Beckett Sources and Abbreviations

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Beckett Sources and Abbreviations Published sources ATF All That Fall in Collected Shorter Plays of Samuel Beck- ett, 9–39 (London: Faber and Faber, 1984). CP The Collected Poems of Samuel Beckett, edited by Seán Lawlor and John Pilling (London: Faber and Faber, 2012). Company Company (New York: Grove, 1980). Disjecta Disjecta: Miscellaneous Writings and a Dramatic Fragment, edited by Ruby Cohn (London: Calder, 1983). Dream Dream of Fair to Middling Women, edited by Eoin O’Brien and Edith Fournier (Dublin: Black Cat Press, 1992). DN Beckett’s ‘Dream’ Notebook, edited by John Pilling (Reading: Beckett International Foundation, 1999). Footfalls Footfalls in Collected Shorter Plays of Samuel Beckett, 237–43 (London: Faber and Faber, 1984). GT Ghost Trio in Collected Shorter Plays of Samuel Beckett, 245–54 (London: Faber and Faber, 1984). Krapp Krapp’s Last Tape in Collected Shorter Plays of Samuel Beckett, 53–63 (London: Faber and Faber, 1984). Letters The Letters of Samuel Beckett (Cambridge: Cambridge University Press, 2009– ). Volume I: 1929–1940, edited by Martha Dow Fehsenfeld and Lois More Overbeck (2009); Volume II: 1941–1956, edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn, and Lois More Overbeck (2011). MD Malone Dies in The Beckett Trilogy (London: Pan Books / Picador, 1979). Molloy Molloy in The Beckett Trilogy (London: Pan Books / Picador, 1979). MPTK More Pricks Than Kicks (New York: Grove, 1972). Murphy Murphy (London: Picador, 1973). 458 Headaches among the Overtones neither neither in The Complete Short Prose 1929–1989, edited by S. E. Gontarski, 258 (New York: Grove Press, 1995). NT Nacht und Träume in Collected Shorter Plays of Samuel Beckett, 303–6 (London: Faber and Faber, 1984). PM A Piece of Monologue in Collected Shorter Plays of Samuel Beckett, 263–69 (London: Faber and Faber, 1984). Proust Proust in Proust and Three Dialogues with Georges Duthuit (London: John Calder, 1965). Sounds Sounds in The Complete Short Prose 1929–1989, edited by S. E. Gontarski, 267–68 (New York: Grove Press, 1995). SQ Sedendo et Quiescendo (Transition 21 [March 1932]). SS Stirrings Still in The Complete Short Prose 1929–1989, edited by S. E. Gontarski, 259–65 (New York: Grove Press, 1995). Still Fizzle 7: Still in The Complete Short Prose 1929–1989, edited by S. E. Gontarski, 240–42 (New York: Grove Press, 1995). Still 3 Still 3 in The Complete Short Prose 1929–1989, edited by S. E. Gontarski, 269–270 (New York: Grove Press, 1995). TDGD Three Dialogues with Georges Duthuit in Proust and Three Dialogues with Georges Duthuit (London: John Calder, 1965). Text Text (New Review 2 [April 1932]). TFN Texts for Nothing in The Complete Short Prose 1929– 1989, edited by S. E. Gontarski, 100–154 (New York: Grove Press, 1995). Unnamable The Unnamable in The Beckett Trilogy (London: Pan Books / Picador, 1979). Watt Watt (London: Calder, [1953] 1976). WH Worstward Ho (London: John Calder, 1983). WM Words and Music in Collected Shorter Plays of Samuel Beckett, 125–34 (London: Faber and Faber, 1984). WW What Where in Collected Shorter Plays of Samuel Beck- ett, 307–16 (London: Faber and Faber, 1984). .

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Beckett & Aesthetics
09/25/21 Beckett & Aesthetics | Goldsmiths, University of London Beckett & Aesthetics View Online 1. Beckett, S.: Watt. John Calder, London (1963). 2. Connor, S.: ‘Shifting Ground: Beckett and Nauman’, http://www.stevenconnor.com/beckettnauman/. 3. Tubridy, D.: ‘Beckett’s Spectral Silence: Breath and the Sublime’. 1, 102–122 (2010). 4. Lyotard, J.F., Bennington, G., Bowlby, R.: ‘After the Sublime, the State of Aesthetics’. In: The inhuman: reflections on time. Polity, Cambridge (1991). 5. Lyotard, J.-F.: The Sublime and the Avant-Garde. In: The inhuman: reflections on time. pp. 89–107. Polity, Cambridge (1991). 6. Krauss, R.: LeWitt’s Ark. October. 121, 111–113 (2007). https://doi.org/10.1162/octo.2007.121.1.111. 1/4 09/25/21 Beckett & Aesthetics | Goldsmiths, University of London 7. Simon Critchley: Who Speaks in the Work of Samuel Beckett? Yale French Studies. 114–130 (1998). 8. Kathryn Chiong: Nauman’s Beckett Walk. October. 86, 63–81 (1998). 9. Deleuze, G.: ‘He Stuttered’. In: Essays critical and clinical. pp. 107–114. Minnesota University Press, Minneapolis (1997). 10. Deleuze, G., Smith, D.W.: ‘The Greatest Irish Film (Beckett’s ‘Film’)’. In: Essays critical and clinical. pp. 23–26. Minnesota University Press, Minneapolis (1997). 11. Adorno, T.: ‘Trying to Understand Endgame’. In: Samuel Beckett. pp. 39–49. Longman, New York (1999). 12. Laws, C.: ‘Morton Feldman’s Neither: A Musical Translation of Beckett’s Text'. In: Samuel Beckett and music. pp. 57–85. Clarendon Press, Oxford (1998). 13. Cage, J.: ‘The Future of Music: Credo’. In: Audio culture: readings in modern music. pp. 25–28.
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This Item Is the Archived Peer-Reviewed Author-Version Of
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|||GET||| Three Novels Molloy, Malone Dies, the Unnamable 1St Edition
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