The Ephemera Journal
The ephemera Journal Volume 14, Number 2 JaNuary 2012 Personal Visual Albums By DaviD FreunD Personal visual albums should be considered folk art. Imagine every home in America: in Brooklyn, in North Dakota, in Louisiana, in Seattle, in Iowa, and on. Now imagine them in the 1880s. The space between them increases. In almost all of these homes people made visual albums, alone or together, probably on their biggest table. From across this vast geography millions of albums emerged that shared only rudimentary history or theory, just the impulse for their creation, but somehow a common visual language is evident in them. These creators have long since died and, for most, the memory of their affect upon the planet has evaporated. We would wish they knew that one fragment of their life remains which embodies their talent, their voice, sustains their Figure 1 presence. Things of their experience - plants, hair, fabric, but mostly printed images and ephemera- all were funneled through their eyes and minds, then sifted, sorted, and re-imagined according to their view, emerging in one or more albums of their creation. The term scrapbook comes up short as a descriptor of the varied range of subjects and materials found in what I have called personal visual albums. For these I propose an expanded nomenclature, which begins with five broad headings: accumulation, artwork, collection, collage, and narrative. These often overlap: for example, an accumulation may also be a collage and a narrative, as will be Figure 2 seen below in the album of Continued on Page 4 1 In This Issue: Long View of an Ephemeral Moment ~ Page 11 • Memory of 9/11 ~ Page 17 • Post-Mortem Photographs ~ Page 19 • Textile Diaries ~ Page 21 The Dear Members and Friends: Ephemera Journal We are close to our annual convention at Greenwich, CT, March 16-18.
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