Bald, Drussillia Garcia, Kevin Liddell Mame Gile, Ashleyrose Gilham, Raúl Moncada, Peter Van Dyke Anne Glidden Grace, MASTER ELECTRICIAN, SPEAKERS BUREAU STAGE MANAGERS Susan Sachs, Sasha Rieker FESTIVAL COORDINATOR Merilee Kunkle, Mary Jan Lindsay Byrne, Tracy Skoczelas ASSISTANT CUTTERS Randy Anetsky, Jason Bieber, Patrick McBride, Jonathan Livensparger, Nikki Maack, Jean ASSISTANT STAGE MANAGER Mary Miller Charlotte Greenblatt, Fred Holt, McMurtry, Carol Mead, McKissick, Paul Ortiz, Saleena COSTUME ASSISTANT Josh Klem, Andy Lowe, Megan John Tessmer, Tony Ward, Shaw, Brittany Summers, Lora PRODUCTION Nunzia Pecoraro Dr. John Warriner Tange, Laurel Withers Lujan, Miranda Mikesh,Leah TEACHING ARTISTS TICKET SERVICES STAFF Robert Drake ASSITANT CUTTER/STITCHER Nelman, Travis Richardson, DIRECTOR OF PRODUCTION Babs Behling, Mariah Bowers, Stephen Schmitz, Mira Suddarth, PATRON SERVICES Debra Pratt Ballard Rachel Hill, Erin Pearson, Brennan Taylor, Erica Zeckser FINANCE ASSOCIATE DIRECTOR Margo Selensky, Maureen Latour, ELECTRICIANS Rita Edenfield Mike Callaway OF PRODUCTION Samya Serougi, Georgia Veale, ACCOUNTING SUPERVISOR THEATRE MANAGER Ellen Dieter Sarah Wiley Sound Jose Cortez Jay Maness COMPANY MANAGER HOUSE MANAGER STITCHERS Paul Peterson ACCOUNTING ASSISTANT Jan Burgoyne Becky Hanson, Becke Shulman, SOUND DIRECTOR Diane Jenkins Merlin D. “Tommy” Thompson PRODUCTION COORDINATOR ACCOUNTING ASSISTANT PATRON SERVICES Vanessa Dragoo Erik Carstensen REPRESENTATIVE Amy Bristol CRAFTS ARTISANS MASTER SOUND Lynn Dougherty PRODUCTION INTERN TECHNICIAN, GLOBE RECEPTIONIST Dana Juhl Molly O’Connor FOOD & BEVERAGE MANAGER WIG & MAKEUP SUPERVISOR Chris Judd Technical MASTER SOUND DEVELOPMENT Robert Byrd, Roland Roberge, Kathleen Kurz TECHNICIAN, CARTER Benjamin Thoron ASSISTANT TO WIG & MAKEUP Robert Ford Nicola Roberts, Felicia Tobias TECHNICAL DIRECTOR SUPERVISOR Jeremy Nelson ASSOCIATE DIRECTOR, PUB STAFF MASTER SOUND FOUNDATIONS & GOVERNMENT Liz Eisele Karen Batul TECHNICIAN, FESTIVAL Megan Sullivan ACTING ASSISTANT TECHNICAL WIG ASSISTANT Brad Ballard FRONT OF HOUSE ASSISTANT DIRECTOR Caren Heintzelman Beverly Boyd MIC RUNNER, FESTIVAL ASSOCIATE DIRECTOR, Katie Chadwick, Amanda Stephens MAJOR & PLANNED GIFTS HEAD DRESSER Patrick Seick Rose Espiritu, Joe Kocurek RESIDENT DESIGN ASSISTANT Chris Graham GIFT SHOP SUPERVISORS Lisa Wylie INTERN ASSOCIATE DIRECTOR, Wendy Stymerski RUNNING CREW CORPORATIONS Security/Parking Services DRAFTSPERSON Rebecca Morgan ADMINISTRATION Diane Addis Rachel “Beahr” Garcia Rusty Jolgren DRESSER, GLOBE June Andujar MEMBERSHIP SECURITY/PARKING SHOP FOREMAN/ ADMINISTRATOR SERVICES SUPERVISOR MASTER CARPENTER Angela Miller EXECUTIVE ASSISTANT CREW CHIEF, CARTER S. Alexis Stein Ed Byrd, Irene Herrig, Bob Dougherty EVENTS MANAGER MASTER CARPENTER, Allison Pakladowski Information Technology Brandi Mahan FESTIVAL THEATRE DRESSER, CARTER Dean Yager SECURITY OFFICERS Jim Masacek Michael Dondanville INFORMATION TECHNOLOGY Donor Services Roberto Almaquer, Sherisa FLYMAN, STAGE CARPENTER, CREW CHIEF, FESTIVAL MANAGER Stephen Serieka Elisin, Deborah Elliot, Jane GLOBE Traci Van Wyk, Karen Birdsell, ThadSteffen DEVELOPMENT ASSOCIATE Geren, Mark Zedaker Jeremiah Aldrich-Lutz, INFORMATION TECHNOLOGY James Ferguson, Rose PARKING ATTENDANTS Kristen Sauter ASSISTANT Stephen Aldrich-Lutz, DRESSERS, FESTIVAL Southall, Brett Young Forrest Aylsworth, Matt Jenny Kazan-Mills SUITE CONCIERGES Angela Land HUMAN RESOURCES Aylsworth, David Berzansky, RENTAL ASSISTANT ASSOCIATE Rose Southall, Kevin Tom, Curt Carlsteen, Jim Hopper, Maintenance Brett Young Thomas Ibbitson, Rogelio V.I.P. VALET ATTENDANTS Rosales PERFORMANCES MAGAZINE P24