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Beyond the Years
BEAR ENTERTAINMENT, INC. PRIME ENTERTAINMENT CO., LTD PRESENT BEYOND THE YEARS DIRECTED BY IM KWON TAEK WRITTEN BY YI CHUNG JUN IM KWON TAEK PRODUCED BY KINO2 PICTURES IN ASSOCIATION WITH CENTURION TECHNOLOGY INVESTMENT CORPORATION KOREAN FILM COUNCIL (KOFIC) STARRING OH JUNG HAE JO JAE HYUN KOREA / 106' / 35MM / 1.85:1 / DOLBY SRD / COLOUR WORLD SALES: PARIS OFFICE: wild bunch 99 Rue de la Verrerie - 75004 Paris - France TEL +33 1 53 01 50 30 FAX +33 1 53 01 50 49 Vincent Maraval TEL +33 6 11 91 23 93 [email protected] [email protected] Gaël Nouaille TEL +33 6 21 23 04 72 PRESS: [email protected] Emmanuelle Castro TEL +33 1 53 01 50 25 [email protected] Carole Baraton TEL +33 6 20 36 77 72 [email protected] PLEASE NOTE: Silvia Simonutti TEL +33 6 20 74 95 08 High definition images can be downloaded from [email protected] the ‘press’ section of http://www.wildbunch.biz SYNOPSIS CAST Yoo-bong, a traditional singer tormented by his lack Song-hwa Oh Jung Hae of fame, teaches his daughter Song-hwa to sing and Dong-ho Jo Jae Hyun his stepson Dong-ho to play the traditional Korean drum. Together, the trio travel endlessly. Yoo-bong is a harsh master, obsessed with perfecting the CREW performance of his young pupils. Exhausted and DIRECTED BY Im Kwon Taek unable to stand this punishing regime, Dong-ho runs SCREENPLAY Yi Chung Jun away, abandoning both music and the stepsister he Im Kwon Taek secretly loves. DP Jung Il Sung EDITOR Park Soon Duk Many years pass, Now grown, Dong-ho and Song-hwa MUSIC Ryo Kunihiko both realize the longing they have always felt for SET DESIGNER Park So Hui each other. -
Mr. Dél-Koreai Mozi Im Kwon-Taek Filmtörténete
2019 no. 1 . Vincze Teréz Mr. Dél-koreai Mozi Im Kwon-taek filmtörténete m Kwon-taek a dél-koreai filmtörténet élő legendája. Ezek főként populáris, szórakoztató filmek voltak, akció, I1962-es rendezői debütálása óta folyamatosan dolgozik, történeti kosztümös, illetve melodrámai darabok, melyek a mai napig összesen százhárom filmet jegyez, a legutób- sorozatgyártásával telt Im pályájának első szakasza: az első bit 2014-ben mutatták be. Ha végignézzük az életművét ötven filmjét már munkásságának első tizenkét évében (összesen hetvennyolc filmjének kópiája maradt fenn), elkészítette. tulajdonképpen szemmel követhetjük mindazokat a vál- Azonban a sok korszakot átívelő pálya és a magas film- tozásokat, melyeken hazája filmipara keresztülment a szám bizonnyal mégsem lenne elég ahhoz, hogy a nem- koreai háborút követő évtizedtől napjainkig. Filmjeinek zeti filmművészet megtestesülését lássuk Im Kwon-taek- sora bizonyos értelemben kirajzolja a dél-koreai nemzeti ben; olyan életművet alkotott azonban, mely egyrészt őrzi film profilját – nemcsak azért, mert a rendező végigélte (sőt részben feltámasztotta) a tradicionális koreai kultúra a modern Korea minden jelentős traumáját, de minden bizonyos elemeit (panszori), a koreai identitás alapvető filmgyártási struktúrában aktív alkotóként, folyamatosan összetevőiről értekezik (sámánizmus, buddhizmus, kon- dolgozott. Im Kwon-taek 1934-ben született, a japán gyar- fucianizmus), és a modern koreai történelem döntő sza- mati időszakban volt gyerek, az ország kettészakadását és kaszairól úgy beszél, hogy -
Mongrel Media
Mongrel Media Presents Chunhyang A film by IM Kwon Taek Korea/2000/122 min./In Korean with English subtitles Distribution 109 Melville Ave. Toronto, Ontario, Canada M6G 1Y3 P: 416.516.9775 F: 416.516.0651 Email: [email protected] www.mongrelmedia.com Publicity Star PR Bonne Smith Tel: 416.488.4436 Fax: 416.488.8438 Email: [email protected] CHUNHYANG - Synopsis An official selection at last year’s Telluride, Toronto and New York Film Festivals, Im Kwon Taek's CHUNHYANG, Korea's largest cinematic production ever—a four month shoot employing over 8,000 extras and some 12,000 costumes— made its world premiere in the main competition of the Cannes Film Festival 2000. This epic tale of forbidden passion, devotion and the glorious triumph of love in adversity is set in 18th Century Korea and begins as Mongryong, the privileged son of the Governor of Namwon, falls in love with Chunhyang, the beautiful daughter of a proud former courtesan. Soon after they are married in secret, Mongryong is ordered to Seoul to finish his education. He leaves reluctantly and promises that once he finishes his schooling he will send for his beloved. But time passes, and a new, vindictive Governor is appointed in the province where Chunhyang lives. This new Governor pursues Chunhyang and when she refuses his advances, she is imprisoned and sentenced to death. Chunhyang's only hope for being saved is her faith in the promise Mongryong once made to her. Drawing heavily on his country's rich and vibrant cultural heritage, veteran Korean director Im Kwon Taek's CHUNHYANG retells a classic tale of lovers torn apart by their two different worlds. -
Im Kwon Taek Intro.P65
Berlinale Werkschau: Im Kwon-Taek Jokbo / The Genealogy (1978) Gilsoddeum (1985) Chukje / Festival (1996) Der Regisseur über seine Arbeit Director’s statement Meinen Filmen und mir wird eine gewisse Aufmerksamkeit entgegen- My films and I have been acknowledged to some degree. gebracht. Die Menschen, die im Fernen Osten in der kleinen, entlege- The people who live in the Far East, in the small cornered nen Region namens Korea leben, müssen ihre ureigenen Charakteri- region called Korea, need to find their unique characteris- stika erkennen. Wenn unsere Kultur dies nicht leisten kann, wird man tics. If our culture fails us in this then our lives will be unser Leben ignorieren und unsere Existenz nicht respektieren. Ich ignored and our existence not respected. In my films, I habe mit meinen Filmen versucht, das Leben der Koreaner darzustel- have attempted to feature the lives of Koreans, what we len: das, was wir verloren haben, das, was wir als tragisch erleben have lost, what we find tragic, the source of this tragedy, und den Ursprung dieser Tragödie, die Grenzen in unserem Leben, die the barriers in our lives, why we have these barriers, and Gründe für diese Grenzen etc. Wenn sich derartige Themen im Medium so on. If these feelings can possibly be displayed in the Film darstellen lassen, dann finde ich es sehr reizvoll, dies zu tun und medium of film, then I find it tempting to do so and send auf diese Weise unsere regionale Kultur über die Landesgrenzen hin- this regional culture abroad to gain some kind of recogni- weg bekannt zu machen und ihr Anerkennung zu verschaffen. -
Annual Index: V.99 ! 1
Booklist / September 1, 2002 through August 2003 Annual Index: v.99 ! 1 Adler, David A. A Picture Book of Harriet Beecher Air Warfare. 618. ANNUAL INDEX: VOLUME 99: Stowe. 1800. Airborne. Collins. 994. Adler, David A. A Picture Book of Lewis and Clark. Airborne. Flanagan. 551. 1066. Aird, Catherine. Amendment of Life. 854. SEPT. 1, 2002–AUGUST 2003 Adler, David A. Young Cam Jansen and the Zoo Aitken, Rosemary. The Granite Cliffs. 1383. Note Mystery. 1530. Aizley, Harlyn. Buying Dad. 1715. This cumulative index includes entries under author, title, and illus- Adler, Naomi. The Barefoot Book of Animal Tales. Ajmera, Maya. A Kid's Best Friend. 134. trator (for children’s books). Bibliographies are listed individually 894. Akbar, M. J. The Shade of Swords. 182. Adler, Sabine. Lovers in Art. 191. Akiko and the Alpha Centauri 5000. Crilley. 1660. by title, but they also appear here under the heading Bibliographies, The Admiral's Daughter. Madden. 1452. Akunin, Boris. The Winter Queen. 1637. Special Lists, and Features. Media reviews are indexed separately. Adoff, Jaime. The Song Shoots out of My Mouth. Al on America. Sharpton. 384. 864. Al Williamson Adventures. 1855. Adolescent Health Sourcebook. 264. ALA'S 2003 "BEST" LISTS. 1288. 1,000 Inventions and Discoveries. Bridgman. 620. Abodehman, Ahmed. The Belt. 53. Adolf Hitler. Nardo. 868. Alabanza. Espada. 1366. 1-2-3 Draw Cartoon Animals. Barr. 872. Abou el Fadl, Khaled. The Place of Tolerance in Is- Adrahtas, Tom. Glenn Hall. 1364. Alagna, Magdalena. Life inside the Air Force Acad- 1-2-3 Draw Cartoon Faces. Barr. 872. lam. 365. -
Fiesta/The Sun Also Rises Paul Carmignani
E. Hemingway: Fiesta/The Sun Also Rises Paul Carmignani To cite this version: Paul Carmignani. E. Hemingway: Fiesta/The Sun Also Rises. Master. Littérature américaine (CAPES/AGREGATION), Université de Perpigna-Via Domitia, France. 1985, pp.24. hal-03003101 HAL Id: hal-03003101 https://hal.archives-ouvertes.fr/hal-03003101 Submitted on 13 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright P. CARMIGNANI Pr. de Littérature américaine Université de Perpignan-Via Domitia E. HEMINGWAY FIESTA/THE SUN ALSO RISES (New York, Granada Publishing Ltd, 1984) “You are all a lost generation,” Gertrude Stein in conversation “One generation passeth away, and another generation cometh ; but the earth abideth forever…The sun also rises, and the sun goeth down, and hasteth to the place where he arose… The wind goeth toward the south, and turneth about unto the north ; it whirleth about continually, and the wind returneth again according to his circuits… All the rivers run into the sea ; yet the sea is not full ; unto the place from whence the rivers come, thither they reurn again.” (Ecclesiastes, 1 : 4) --------------------------------------- RNEST MILLER HEMINGWAY a commencé à composer The Sun Also Rises le 21 Juillet 1925 à Valence (Espagne) ; il y consacrera 9 mois. -
CREATING POSTCOLONIAL NATIONAL HEROES: the REVISIONIST MYTHS of W.B. YEATS and JAMES JOYCE a Dissertation Submitted to Kent
CREATING POSTCOLONIAL NATIONAL HEROES: THE REVISIONIST MYTHS OF W.B. YEATS AND JAMES JOYCE A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Heather McCracken December 2016 © Copyright All rights reserved Dissertation written by Heather McCracken B.A., Sam Houston State University, 2009 M.A., Sam Houston State University, 2011 Ph.D., Kent State University 2016 Approved by Claire Culleton , Chair, Doctoral Dissertation Committee Kevin Floyd , Members, Doctoral Dissertation Committee Tammy Clewell , Patrick G. Coy , Kenneth J. Bindas , Accepted by Robert Trogdon , Chair, Department of English James L. Blank , Dean, College of Arts and Sciences TABLE OF CONTENTS ............................................................................................................... iii ACKNOWLEDGMENTS ............................................................................................................. iv CHAPTER 1 Critical Introduction: A Marxist Postcolonial Approach To Revisionist Myth ...............................1 CHAPTER 2 Postcolonial Politics of Irish History .............................................................................................30 CHAPTER 3 Imagining a National Mythic Culture ............................................................................................74 CHAPTER 4 Yeats’s Cuchulain Cycle ..............................................................................................................107 CHAPTER 5 Joyce’s -
Quiltnsw Sydney Quilt Show: 22-26 June 2016 Table of Contents
QuiltNSW Sydney Quilt Show: 22-26 June 2016 Table of Contents President’s Message 2 2017 & 2018 Sydney Quilt Show news 2 Guild Committee 2015/2016 2016 Judges 3 Special Exhibitors 4 Amanda Daly Sponsor Listing 6 Dale Cox Awards and Categories 10 Megan Manwaring Di Tramontana Members’ Exhibition Quilt Descriptions 13 Jan Foster Index of Exhibitors 39 Sandra Harvey Meet the Teacher Timetable 41 Salley Govey Commercial Quilters 42 Chris Jurd Quilts by Category 43 Robin Allan Exhibition Layout 44 Exhibition Sub-committee Super Quilt Raffle 2016 Sandra Harvey Robin Allan Carla Bosch Catherine Butterworth Robyn Eves Rebecca Hastings Lynn Hewitt Deborah Laurie Sandra Lyons Catherine Porter Carolyn Rawson Gail Sadleir Robyn Shipton Brenda Gael Smith Drop Off Persons Liz Bonner Lynn Hewitt Catherine Butterworth Rhonda Langhorne Sue Cody Deborah Laurie Lois Cook Lorraine Lloyd Wendy Cross Sandra Lyons Amanda Daly Megan Manwaring Sandra Donovan Wailyn Mar Jan Foster Liesel Moult Tickets $2 each Pam Furniss Brenda Gael Smith Available from the Membership Desk Barbara Gower Annemarie Smithers Kaye Graham Margy Syrett “Radiance” Denise Griffiths Maureen Teager Quilt maker: Kaye Brown, design by Kelly Gallagher-Abbott of Kay Haerland Jukebox Quilts Drawn 4:00pm Sunday, 26 June 2016 Hoop Display Convenors 1st Prize: 2016 Raffle Quilt “Radiance” valued at $2,000 Quilt maker: Kaye Brown; Design: Kelly Gallagher-Abbott Linda Butcher 2nd Prize: BERNINA 215 Simply Red Sewing Machine valued at $1099 Sandra Harvey Sponsored by BERNINA Australia Pty Ltd Bob -
Broadway Buzz- Young Frankenstein
Broadway Buzz- Young Frankenstein IT'S ALIVE AND HEADED FOR CLEVELAND "If you're blue and you don't know where to go to, why don't you go" to the KeyBank Broadway Series opener THE NEW MEL BROOKS MUSICAL YOUNG FRANKENSTEIN at PlayhouseSquare October 13-25, 2009. This is "the Broadway musical at its dizziest, glitziest and funniest," according to the late Clive Barnes of The New York Post. Michael Kuchwara of the Associated Press declares, "You can't help having fun," and for this National Tour, Roger Bart and Shuler Hensley reprise their Broadway roles of Doctor Frankenstein and the Monster. "It's alive!" Awards YOUNG FRANKENSTEIN received the Outer Critic's Circle Best Broadway Musical Award and five Audience Awards by Broadway.com. Original Broadway Cast. Photo: Paul Kolnik Have you read the classic Read More... novel Frankenstein by Mary Shelley? Yes No Buzz Extra is a publication of the Community Engagement & Education Department at PlayhouseSquare Vice President of Theatricals: Gina Vernaci Video Previews of Young Frankenstein Director of Community Engagement & Education: Young Frankenstein Downloads Colleen Porter Young Frankenstein on Facebook Director of Ticket Sales & Marketing: Autumn Kiser Editors: Linda Jackson, Cindi Szymanski Writer: Robin Pease Home Photos: http://www.playhousesquare.org/buzzextra/young-frankenstein/[10/9/2009 2:28:50 PM] Broadway Buzz- Young Frankenstein Paul Kolnik and Andrew Eccles It's Alive and Headed For Cleveland Science or Musical Comedy? Frankenstein and Pop Culture Download and read the printable version of the Mary or Mel? Buzz (535Kb in PDF format) here Talking with Roger Bart Young Frankenstein Enrich Your Experience: Broadway Buzz Events Recommended Reading from We welcome your feedback and suggestions for the Cleveland Public Library Buzz Extra. -
À Érieur La Semaine
Pensée de À érieur la semaine Terrorisme Il vaut mieux y .........................................HA03 mettre tout son coeur et ne pas trouver les mots que de Des fonds pour la 583 Sud? .........................................HA08 trouver les mots et de ne pas y mettre son coeur. L’effort n’était pas suffisant .........................................HA23 Ghandi 1976 - 2007 Le Nord LeLVol. 31e No 45 HearstNordN On ~ Le mercredio 24r janvierd 2007 1,25$ + T.P.S. MERCREDI Ciel variable Min -17 PdP 20% JEUDI Ensoleillé avec passages nuageux Min -27; Max -21 PdP 10% VENDREDI Nuageux avec éclaircies et quelques averses de neige Min -29; Max -21 PdP 60% SAMEDI Faible neige Min -21; Max -13 PdP 60% DIMANCHE Ciel variable Min -27; Max -20 PdP 20% Chester Blouin et David Burt profitent d’une pause, le temps de la photo, avant de retourner s’amuser sur la pente aménagée par les LUNDI autorités municipales. Plusieurs personnes ont profité de la neige Faible neige Min -21; Max -9 des derniers jours pour s’amuser en famille. Photo disponible au PdP 100% journal Le Nord/CP St. Denis Nord-Aski reçoit Patinage honoré de sa 355 000 $ artistique nomination PAGE HA13 PAGE HA22 PAGE HA02 Nommé au sein d’un comité de la viabilité de l’environnement St. Denis honoré de ses nouvelles fonctions HEARST(AB) – Le député fédé- Dion, a annoncé lors d’une droite en proposant des orienta- teurs refusent toujours de prendre d’être une opposition efficace, ral de la circonscription conférence de presse tenue la tions solides. C’est pour moi un en compte» a-t-il ajouté. -
ANIME from Akira to Princess Mononoke Experiencing Contemporary Japanese Animation
ANIME from Akira to Princess Mononoke Experiencing Contemporary Japanese Animation Susan J. Napier ANIME ✱ from Akira to Princess Mononoke Experiencing Contemporary Japanese Animation Susan J. Napier for St. Martin’s Griffin ANIME FROM AKIRA TO PRINCESS MONONOKE © Susan J. Napier, 2001 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. Portions of chapter 4, “Controlling Bodies,” first appeared in “The Frenzy of Metamorphosis: The Body in Japanese Pornographic Animation,” by Susan J. Napier in Word and Image in Japanese Cinema, Dennis Washburn and Carole Cavanaugh, eds. Reprinted with the permission of Cambridge University Press. First published 2000 by PALGRAVE 175FifthAvenue,NewYork,N.Y. Companies and representatives throughout the world PALGRAVE is the new global publishing imprint of St. Martin ‘s Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd (formerly Macmillan Press Ltd). ISBN 0-312-23862-2 hardback ISBN 0-312-23863-0 paperback Library of Congress Cataloging-in-Publication Data Napier, Susan Jolliffe. Anime from Akira to Princess Mononoke : experiencing contemporary Japanese animation / Susan J. Napier. p. cm. Includes bibliographical references and index. ISBN 0-312-23862-2 — ISBN 0-312-23863-0 (pbk. : alk. paper) 1. Animated films—Japan. I. Title. NC1766.J3 N37 2001 791.43’3—dc21 00-051473 Design by planettheo.com First edition: May 2001 10 9 8 7 6 5 4 3 2 Printed in the United States of America. For Julia Moon Prism Power! This page intentionally left blank CONTENTS Acknowledgments..................................vii PART ONE INTRODUCTION CHAPTER ONE WhyAnime?........................................3 CHAPTER TWO AnimeandLocal/GlobalIdentity.......................15 PART TWO BODY, METAMORPHOSIS, IDENTITY CHAPTER THREE Akira and Ranma 1/2: The Monstrous Adolescent . -
Bhaskar Sarkar
BHASKAR SARKAR Beyond Partition: The Political Horizons of Contemporary Indian and Korean War Films To think trans-Asia is to think the legacy of colonialism. Otherwise, one runs the risk of lapsing either into an unthinking presentism that celebrates an Asian economic miracle (however tenuous), or into a nostalgic neo- orientalism that evokes the region’s past glories to argue for a continual Asian ascendancy. Intriguingly, both these tendencies arise from a deep sense of inadequacy that is constitutive of trans-Asian modernity: in that sense, they return us to colonialism. This essay is an attempt to map, through the lens of cinema, postcolonial forms of history and identity for which “trans-Asia” may be a productive frame. Here, the analytic fulcrum is the recursive historical experience of national partition at the moment of decolonization. Palestine/Israel, South Asia, and the Korean Peninsula remain the three salient instances of postcolonial partition in Asia. Of these, the first has mutated into an agonizing ambit of occupation and segregation, its future shrouded in uncertainty. No doubt, contemporary Israeli and Palestinian cinemas abound in tropes of partition: films such as Wedding in Galilee (1987), Divine Intervention (2002), The Bubble (2006) and Waltz with Bashir (2008) unfold around borders and check posts, displaced communities, fractured selves. However, the region’s tormented history and shifting cartography mark it as fundamentally distinct from the South Asian and Korean experiences of post- partition nationhood.