Strike a Pose! Performance Culture and the Constitution of Postmodern Identity

Lecturer: PD Dr. Stefan L. Brandt, Guest Professor Room and time: AR-A 1009, Tuesdays 14-16 Summer term of 2011

Selected Bibliography

Abt, Vicki and Leonard Mustazza. Coming After Oprah: Cultural Fallout in the Age of the TV Talk Show. Bowling Green: Bowling Green State University Popular Press, 1997. Aston, Elaine and Geraldine Harris, eds. Feminist Futures? Theatre, Performance, Theory. New York: Palgrave Macmillan, 2006. Auslander, Philip. “Just Be Yourself: Logocentrism and Difference in Performance Theory”. Acting (Re)Considered: Theories and Practices, ed. Phillip B. Zarilli. London, New York: Routledge, 1994. Austerlitz, Saul. Money For Nothing: A History of the Music Video from the Beatles to the White Stripes. New York: Continuum, 2007. Austin, Thomas and Martin Baker, eds. Contemporary Hollywood Stardom. New York: Oxford University Press, 2003. Batchen, Geoffrey, ed. Photography Degree Zero: Reflection on Roland Barthes’s Camera Lucida. Cambridge: MIT Press, 2009. Barthes, Roland. The Fashion System. Trans. Richard Howard and Matthew Ward. Berkeley: University of California Press, 1990. ---. Empire of Signs. Trans. Richard Howard. New York: Hill and Wang, 1983. ---. S/Z: An Essay. Trans. Richard Howard and Richard Miller. New York: Hill and Wang, 1975. ---. Image Music Text. Trans. Stephen Heath. New York: Hill and Wang, 1978. ---. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1982. Bayley, Amanda, ed. Recorded Music: Performance, Culture and Technology. Cambridge, UK and New York: Cambrdige University Press, 2010. Beath, Warren Newton. The Death of James Dean. London: Sidgwick & Jackson, 1986. bell, hooks. We Real Cool: Black Men and Masculinity. New York: Routledge, 2004. Bell, Vikki. Culture and Performance: The Challenge of Ethics, Politics and Feminist Theory. Oxford and New York: Berg, 2007. Benjamin, Walter. Das Kunstwerk im Zeitalter seiner Technischen Reproduzierbarkeit. Frankfurt am Main: Edition Suhrkamp, 1974. Bennett, James. Television Personalities: Stardom and the Small Screen. London and New York: Routledge, 2011. Bial, Henry, ed. The Performance Studies Reader. New York: Routledge, 2007. Blessing, Jennifer. Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York: Guggenheim Museum, 1997. Boyle, David. Authenticity: Brands, Fakes, Spin and the Lust for Real Life. London: Harper Perennial, 2004. Brandt, Stefan L. “Performanz und Selbstermächtigung: Zur Ästhetik des Körperlichen bei James Dean.” James Dean lebt! Jugendkultur und Starkult in Film und Musik, 1950-2000. Ed. by Werner Kremp. Trier: WVT, 2006, 11-52. ---. “‘Surface, Surface, Surface’: Image Creation, Commodity Fetishism, and the Fragmentation of the Postmodern Subject.” Worlds in the Making: Constructivism and Postmodern Knowledge. Eds. E. Lorek-Jezinska, T. Siek-Piskozub, and K. Wiêckowska. Torun: Nicolaus Copernicus UP, 2006. 315-23. Brook, Vincent. Something Isn’t Kosher Here: The Rise of the “Jewish” Sitcom. New Brunswick: Rutgers University Press, 2003. Brooks, Laurie. Brave No World: Community, Identity, Stand-Up Comedy. Woodstock: Dramatic Pub, 2007. Buchbinder, David. “Enter The Schlemiel: The Emergence of Inadequate or Incompetent Masculinities in Recent Film and Television”. Canadian Review of American Studies 38.2 (2008): 227-245. Buckley, Cara Louise, Brian L. Leverette and Brian L. Ott, eds. It’s Not TV: Watching HBO in the Post-Television Era. London and New York: Routledge, 2008. Budge, Belinda and Diane Hamer, eds. The Good, the Bad and the Gorgeous: Popular Culture’s Romance with Lesbianism. London: Pandora, 1994. Buikema, Rosemarie and Iris van der Tuin, eds. Doing Gender in Media, Art and Culture. London and New York: Routledge, 2009. Bull, Stephen. Photography. London and New York: Routledge, 2010. Buskin, Richard. Blonde Heat: The Sizzling Screen Career of Marilyn Monroe. New York: Billboard Books, 2001. Butler, Jeremy G. Television Style. New York: Routledge, 2010. Butler, Judith. Gender Trouble. Feminism and the Subversion of Identity. New York and London: Routledge, 1990. ---. Giving an Account of Oneself. New York: Fordham University Press, 2005. ---. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Performing Feminisms. Ed. by Sue-Ellen Case. Baltimore: Johns Hopkins Univ. Press, 1990: 270-282. ---. Bodies that Matter. On the Discursive Limits of ›Sex‹. New York and London: Routledge, 1993. ---. “Critically Queer.” GLQ 1.1 (1993): 17-31. ---. Excitable Speech. A Politics of the Performative. New York and London: Routledge, 1997. Campbell, Duncan A. and Kimberly R. Moffitt, eds. The 1980s: A Critical and Transitional Decade. Lanham: Lexington Books, 2011. Carlson, Marvin. Performance. A Critical Introduction. London and New York: Routledge, 1998. Castiglia, Christopher. “’Ah, Yes, I Remember it Well’: Memory and Queer Culture in Will and Grace”. Cultural Critique 56 (Winter 2004): 158-188. Cavett, Dick. Talk Show: Confrontations, Pointed Commentary, and Off-screen Secrets. New York: Time Books, 2010. Chambers, Samuel Allen. The Queer Politics of Television. London and New York: I.B. Tauris, 2009. Churchwell, Sarah Bartlett. The Many Lives of Marilyn Monroe. London: Granta, 2004. Cohan, Stephen. “Masquerading as the American Male in the Fifties: PICNIC, William Holden and the Spectacle of Masculinity in Hollywood Film.” Male Trouble. Ed. by Constanze Penley and Sharon Willis. Minneapolis and London: Univ. of Minnesota Press, 1993, 203-233. Cordova, Richard de. “Genre and Performance: An Overview.” Film Genre Reader. Ed. by Barry Keith Grant. Austin: Univ. of Texas Press, 1986: 129-139. Cornea, Christine, ed. Genre and Performance. Manchester: Manchester University Press, 2010. Counsell, Colin. Signs of Performance. An Introduction to Twentieth-Century Theatre. London and New York: Routledge, 1996. Dalton, Mary M. and Laura R. Linder. The Sitcom Reader: America Viewed and Scewed. Albany: State University of New York, 2005. DeAngelis, Michael. Gay Fandom and Crossover Stardom: James Dean, Mel Gibson, and Keanu Reeves. Durham: Duke University Press, 2001. Diamond, Elin. Unmaking Mimesis. Essays on feminism and theater. London and New York: Routledge, 1997. ---, ed. Performance and Cultural Politics. London and New York: Routledge, 1996. Doty, Alexander. Making Things Perfectly Queer. Interpreting Mass Culture. Minneapolis, London: Univ. of Minnesota Press, 1993. Double, Oliver. Getting The Joke: The Inner Workings of Stand-Up Comedy. London: Methuen, 2005. Drukman, Steven. “The Gay Gaze. Or Why I Want My MTV.” A Queer Romance. Lesbians, Gay Men and Popular Culture. Ed. by Paul Burston and Colin Richardson. London and New York: Routledge, 1995, 81-95. Dunphy, Graeme and Rainer Emig, eds. Hybrid Humour: Comedy in Transcultural Perspectives. Amsterdam: Rodopi, 2010. Ellis, Bret Easton. American Psycho. London: Continuum, 2001. ---. Glamorama. New York: A. Knopf, distributed by Random House, 1999. ---. Imperial Bedrooms. New York: Alfred A. Knopf, 2010. ---. The Informers. New York: Alfred A. Knopf, 1994. ---. Less than Zero. New York: Penguin Books, 1986. ---. Lunar Park. New York: Knopf, 2005. ---. The Rules of Attraction New York: Simon & Schuster, 1987. Elliott, Anthony. Concepts of the Self. Malden: Blackwell Publishers, 2001. Elkins, James, ed. Photography Theory. New York: Routledge 2007. Epstein, Debbie. “Life in the Bleep-Cycle: Inventing Id-TV on the Jerry Springer Show.” Discourse 25.3 (2003): 90-114. Evans, Caroline, and Lorraine Gamman. “The Gaze Revisited, Or Reviewing Queer Viewing.” A Queer Romance. Lesbians, gay men and popular culture. Ed. by Paul Burston and Colin Richardson. London and New York: Routledge, 1995: 13-56. Ewing, William A. The Body. Photographs of the Human Form. San Francisco: Chronicle Books, 1994. Featherstone, Mike. Consumer Culture and Postmodernism. Los Angeles: SAGE Publications, 2007. Fleetwood, Nicole R. Troubling Vision: Performance, Visuality, and Blackness. Chicago: The University Press of Chicago Press, 2011. Freccero, Carla. “Unruly Bodies: Popular Culture Challenges to the Regime of Body Backlash. Two Live Crew and Madonna.” Visual Anthropological Review 9.1 (Spring 1993): 74-81. ---. “Historical Violence, Censorship, and the Serial Killer. The Case of American Psycho.” diacritics 27.2 (Summer 1997): 44-58. Fouz-Hernández, Santiago and Freya Jarman-Ivens, eds. Madonna’s Drowned Worlds: New Approaches to her Cultural Transformations. Burlington: Ashgate, 2004. Gamson, Joshua. Freaks Talk Back: Tabloid Talk Shows and Sexual Nonconformity. Chicago: University of Chicago Press, 1998. Garber, Frederick. Repositionings: Readings of Contemporary Poetry, Photography, and Performance Art. University Park: Pennsylvania State University Press, 1995. Garcia, Erin C. Photography as Fiction. Los Angeles: J. Paul Getty Museum, 2010. Gay, Leslie C. and René T. A. Lysloff, eds. Music and Technoculture. Middletown: Weslyan University Press, 2003. Gillian, Rose. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Farnham, UK and Burlington, VT: Ashgate, 2010. Goldberg, Rose Lee. Performance Art: From Futurism to the Present. New York: H. N. Abrams, 1988. Goren, Lilly J, ed. You’ve Come A Long Way, Baby: Women, Politics and Popular Culture. Lexington: University Press of Kentucky, 2009. Goodwin, Andrew. Dancing in the Distraction Factory. Music Television and Popular Culture. Minneapolis: Univ. of Minnesota Press, 1992. Grabner, Michell and Mary Jane Jacob, eds. The Studio Reader: On the Space of Artists. Chicago: University of Chicago Press, 2010. Gray, Jonathan, Jeffrey P. Jones and Ethan Thompson, eds. Satire TV: Politics and Comedy in the Post-network Era. New York: New York University Press, 2009. Greene, Jasmin S. Beyond Money, Cars and Women: Examining Black Masculinity in Hip Hop Culture. Newcastle: Cambridge Scholars, 2008. Grindstaff, Laura. The Money Shot: Trash, Class, and the Making of TV Talk Shows. Chicago: University of Chicago Press, 2002. Grossberg, Lawrence. “Identity and Cultural Studies: Is That All There Is?” Questions of Cultural Identity. London, Thousand Oaks and New Delhi: Sage Publications, 1996, 87-107. Hall, Stuart. “Introduction: Who Needs ‘Identity’?” Questions of Cultural Identity. Ed. by Stuart Hall and Paul du Gay. London, Thousand Oaks, New Delhi, Sage Publications, 1996, 1-17. Hanson, Matt. Reinventing Music Video: Next-Generation Directors, Their Inspiration, and Work. Burlington: Focal Press, 2006. Haraway, Donna. Simians, Cyborgs, and Women. The Reinvention of Nature. New York: Routledge, 1991. Harrison, Anthony Kwame. Hip Hop Underground: The Integrity and Ethics of Racial Identification. Philadelphia: Temple University Press, 2009. Hart, Kylo-Patrick, ed. Film and Television Stardom. Newcastle: Cambridge Scholars Pub., 2008. Havranek, Carrie. Women Icons of Popular Music: The Rebels, Rockers and Renegades. Westport: Greenwood Press, 2009. Holley, Val. James Dean: The Biography. New York: St. Martin’s Press, 1995. Hopkins, Natalie and Natalie Y. Moore. Deconstruction Tyrone: A New Look at Black Masculunity in the Hip Hop Generation. San Francisco: Cleis Press, 2006. Howell, Anthony. The Analysis of Performance Art: A Guide to its Theory and Practice. Amsterdam: Harwood Academic, 1999. Ingram, Brett, Hanna Musiol and Michael Ryan. Cultural Studies: A Practical Introduction. West Sussex and Malden: Wiley-Blackwell, 2010. Inglis, Ian, ed. Performance and Popular Music: Histor, Place and Time. Aldershot, UK and Burlington: Ashgate, 2006. Jacobowitz, Florence, and Richard Lippe. “Performance and the Still Photograph: Marilyn Monroe.” cineACTION 44 (Summer 1997): 12-19. Jappe, Elisabeth. Performance, Ritual, Prozeß. München: Prestel, 1993. Jones, Amelia. “‘Presence’ in Absentia: Experiencing Performance as Documentation.” Art Journal 56.4 (1997): 11-18. Kaye, Nick. Postmodernism and Performance. New York: St. Martin’s Press, 1994. Keller, James R. and Leslie Stratyner, eds. The New Queer Aesthetic on Television: Essays on Recent Programming. Jefferson: McFarland, 2006. Kittner, Alma-Elisa. Visuelle Autobiographien: Sammeln als Selbstentwurf bei Hannah Höch, Sophie Calle und Annette Messager. Bielefeld: transcript-Verl, 2009. Larue, John, and Carole Zucker. “James Dean: The Pose of Reality? EAST OF EDEN and the Method Performance.” Making Visible the Invisible. An Anthology of Original Essays on Film Acting. Ed. by Carole Zucker. Metuchen, and London: The Scarecrow Press, 1990, 295-324. Lauretis, Teresa de. Alice Doesn't. Feminism, Semiotics, Cinema. 1982. Bloomington: Indiana Univ. Press, 1984. ---, ed. The Cinematic Apparatus. New York: St. Martin's Press, 1985. ---. Technologies of Gender: Essays on Theory, Film and Fiction. Bloomington: Univ. Press, 1987. Lee, Katja. “Reconsidering Rap’s ‘I’: Eminem’s Autobiographical Postures and the Construction of Identity Authenticity”. Canadian Review of American Studies. 38.3 (2008): 351-373. Leypoldt, Guenter. Casual Silences: The Poetics of Minimal Realism from Raymond Carver and the New Yorker School to Bret Easton Ellis. Trier: Wissenschaftlicher Verlag Trier, 2001. Limon, John. Stand-up Comedy in Theory, or Abjection in America. Durham: Duke University Press, 2000. Lloyd, Fran, ed. Deconstructing Madonna. London: Batsford, 1993. Lowney, Kathleen S. Baring our Souls: TV Talk Shows and the Religion of Recovery. New York: Aldine de Gruyter, 1999. Lucie-Smith, Edward. Race, Sex, and Gender: In Contemporary Art. New York: H.N. Abrams, 1994. Manga, Julie Engel. Talking Trash: The Cultural Politics of Daytime TV Talkshows. New York: New York University Press, 2003. Mangan, Michael. Staging Masculinities: History, Gender, Performance. New York: Palgrave Macmillan, 2003. Marinis, Marco de. The Semiotics of Performance. Bloomington: Indiana Univ. Press, 1993. Mason, Derritt. “Rah, Rah, Ah-Ah-Ah (Ro-Ma, Ro-Ma-Ma): Lady Gaga, Hysteria, Commodity Feminism.” Critical Writings and Art about Lady Gaga. . Accessed 23 August 2010. Mayne, Judith. Cinema and Spectatorship. 1993. London and New York: Routledge, 1995. McLuhan, Marshall. “The Photograph. The Brothel-without-Walls.” Understanding Media. The Extensions of Man. 1964. Cambridge, Mass., and London, England: The MIT Press, 1997. McRobbie, Angela. “Shut Up and Dance: Youth Culture and Changing Modes of Femininity.” Cultural Studies 7.3 (Oct. 1993): 406-426. Meyers, Jeffrey. The Genius and the Goddess: Arthur Miller and Marilyn Monroe. Urbana: University of Illinois Press, 2010. Miklitsch, Robert. From Hegel to Madonna: Towards a General Economy of ‘Commodity Fetishism’. New York: State Univ. of New York Press, 1998. Mills, Brett. The Sitcom. Edinburgh: Edinburgh University Press, 2009. Modrak, Rebekah and Bill Anthers. Reframing Photography: Theory and Practice. New York: Routledge, 2010. Morreale, Joanne, ed. Critiquing the Sitcom: A Reader. Syracuse: Syracuse University Press, 2003. Munson, Wayne. All Talk: The Talkshow in Media Culture. Philadelphia: Temple University Press, 1993. Neibaur, James L. Tough Guy. The American Movie Macho. North Carolina: McFarland & Company, Inc., Publ., 1989. Nichols, Bill. Ideology and the Image. Social Interpretation in the Cinema and Other Media. Bloomington: Indiana Univ. Press, 1981. Ogbar, Jeffrey Ogbonna Green. Hip-hop Revolution: The Culture and Politics of Rap. Lawrence: University Press of Kansas, 2007. Orrell, Paula, ed. Marina Abramovic + the Future of Performance Art. Munich and London: Prestel, 2010. Pace, Patricia. “Staging Childhood: Lewis Hine’s Photographs of Child Labor”. The Lion and the Unicorn 26.3 (2002): 324-352. Parker, Fred R. Contemporary Photography as Phantasy: A Visualization of a Theory of Life the Provides a Familiarity with Mystery. Santa Barbara: Santa Barbara Museum of Art, 1982. Perry, Gill, ed. Gender and Art. New Haven: Yale University Press in association with the Open Unversity, 1999. Quail, Christine. Vulture Culture: The Politics and Pedagogy of Daytime Television Talk Shows. New York: Peter Lang, 2005. Reiss, Steven and Neil Feineman. Thirty Frames Per Second: The Visionary Art of the Music Video. New York: H.N. Abrams, 2000. Rentsch, Stefanie. Hybrides Erzaehlen: Text-Bild-Kombinationen bei Jean Le Gac und Sophie Calle. Muenchen: Fink, 2010. Reynolds, Peter, ed. Novel Images. Literature in Performance. London and New York: Routledge, 1993. Rollyson, Carl E. Marilyn Monroe: A Life of the Actress. Ann Arbor: UMI Research Press, 1986. Roman, James W. From Daytime to Primetime: The History of American Television Programs. Westport: Greenwood Press, 2005. Rose, Tricia. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop – and Why It Matters. New York: Basic Civitas, 2008. ---. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover: University Press of New England, 1994. Saddik, Annette J. “Rap’s Unruly Body: The Postmodern Performance of Black Male Identity on the American Stage”. TDR 47.4 (2003): 110-127. Samuels, Robert. New Media, Cultural Studies, and Critical Theory after Postmodernism: Automodernity from Žižek to Laclau. New York: Palgrave Macmillan, 2010. Sayre, Henry M. The Object of Performance: The American Avant-Garde since 1970. Chicago and London: University of Chicago Press, 1989. Scanlon, Jennifer, ed. The Gender and Consumer Culture Reader. New York: New York University Press, 2000. Schechner, Richard. Performance Studies: An Introduction. London and New York: Routledge, 2002. ---. Performance Theory. London & New York: Routledge, 2003. Sedita, Scott. The Eight Characters of Comedy: A Guide to Sitcom Acting and Writing. Los Angeles: Atides, 2006. Sharpley-Whiting, Denean T. Pimp Up, Ho’s Down: Hip Hop’s Hold on Young Black Women. New York: New York University Press, 2007. Sherry, John F. Jr and Eileen Fischer, eds. Explorations in Consumer Culture. London and New York: Routledge, 2009. Springer, Claudia. James Dean Transfigured: The Many faces of Rebel Iconography. Austin: University of Texas Press, 2007. Sprinkle, Annie. Annie Sprinkle: Post-porn Modernist: My 25 Years as a Multi-media Whore. San Francisco: Cleis Press, 1998. --- and Gabrielle Cody, eds. Hardcore from the Heart: The Pleasures, Profits and Politics of Sex in Performance. London and New York: Continuum, 2001. Spoto, Donald. Marilyn Monroe: The Biography. New York: HarperCollins Publishers, 1993. Stanislawski, Constantin. When Acting is Art. Trans. Elizabeth Reynolds Hapgood. New York: Routledge, Chapman and Hall, 1964. Sternheimer, Karen. Celebrity Culture and the American Dream: Stardom and Social Mobility. New York: Routledge, 2011. Sontag, Susan. “Notes on Camp.” 1964. Against Interpretation, and Other Essays. New York: Farrar, Straus, and Giroux, 1966, 275-292. ---. “Film and Theatre.” 1966. Film Theory and Criticism. Introductory Readings. Ed. by Mast, Gerald, Marshall Cohen and Leo Braudy. New York and Oxford: Oxford Univ. Press, 1992: 362-74. ---. On Photography. New York: Farrar, Straus & Giroux, 1977. Taminiaux, Pierre. The Paradox of Photography. Amsterdam: Rodopi, 2009. Tighe, Carl. Writing and Responsibility. London and New York: Routledge, 2005. Timberg, Bernard. Television Talk: A History of the TV Talk Show. Austin: University of Texas Press, 2002. Tolson, Andres, ed. Television Talk Shows: Discourse, Performance, Spectacle. Mahwah: Lawrence Erlbaum, 2001. Torr, Diane and Stephen Bottoms. Sex, Drag and Male Roles: Investigating Gender as Performance. Ann Arbor: University of Michigan Press, 2010. 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Filmography

8 Mile. Dir. Curtis Hanson. Perf. Eminem, Brittany Murphy, Mekhi Phifer, Kim Basinger, Evan Jones. Imagine Entertainment, 2002. Borat: Culturalt Learnings of America Make Benefit Glorius Nation of Kazakhstan. Dir. Sacha Baron Cohen. Perf. Sacha Baron Cohen, Ken Davitan, Luenell. Four By Two, 2006. East of Eden. Dir. Elia Kazan. Perf. James Dean, Julie Harris, Raymond Massey, Burl Ives, Richard Davalos. Warner Bros. Pictures, 1954. Morocco. Dir. Josef von Sternberg. Perf. Marlene Dietrich, Gary Cooper, Adolphe Menjou, Ullrich Haupt. Paramount Pictures, 1931.

Lady Gaga: Born This Way. Dir. Nick Knight. Perf. Lady Gaga. 2011. Telephone. Dir. Jonas Akerlund. Perf. Lady Gaga, Beyoncé. 2010.

Madonna: Express Yourself. Dir. Greg Fienberg. Perf. Madonna.1989. Vogue. Dir. David Fincher, Perf. Madonna.1990.