DOCSLIB.ORG

Strike a Pose! Performance Culture and the Constitution of Postmodern Identity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Strike a Pose! Performance Culture and the Constitution of Postmodern Identity Strike a Pose! Performance Culture and the Constitution of Postmodern Identity Lecturer: PD Dr. Stefan L. Brandt, Guest Professor Room and time: AR-A 1009, Tuesdays 14-16 Summer term of 2011 Selected Bibliography Abt, Vicki and Leonard Mustazza. Coming After Oprah: Cultural Fallout in the Age of the TV Talk Show. Bowling Green: Bowling Green State University Popular Press, 1997. Aston, Elaine and Geraldine Harris, eds. Feminist Futures? Theatre, Performance, Theory. New York: Palgrave Macmillan, 2006. Auslander, Philip. “Just Be Yourself: Logocentrism and Difference in Performance Theory”. Acting (Re)Considered: Theories and Practices, ed. Phillip B. Zarilli. London, New York: Routledge, 1994. Austerlitz, Saul. Money For Nothing: A History of the Music Video from the Beatles to the White Stripes. New York: Continuum, 2007. Austin, Thomas and Martin Baker, eds. Contemporary Hollywood Stardom. New York: Oxford University Press, 2003. Batchen, Geoffrey, ed. Photography Degree Zero: Reflection on Roland Barthes’s Camera Lucida. Cambridge: MIT Press, 2009. Barthes, Roland. The Fashion System. Trans. Richard Howard and Matthew Ward. Berkeley: University of California Press, 1990. ---. Empire of Signs. Trans. Richard Howard. New York: Hill and Wang, 1983. ---. S/Z: An Essay. Trans. Richard Howard and Richard Miller. New York: Hill and Wang, 1975. ---. Image Music Text. Trans. Stephen Heath. New York: Hill and Wang, 1978. ---. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1982. Bayley, Amanda, ed. Recorded Music: Performance, Culture and Technology. Cambridge, UK and New York: Cambrdige University Press, 2010. Beath, Warren Newton. The Death of James Dean. London: Sidgwick & Jackson, 1986. bell, hooks. We Real Cool: Black Men and Masculinity. New York: Routledge, 2004. Bell, Vikki. Culture and Performance: The Challenge of Ethics, Politics and Feminist Theory. Oxford and New York: Berg, 2007. Benjamin, Walter. Das Kunstwerk im Zeitalter seiner Technischen Reproduzierbarkeit. Frankfurt am Main: Edition Suhrkamp, 1974. Bennett, James. Television Personalities: Stardom and the Small Screen. London and New York: Routledge, 2011. Bial, Henry, ed. The Performance Studies Reader. New York: Routledge, 2007. Blessing, Jennifer. Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York: Guggenheim Museum, 1997. Boyle, David. Authenticity: Brands, Fakes, Spin and the Lust for Real Life. London: Harper Perennial, 2004. Brandt, Stefan L. “Performanz und Selbstermächtigung: Zur Ästhetik des Körperlichen bei James Dean.” James Dean lebt! Jugendkultur und Starkult in Film und Musik, 1950-2000. Ed. by Werner Kremp. Trier: WVT, 2006, 11-52. ---. “‘Surface, Surface, Surface’: Image Creation, Commodity Fetishism, and the Fragmentation of the Postmodern Subject.” Worlds in the Making: Constructivism and Postmodern Knowledge. Eds. E. Lorek-Jezinska, T. Siek-Piskozub, and K. Wiêckowska. Torun: Nicolaus Copernicus UP, 2006. 315-23. Brook, Vincent. Something Isn’t Kosher Here: The Rise of the “Jewish” Sitcom. New Brunswick: Rutgers University Press, 2003. Brooks, Laurie. Brave No World: Community, Identity, Stand-Up Comedy. Woodstock: Dramatic Pub, 2007. Buchbinder, David. “Enter The Schlemiel: The Emergence of Inadequate or Incompetent Masculinities in Recent Film and Television”. Canadian Review of American Studies 38.2 (2008): 227-245. Buckley, Cara Louise, Brian L. Leverette and Brian L. Ott, eds. It’s Not TV: Watching HBO in the Post-Television Era. London and New York: Routledge, 2008. Budge, Belinda and Diane Hamer, eds. The Good, the Bad and the Gorgeous: Popular Culture’s Romance with Lesbianism. London: Pandora, 1994. Buikema, Rosemarie and Iris van der Tuin, eds. Doing Gender in Media, Art and Culture. London and New York: Routledge, 2009. Bull, Stephen. Photography. London and New York: Routledge, 2010. Buskin, Richard. Blonde Heat: The Sizzling Screen Career of Marilyn Monroe. New York: Billboard Books, 2001. Butler, Jeremy G. Television Style. New York: Routledge, 2010. Butler, Judith. Gender Trouble. Feminism and the Subversion of Identity. New York and London: Routledge, 1990. ---. Giving an Account of Oneself. New York: Fordham University Press, 2005. ---. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Performing Feminisms. Ed. by Sue-Ellen Case. Baltimore: Johns Hopkins Univ. Press, 1990: 270-282. ---. Bodies that Matter. On the Discursive Limits of ›Sex‹. New York and London: Routledge, 1993. ---. “Critically Queer.” GLQ 1.1 (1993): 17-31. ---. Excitable Speech. A Politics of the Performative. New York and London: Routledge, 1997. Campbell, Duncan A. and Kimberly R. Moffitt, eds. The 1980s: A Critical and Transitional Decade. Lanham: Lexington Books, 2011. Carlson, Marvin. Performance. A Critical Introduction. London and New York: Routledge, 1998. Castiglia, Christopher. “’Ah, Yes, I Remember it Well’: Memory and Queer Culture in Will and Grace”. Cultural Critique 56 (Winter 2004): 158-188. Cavett, Dick. Talk Show: Confrontations, Pointed Commentary, and Off-screen Secrets. New York: Time Books, 2010. Chambers, Samuel Allen. The Queer Politics of Television. London and New York: I.B. Tauris, 2009. Churchwell, Sarah Bartlett. The Many Lives of Marilyn Monroe. London: Granta, 2004. Cohan, Stephen. “Masquerading as the American Male in the Fifties: PICNIC, William Holden and the Spectacle of Masculinity in Hollywood Film.” Male Trouble. Ed. by Constanze Penley and Sharon Willis. Minneapolis and London: Univ. of Minnesota Press, 1993, 203-233. Cordova, Richard de. “Genre and Performance: An Overview.” Film Genre Reader. Ed. by Barry Keith Grant. Austin: Univ. of Texas Press, 1986: 129-139. Cornea, Christine, ed. Genre and Performance. Manchester: Manchester University Press, 2010. Counsell, Colin. Signs of Performance. An Introduction to Twentieth-Century Theatre. London and New York: Routledge, 1996. Dalton, Mary M. and Laura R. Linder. The Sitcom Reader: America Viewed and Scewed. Albany: State University of New York, 2005. DeAngelis, Michael. Gay Fandom and Crossover Stardom: James Dean, Mel Gibson, and Keanu Reeves. Durham: Duke University Press, 2001. Diamond, Elin. Unmaking Mimesis. Essays on feminism and theater. London and New York: Routledge, 1997. ---, ed. Performance and Cultural Politics. London and New York: Routledge, 1996. Doty, Alexander. Making Things Perfectly Queer. Interpreting Mass Culture. Minneapolis, London: Univ. of Minnesota Press, 1993. Double, Oliver. Getting The Joke: The Inner Workings of Stand-Up Comedy. London: Methuen, 2005. Drukman, Steven. “The Gay Gaze. Or Why I Want My MTV.” A Queer Romance. Lesbians, Gay Men and Popular Culture. Ed. by Paul Burston and Colin Richardson. London and New York: Routledge, 1995, 81-95. Dunphy, Graeme and Rainer Emig, eds. Hybrid Humour: Comedy in Transcultural Perspectives. Amsterdam: Rodopi, 2010. Ellis, Bret Easton. American Psycho. London: Continuum, 2001. ---. Glamorama. New York: A. Knopf, distributed by Random House, 1999. ---. Imperial Bedrooms. New York: Alfred A. Knopf, 2010. ---. The Informers. New York: Alfred A. Knopf, 1994. ---. Less than Zero. New York: Penguin Books, 1986. ---. Lunar Park. New York: Knopf, 2005. ---. The Rules of Attraction New York: Simon & Schuster, 1987. Elliott, Anthony. Concepts of the Self. Malden: Blackwell Publishers, 2001. Elkins, James, ed. Photography Theory. New York: Routledge 2007. Epstein, Debbie. “Life in the Bleep-Cycle: Inventing Id-TV on the Jerry Springer Show.” Discourse 25.3 (2003): 90-114. Evans, Caroline, and Lorraine Gamman. “The Gaze Revisited, Or Reviewing Queer Viewing.” A Queer Romance. Lesbians, gay men and popular culture. Ed. by Paul Burston and Colin Richardson. London and New York: Routledge, 1995: 13-56. Ewing, William A. The Body. Photographs of the Human Form. San Francisco: Chronicle Books, 1994. Featherstone, Mike. Consumer Culture and Postmodernism. Los Angeles: SAGE Publications, 2007. Fleetwood, Nicole R. Troubling Vision: Performance, Visuality, and Blackness. Chicago: The University Press of Chicago Press, 2011. Freccero, Carla. “Unruly Bodies: Popular Culture Challenges to the Regime of Body Backlash. Two Live Crew and Madonna.” Visual Anthropological Review 9.1 (Spring 1993): 74-81. ---. “Historical Violence, Censorship, and the Serial Killer. The Case of American Psycho.” diacritics 27.2 (Summer 1997): 44-58. Fouz-Hernández, Santiago and Freya Jarman-Ivens, eds. Madonna’s Drowned Worlds: New Approaches to her Cultural Transformations. Burlington: Ashgate, 2004. Gamson, Joshua. Freaks Talk Back: Tabloid Talk Shows and Sexual Nonconformity. Chicago: University of Chicago Press, 1998. Garber, Frederick. Repositionings: Readings of Contemporary Poetry, Photography, and Performance Art. University Park: Pennsylvania State University Press, 1995. Garcia, Erin C. Photography as Fiction. Los Angeles: J. Paul Getty Museum, 2010. Gay, Leslie C. and René T. A. Lysloff, eds. Music and Technoculture. Middletown: Weslyan University Press, 2003. Gillian, Rose. Doing Family Photography: The Domestic, the Public and the Politics of Sentiment. Farnham, UK and Burlington, VT: Ashgate, 2010. Goldberg, Rose Lee. Performance Art: From Futurism to the Present. New York: H. N. Abrams, 1988. Goren, Lilly J, ed. You’ve Come A Long Way, Baby: Women, Politics and Popular Culture. Lexington: University Press of Kentucky, 2009. Goodwin, Andrew. Dancing in the Distraction Factory. Music Television and Popular Culture. Minneapolis: Univ. of Minnesota
Load more

Recommended publications
  • “Vogue” Em Performances Do Carnaval Carioca Strike a Pose!
    ARTIGO COMUN. MÍDIA CONSUMO, SÃO PAULO, V. 16, N. 46, P. 376-395, MAI./AGO. 2019 DOI 10.18568/CMC.V16I46.1901 Strike a pose! A mediação do videoclipe “Vogue” em performances do Carnaval carioca Strike a Pose! Mediations of “vogue” music video in Performances of Brazilian Carnival Simone Pereira de Sá1 Rodolfo Viana de Paulo2 Resumo: O artigo tem por objetivo abordar as mediações do videoclipe da canção “Vogue”, de Madonna, buscando discutir o seu agenciamento de corpo- reidades periféricas em dois momentos: nos anos 1980, quando o videoclipe se apropria e amplia a visibilidade da dança voguing, praticada pela cena cultural LGBT nova-iorquina, e duas décadas depois, quando o videoclipe é, por sua vez, uma das referências para jovens dançarinos gays nas suas apresentações em alas das escolas de samba do Carnaval carioca. Assim, interessa-nos discutir as zonas de diálogo e de tensão entre performances locais e globais, tendo como aportes teóricos a discussão sobre “cosmopolitismo estético” (REGEV, 2013) e sobre as divas pop como ícones culturais (JENNEX, 2013), entre outras referências. Palavras-chave: Vogue; Madonna; performance; videoclipe; escolas de samba. Abstract: The article discusses the mediations of Madonna’s Music Vid- eo Vogue, seeking to discuss its agency on peripheral bodies in two moments: the first, in the 80s, when the song and music video appropriates the steps and gestures of Voguing created by the LGBT scene in New York; and the second moment, two decades later, when the music video is, in turn, one of the refer- ences for young, black and gay dancers who practice Vogue dance during their presentations on Rio de Janeiro’s samba schools in the present time.
    [Show full text]
  • Boas Feministas, Enquanto Para Madonna, Expressar Sua Sexualidade Era Algo Que Deveria Ser Natural a Todos
    a i n d a e s t o u a q u i a i n d a e s t o u a q u i aa i i n d d a a ee s s t o o u u aa q q u u i i a i n d a e s t o u a q u i a i n d a e s t o u a q u i inspirado no projeto MADONNA,SEXAGENÁRIA sesc rio preto agosto de 2018 Asas pessoaspessoas dizemdizem queque sousou cAs o n t rpessoas o v e r s a . cdizem o n t r oque v e rsou s a . Masmasc o n tachoacho r o v e r sque aque . aa Mascoisacoisa acho mais maisque controversaco na t rcoisa o v e rquemais s a fizque foi c ofiz n f t ricar o v efoi r s a aqui.f ique cM ichaelfiz a rfoi sea foi. qficar u Tupac i aqui.. semichael foi.Michael sePrince foi. se foi. setupac foi. seTupacWhitney foi. se foi. seprince foi. sePrince foi.Amy se foi. Winehousewhitney seseWhitney foi.foi. se foi. Amy Winehouse Davidamy winehouse w se foi.. se foi. david bowiese foi. David se foi...Bowie se f...oi. mas ainda estou aqui. HEY BRASIL, VAMOS PIMBAR! por Harlen Félix, 40 ator e jornalista “Hey, Brasil, vamos pimbar!” Era isso que Madonna falava ao microfone enquanto descia no palco, minimamente vestida, sentada sobre um enorme globo de espelhos, na turnê The Girlie Show, que marcou sua primeira passagem pelo Brasil, em 1993.
    [Show full text]
  • A Screenplay. Stacey Chet Sewell Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2001 With this ring: a screenplay. Stacey Chet Sewell Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Sewell, Stacey Chet, "With this ring: a screenplay." (2001). Retrospective Theses and Dissertations. 14394. https://lib.dr.iastate.edu/rtd/14394 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. With this ring: A screenplay by Stacey Chet Sewell A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Creative Writing) Major Professor: Joseph Geha Iowa State University Ames, Iowa 2001 Copyright © Stacey Chet Sewell, 2001. All rights reserved INT. JED'S APARTMENT - NIGHT JED is a handsome, physically fit man in his mid-twenties. He has blue eyes and light hair which he keeps in a crew-cut. He sits at his computer, staring at the screen. He reaches for a pot pipe sitting on the desk while looking at the screen. He pinches a little bit of marijuana from a saucer and puts it in the pipe. He brings the pipe up and focuses on it. He looks at it intently for a moment, examining it, turning it around in his hand.
    [Show full text]
  • Madonna - 1982 - 2009 : the Lyrics Book - 1 SOMMAIRE
    Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 1 SOMMAIRE P.03 P.21 P.51 P.06 P.26 P.56 P.09 P.28 P.59 P.10 P.35 P.66 P.14 P.40 P.74 P.15 P.42 P.17 P.47 Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 2 ‘Cause you got the best of me Chorus: Borderline feels like I’m going to lose my mind You just keep on pushing my love over the borderline (repeat chorus again) Keep on pushing me baby Don’t you know you drive me crazy You just keep on pushing my love over the borderline Something in your eyes is makin’ such a fool of me When you hold me in your arms you love me till I just can’t see But then you let me down, when I look around, baby you just can’t be found Stop driving me away, I just wanna stay, There’s something I just got to say Just try to understand, I’ve given all I can, ‘Cause you got the best of me (chorus) Keep on pushing me baby MADONNA / Don’t you know you drive me crazy You just keep on pushing my love over the borderline THE FIRST ALBUM Look what your love has done to me 1982 Come on baby set me free You just keep on pushing my love over the borderline You cause me so much pain, I think I’m going insane What does it take to make you see? LUCKY STAR You just keep on pushing my love over the borderline written by Madonna 5:38 You must be my Lucky Star ‘Cause you shine on me wherever you are I just think of you and I start to glow BURNING UP And I need your light written by Madonna 3:45 Don’t put me off ‘cause I’m on fire And baby you know And I can’t quench my desire Don’t you know that I’m burning
    [Show full text]
  • Media Culture: Cultural Studies, Identity and Politics Between The
    Media Culture Media Culture develops methods and analyses of contemporary film, television, music, and other artifacts to discern their nature and effects. The book argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African- American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head, the Gulf War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Criticizing social context, political struggle, and the system of cultural production, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book. Kellner argues that we are in a state of transition between the modern era and a new postmodern era and that media culture offers a privileged field of study and one that is vital if we are to grasp the full import of the changes currently shaking us.
    [Show full text]
  • Andrew Cuerden & Mila Lazar
    ANDREW CUERDEN Telephone: +1 758 457 7800 Email: [email protected] & MILA LAZAR Cariblue Beach, Cap Estate, St.Lucia, West Indies 1ST TO 14TH JUNE 2015 www.thebodyholiday.com A GLOBAL APPEAL THIS JUNE WE ARE ONCE AGAIN DEDICATING A WHOLE MONTH TO DANCE AND HOPING TO INSPIRE MORE PEOPLE TO TAKE UP THIS AMAZING EXERCISE AND HAVE SOME FUN. YOUR HOSTS ANDREW CUERDEN Latin and ballroom dancer, choreographer and teacher extraordinaire, Andrew Cuerden’s career is both glittering and global. Andrew is best known for being a professional dancer LATIN NIGHT on the BBC’s hit show Strictly Come Dancing, on which he partnered Holby City actress 9:30PM TUESDAY 2ND & 9TH Jaye Jacobs in series 3. Subsequently, Andrew Enjoy a hot hot hot evening of Latin tunes and moves. The evening partnered former News of the World and The Sun editor Rebekah starts with 30 minutes dance instruction, suitable for beginners, Brooks and Coronation Street actress Jennie McAlpine for to learn a few basic moves for the dance-fl oor. Then things get Strictly-style events for News International and Manchester United. even spicier with Merengue, Salsa and Cha-Cha-Cha music, and Andrew has appeared in numerous television advertisements, music the dance fl oor is yours! videos and fi lm documentaries, including London Tango, where he taught a recently divorced divorce lawyer to dance in order to help her overcome her woes. He has also danced in period dramas, such STEP BY STEP DANCE PARTY as the remake of Far From The Madding Crowd and the upcoming 9:30PM THURSDAY 4TH & 11TH The Great Fire.
    [Show full text]
  • Strike a Pose
    BOND/360 Presents STRIKE A POSE A FILM BY ESTER GOULD AND REIJER ZWAAN RT: 83 min Rating: Not Rated Website: www.madonnadancers.com North American press: Silversalt PR Thessa Mooij Laura Schwab 646.637.4700 347.401.0825 [email protected] [email protected] SHORT SYNOPSIS In 1990, seven young male dancers - six gay, one straight - joined Madonna on her most controversial tour. On stage and in the iconic film Truth or Dare they showed the world how to express yourself. Now, 25 years later, they reveal the truth about life during and after the tour. Strike a Pose is a dramatic tale about overcoming shame and finding the courage to be who you are. LONG SYNOPSIS In 1990, seven young dancers joined pop star Madonna on her most controversial world tour. Wild, talented and barely twenty, the dancers set out on the trip of a lifetime. Their journey was captured in Truth or Dare, one of the highest-grossing documentaries ever. As a self-proclaimed mother to her six gay dancers plus straight Oliver, Madonna used the film to take a stand on gay rights, freedom of expression and the fight against AIDS. Madonna’s flamboyant dancers became icons of sexual freedom, inspiring people all over the world to be who you are. At the height of the AIDS epidemic and in the aftermath of the conservative Reagan era, Truth or Dare introduced audiences to fun-loving, bold and larger-than-life gay characters. The film was ground-breaking, featuring two guys kissing passionately during the famous Truth or Dare scene.
    [Show full text]
  • Central News Pages Feb08
    The Salvation Army / USA Central Territory News and Views from the Midwest “We are all one body, we have the same Spirit, and we have all been called to the same glorious future.” Eph. 4:3,4 (NLT) Volume 44, Number 1 January 2014 All God’s children are returning to Merrillville he Festival of Worship Arts comes from using their talents for one for whom the and Commissioning week - the Lord. We are counting on this term applies,” said Tend, June 6-8, will prove to generation to rise up and answer the Himes. be one of those not-to-be goal for ‘Live music in worship in Commissioners missed experiences. With the theme every corps by 2020.’” Dick and Vibeke of All God’s Children, the event will A tangible step toward this goal Krommenhoek, ter - challenge Salvationists in their walk, will be the debut of the Territorial ritorial leaders of worship and service. Youth Band and Youth Chorus (TYB the Norway, “Although past gospel arts week - and TYC), comprised of aspiring Iceland and ends have achieved the desired goals vocalists and instrumentalists from Faeroes Territory, of inspiration, participation and affir - around the territory, led by the terri - also will be guests Commissioners Dick and Vibeke Krommenhoek mation of our music and gospel arts torial team of William Himes, Peggy for the weekend. During their 30 forces, this June we will especially Thomas, Joe Caddy and Meghan years of officership they have served focus on our young musicians, our Pierson. Selected through online throughout Europe and most recently age/ability brackets.
    [Show full text]
  • Madonna History Land of the Free Lyrics
    Madonna history land of the free lyrics click here to download History (Land of The Free) Lyrics: Just repeat history / Just repeat history / Just repeat history / I looked all around the world / Nobody has it better than we do, uh. "History (Land of the Free)" - Lyrics (Unreleased Song). Article by lovebaltor posted hace más de un año. (You can here the song link) [Verse 1] I looked all. "History (Land of the Free)" - Lyrics (Unreleased Song). Article by lovebaltor posted over a year ago. (You can here the song link) [Verse 1]. I looked all around. Madonna - History (Land Of The Free)(Lyrics On Screen). Madonna Lyrics. Loading. do a spell check. Lyrics to song "History [Land Of The Free][Part I]" by Madonna: History Uh huh, Uh huh, Uh huh I looked all around the world [I looked all around the world]. Madonna - Land Of The Free (música para ouvir e letra da música com legenda)! Why are we and tired of fighting. Just repeat history (repeat several times). Lyrics to "History" song by Madonna: Just repeat history Just repeat history Just repeat history I looked all around the world Nobo. "History" is a song by Madonna recorded for her tenth studio album, Confessions on a Dance Floor. song, called "History (Land of The Free)": the song has a completely different In April it leaked again, but with slightly different lyrics. Madonna - Land Of The Free (tradução) (Letra e música para ouvir) - Land of the free / (uh huh, uh huh, uh huh / / I Just repeat history (repeat several times).
    [Show full text]
  • Voguing: Examples of Performance Through Art, Gender and Identity Raphaël Branchesi (Translated By)
    108 GABRIELLA BIRARDI MAZZONE, GIOELE PERESSINI VOGUING: EXAMPLES OF PERFORMANCE THROUGH ART, GENDER AND IDENTITY RAPHAËL BRANCHESI (TRANSLATED BY) This paper is the result of a thirty hour seminar on Performance Studies, taught by Dr. Carmela Cutugno at the University of Bologna, as part of a Master course in Theories and Cultures of Representation held by Professor Marco De Marinis. The idea for the chosen topic, as well as part of the readings were suggested during the seminar by Dr. Cutugno, who assisted us for the entire process of thinking and writing about this issues. The seminar was conceived and realized as a performance studies analysis workshop and the final paper was presented, performed and danced as the result of the course. This essay is a synopsis of that work, focused on Voguing, firstly as artistic and cultural performance, and then upon the differences between the U.S.A. context and the Italian context, which were both supported by the dichotomy between artistic performance and “gender performativity”. The first part of this essay starts from this point to analyze the process of transformation, and differentiation of the voguing culture, paying particular attention to the Italian performative scene. In the second part a further analysis is carried out, taking into account all the topics connected to the ideas of identity and gender. «Performances mark identities, bend time, reshape and adorn the body, and tell stories»83 R. Schechner, Performance Studies: An Introduction There was no better way to begin this paper, than to use this quote as an introduction to the analysis presented in the following pages, concerning the phenomenon of voguing and its penetration and reception in Italy.
    [Show full text]
  • Rodrigo Ribeiro Barreto.Pdf
    UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E CULTURA CONTEMPORÂNEAS A FABRICAÇÃO DO ÍDOLO POP: A ANÁLISE TEXTUAL DE VIDEOCLIPES E A CONSTRUÇÃO DA IMAGEM DE MADONNA RODRIGO RIBEIRO BARRETO Salvador 2005 2 RODRIGO RIBEIRO BARRETO A FABRICAÇÃO DO ÍDOLO POP: A ANÁLISE TEXTUAL DE VIDEOCLIPES E A CONSTRUÇÃO DA IMAGEM DE MADONNA Dissertação apresentada ao Programa de Pós- Graduação em Comunicação e Cultura Contemporâneas, Faculdade de Comunicação, Universidade Federal da Bahia, como requisito para obtenção do título de Mestre em Comunicação e Cultura Contemporâneas. Orientador: Prof. Dr. Wilson da Silva Gomes Salvador 2005 3 AGRADECIMENTOS A meu pai e minha mãe, pela paciência, apoio e carinho ilimitados. A Rosana e Luís Roberto, minha irmã e meu irmão sempre presentes. A Gabriela, a Greice e Ludmila, não podia desejar melhores companheiras de pesquisa. A Luiz, Romulo, Cristiano, Roger, Felix, Sergio e Biagio, que, na hora do aperto, tornaram menos sofrido o percurso de elaboração da dissertação. Aos professores Wilson Gomes – meu orientador oficial há quase cinco anos –, Maria Carmem Jacob de Souza, José Benjamim Picado, Jeder Janotti Jr. e José Francisco Serafim, cujas orientações eventuais foram imprescindíveis para o meu trajeto de pesquisa. Ao Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq), que viabilizou minha pesquisa com a oferta de bolsa durante o Mestrado. 4 RESUMO A trajetória videográfica de Madonna, iniciada há mais de 20 anos, confunde-se com o próprio desenvolvimento do videoclipe, cuja consolidação aconteceu também a partir dos anos 1980. Desde então, a contínua popularidade da artista deu a ela e a seus colaboradores respaldo para executar inovações tanto estilísticas quanto temáticas neste formato.
    [Show full text]
  • Championship Show Friday, 16Th July, 2021
    . Championship Show Friday, 16th July, 2021. Dogs Queensland Sports Grounds King Avenue, Durack Maree Kennel Club Inc is affilliated with Dogs Queensland and these shows are conducted under the rules and regulations of Dog Qld. A copy of these rules may be perused at the Secretary’s office. PROGRAM NOW AVAILABLE AUSTRALIA WIDE Sign up* now at masterbreeders.com.au Our community receives: Minimum 20% off suggested retail price Exclusive offers and promotions Free delivery for orders over $250 Free puppy/kitten packs for litters ® Black Hawk and other associated trademarks are registered trademarks of *Terms and conditions apply. Visit masterbreeders.com.au for more details. Masterpet Australia Pty Ltd. masterbreeders.com.au Maree Kennel Club Inc Friday : Judging Commences at 6.00pm Judges & Judging order: Ring 10: ................... Mr A Eales (Qld) ................................ Group 1 Ring 8: ..................... Ms S Phillips (Qld) ............................. Group 2 Ring 11: ................... Mr G Wilshier (Qld) ........................... Group 3 Ring 3: ..................... Miss C Ryan (Qld) ............................. Group 4 Ring 6: ..................... Mrs C Scotton (Vic) ........................... Group 5 Ring 16: ................... Ms L Tosi (Qld) .................................. Group 6 Ring 5: ..................... Mrs J Wilshier (Qld) ........................... Group 7 Ring 1 ...................... Miss C Ryan (Qld) ........................... General Specials Show Manager: ........................... Mrs Joy Lanham Stewards Writers A Carius D Goodwin T Mills D Jacques V Horne K Zimmerle G Kerr A Ness L Roebig B Dowse I Lines J Langton J Brady B O’Hara Proudly Sponsored by: Eye Envy Website; www.eyeenvy.com.au Maree Kennel Club Inc - Friday, July 16, 2021 Class 11 - Open Dog Group 1 - Toy Group 14 Mrs. Jennifer Watt: AUST. CIB. EE. CH.
    [Show full text]