Kiss Or Kill Tail Credits

Total Page:16

File Type:pdf, Size:1020Kb

Kiss Or Kill Tail Credits a film by Bill Bennett Frances O'Connor Matt Day KISS OR KILL Chris Haywood Barry Otto Andrew S. Gilbert Barry Langrishe and Max Cullen as 'Stan' writer, director Bill Bennett producers Bill Bennett Jennifer Bennett co-producer Corrie Soeterboek executive producers Mikael Borglund Gary Hamilton director of photography Malcolm McCulloch production designer Andrew Plumer editor Henry Dangar location sound Toivo Lember sound design Wayne Pashley cast in order of appearance young nikki Tiffany Peters nikki's mother Julie Sobotta nikki's father Syd Brisbane nikki Frances O'Connor paul nathan Geoff Revell al Matt Day zipper doyle Barry Langrishe felicity Eliza Lovell young boy Jordan Weldon-Iley hotel regency maid Carmel Johnson hummer Chris Haywood crean Andrew S. Gilbert medical examiner Liz Windsor assistant medical examiner Paul Rees jules in the gym Audine Leith jacko Michael Hill stan Max Cullen adler jones Barry Otto wrong couple Tracy Bennett Darren Bennett wrong motel owner Beth Dew stan's cleaning lady Rosalind Aylemore jetty couple Marjorie Koch Ted Koch truck driver Dennis Williams "surf & turf" waitress Stacey Perry waitress in toilet Ulli Birve "sorry" truckie Chris Burke uniform cop Matthew Bartsch possum harry John Clarke bel Jennifer Cluff roo shooter Bruce Ross publican Mary McLaughlin shop owner Jean Smith lawyer Don Chapman esperence hotel maid Vicki Burfitt roadblock cop Tony Lynch ambulance personnel Janet Brewer Peter Carman crew production manager Ann Folland production co-ordinator Kathryn McIntyre mr bennett's assistant Kerrin McNeil production runners Jennifer Drake Scott Heysen production accountant Janine Martorejo, Moneypenny Services adelaide production liaison Robyn Seiboth Anne Quist ceduna production secretary Jean Cooper sydney production assistant Penny Walters adelaide locations Sarah Abbey first assistant directors Heather Oxenham Bob Donaldson second assistant directors Damien St Leger Kelly Christie McGuiness third assistant director Jennifer Drake a.d. attachment Trudi Gardner unit manager Bruce Ross unit assistant Peter Santucci caterer Steve Marcus addtional catering (sic) D & M Location Catering focus puller Craig "Rags" Phillpot clapper loader Michael Con Bambacas additional clapper loader Dene Oehme second unit camera Ron Bollman Jamie Egan stills photographer Bill Bennett additional sound recordist Des Keneally boom operator Robert "Gotch" Cutcher gaffer Trevor Toune best boy Werner Gerlach key grip Marcus Bosisto tracking vehicle grip Donovan Norgard standby props John Santucci buyer/dressers Paula Williams Anthony Cronin set construction John Moore carpenter Peter "Moose" Baker vehicle co-ordinator Peter Thomas armourer Marcus Bosisto costume supervisor Ruth de la Lande standby wardrobe Rosetta Ashton wardrobe buyer Kate Smith hair and make-up artist Jennifer Lamphee make-up assistant Peta Dunstall safety supervisor Peter Culpan stunt co-ordinator Johnny Hallyday nikki doubles Bernadette Van Guyen Szumai Anderson al double Glenn Boswell stunt performers Dennis Williams Tony Lynch unit nurses Jennifer Bichard Joanne Godfrey casting Jennifer Bennett adelaide casting Audine Leith post production manager Helen Panckhurst post production assistant Clancy McDowell assistant editor Leigh Elmes effects editor Peter Townend dialogue editor Antony Gray atmos editor Jenny T Ward assistant dialogue editors Nicholas Breslin Sonal Joshi foley artist John Simpson adr recordist Rick Lisle foley recordists Rick Lisle Julie Pearce dialogue treatment PhilmSound dialogue and foley mixer Gethin Creagh dialogue and foley mixer Martin Oswin adelaide production office Bluestone Pictures travel and freight services Showgroup tracking vehicle Devonshire Films picture post production facility Frameworks sound post production facility Spectrum Films Australia additional adr recording South Australian Film Corporation laboratory Atlab Australia lab liaison Denise Wolfson neg matching Negthink Pty Ltd grading Arthur Cambridge mixed at Atlab Australia mix liaison Greg Fitzgerald titles Optical & Graphic opticals DFilm, Roger Cowland photographed using Kodak Eastman camera and lenses supplied by Samuleson Film Service (sic) (AUS) Pty Ltd insurance H.W. Wood Australia Tony Gibbs FIUA completion guarantor FACB, Rob Fisher legal representation Tress Cocks & Maddox, Jennifer Huby auditors AD Hill & Co thanks to Lynn Gailey Ray Brown Peter "Moose" Baker Kerry Stott, Cheetham Salt Sergeant Ian Caddy, Ceduna Police Guy Bailey. Ceduna Council Dr Ross James F.R.C.P.A. Senior Constable Mark Guest Hyatt Regency, Adelaid the people of Ceduna, Penong & Port Augusta special thanks to Petaluma Wines South Australian Brewing Company Mount Lofty Mineral Water extract from "Our Eunuch Dreams" by Dylan Thomas courtesy of The Trustees for the Copyrights of Dylan Thomas Dolby ® In Selected Theatres - logo shot on location in South Australia script developed with the assistance of the Australian Film Commission Australian Film Commission - logo financed by the Australian Film Finance Corporation FFC logo international sales Beyond Films Limited Beyond logo produced with the assistance of the Movie Network The Movie Network - logo produced with the assistance of the South Australian Film Corporation SAFC - logo The persons and events of this cinematograph film are fictitious. Any similarity to actual persons or events is unintentional. This cinematograph film is protected under the laws of Australia and internationally. Unauthorised duplication, distribution, diffusion, or exhibition may result in civil liability and/or prosecution. Copyright © 1997 Australian Film Finance Corporation Limited, Australian Asset Management Limited, South Australian Film Corporation, MovieVision Pty Limited and Bill Bennett Productions Pty Limited MCMXCVII All Rights Reserved .
Recommended publications
  • 2015 Sydney Theatre Award Nominations
    2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red
    [Show full text]
  • Reminder List of Productions Eligible for the 86Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill.
    [Show full text]
  • Poppie Nongena Enthralling Musical Theatre
    FEBRUARY,1985 Vol 9 No 1 ISSN 0314 - 0598 New David Williamson Play SONS OF KANE BY DAVID WILLIAMSON Directed by David Williamson Set and costume design by Shaun Gurton Cast: Noel Ferrier, John Gregg, Max Cullen, Sandy Gore, Libby Clark and Genevieve Picot Theatre Royal t is now almost four years since David I Williamson's last play THE PERFEC­ TIONIST was premiered and in that time he has been working in other media creating a screenplay of THE PERFEC­ TIONIST and writing THE LAST BASTION for television. But the attrac­ tion of the theatre was too great for him to stay away from live performance for long and a chance conversation with journalists in a pub one night provided the inspiration for a new play. SONS OF KANE is about crime and cor­ ruption, an issue on which David Williamson has not focused his attention since THE REMOVALISTS in 1981 Poppie Nongena (coincidentally to be remounted at Phillip Street Theatre later this month). The Enthralling Musical Theatre managing editor of a big newspaper em­ pire (played by John Gregg) uncovers Based on a novel by Elsa Joubert critic of The Guardian newspaper as one clear evidence that an honest cop has Written for the stage by Elsa Joubert and of the most impressive pieces of drama to been moved out of the force because he's Sandra Kotze emerge from South Africa in the past too much trouble. The idealism of youth Directed by Hilary Blecher decade, this production has taken Lon­ is rekindled and he brings in one of his Music by Sophie Mgcina don and New York by storm, collecting a friends (played by Max Cullen) whose Designed by Douglas Heap Lighting design by James Baird number of awards, including the career has taken a downturn to in­ Cast: Thulia Dumakude, Sophie Mgcina, prestigious Obie (for Outstanding vestigate the whole affair.
    [Show full text]
  • LESLEY VANDERWALT Make-Up and Hair Designer
    LESLEY VANDERWALT Make-Up And Hair Designer FILM PROMETHEUS 2 Make-Up and Hair Designer Filming Begins April 2016 Director: Ridley Scott 20th Century Fox GODS OF EGYPT Make-Up and Hair Designer Summit Entertainment Director: Alex Proyas MAD MAX: FURY ROAD Make-Up and Hair Designer Village Roadshow Pictures Director: George Miller Winner: Academy Award for Best Make-Up and Hairstyling Winner: BAFTA for Best Make-up and Hair Winner: Critics’ Choice Award for Best Hair & Make-Up Winner: Make-Up Artists & Hair Stylists Guild Awards for Best Period and/or Character Make-Up THE GREAT GATSBY Make-Up and Hair Supervisor – Additional Design Warner Bros. Director: Baz Luhrmann Winner of the M.A.C Austrailia APDG Award for Make-up shared with Kerry Warn and Maritzio Silvi. Nominated for Hollywood Make-up Artists and Hairstylists Guild Award Best Character Make-Up SLEEPING BEAUTY Make-Up and Hair Designer / Make-Up Department Head Magic Films Director: Julia Leigh Cast: Emily Browning, Rachael Blake, Ewen Leslie, Eden Falk, Mirrah Folks, Chris Haywood, Hugh Keays-Byrne, Tammy Macintosh, Tracy Mann, Sarah Snook, Matthew Whittet Winner of the M.A.C Austrailia APDG Award for Make-up KNOWING Make-Up and Hair Designer Summit Entertainment Director: Alex Proyas Cast: Rose Byrne, Ben Mendelsohn AUSTRAILIA Make-Up and Hair Supervisor – Additional Design 20th Century Fox Director: Baz Lurmann Cast: Jack Thompson, Ben Mendelsohn, Jacek Koman, Sandy Gore, Wah Yuen, Ursula Yovich, GHOST RIDER Make-Up and Hair Designer Columbia Pictures Director: Mark Stephan
    [Show full text]
  • Wide Open Road
    29 JUNE TO 7 JULY 2018 CELEBRATING THE WIDE OPEN ROAD For more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2018 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fifth annual Vision Splendid Outback Film Festival. This year we are celebrate the Wide Open Road. The program includes the latest Australian contemporary, award winning, classic and cult films. Vision Splendid Is the only film festival in the world to dedicated to Australian film. I invite you to join me at this very special and unique festival under the stars in the 100 year old Royal Open Air Theatre. Gavin Baskett Mayor, Winton Shire Council superior rooms superior style CAFE / RESTAURANT / BEER GARDEN / AIR-CONDITIONED ENSUITED ACCOMMODATION / COMPLIMENTARY WIFI VAN PARK / LAUNDROMAT / GAMING, TAB, KENO 67 ELDERSLIE STREET, WINTON QLD 4735 WWW.NORTHGREGORYHOTEL.COM (07) 4657 0647 VISIONSPLENDIDOUTBACKTOURS.COM.AU FOR BOOKINGS CALL 0474 510 428 2 CONTENTS Festival Highlights 6 Qantas Short Film 15 Competition Day 1 7 Program Quick Guide 28-29 Day 2 8-9 A to Z of Films 30-44 Day 3 10-11 Getting to Winton 47 Day 4 12-13 Tickets 49 Day 5 16-17 2018 Sponsors 50-51 Day 6 18-19 Day 7 20-21 Day 8 22-23 Day 9 24-25 superior rooms superior style CAFE / RESTAURANT / BEER GARDEN / AIR-CONDITIONED ENSUITED ACCOMMODATION / COMPLIMENTARY WIFI VAN PARK / LAUNDROMAT / GAMING, TAB, KENO 67 ELDERSLIE STREET, WINTON QLD 4735 WWW.NORTHGREGORYHOTEL.COM (07) 4657 0647 VISIONSPLENDIDOUTBACKTOURS.COM.AU FOR BOOKINGS CALL 0474 510 428 3 Vision Splendid Outback Film Festival 2018 4 MESSAGE FROM MINISTER FOR TOURISM INDUSTRY DEVELOPMENT THE HONOURABLE KATE JONES MP Welcome to Outback Queensland for the Winton’s Vision Splendid Outback Film Festival 2018.
    [Show full text]
  • BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE
    LYRIC THEATRE, QPAC BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE THE STORY THAT INSPIRED THE WORLD TO DANCE Global Creature PRESENTS Baz Luhrmann’ STRICTLY BALLROOM THE MUSICAL DIRECTED BY BAZ LUHRMANN BASED ON THE MUCH LOVED AUSTRALIAN FILM BRISBANE SEASON CONFIRMED AT THE QUEENSLAND PERFORMING ARTS CENTRE FROM SEPTEMBER 2015 Global Creatures confi rmed today that Baz Luhrmann’s much-loved hit show STRICTLY BALLROOM THE MUSICAL will open in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre (QPAC) in September 2015. STRICTLY BALLROOM THE MUSICAL had its Global Premiere on Saturday 12 April at the Sydney Lyric Theatre, The Star and is currently playing at Her Majesty’s Theatre, Melbourne. This new production is staged by the original creative team behind the classic 1992 fi lm, including director and co-writer Baz Luhrmann, set and costume designer Catherine Martin, choreographer John “Cha Cha” O’Connell and co-writer Craig Pearce. Playing the pivotal roles of ‘Scott Hastings’ and ‘Fran’ is Thomas Lacey and Phoebe Panaretos who lead an outstanding Australian cast of 43 including Bob Baines as Les Kendall, Drew Forsythe as Doug Hastings, Natalie Gamsu as Abuela, Robert Grubb as Barry Fife, Fernando Mira as Rico, Heather Mitchell as Shirley Hastings and Mark Owen-Taylor as JJ Silvers. STRICTLY BALLROOM THE MUSICAL features break-into-song numbers created from original classics from the fi lm, Love is in the Air, Perhaps Perhaps Perhaps, and Time After Time as well as some wonderful new songs by artists such as Eddie Perfect and Sia. STRICTLY BALLROOM THE MUSICAL is the inspiring story of a championship ballroom dancer who defi es all the rules to follow his heart.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • The Marrakech International Film Festival Unveils Its Official Selection
    The 18th edition of the Marrakech International Film Festival runs from November 29th to December 7th, 2019. THE MARRAKECH INTERNATIONAL FILM FESTIVAL UNVEILS ITS OFFICIAL SELECTION Rabat, November 7th, 2019. Some 98 flms from 34 different countries have been selected for the 18th edition of the Marrakech International Film Festival, which runs from November 29th to December 7th, 2019. The flms have been programmed in various sections, including the Offcial Competition, Gala Screenings, a tribute to Australian Cinema, Special Screenings, the 11th Continent, a Moroccan Panorama, Cinema for Young Audiences, Jemaa El Fna open-air screenings, Audio-Described Cinema, and tributes to signifcant cinema personalities. The 18th edition of the Marrakech International Film Festival is a showcase of the diversity and creativity of world cinema. Across a wide range of sections, no fewer than 98 movies from 34 countries will be screened. The Ofcial Competition remains faithful to the Festival’s determination to screen frst or second feature-length movies to reveal and promote new talent in international cinema. The 14 flms in competition for the Étoile d’Or de Marrakech all bear witness to an astonishing sense of style and depth of thought, daring to explore new territories and establish personal and very original approaches to cinematographic creation. The Competition also represents an eclectic selection that showcases multiple cinematographic universes from different parts of the world, with three European flms from the UK, Italy, and Serbia; two flms from Latin America, hailing from Brazil and Colombia; one US flm; another from Australia; three Asian flms from China, India, and South Korea; and four flms from the Middle East and Africa, from Morocco, Tunisia, Saudi Arabia and Senegal.
    [Show full text]
  • Adapting Australian Film: Ray Lawrence from Bliss to Jindabyne
    This is a repository copy of Adapting Australian Film: Ray Lawrence from Bliss to Jindabyne. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/90918/ Version: Accepted Version Article: Rayner, J.R. (2009) Adapting Australian Film: Ray Lawrence from Bliss to Jindabyne. Studies in Australasian Cinema, 3 (3). pp. 295-308. ISSN 1750-3175 https://doi.org/10.1386/sac.3.3.295_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Adapting Australian Film: Ray Lawrence from Bliss to Jindabyne Jonathan Rayner, University of Sheffield This paper considers Ray Lawrence’s feature films in the light of their status as literary adaptations, as celebrated and critically rewarded examples of Australian film art, and as the work of a filmmaker paradoxically perhaps more active and acclaimed as a maker of television adverts.
    [Show full text]
  • ¾ the World at Your Feet!
    JhWdi79JegdjYanegZhZcihi]Z½ 12th CANBERRA INTERNATIONAL FILM FESTIVAL Wednesday 29 October – Sunday 9 November 2008 PROGRAM DENDY CINEMA Dendy Cinemas Canberra Level 2, North Quarter Canberra Centre ARC CINEMA National Film and Sound Archive McCoy Circuit Acton ¾j^[mehbZ Wjoekh\[[j canberrafilmfestival.com.au The Canberra International Film Festival is proudly presented by … Welcome Some years ago I spent some time in New Orleans and fell in love with Creole cooking. I met the owner of a great little bookstore who Canberra International Film Festival acknowledges the financial assistance of showed me a cookbook (she said her mother swore by it) called Talk About Good. Why am I talking about Creole cooking and a book? Because this year’s Festival feels like it has all the right ingredients and recipes – a gumbo for every palate – talk about good! The festival has expanded considerably – 75 screenings, 41 films, Founding Partner Major Partners 12 days – and served from the state-of-the-art facilities at the Dendy Cinemas and Arc Cinema. Screenings at the NFSA are legendary, and this year there are 5 totally gourmet selections, including Fassbinder’s epic. Another new ingredient is that most days will have screenings from lunch through to supper, so there’s an opportunity for everyone to taste what the world has to offer. Each day is jam packed with cinematic delights. The Festival is only made possible through the commitment of our dedicated partners. The University of Canberra, our founding partner, continues its support, as does DHL Worldwide Express Corporate Partners who constantly amaze us by how swiftly they transport prints around the globe.
    [Show full text]
  • Year Play Author Director Cast Venue Dates Aust Premiere 1960 the Man Dinelli, Mel Hayes Gordon Lorraine Bayly, Kevin Dalton, Jo
    Year Play Author Director Cast Venue Dates Aust Premiere 1960 The Man Dinelli, Mel Hayes Gordon Lorraine Bayly, Kevin Dalton, Jon Ewing, ENS 7/1/60-19/3/60 AP Guinea Gordon, Clarissa Kaye, Don Newland, Don Reid, Kylie Stewart, Anthony Wickert 1960 Orpheus Williams, Hayes Gordon David Crocker, Kevin Dalton, Gary ENS 31/3/60-2/7/60 AP Descending Tennesee Deacon, Jon Ewing, Lisle Harsant, Patricia Johnson, Patricia Jones, Clarissa Kaye, Sophie Krantz, Robin Lawlor, Reg Livermore, Marie Lorraine, Jerry Luke, Beverley McLeod, Frank Nolan, Jack Quinlan, Don Reid, Gary Shearston, Breck Stewart, Kylie Stewart, Sandra Stewart 1960 The Drunkard Smith, W H Hayes Gordon Victoria Anoux, Lorraine Bayly, Anna 23/7/60-4/2/61 AP Berner, J. Brown, L. Celi, Roie Cook, Kevin Dalton, Gary Deacon, John Denison, Jon Ewing, Joanna Franklin, Patricia Johnson, Patricia Jones, J.J., Judy King, Robin Lawlor, Reg Livermore, Jerry Luke, Ron Owen, William Pringle, James Scullin, Gary Shearston, Breck Stewart, Kylie Stewart, Sandra Stewart, Brian Young 1961 The Double Congreve, William Jon Ewing & Reg Victoria Anoux, Kevin Dalton, Jon Ewing, ENS 7/2/61-4/3/61 AP Dealer Livermore Mr. Henning, Patricia Johnson, Patricia Jones, Jan Kehoe, Reg Livermore, William Pringle, Les Shaw, Breck Stewart, Bryan Syron, Tony Wickert, Brian Young 1961 Miss Lonely Teichman, Howard Hayes Gordon Jan Avery, Henry Banister, Lorraine ENS 15/3/61-17/6/61 AP Hearts Bayly, Julie Collins, Roie Cook, John Dennis, Bettye Eister, Joan Franklin, Jone Hull, J.J., Patricia Jones, Reg Livermore, Anne
    [Show full text]
  • 2008 Box Office Backgrounder
    2008 BOX OFFICE BACKGROUNDER This backgrounder provides information and context on the number of local and internationally produced films with reported box office earnings in Australian cinemas from 1 January to 31 December 2008. What was the total box office in Australia? In 2008, the Australian box office was $945.4 million, the highest annual gross on record. These earnings mark a rise of 5.6 per cent on the previous year and an increase of 4.2 per cent on 2004, the only other year to record a gross of more than $900 million. How many films were released in Australia? There were 301 films released into the Australian market in 2008: • 33 of these were Australian (or 11.0 per cent of films released), 22 features and 11 documentaries • 158 were from the US (or 52.5 per cent of films released), and • 24 were from the UK (or 8.0 per cent of films released). In addition, 89 films released in earlier years were still screening, plus two films due to be released in 2009 that had preview screenings in 2008. This brought the total number of films earning box office in 2008 to 392, of which 40 (10.2 per cent) were Australian, 213 (54.3 per cent) were from the US and 29 (7.4 per cent) were from the UK. What was the Australian share of the 2008 box office? Australian films earned $35.5 million or 3.8 per cent of the total Australian box office in 2008 (includes all Australian films earning box office in 2008, irrespective of their original year of release).
    [Show full text]