Tubridy, Derval. 2018. Theatre and Installation: Perspectives on Beckett. Contemporary Theatre Review, 28(1), pp. 68-81. ISSN 1048-6801 [Article] https://research.gold.ac.uk/id/eprint/22467/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address:
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[email protected] ‘Theatre and Installation: Perspectives on Beckett’, Contemporary Theatre Review: Staging Beckett and Contemporary Theatre and Performance Cultures, special issue ed. Anna McMullan and Graham Saunders. 27:4 (Spring 2018). Print ISSN: 1048-6801 Online ISSN: 1477-2264. DOI: 10.1080/10486801.2017.1405394. Theatre and Installation: Perspectives on Beckett Derval Tubridy, Goldsmiths, University of London. Writing on the idea of the ‘total’ installation, conceptual artist Ilya Kabakov draws out the relations of authority between the artwork and the viewer, emphasising that the audience is both agent and subject when engaging with an art installation.1 Kabakov considers that installation also operates as theatre since the complex structure of the installation is focused entirely on the experience of the viewer just as the elements of theatre conjoin to provide an environment directed exclusively at the audience. Drawing parallels between installation art, literature, and theatre, Kabakov’s thoughts on total installation provide a context through which to explore the interconnections between installation art and theatre performance.