Towards a Psychoanalytic Theory of Financial Corruption
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The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St. -
The Marshall Plan in Austria 69
CAS XXV CONTEMPORARY AUSTRIANAUSTRIAN STUDIES STUDIES | VOLUME VOLUME 25 25 This volume celebrates the study of Austria in the twentieth century by historians, political scientists and social scientists produced in the previous twenty-four volumes of Contemporary Austrian Studies. One contributor from each of the previous volumes has been asked to update the state of scholarship in the field addressed in the respective volume. The title “Austrian Studies Today,” then, attempts to reflect the state of the art of historical and social science related Bischof, Karlhofer (Eds.) • Austrian Studies Today studies of Austria over the past century, without claiming to be comprehensive. The volume thus covers many important themes of Austrian contemporary history and politics since the collapse of the Habsburg Monarchy in 1918—from World War I and its legacies, to the rise of authoritarian regimes in the 1930s and 1940s, to the reconstruction of republican Austria after World War II, the years of Grand Coalition governments and the Kreisky era, all the way to Austria joining the European Union in 1995 and its impact on Austria’s international status and domestic politics. EUROPE USA Austrian Studies Studies Today Today GünterGünter Bischof,Bischof, Ferdinand Ferdinand Karlhofer Karlhofer (Eds.) (Eds.) UNO UNO PRESS innsbruck university press UNO PRESS UNO PRESS innsbruck university press Austrian Studies Today Günter Bischof, Ferdinand Karlhofer (Eds.) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 25 UNO PRESS innsbruck university press Copyright © 2016 by University of New Orleans Press All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage nd retrieval system, without prior permission in writing from the publisher. -
Progress in Empirical Research on Children's
Volume XII Number 2, November 1983 ISSN:0091-3995 Sex Information and Education Council of the U.S. PROGRESS IN EMPIRICAL RESEARCH ON CHILDREN’S SEXUALITY Ernest Borneman, PhD President, Austrian Society for Research in Sexology President, German Society for Research in Sociological Sexology [Throughout my years of attending local, regional, national, impossible in most countries of the western world. The result is and international conferences, I have rarely heard a paper that not only ignorance but a plethora of false information. provoked such intense and prolonged discussion as did Dr. When my first research team began its work some 40 years Ernest Borneman’s presentation at the Sixth World Congress of ago, we believed, for instance, that a boy’s first pollution (emis- Sexology he/d in Washington, D.C. in May 7983. For days after sion of semen at times other than during coitus) indicated that his talk, wherever conference participants gathered, someone his semen had become fertile. We believed, too, that a girl would invariably ask; “Did you hear Borneman’s paper!” and could not be impregnated before she had her menarche. We thus trigger engrossed interaction. Both the methodology and accepted these assumptions because they seemed obvious. It the interpretation of his findings prompted heated reaction never occurred to us to question or test them. pro and con. I a/so had the opportunity of using Dr. Borne- Then we heard of a nine-year-old girl who had been raped man’s paper with our New York University international and had borne a child prior to her menarche. -
Music for the Connoisseur
DB0709_001_COVER.qxd 5/18/09 4:39 PM Page 1 DOWNBEAT 75TH ANNIVERSARY COLLECTOR’S EDITION 75TH ANNIVERSARY DownBeat.com $4.99 07 JULY 2009 JULY 0 09281 01493 5 JULY 2009 U.K. £3.50 DB0709_001b-001c_COVER.qxd 5/14/09 1:43 PM Page a2 DB0709_001b-001c_COVER.qxd 5/14/09 1:41 PM Page a3 DB0709_001_P4_COVER.qxd 5/14/09 1:47 PM Page a4 DB0709_002-005_MAST.qxd 5/14/09 1:50 PM Page 3 DB0709_002-005_MAST.qxd 5/14/09 1:51 PM Page 4 SEVENTY FIFTH ANNIVERSARY July 2009 VOLUME 76 – NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Norm Harris, D.D. -
Wallstein Verlag Foreign Rights Catalogue | Spring 2015
Wallstein Verlag Foreign Rights Catalogue | Spring 2015 Literature Editions History Cultural Sciences About Literature Backlist Highlights Composing © SG-Image, using a photograph from Anton Hlushchenko © shutterstock Composing © SG-Image, Wallstein Verlag Geiststraße 11 D-37073 Göttingen About Wallstein Wallstein Publishing was founded in 1986. A major event in the development of the publishing house was the huge success of Ruth Klüger’s biography »weiter leben – Eine Jugend« (Still alive) in 1992. Partly due to its high literary quality, this book is one of the most-read literary works written in German on the subject of the holocaust, and has become a »classic of holocaust literature«. Wallstein continues to add approx. 150 books per year to its list, with an annual turnover of approx. two million euros. Foreign Rights Manager Stefan Diezmann T: +49 551 54 898 12 | F: +49 551 54 898 33 Email: [email protected] Representatives Italy Barbara Griffini, Berla & Griffini Rights Agency, Milano T: +39 02 80504179 | F: +39 02 89010646 Email: [email protected] Poland Dr. Aleksandra Markiewicz, Literary Agency, Warsaw T: +48 22 665 90 54 Email: [email protected] Spanish speaking World Sandra Rodericks, Ute Körner Literary Agent, Barcelona T: +34 93 323 89 70 | F: +34 93 451 48 69 Email: [email protected] www.wallstein-verlag.de Content Literature 4 Lukas Bärfuss Style and Morality 5 Steven Bloom The most positive word in the English language 6 Valentina Freimane Adieu, Atlantis 7 Kai Weyand Applause for Bronikowski Editions 8 Christine Lavant The Child History 9 Imke Hansen Auschwitz: Never Again! 10 Walter Manoschek Then I am a Murderer! 11 Detlef Siegfried Modern Lusts – Ernest Borneman 12 Jan Zofka Post-Soviet Separatism Cultural Scienes 13 Friedrich Forssman How I Design Books About Literature 14 Irene Heidelberger-Leonard Imre Kertész 15 Herbert Kraft J. -
Jazz Archives in the United States
Michael Fitzgerald. Jazz Archives in the United States. A Master’s paper for the M.S. in L.S. degree. July, 2008. 177 pages. Advisor: Timothy D. Pyatt The jazz archive is a unique hybrid that combines elements of a music library, sound archives, and black studies center, as well as a traditional manuscripts collection. It has been greatly affected by both the evolution of the field of jazz studies as well as recent trends in libraries and archives. This study examines what institutional management perceives as the current challenges facing jazz archives in America and how these are being addressed. Five case studies of significant repositories in the United States (Institute of Jazz Studies at Rutgers University, Hogan Jazz Archive at Tulane University, Chicago Jazz Archive at University of Chicago, Felix E. Grant Jazz Archives at University of the District of Columbia, and Los Angeles Jazz Institute) were based on telephone interviews with the archives directors. Patrons, staff, collection development, institutional affiliation and funding, description and access, preservation, communication and outreach, and inter-institutional cooperation are addressed. Headings: Jazz music—Collections Music archives Recorded sound archives Special collections—Case studies JAZZ ARCHIVES IN THE UNITED STATES by Michael Fitzgerald A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina July 2008 Approved by _______________________________________ Timothy D. Pyatt 1 Outline I. Introduction II. Literature Review 1. -
'Rasse' Und Gesellschaft: Ernest Bornemans Ethnologie Des Jazz
‘Rasse’ und Gesellschaft: Ernest Bornemans Ethnologie des Jazz Detlef Siegfried, University of Copenhagen Der spätere Sexualforscher Ernest Borneman (1915–1995) galt als einer der ‘world’s foremost jazz critics and scholars,’ dessen Stimme vermisst wurde, als er in den 70er Jahren das Schreiben über Jazz einstellte (Hentoff & McCarthy 1959).1 Er war der erste, wie Werner Grünzweig festhielt, der mit einem ‘“europäischen” Hintergrund das Phänomen des Jazz wissenschaftlich untersuchte’ (1995: 113f). Hinzu kam: Wohl kaum ein anderer Jazzkritiker—schon gar kein Deutscher—hatte ein international so weitreichendes Netzwerk geknüpft und war so intensiv mit den Jazzszenen in Kanada und den USA, Großbritannien, Frankreich und der Bundesrepublik in Berührung gekommen, weil er dort für längere Zeit gelebt hatte. Borneman hatte, als Exilant mit einer Jugendsozialisation im linken Berliner Kulturradikalismus, nachfolgenden Studien der Musikwissenschaft und Anthropologie und der praktischen Erfahrung mit Jazz- Musikern und -Adepten seit den 30er Jahren die Entstehungszusammenhänge und Praktiken des Jazz untersucht. Als Jazzpublizist bekannt wurde er Mitte der 40er Jahre durch die Artikelserie ‘An Anthropologist Looks at Jazz.’ In den 50er Jahren eilte Borneman, der sich inzwischen u.a. als Kolumnist des Melody Maker einen weiten Leserkreis erschlossen hatte, über die Grenzen hinweg der Ruf eines Jazz-Ethnologen 1 Aus Großbritannien verlautete, ‘Borneman’s Loss to Jazz Writing in this Country is Severe’ (Jazz Journal, Bd. 29. 1976). Die Sekundärliteratur zu Ernest Bornemans Bedeutung als ‘jazz critic’ ist überschaubar: (Grünzweig 1995: 111–115; Schaal 2003–2004). Vgl. allerdings jetzt meine Biografie: Siegfried (2015). PORTAL Journal of Multidisciplinary International Studies, vol. 12, no. 2, July 2015. Afro-Americanophilia in Germany Special Issue, guest edited by Moritz Ege and Andrew Wright Hurley. -
Theses on Faeces ENCOUNTERS with the ABJECT
Theses on Faeces ENCOUNTERS WITH THE ABJECT Journal of Extreme Anthropology ISSN: 2535-3241 !1 Theses on Faeces: Encounters with the Abject Vol.1, No. 1, August 2017 Cover image: Lill-Ann Chepstow-Lusty, 2016. Cover design: Tereza Kuldova Journal of Extreme Anthropology Vol.1, No. 1, August 2017, ISSN: 2535-3241 FRITT journal, University of Oslo https://creativecommons.org/licenses/by/3.0/ !2 EDITORIAL Tereza Kuldova & Lill-Ann Chepstow-Lusty Editor-in-Chief & Art Director Theses on Faeces: Encounters with the Abject emerged out of Lill-Ann Chepstow-Lusty’s art photography project and in particular the responses to it - typically those of enormous disgust, revulsion and hathos, a paradoxical attraction towards something one cannot stand. These reactions came as a surprise to us, especially given that art has had a long history of engaging with shit and other bodily fluids, with the disgusting, and the abject. It appeared that irrespective of the established use of shit in the art world, none of its power to disgust, offend, and arouse passions has been lost. Even photography of shit, the very representation which does not smell, still contained its original power. Hence, we decided to explore this power of excrements and its limits. This special issue offers a series of different perspectives on excrement, from the possibilities and limitations of its very materiality, to its more metaphorical critical capacities. The philosopher and cultural theorist, Robert Pfaller, explores the ability of the excrement to function as a kind of universal equivalent for understanding; a kind of perfectly convertible currency or primordial gift. -
The Jazz Singer - - — 6
FRANKLIN GELTMAN presents k IN THE CITY OF NEW YORK ANDALL'S ISLAND hi H estiva AUGUST 21-22-23 Friday at 8:30 Saturday at 8:30 DIZZY GILLESPIE DUKE ELLINGTON & ORCH. and 16 pc. ORCH. DINAH WASHINGTON SARAH VAUGHN CHICO HAMILTON QUINTET HORACE SILVER QUINTET ALCOHN • ZOOTSIMS QUINTET DAVE BRUBECK QUARTET RAMSEY LEWIS TRIO JIMMIE SMITH TRIO CHRIS CONNOR BILL HENDERSON ART BLAKEY QUINTET MAX ROACH QUINTET THELONIOUS MONK JOHNNY RICHARDS & ORCH. and 10 pc ORCHESTRA Sunday at 7:30 MILES DAVIS SEXTET MODERN JAZZ QUARTET AHMAD JAMAL TRIO DAKOTA STATON STAN KENTON & ORCHESTRA TWILIGHT JAZZ: Friday & Saturday at 7:30 — Sunday at 6:30 p\aVeCl- " kw Vork W» ,\eeveo*a\^_Thea ^etfR . easy u s s0 *e e^^'J U ^ ^ V^s ever seen- backdrop;^ to HFREE PARKING FOR 10,000 CARS ALL SEATS RESERVED Mail order now for choice seats— $4.50; $3.60; $2.75; $2.00 Please enclose self-addressed envelope to: Randall's'isfarid'Jazz Festival—Dept7~56,""353" W. 67th St., N.Y. 19, N.Y. MANHATTAN: COLONY, 52 St. E. Broadway; RECORD SHACK, 125 St.; MODERN MUSIC, 2426 Sr. Cone. (Opp. Loews Paradise) 49 E. 170; B'KLYN: BIRDELS, 540 Nostrand; LONG ISLAND: TRIBORO, 89-29 165 St., Jamaica: MANHASSET MUSIC, 451 Plandome Rd., Manhasset; WHITE PLAINS: ANDY & DICKS, 117 Martine Ave. ' , J LETTERS In Defense of Srott But I think you were asking for some lp of Brown and of the band and of the music I was very surprised and hurt when I ideas. How about "An Experimental Sym• played was based on the sideman's view of things.) read Bill Crow's review of Tony Scott's posium of Radical Departures in .Modern 52nd Street Scene recording in the June Jazz" (none of the performers is allowed William Russo issue of The Jazz Keview. -
A New Modular Approach to the Composition of Film Music
A New Modular Approach to the Composition of Film Music Thesis and accompanying folio of creative works in two volumes. VOLUME I submitted in fulfilment of the requirements for the degree of Doctor of Philosophy by Bartlomiej Piotr Walus Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide October 2012 Contents of Volume I Abstract ............................................................................................................................. 16 Keywords .......................................................................................................................... 17 Declaration ........................................................................................................................ 18 Acknowledgements ........................................................................................................... 19 List of musical examples .................................................................................................. 21 List of audio examples ...................................................................................................... 25 List of video examples ...................................................................................................... 27 Glossary of terms .............................................................................................................. 29 Preface ................................................................................................................................. -
L-G-0003455566-0014205042.Pdf
Detlef Siegfried Moderne Lüste Ernest Borneman Detlef Siegfried Moderne Lüste Ernest Borneman Jazzkritiker, Filmemacher, Sexforscher Gedruckt mit Unterstützung der Herbert und Elsbeth Weichmann-Stiftung Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © Wallstein Verlag, Göttingen 2015 www.wallstein-verlag.de Vom Verlag gesetzt aus der Stempel Garamond Umschlaggestaltung: Susanne Gerhards, Düsseldorf SG-Collage unter Verwendung folgender Fotos: undatiertes Porträtfoto Ernest Bornemans (ca. 50er Jahre) und Rex Stewart (1949), Quelle: Stephen Borneman; Ausschnitt aus dem Plakat für Bornemans Film »The Black Glove« (1954); Filmrolle, Quelle: Coyau@WikimediaCommons Druck und Verarbeitung: Hubert & Co, Göttingen ISBN (Print) 978-3-8353-1673-7 ISBN (E-Book, pdf) 978-3-8353-2751-1 ISBN (E-Book, epub) 978-3-8353-2789-4 Inhalt Einleitung 7 »In mir habt Ihr einen, auf den könnt Ihr nicht bauen.« Konstanten und Konstruktionen 17 Eva 21 | Was ist wahr? Leben in unsicheren Zeiten 23 | »The Face on the Cutting-Room Floor« 29 | Vorbild Brecht 34 | »In diesem Sinne bin ich ein Jude«. Lob der Diaspora 41 Hören Die Ethnologie des Jazz 43 Das schwarze London. Eine transkulturelle Erfahrung 45 | »A History of American Negro Music« 54 | »The Anthropologist Looks at Jazz« 65 | Im Krieg der Kritiker. Blues gegen Swing und Bebop 73 | Jazz in Paris 82 | Jazz im Film 88 | Der Beat ist zurück. Das Blues-Revival in Großbritan- nien 95 | Jazz in Deutschland 106 | Die spanische Färbung. Kreolischer Jazz 112 | Sound and Vision. Beat im Fernsehen 116 | Schwarzes Licht, weißer Schatten. -
KING-DISSERTATION-2020.Pdf (1.443Mb)
The Right to Tell: Listening Practices, Race, and Recordings, 1947-1974 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation King, Michael Sasha. 2020. The Right to Tell: Listening Practices, Race, and Recordings, 1947-1974. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37365782 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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