Apocalypse, Time, and Schematic Imagination in Don Delillo's the Body Artist
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Ordinary Madness: Don Delillo's Subject from Underworld to Point Omega
Ordinary Madness: Don DeLillo’s Subject from Underworld to Point Omega Alexander Dunst ABSTRACT This article contends that Don DeLillo’s novels from Underworld to Point Omega are cen- trally concerned with changes in the structure of subjectivity under contemporary capitalism. The essay analyzes these developments from a late Lacanian perspective: as a shift from a dominant neurosis to what Jacques-Alain Miller has called “ordinary psychosis”. Over the years, a few of DeLillo’s critics have problematized a standard account of his characters as postmodern, sug- gesting that the author was in the process of crafting “a new kind of subjectivity”. However, none of these scholars have taken the prominence of psychotic protagonists in his novels as a starting point to analyze DeLillo’s fiction. Madness thus plays an important but overlooked role in the author’s oeuvre. After briefly considering DeLillo’s earlier writing, the discussion concentrates on three representative novels: Underworld, The Body Artist and Point Omega. Where Under- world focuses on paranoia, The Body Artist moves ordinary psychosis to the center of DeLillo’s imagination, a development whose social impact is explored further in the final novel. The article counters traditional conceptions of insanity as irrational and pathological with an emphasis on the structural role madness plays in DeLillo. This reassessment counters a critical tradition that often views insanity as a sign of deep-seated illness, or opposes pathology by naively romanticizing it. The conclusion situates the analysis in the broader framework of the medical humanities. Point Omega, Don DeLillo’s latest novel, is haunted by the breakdown of social relations.1 Framed by the evocation of Douglas Gordon’s video 24 Hour Psycho, the book follows Richard Elster, a retired intellectual hired to provide justification for the Iraq War (28). -
The Bounds of Narrative in Don Delillo's Underworld
humanities Article The Bounds of Narrative in Don DeLillo’s Underworld: Action and the Ecology of Mimêsis Andrew Bowie Hagan Independent Scholar, Atlanta, GA 30309, USA; [email protected] Abstract: The interrelationship of natural and cultural history in Don DeLillo’s Underworld presents an ecology of mimesis. If, as Timothy Morton argues, ecological thought can be understood as a “mesh of interconnection,” DeLillo’s novel studies the interpretation of connection. Underworld situates its action in the Cold War era. DeLillo’s formal techniques examine the tropes of paranoia, containment, excess, and waste peculiar to the history of the Cold War. Parataxis and free-indirect discourse emphasize the contexts of reference in the novel, illustrating how hermeneutics informs the significance of boundaries. DeLillo’s use of parataxis exemplifies the conditions that propose and limit metaphor’s reference to reality, conditions that offer the terms for meaningful action. I utilize Paul Ricoeur’s hermeneutics to demonstrate how Underworld situates the reference to reality in its temporal and narrative condition. The historical situation of the novel’s narrative structure allows DeLillo to interrogate the role of discourse in producing and interpreting connection. Underworld offers layers of significance; the reader’s engagement with the novel’s discourse reaffirms the conditions of a meaningful relationship with reality in the pertinence of a metaphor. Keywords: contemporary fiction; ecocriticism; temporality; reference; metaphor; parataxis; epic; Citation: Hagan, Andrew Bowie. novel; immanence 2021. The Bounds of Narrative in Don DeLillo’s Underworld: Action and the Ecology of Mimêsis. Humanities 10: 40. https://doi.org/10.3390/ 1. Introduction h10010040 Figurative conditions present an ecology in Don DeLillo’s 1997 novel, Underworld.A work of fiction, the novel is grounded in the history and historiography of the Cold War Received: 1 January 2021 era. -
The Postmodern Sacred Course Information
SUNY Cortland English Department ENG 529: The Postmodern Sacred Course Information: Professor Information: 3 Credit Hours Dr. Marni Gauthier Spring 2011 Phone: 753-2076 Office: Old Main 114E Office Hours: T 1:15-3, R 8:30-9:45 Tues 4:20-6:50 p.m. & by appointment E-mail: through our myRedDragon classroom Required Texts: ¥ Don DeLillo, “The Angel Esmeralda” (1994) ¥ Louise Erdrich, Tracks (1988) ¥ Toni Morrison, Paradise (1998) ¥ Michael Ondaatje, The English Patient (1992) ¥ *Films: Blade Runner: The Director’s Cut (1993); Contact (1997); The Matrix (1999); The Lord of the Rings: Fellowship of the Ring (2001): (all on 2-hr reserve in the Library) *NB: Like the written texts, the films are required texts for this course. You are responsible for viewing each film no more than one week prior to our class discussion of it--even if you have previously seen it. This is because each film needs to be fresh in your mind as we refer to it in class--juxtaposing and close reading specific scenes; additionally, you will have assigned papers on the films. If there is interest and/or need, I will arrange on-campus screenings of the films on evenings prior to our class discussions of them; we will discuss this further in class. ¥ Required secondary readings (on e-Reserve at Memorial Library): where citation is absent in the Course Schedule (below), it is listed on the Sign-up Sheet for Oral Presentations. Course Description, Goals and Objectives: The (re)emergence of the sacred in a secular, contemporary world has been variously dubbed the “postmodern sublime”; the “postsecular”; the “postmodern sacred.” This course will map this cultural terrain by exploring several new forms of religiously inflected seeing and being. -
Nikolina G. Tomić Milica S. Stanković the Concept of Time in Don Delillo’S Point Omega NIKOLINA G
13 University of Belgrade Nikolina G. Tomić Milica S. Stanković The Concept of Time in Don DeLillo’s Point Omega NIKOLINA G. TOMIĆ / 202 MILICA S. STANKOVIĆ The Concept of Time in Don DeLillo’s Point Omega Temporality is one of the key aspects that contribute to the reshaping of the narrative tendencies of literary modernism, thus leading to the emergence of new narrative strategies associated with postmodern literature. The aim of this paper is to scrutinize its representation in postmodern literature and theory, focusing on one of the notable works that illustrate this phenomenon. Infuenced by Pierre Teilhard de Chardin’s theory of the fnal aim of evolution, defned as the omega point, Don DeLillo’s novel of the same name explores, in Peter Boxall’s words, the formal balance between cinematic time, urban time, and desert time. In that sense, the paper is particularly concerned with the plurality of time, prevalent in literary postmodernism. In order to provide insight into this matter, it is also essential to shed light on how it is represented in the works of Jorge Luis Borges, who exerted signifcant infuence on DeLillo’s Omega Point depiction of the concept of time in the contemporary world. KEYWORDS DeLillo, Point Omega, time, postmodernism, Borges The Concept of Time in Don DeLillo’s Time in Don DeLillo’s of The Concept NIKOLINA G. TOMIĆ, MILICA S. STANKOVIĆ S. STANKOVIĆ MILICA TOMIĆ, G. NIKOLINA 1. INTRODUCTION / 203 The concept of time, no matter how prominent in contemporary literature, has rarely been so thoroughly explored as in Point Omega, a thought-provoking novel written by one of the most infuential authors of the 20th and 21st century, Don DeLillo. -
Don Delillo and 9/11: a Question of Response
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 5-2010 Don DeLillo and 9/11: A Question of Response Michael Jamieson University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jamieson, Michael, "Don DeLillo and 9/11: A Question of Response" (2010). Dissertations, Theses, and Student Research: Department of English. 28. https://digitalcommons.unl.edu/englishdiss/28 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. DON DELILLO AND 9/11: A QUESTION OF RESPONSE by Michael A. Jamieson A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: English Under the Supervision of Professor Marco Abel Lincoln, Nebraska May, 2010 DON DELILLO AND 9/11: A QUESTION OF RESPONSE Michael Jamieson, M.A. University of Nebraska, 2010 Advisor: Marco Abel In the wake of the attacks of September 11th, many artists struggled with how to respond to the horror. In literature, Don DeLillo was one of the first authors to pose a significant, fictionalized investigation of the day. In this thesis, Michael Jamieson argues that DeLillo’s post-9/11 work constitutes a new form of response to the tragedy. -
Postwar Media Manifestations and Don Delillo Joshua Adam Boldt Eastern Kentucky University
Eastern Kentucky University Encompass Online Theses and Dissertations Student Scholarship 2011 Postwar Media Manifestations and Don DeLillo Joshua Adam Boldt Eastern Kentucky University Follow this and additional works at: https://encompass.eku.edu/etd Part of the American Literature Commons, and the Mass Communication Commons Recommended Citation Boldt, Joshua Adam, "Postwar Media Manifestations and Don DeLillo" (2011). Online Theses and Dissertations. 09. https://encompass.eku.edu/etd/09 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Online Theses and Dissertations by an authorized administrator of Encompass. For more information, please contact [email protected]. Postwar Media Manifestations and Don DeLillo By Joshua Boldt Master of Arts Eastern Kentucky University Richmond, Kentucky 2011 Submitted to the Faculty of the Graduate School of Eastern Kentucky University in partial fulfillment of the requirements for the degree of Master of Arts May, 2011 Copyright © Joshua Boldt 2011 All rights reserved ii Table of Contents Introduction: The Hyperreal, Hypercommodified American Identity 1 Chapter One: Postwar Advertising, Mass Consumption, and the 14 Construction of the Consumer Identity Chapter Two: News Media and American Complicity 34 Chapter Three: The Art of the Copy: Mechanical Reproductions and 50 Media Simulations Works Cited 68 iii Introduction: The Hyperreal, Hypercommodified American Identity This study examines the relationship between American media, advertising, and the construction of a postwar American identity. American media manifests itself in several different forms, all of which impact the consciousness of the American people, and the postwar rise to power of the advertising industry helped to mold identity in ways that are often not even recognized. -
Racial Violence and the Mystical Imaginary in Contemporary
THINKING THE BODY TRANSCENDENT: RACIAL VIOLENCE AND THE MYSTICAL IMAGINARY IN CONTEMPORARY AMERICAN LITERATURE by ERICK SAMUEL SIERRA A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Literatures in English Written under the direction of John A. McClure And approved by ______________________________ ______________________________ ______________________________ ______________________________ New Brunswick, New Jersey May, 2010 ABSTRACT OF THE DISSERTATION THINKING THE BODY TRANSCENDENT: RACIAL VIOLENCE AND THE MYSTICAL IMAGINARY IN CONTEMPORARY AMERICAN LITERATURE by ERICK SAMUEL SIERRA Dissertation Director: John A. McClure Twentieth-century literature and theory have offered no shortage of challenges to the unity of personal identity. What these undertakings leave largely unquestioned, however, is the prevailing understanding that personal identity is sealed within the confines of the physical body—the final uncontested frontier of Cartesian identity. Emerging from a matrix of recent American literature—by Don DeLillo, Charles Johnson, Tony Kushner, Toni Morrison, among others—is a counter-argument to the notion that the materially bounded self is separate from other such selves in space. For the “individual” to take shape as such, it must locate itself within a specific social identity, disavowing its connection with those who identify themselves differently: a process, these texts suggest, that can unleash racial and ideological violence. My dissertation explores six late twentieth-century American novels and plays (1982 to 1998) that both dramatize this violent process and propose an alternative through images of humans dislocated from their bodies and fusing metaphysically with other open selves across space. -
Preface Introduction
Notes Preface 1. Luisa Pretolani's video, Things I Take, which deals with Indian women im migrants, speaks to the experience of emigration in ways that transcend the specific experience of a single ethnic group. The issues the women who appear in this video address relate to the significance of and repercussions on one's sense of self of the separation from one's homeland. 2. See Gilbert and Gubar's feminist classic The Madwoman in the Attic (1979), in which they ofTer adefinition of anxiety of authorship, which they jux tapose to the more masculine "anxiety of influence" (50), the title subject of Harold Bloom's study. 3. I began to study Italian American literature and minority literatures not in graduate school, but in the years following my graduation, in the early 1990s. 4. My first actual encounter with Italian American literature actually oc curred in 1983, at a conference on Italian American Studies of the AISNA (ItalianAssociation ofNorthAmerican Studies).The conference was orga nized by my then professor of American Literature at the University of Catania, Maria Vittoria D'Amico. I was one of a handful of undergraduate students involved in the organization of the conference. There, I met sev eral American professors, includingJohn Paul Russo, who would later ofTer me a teaching assistantship at the University of Miami. 5. Giunta, "The Quest forTrue Love: Nancy Savoca's Domestic Film Comedy." 6. In 1987, DeSalvo had also published-in England-Casting Off, an outra geous novel about Italian American women and adultery. 7. Oddly enough, much like other women and minority writers who, once they started looking, found literary sisters and ancestors, I, too, would later discover two other writers in my family, Giuseppe Minasola and Laura Emanuelita Minasola. -
Course Syllabus
BOROUGH OF MANHATTAN COMMUNITY COLLEGE The City University of New York Department of ENGLISH Title of Course: Course Number: ENG 358 Class Hours per Week: 3 ENGLISH 358: CONTEMPORARY Lab Hours: 0 URBAN WRITERS Credits: 3 A. Description English 358 focuses on literature of urban America since 1950 and in particular on how contemporary writers use the images and themes of the city. B. Prerequisites and/or Corequisites English 201 or English 121 C. Student Outcomes Students will ● Discuss course content in a range of critical contexts. ● Demonstrate knowledge of themes and genres of course texts. ● Critique the complexities and differences among course texts. D. Required Texts and/or Supplementary Materials Recommended Readings Include the Following: Big City Stories, ed. Tom and Susan Cahill (Bantam) The Jazz Poetry Anthology, ed. S. Feinstein and Y. Komunyakaa (Indiana) Ralph Ellison, Invisible Man J.D. Salinger, The Catcher in the Rye Paule Marshall, Brown Girl, Brownstones Piri Thomas, Down These Mean Streets Allen Ginsberg, Howl; Lawrence Ferlingetti, A Coney Island of the Mind Lorraine Hansberry, A Raisin in the Sun Bernard Malamud, The Tenants Saul Bellow, Seize the Day Pedro Pietri, Puerto Rican Obituary Tom Wolfe, A Bonfire of the Vanities 99 Don DeLillo, Mao II James Baldwin, The Fire Next Time Norman Mailer, Armies of the Night Art Spiegelman, Maus Anna Deveare Smith, Fires in Mirror Sandra Cisneros, The House on Mango Street Edward Rivera, Family Installments Amy Tan, The Joy Luck Club E. Evaluation and Requirements of Students Students will be required to read novels, short stories, plays, and poems that reflect urban life. -
'Catching Time': the Synchrony of Minds, Bodies and Objects in Literature
‘Catching Time’: the synchrony of minds, bodies and objects in literature Isabelle Wentworth A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Arts and Media Faculty of Arts and Social Sciences March 2019 Thesis/Dissertation Sheet Surname/Family Name : Wentworth Given Name/s : Isabelle Abbreviation for degree as give in the University : PhD calendar Faculty : Faculty of Arts and Social Sciences School : School of Arts and Media Thesis Title : ‘Catching Time’: the synchrony of minds, bodies and objects in literature Abstract Recent work in the neuroscience of time perception has revealed that humans have an unconscious capacity to ‘catch’, or synchronise with, other people’s subjective experience of time. This process has, I argue, been profoundly intuited by authors in their fictional explorations of time and subjectivity. Literary discourse offers a privileged site for explorations of temporal synchronisation, as authors are able to frame, refract and nuance the relationships they depict, so broadening our understanding of the role of subjective temporality within them. Yet there is a lack of understanding of the precise ways in which time, bodies and environments are intertwined, both in literary studies and cognitive science. This is a significant gap, because subjective time — the experience of temporal properties of events and processes, in particular duration — provides the organising fabric of conscious experience, both for fictional and actual minds. My methodology combines cognitive poetics, cognitive linguistics and cognitive historicism. Through this multifaceted lens, I show how thinking through this intersubjective time can help us understand questions of style, character and plot in narrative. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Don Delillo and the Harbingers of Mortality
MISCELÂNEA Revista de Pós-Graduação em Letras UNESP – Campus de Assis ISSN: 1984-2899 www.assis.unesp.br/miscelanea Miscelânea, Assis, vol.9, jan./jun.2011 DON DELILLO AND THE HARBINGERS OF MORTALITY Gustavo Vargas Cohen (Doutorando — UFRS) RESUMO ABSTRACT O objetivo do presente texto é capturar The aim of the present text is to os sinais e contingências que podem capture the signs and contingencies dificultar e impedir o progresso de um that may hamper and prevent a writer’s escritor. A relevância de Don DeLillo para progress. It acknowledges Don DeLillo’s a literatura mundial é apresentada e relevance to world literature, corroborada por uma lista comentada corroborated by an informed listing of dos prêmios recebidos pelo autor e dos the awards the author has received and temas abordados individualmente em of the themes approached in his suas obras. O texto também discute os individual novels. The text also predecessores de DeLillo, as raízes discusses DeLillo’s predecessors, the históricas de seu tipo de representação historical roots of his kind of realistic realista da sociedade contemporânea e portrayal of contemporary society and as sementes de seu estilo de escrita pós- the seeds to his post-modern writing moderno. A parte final traz um quadro style. The final part brings an outline of geral dos sintomas como evidenciados the symptomatic evidence as shaped by pelos argumentos que seus críticos the arguments that critics offer for oferecem para consideração. O texto consideration. The text concludes by conclui reconhecendo os efeitos acknowledging the side-effects of colaterais de escrever com tamanha writing with such profusion, intensity profusão, intensidade e diversidade.