Zero K Against the Beauty and Humanity of Everyday Life; Love, Awe, “The Intimate Don Delillo Touch of Earth and Sun.” ISBN: 9781501138058 Format: Tpb Exp

Total Page：16

File Type：pdf, Size：1020Kb

Zero K Against the Beauty and Humanity of Everyday Life; Love, Awe, “The Intimate Don Delillo Touch of Earth and Sun.” ISBN: 9781501138058 Format: Tpb Exp

SIMON & SCHUSTER INTERNATIONAL SALES The wisest, richest, funniest, and most moving novel in years from Don DeLillo, one of the great American novelists of our time—an ode to language, at the heart of our humanity, a meditation on death, and an embrace of life. Jeffrey Lockhart’s father, Ross, is a billionaire in his sixties, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to a life of transcendent promise. Jeff joins Ross and Artis at the compound to say “an uncertain farewell” to her as she surrenders her body. “We are born without choosing to be. Should we have to die in the same manner? Isn’t it a human glory to refuse to accept a certain fate?” These are the questions that haunt the novel and its memorable characters, and it is Ross Lockhart, most particularly, who feels a deep need to enter another dimension and awake to a new world. For his son, this is indefen- sible. Jeff, the book’s narrator, is committed to living, to experiencing “the mingled astonishments of our time, here, on earth.” Don DeLillo’s seductive, spectacularly observed and brilliant new novel weighs the darkness of the world—terrorism, floods, fires, famine, plague— Zero K against the beauty and humanity of everyday life; love, awe, “the intimate Don DeLillo touch of earth and sun.” ISBN: 9781501138058 Format: Tpb Exp. Ed. Zero K is glorious. Price: $18.00 On-Sale: 05/03/16 QTY: Falling Man Underworld Point Omega The Angel Esmeralda Cosmopolis The Body Artist 9781416562290 9780684848150 9781439169964 9781451659092 9780743244251 9780743203968 MM Exp. Ed. Paperback Paperback Paperback Paperback Paperback $7.99 $20.00 $12.99 $15.00 $15.00 $14.00 QTY: QTY: QTY: QTY: QTY: QTY: Please send orders to: Simon & Schuster International Sales | 1230 Avenue of the Americas | New York, NY 10020 (T) 01-212-698-2335 | (F) 01-212-698-7617 | [email protected].

Copy Link

Recommended publications

Flying Man and Falling Man: Remembering and Forgetting 9/11 Graley Herren Xavier University - Cincinnati
Xavier University Exhibit Faculty Scholarship English 2014 Flying Man and Falling Man: Remembering and Forgetting 9/11 Graley Herren Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/english_faculty Part of the English Language and Literature Commons Recommended Citation Herren, Graley, "Flying Man and Falling Man: Remembering and Forgetting 9/11" (2014). Faculty Scholarship. Paper 3. http://www.exhibit.xavier.edu/english_faculty/3 This Book Chapter/Essay is brought to you for free and open access by the English at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. 9 Flying Man and Falling Man Remembering and Forgetting 9 /11 Graley Herren More than a decade after the September 11 attacks, Ame~cans continue struggling to assimilate what happened on that day. This chapter consi ders how key icons, performances, and spectacles have intersected with narrative reconstructions to mediate collective memories of 9/11, within New York City, throughout the United States, and around the globe. In Cloning Tenvr: The War of Images, 9/11 to the Present, W. J. T. Mitchell starts from this sound historiographical premise: "Every history is really two histories. There is the history of what actually happened, and there is the history of the perception of what happened. The first kind of history focuses on the facts and figures; the second concentrates on the images and words that define the framework within which those facts and figures make sense" (xi). What follows is an examination of that second kind of history: the perceptual frameworks for making sense of 9/11, frameworks forged by New Yorkers at Ground Zero, Americans removed from the attacks, and cultural creators and commentators from abroad.
[Show full text]
Ordinary Madness: Don Delillo's Subject from Underworld to Point Omega
Ordinary Madness: Don DeLillo’s Subject from Underworld to Point Omega Alexander Dunst ABSTRACT This article contends that Don DeLillo’s novels from Underworld to Point Omega are cen- trally concerned with changes in the structure of subjectivity under contemporary capitalism. The essay analyzes these developments from a late Lacanian perspective: as a shift from a dominant neurosis to what Jacques-Alain Miller has called “ordinary psychosis”. Over the years, a few of DeLillo’s critics have problematized a standard account of his characters as postmodern, sug- gesting that the author was in the process of crafting “a new kind of subjectivity”. However, none of these scholars have taken the prominence of psychotic protagonists in his novels as a starting point to analyze DeLillo’s fiction. Madness thus plays an important but overlooked role in the author’s oeuvre. After briefly considering DeLillo’s earlier writing, the discussion concentrates on three representative novels: Underworld, The Body Artist and Point Omega. Where Under- world focuses on paranoia, The Body Artist moves ordinary psychosis to the center of DeLillo’s imagination, a development whose social impact is explored further in the final novel. The article counters traditional conceptions of insanity as irrational and pathological with an emphasis on the structural role madness plays in DeLillo. This reassessment counters a critical tradition that often views insanity as a sign of deep-seated illness, or opposes pathology by naively romanticizing it. The conclusion situates the analysis in the broader framework of the medical humanities. Point Omega, Don DeLillo’s latest novel, is haunted by the breakdown of social relations.1 Framed by the evocation of Douglas Gordon’s video 24 Hour Psycho, the book follows Richard Elster, a retired intellectual hired to provide justification for the Iraq War (28).
[Show full text]
(Im)Mortality in Don Delillo's White Noise, Cosmopolis and Zero K
LITERATURE Journal of 21st-century Writings Article How to Cite: Maffey, R., and Teo, Y., 2018. “Changing Channels of Techno- logy: Disaster and (Im)mortality in Don DeLillo’s White Noise, Cosmopolis and Zero K.” C21 Literature: Journal of 21st-century Writings, 6(2): 6, pp. 1–23, DOI: https://doi.org/10.16995/c21.74 Published: 16 April 2018 Peer Review: This article has been peer reviewed through the double-blind process of C21 Literature: Journal of 21st-century Writings, which is a journal of the Open Library of Humanities. Copyright: © 2018 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distri- bution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: C21 Literature: Journal of 21st-century Writings is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Maffey, R., and Teo, Y., 2018. “Changing Channels of Technology: Disaster and (Im)mortality in Don DeLillo’s White Noise, Cosmopolis LITERATURE Journal of 21st-century Writings and Zero K.” C21 Literature: Journal of 21st-century Writings, 6(2): 6, pp. 1–23, DOI: https://doi.org/10.16995/c21.74 ARTICLE Changing Channels of Technology: Disaster and (Im)mortality in Don DeLillo’s White Noise, Cosmopolis and Zero K Ross Maffey and Yugin Teo Bournemouth University, GB Corresponding author: Yugin Teo ([email protected]) This article examines the changing representation of technology in three of DeLillo’s novels, White Noise, Cosmopolis and Zero K, and traces the con- ceptual and philosophical developments in his writing concerning the two key themes of disaster and mortality.
[Show full text]
Apocalypse, Time, and Schematic Imagination in Don Delillo's the Body Artist
Angles New Perspectives on the Anglophone World 4 | 2017 Unstable States, Mutable Conditions Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Don DeLillo’s The Body Artist Richard Anker Electronic version URL: http://journals.openedition.org/angles/1474 DOI: 10.4000/angles.1474 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Richard Anker, « Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Don DeLillo’s The Body Artist », Angles [Online], 4 | 2017, Online since 01 April 2017, connection on 02 August 2020. URL : http://journals.openedition.org/angles/1474 ; DOI : https://doi.org/10.4000/ angles.1474 This text was automatically generated on 2 August 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Do... 1 Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Don DeLillo’s The Body Artist Richard Anker To name mutability as a principle of order is to come as close as possible to naming the authentic temporal consciousness of the self. Paul de Man, “Time and History in Wordsworth” (94) 1 While the figure of apocalypse comes up frequently in commentaries of Don DeLillo’s fiction, rarely has it been contextualized from the perspective of the modern reception of romantic literature and the critical idiom that this reception has established.
[Show full text]
The Bounds of Narrative in Don Delillo's Underworld
humanities Article The Bounds of Narrative in Don DeLillo’s Underworld: Action and the Ecology of Mimêsis Andrew Bowie Hagan Independent Scholar, Atlanta, GA 30309, USA; [email protected] Abstract: The interrelationship of natural and cultural history in Don DeLillo’s Underworld presents an ecology of mimesis. If, as Timothy Morton argues, ecological thought can be understood as a “mesh of interconnection,” DeLillo’s novel studies the interpretation of connection. Underworld situates its action in the Cold War era. DeLillo’s formal techniques examine the tropes of paranoia, containment, excess, and waste peculiar to the history of the Cold War. Parataxis and free-indirect discourse emphasize the contexts of reference in the novel, illustrating how hermeneutics informs the significance of boundaries. DeLillo’s use of parataxis exemplifies the conditions that propose and limit metaphor’s reference to reality, conditions that offer the terms for meaningful action. I utilize Paul Ricoeur’s hermeneutics to demonstrate how Underworld situates the reference to reality in its temporal and narrative condition. The historical situation of the novel’s narrative structure allows DeLillo to interrogate the role of discourse in producing and interpreting connection. Underworld offers layers of significance; the reader’s engagement with the novel’s discourse reaffirms the conditions of a meaningful relationship with reality in the pertinence of a metaphor. Keywords: contemporary fiction; ecocriticism; temporality; reference; metaphor; parataxis; epic; Citation: Hagan, Andrew Bowie. novel; immanence 2021. The Bounds of Narrative in Don DeLillo’s Underworld: Action and the Ecology of Mimêsis. Humanities 10: 40. https://doi.org/10.3390/ 1. Introduction h10010040 Figurative conditions present an ecology in Don DeLillo’s 1997 novel, Underworld.A work of fiction, the novel is grounded in the history and historiography of the Cold War Received: 1 January 2021 era.
[Show full text]
Journal of Arizona History Index, M
Index to the Journal of Arizona History, M Arizona Historical Society, [email protected] 480-387-5355 NOTE: the index includes two citation formats. The format for Volumes 1-5 is: volume (issue): page number(s) The format for Volumes 6 -54 is: volume: page number(s) M McAdams, Cliff, book by, reviewed 26:242 McAdoo, Ellen W. 43:225 McAdoo, W. C. 18:194 McAdoo, William 36:52; 39:225; 43:225 McAhren, Ben 19:353 McAlister, M. J. 26:430 McAllester, David E., book coedited by, reviewed 20:144-46 McAllester, David P., book coedited by, reviewed 45:120 McAllister, James P. 49:4-6 McAllister, R. Burnell 43:51 McAllister, R. S. 43:47 McAllister, S. W. 8:171 n. 2 McAlpine, Tom 10:190 McAndrew, John “Boots”, photo of 36:288 McAnich, Fred, book reviewed by 49:74-75 books reviewed by 43:95-97 1 Index to the Journal of Arizona History, M Arizona Historical Society, [email protected] 480-387-5355 McArtan, Neill, develops Pastime Park 31:20-22 death of 31:36-37 photo of 31:21 McArthur, Arthur 10:20 McArthur, Charles H. 21:171-72, 178; 33:277 photos 21:177, 180 McArthur, Douglas 38:278 McArthur, Lorraine (daughter), photo of 34:428 McArthur, Lorraine (mother), photo of 34:428 McArthur, Louise, photo of 34:428 McArthur, Perry 43:349 McArthur, Warren, photo of 34:428 McArthur, Warren, Jr. 33:276 article by and about 21:171-88 photos 21:174-75, 177, 180, 187 McAuley, (Mother Superior) Mary Catherine 39:264, 265, 285 McAuley, Skeet, book by, reviewed 31:438 McAuliffe, Helen W.
[Show full text]
Nikolina G. Tomić Milica S. Stanković the Concept of Time in Don Delillo’S Point Omega NIKOLINA G
13 University of Belgrade Nikolina G. Tomić Milica S. Stanković The Concept of Time in Don DeLillo’s Point Omega NIKOLINA G. TOMIĆ / 202 MILICA S. STANKOVIĆ The Concept of Time in Don DeLillo’s Point Omega Temporality is one of the key aspects that contribute to the reshaping of the narrative tendencies of literary modernism, thus leading to the emergence of new narrative strategies associated with postmodern literature. The aim of this paper is to scrutinize its representation in postmodern literature and theory, focusing on one of the notable works that illustrate this phenomenon. Infuenced by Pierre Teilhard de Chardin’s theory of the fnal aim of evolution, defned as the omega point, Don DeLillo’s novel of the same name explores, in Peter Boxall’s words, the formal balance between cinematic time, urban time, and desert time. In that sense, the paper is particularly concerned with the plurality of time, prevalent in literary postmodernism. In order to provide insight into this matter, it is also essential to shed light on how it is represented in the works of Jorge Luis Borges, who exerted signifcant infuence on DeLillo’s Omega Point depiction of the concept of time in the contemporary world. KEYWORDS DeLillo, Point Omega, time, postmodernism, Borges The Concept of Time in Don DeLillo’s Time in Don DeLillo’s of The Concept NIKOLINA G. TOMIĆ, MILICA S. STANKOVIĆ S. STANKOVIĆ MILICA TOMIĆ, G. NIKOLINA 1. INTRODUCTION / 203 The concept of time, no matter how prominent in contemporary literature, has rarely been so thoroughly explored as in Point Omega, a thought-provoking novel written by one of the most infuential authors of the 20th and 21st century, Don DeLillo.
[Show full text]
Don Delillo and 9/11: a Question of Response
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 5-2010 Don DeLillo and 9/11: A Question of Response Michael Jamieson University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jamieson, Michael, "Don DeLillo and 9/11: A Question of Response" (2010). Dissertations, Theses, and Student Research: Department of English. 28. https://digitalcommons.unl.edu/englishdiss/28 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. DON DELILLO AND 9/11: A QUESTION OF RESPONSE by Michael A. Jamieson A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: English Under the Supervision of Professor Marco Abel Lincoln, Nebraska May, 2010 DON DELILLO AND 9/11: A QUESTION OF RESPONSE Michael Jamieson, M.A. University of Nebraska, 2010 Advisor: Marco Abel In the wake of the attacks of September 11th, many artists struggled with how to respond to the horror. In literature, Don DeLillo was one of the first authors to pose a significant, fictionalized investigation of the day. In this thesis, Michael Jamieson argues that DeLillo’s post-9/11 work constitutes a new form of response to the tragedy.
[Show full text]
The Subversion of Nature in Don Delillo's Underworld
The Subversion of Nature in Don DeLillo's Underworld Erik Kielland-Lund University of Oslo Abstract: This article focuses on one of the main themes ofDon DeLillo's complex and critically acclaimed novel Underworld.fimn 1997, namely the cen/ralily and ubiquity ofga rbage and other forms of was le in hoth the physical world and in people '.I· minds in the second ha(f ofthe 20'i. century. II is both a brilliant salire and a scary cautionary tale Iha! si1uates itself squarely in !he tradition of "!oxic narralives" recently made famous by Cormac McCar1hy'.v The Road. Pre-apocalyplic rather than pos1-apoca !yp1ic, the landscape of Delillo'.v novel is disturbingly familiar both in its mundane recognizability and in its outla11dish strangeness, as 1he reader is tn111spor1ed from monster landfills in New York City, described in oddly romantic ter111s, lo the di.ms /mus consequences of nuclear waste in !he .former Soviet republic of Khazakstan, horribly realistic in its depiction of the human cost of this ultimate tampering with the natural order. Throughout this tale of hubris in the name of progress and con sumption, Delillo weaves a narralive of human fallibility and desire Iha! is a pe1fect counterpoint to the enormous global issues that will ulti111ately decide the survival of life as we know it on this planet. Keywords: Satire-toxic narratives-waste 111anagement-exploitatio11- pre-apoca lyptic-nuclearfallou1- "eve1ythin.g's connected" - capita/ism - consumption Don DeLillo's Underworld from 1997 is one of the truly seminal works of contemporary American literature, by many critics singled out, along with Thomas Pynchon's Gravity's Rainbow from 1973, as the high point of postmodernist literary achievement in America.
[Show full text]
Postwar Media Manifestations and Don Delillo Joshua Adam Boldt Eastern Kentucky University
Eastern Kentucky University Encompass Online Theses and Dissertations Student Scholarship 2011 Postwar Media Manifestations and Don DeLillo Joshua Adam Boldt Eastern Kentucky University Follow this and additional works at: https://encompass.eku.edu/etd Part of the American Literature Commons, and the Mass Communication Commons Recommended Citation Boldt, Joshua Adam, "Postwar Media Manifestations and Don DeLillo" (2011). Online Theses and Dissertations. 09. https://encompass.eku.edu/etd/09 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Online Theses and Dissertations by an authorized administrator of Encompass. For more information, please contact [email protected]. Postwar Media Manifestations and Don DeLillo By Joshua Boldt Master of Arts Eastern Kentucky University Richmond, Kentucky 2011 Submitted to the Faculty of the Graduate School of Eastern Kentucky University in partial fulfillment of the requirements for the degree of Master of Arts May, 2011 Copyright © Joshua Boldt 2011 All rights reserved ii Table of Contents Introduction: The Hyperreal, Hypercommodified American Identity 1 Chapter One: Postwar Advertising, Mass Consumption, and the 14 Construction of the Consumer Identity Chapter Two: News Media and American Complicity 34 Chapter Three: The Art of the Copy: Mechanical Reproductions and 50 Media Simulations Works Cited 68 iii Introduction: The Hyperreal, Hypercommodified American Identity This study examines the relationship between American media, advertising, and the construction of a postwar American identity. American media manifests itself in several different forms, all of which impact the consciousness of the American people, and the postwar rise to power of the advertising industry helped to mold identity in ways that are often not even recognized.
[Show full text]
'Little Terrors'
Don DeLillo’s Promiscuous Fictions: The Adulterous Triangle of Sex, Space, and Language Diana Marie Jenkins A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The School of English University of NSW, December 2005 This thesis is dedicated to the loving memory of a wonderful grandfather, and a beautiful niece. I wish they were here to see me finish what both saw me start. Contents Acknowledgements 1 Introduction 2 Chapter One 26 The Space of the Hotel/Motel Room Chapter Two 81 Described Space and Sexual Transgression Chapter Three 124 The Reciprocal Space of the Journey and the Image Chapter Four 171 The Space of the Secret Conclusion 232 Reference List 238 Abstract This thesis takes up J. G. Ballard’s contention, that ‘the act of intercourse is now always a model for something else,’ to show that Don DeLillo uses a particular sexual, cultural economy of adultery, understood in its many loaded cultural and literary contexts, as a model for semantic reproduction. I contend that DeLillo’s fiction evinces a promiscuous model of language that structurally reflects the myth of the adulterous triangle. The thesis makes a significant intervention into DeLillo scholarship by challenging Paul Maltby’s suggestion that DeLillo’s linguistic model is Romantic and pure. My analysis of the narrative operations of adultery in his work reveals the alternative promiscuous model. I discuss ten DeLillo novels and one play – Americana, Players, The Names, White Noise, Libra, Mao II, Underworld, the play Valparaiso, The Body Artist, Cosmopolis, and the pseudonymous Amazons – that feature adultery narratives.
[Show full text]
'Catching Time': the Synchrony of Minds, Bodies and Objects in Literature
‘Catching Time’: the synchrony of minds, bodies and objects in literature Isabelle Wentworth A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Arts and Media Faculty of Arts and Social Sciences March 2019 Thesis/Dissertation Sheet Surname/Family Name : Wentworth Given Name/s : Isabelle Abbreviation for degree as give in the University : PhD calendar Faculty : Faculty of Arts and Social Sciences School : School of Arts and Media Thesis Title : ‘Catching Time’: the synchrony of minds, bodies and objects in literature Abstract Recent work in the neuroscience of time perception has revealed that humans have an unconscious capacity to ‘catch’, or synchronise with, other people’s subjective experience of time. This process has, I argue, been profoundly intuited by authors in their fictional explorations of time and subjectivity. Literary discourse offers a privileged site for explorations of temporal synchronisation, as authors are able to frame, refract and nuance the relationships they depict, so broadening our understanding of the role of subjective temporality within them. Yet there is a lack of understanding of the precise ways in which time, bodies and environments are intertwined, both in literary studies and cognitive science. This is a significant gap, because subjective time — the experience of temporal properties of events and processes, in particular duration — provides the organising fabric of conscious experience, both for fictional and actual minds. My methodology combines cognitive poetics, cognitive linguistics and cognitive historicism. Through this multifaceted lens, I show how thinking through this intersubjective time can help us understand questions of style, character and plot in narrative.
[Show full text]