Aneirin Hughes
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Broadcast Bulletin Issue Number 191 10/10/11
Ofcom Broadcast Bulletin Issue number 191 10 October 2011 1 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Contents Introduction 4 Notice of Sanction Al Ehya Digital Television Limited Saturday Night Special, 13 November 2010 5 Note to Broadcasters Publication of new guidance and research 7 Standards cases In Breach Aden Live 27 October 2010, 18:20 (16:20 GMT) to 29 October 2010, 19:00 (17:00 GMT) 15 November 2010, 10:00 (08:00 GMT) to 16 November 2010, 10:00 (08:00 GMT) 8 Pro Bull Riders trailer Extreme Sports, 19 July 2011, 13:00 31 Howard Taylor at Breakfast Total Star – Wiltshire, 20 May 2011, 06:00 33 The Baby Borrowers Really, 2 August 2011, 20:00 36 Music video programming Brit Asia TV, 11 June 2011 38 Sponsorship of various programmes B4U Music, 15 June 2011, 21:00 to 22:42 42 Resolved Station promotion 106 Jack FM, 2 August 2011, 10:30 47 Fairness and Privacy cases Upheld Complaint by Mr David Gemmell Grimefighters, ITV1, 12 April 2011 49 2 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Not Upheld Complaint by Dr Saeb Erakat on his own behalf and on behalf of the Palestine Liberation Organisation The Palestine Papers, Al Jazeera English, 23 to 26 January 2011 53 Other programmes Not in Breach 72 Complaints Assessed, Not Investigated 73 Investigations List 79 3 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
Hollie Withers Art Director/Art Department
Mob: 07727 871706 www.holliewithers.com Curriculum Vitae Hollie Withers Art Director/Art Department Education and Qualifications Glamorgan University, School of Technology Graduation June 2008 Set Design for Film and Television BA (hons) Degree 2:1 Sussex Downs College: Lewes Campus AVCE and A level June 2005 Art & Design A/A 06/2005 Edexcel Media Studies C 06/2004 AQA Park College Eastbourne AS levels June 2003 Fine Art B 06/2003 AQA Media Studies C 06/2003 OCR World Development D 06/2003 WJEC St. Richards Catholic College GCSE levels June 2002 Design & Tech:Graphic Products A* 06/2002 Edexcel Art: Graphics A 06/2002 AQA Art: Fine Art A 06/2001 AQA English Literature A 06/2002 AQA English Language B 06/2002 AQA Science B B/B 06/2002 OCR Mathematics C 06/2002 AQA Geography B 06/2002 AQA Religious Studies B 06/2002 AQA French B 06/2002 Edexcel Independent Studies Theory of Music Grd.5 Pass 06/2001 ABRSM Jazz saxophone Grd.5 Merit 03/2001 GSMD Clarinet Grd.3 Merit 06/1999 TRINITY Practical Skills Tech drawing – AutoCAD/hand drawn, Photoshop, Graphics, Photography, Model Making, Sewing, Prop Making and Buying, Basic Set Construction, Scenic Painting. Related Achievements/Training 2010 Second Place Cardiff PhotoMarathon, Self Portrait Work. 2008 Graduate Outstanding Achievement Award for TV and Film Set Design. 2010 BBC Manual Handling. 2010 Skill Set Health and Safety Training for film production. 2008 BBC Health and Safety Training. Full driving licence held since 2003. No Points. Employment History Position Programme Film Company Reference 2010 Buyer Promo Art Director Knife Edge. -
Broadcast Bulletin Issue Number
O fcom Broadcast Bulletin Issue number 117 15 September 2008 Standards cases In Breach World’s Most Amazing Videos 4 TV6, 28 June 2008, 20:00 “Wake Up Your Brain” competition 7 James and Ali in the Morning, Invicta FM, 20 December 2007, 06:00 “Worst Girlfriend” competition 9 Lloydie and Katie Show, Power FM, 14 March 2007, 16:00 Full Pott 11 Kanal 5, 16 July 2008; 09:00 Breakfast 13 Kiss 105, 10 April 2008, 08:00 Peter Popoff Ministries 14 Ben TV, 29 February 2008, 16:30 Paul Lewis Ministry Ben TV, 20 March 2008, 16:00 Peter Popoff Ministries Red TV, 24 March 2008, 17:30 The Soup 17 E! Entertainment, 19 July 2008, 23:00 Stripped 18 The Style Network, 2 July 2008, 11:00 Biggles 20 Movies4Men+1, 21 June 2008; 16:20 Eid Messages 22 Aapna Channel, 24 December 2007, 17:00 Deepam TV 23 Non-retention of off-air recordings and sponsored news bulletins up to July 2008 Karl Davies Breakfast Show 25 Tudno FM, 7 August 2008, 7:45 and 8 August 2008, 8:20 Note to Broadcasters – Recordings 26 2 Resolved BBC News 27 BBC1, 2 July 2008, 22:00 Not in Breach The F Word 29 Channel 4, 29 July 2008, 21:00 Fairness & Privacy Cases Not Upheld Complaint by Ms Jenny Thoresson made on her behalf by 30 Ms Ann-Kristin Thoresson Lyxfällan (Luxury Trap), TV3 Sweden, 12 April 2007 (and repeated 23 July 2007) 3 Standards cases In Breach World’s Most Amazing Videos TV6, 28 June 2008, 20:00 Introduction TV6 is a Swedish language channel operated by Viasat Broadcasting UK Limited (“Viasat”). -
House of Commons Welsh Affairs Committee
House of Commons Welsh Affairs Committee S4C Written evidence - web List of written evidence 1 URDD 3 2 Hugh Evans 5 3 Ron Jones 6 4 Dr Simon Brooks 14 5 The Writers Guild of Great Britain 18 6 Mabon ap Gwynfor 23 7 Welsh Language Board 28 8 Ofcom 34 9 Professor Thomas P O’Malley, Aberystwth University 60 10 Tinopolis 64 11 Institute of Welsh Affairs 69 12 NUJ Parliamentary Group 76 13 Plaim Cymru 77 14 Welsh Language Society 85 15 NUJ and Bectu 94 16 DCMS 98 17 PACT 103 18 TAC 113 19 BBC 126 20 Mercator Institute for Media, Languages and Culture 132 21 Mr S.G. Jones 138 22 Alun Ffred Jones AM, Welsh Assembly Government 139 23 Celebrating Our Language 144 24 Peter Edwards and Huw Walters 146 2 Written evidence submitted by Urdd Gobaith Cymru In the opinion of Urdd Gobaith Cymru, Wales’ largest children and young people’s organisation with 50,000 members under the age of 25: • The provision of good-quality Welsh language programmes is fundamental to establishing a linguistic context for those who speak Welsh and who wish to learn it. • It is vital that this is funded to the necessary level. • A good partnership already exists between S4C and the Urdd, but the Urdd would be happy to co-operate and work with S4C to identify further opportunities for collaboration to offer opportunities for children and young people, thus developing new audiences. • We believe that decisions about the development of S4C should be made in Wales. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff
Sound Apprentice - Drama Company: BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff About the Organisation BBC Cymru Wales is the nation's broadcaster, providing a wide range of English and Welsh language content for audiences across Wales on television, radio and on our websites Roath Lock, is the BBC's state of the art centre of excellence for Drama, a place brimming with new energy and talent. When the first productions moved into Roath Lock in September 2011, they fulfilled a BBC commitment to create a centre of excellence for Drama in Cardiff. Located in Porth Teigr, Cardiff Bay, the 170,000 square foot facility, including nine studios and equivalent in length to three football pitches, is now the permanent, purpose-built home of four flagship BBC dramas - Casualty, Pobol y Cwm, Doctor Who - as well as new productions in the future. Job Description Sound Assistants are a member of the Production Sound Crew and provide general back up and support to the Production Sound Mixer and the Boom Operator. They are responsible for checking all stock, microphones and batteries and making sure that the sound department runs as smoothly as possible. Although the work is physically demanding, the hours are long and are sometimes performed on location in extreme terrain and/or severe weather the work can be very rewarding. Sound Assistants usually begin work early arriving on set half at least an hour before call time, with the rest of the Sound Crew. They help to unload the sound van, and working with the Boom Operator, check that all equipment is prepared and fully operational. -
James Daffern 15/09/2020, 21 09
Spotlight: JAMES DAFFERN 15/09/2020, 2109 JAMES DAFFERN C S A 3rd Floor Joel House, 17-21 Garrick Street, London WC2E 9BL Phone: 020-7420 9351 E-mail: [email protected] WWW: www.shepherdmanagement.co.uk HARVEY VOICES 49 Greek Street, London W1D 4EG Phone: 020 7952 4361 Mobile: 07739 902784 Photo: Jennie Scott E-mail: [email protected] WWW: www.harveyvoices.co.uk Location: Greater London, Appearance: White, England, United Scandinavian, Kingdom Eastern Height: 6' (182cm) European Weight: 13st. 7lb. (86kg) Other: Equity Playing Age: 40 - 50 years Eye Colour: Blue Hair Colour: Dark Brown Hair Length: Short About me: Television Television, Andrew Wallace, PROFESSOR T, Eagle Eye Productions, Indra Siera Television, Jim Bonning, CASUALTY, BBC, Various Television, One Eyed Marc, BIRDS OF A FEATHER, ITV, Martin Dennis Television, Leon, X COMPANY, CBC Television/Sony Pictures Television Television, Ben Owens, DOCTORS (NINE EPS), BBC, Various Television, Zac Glazerbrook, CUFFS, BBC/Tiger Aspect Productions, Kieron Hawkes Television, Natie, RAISED BY WOLVES, C4, Mitchell Altieri Television, Bruce, FLYING HIGH, ZDF, Stephen Bartmann Television, Andrew Hayden, HUNTED, Kudos/HBO/BBC, Daniel Percival/James Strong Television, Ray Keats, WATERLOO ROAD, Shed Productions, Fraser Macdonald Television, Lucas North in Flashback, SPOOKS, BBC Television, Edward Hall Television, Paul Walsh, HOME TIME, BBC Television, Christine Gernon Television, Nathan, RIVER CITY, BBC Television, Semi regular Television, Jimmy Barrett, THE ROYAL, Yorkshire Television, -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
JIMMY Mcgovern
JIMMY McGOVERN Writer Agent: Norman North Film & Television: Jimmy was awarded the Lifetime Achievement Award from the Royal Television Society in March 2018 ANTHONY LA Productions CARE LA Productions for BBC1 1 x 90’ MOVING ON Series II - XI LA Productions for BBC1 Creator and Series Script Editor BROKEN LA Productions for BBC1 Creator and Writer 6 x 60’ REG LA Productions for BBC1 1 x 90’ BANISHED RSJ Films / See Saw for BBC2 Creator and Lead Writer 7 x 60’ REDFERN NOW Series I, II & III Blackfella Films - Australia Story Consultant 6 x 60’ COMMON LA Productions for BBC1 Nominated: TV Movie / Mini-Series, International Emmys 2015 THE ACCUSED II RSJ Films for BBC1 Creator and Writer/Co-Writer Nominated: BAFTA Best Mini Series 2013 THE ACCUSED RSJ Films for BBC1 Creator and Lead Writer Winner: Best Drama Series, International Emmys 2011 THE STREET Series III Granada for BBC1 Creator, Writer and Creative Consultant Winner: Best Drama Series, International Emmys 2010 Winner: Best Drama Series, RTS Awards 2010 Nominated: Best Drama Series, BAFTA Awards 2010 MARY QUEEN OF SCOTS BBC Films / Raging Star Films Feature film commission MOVING ON LA Productions for BBC1 Executive Producer Series THE STREET Series II Granada for BBC1 Creator, Writer and Creative Consultant Winner: Best Drama Series, International Emmys 2007 Winner: RTS Award 2008 Winner: BAFTA for Best Drama Series 2008 CRACKER Granada for ITV1 2 x 120’ special Director: Antonia Bird With Robbie Coltrane Nominated: Edgar Allan Poe Award for Best Teleplay 2007 THE STREET Granada -
The Popular on British Television: Global Perspectives, National Priorities, Local Preferences R E N É E D I C K a S O N U N I V E R S I T Y O F C a E N
CULTURA , LENGUAJE Y REPRESENTACIÓN / CULTURE , LANGUAGE AND REPRESENTATION ˙ ISSN 1697-7750 · VOL . VIII \ 2010, pp. 57-74 REVISTA DE ESTUDIOS CULTURALES DE LA UNIVERSITAT JAUME I / CULTURAL STUDIES JOURNAL OF UNIVERSITAT JAUME I The Popular on British Television: Global Perspectives, National Priorities, Local Preferences RENÉE DICKASON UNIVERSITY OF CAEN ABSTRACT : This article explores two related and highly significant aspects of British broadcasting: how the nature and identity of British television have been influenced by the potentially contradictory demands of high and low culture and associated popular and quality programming; and how (far) national broadcasting has been able to face the threat to its existence posed first by internationalisation and now by globalisation. After an initial discussion of the notions of the global and the popular, this study considers how past conceptions of the role of television affected attitudes to programming, before considering the difficulty of determining what is national, popular television in a world where domestic broadcasts and global pastiches are scheduled side by side. The conclusion examines how national and local characteristics have enabled British programmes to maintain popularity in the face of globalisation. Keywords: Britishness, culture, identity, originality, quality, representation. RESUMEN : El presente artículo explora dos aspectos relevantes de las retransmisio- nes británicas: cómo la identidad y naturaleza de la televisión británica se han visto influidas por las exigencias potencialmente contradictorias de la alta cultura, con su programación de calidad, y de la cultura popular, con su búsqueda de audiencia; y si la producción nacional ha resistido la amenaza, primero de la internacionaliza- ción y ahora, de la globalización. -
Broadcast Bulletin Issue Number 45
* Ofcom broadcast bulletin Issue number 45 10 October 2005 Ofcom broadcast bulletin 45 10 October 2005 Contents Introduction 3 Standards cases In Breach 4 Resolved 8 Other programmes not in breach/outside remit 11 2 Ofcom broadcast bulletin 45 10 October 2005 Introduction Ofcom’s Broadcasting Code took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content The Communications Act 2003 allowed for the codes of the legacy regulators to remain in force until such time as Ofcom developed its own Code. While Ofcom has now published its Broadcasting Code, the following legacy Codes apply to content broadcast before 25 July 2005. • Advertising and Sponsorship Code (Radio Authority) • News & Current Affairs Code and Programme Code (Radio Authority) • Code on Standards (Broadcasting Standards Commission) • Code on Fairness and Privacy (Broadcasting Standards Commission) • Programme Code (Independent Television Commission) • Programme Sponsorship Code (Independent Television Commission) • Rules on the Amount and Distribution of Advertising From time to time adjudications relating to advertising content may appear in the bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). -
Spooks Returns to Dvd
A BAPTISM OF FIRE FOR THE NEW TEAM AS SPOOKS RETURNS TO DVD SPOOKS: SERIES NINE AVALIABLE ON DVD FROM 28TH FEBRUARY 2011 “Who doesn’t feel a thrill of excitement when a new series of Spooks hits our screens?” Daily Mail “It’s a tribute to Spooks’ staying power that after eight years we still care so much” The Telegraph BAFTA Award‐winning British television spy drama Spooks is back for its ninth knuckle‐clenching series and is available on DVD from 28th February 2011 courtesy of Universal Playback. Filled with spy‐tastic extra features, the DVD is a must for any die‐hard Spooks fan. The ninth series of the critically acclaimed Spooks, is filled with dramatic revelations and a host of new characters ‐ Sophia Myles (Underworld, Doctor Who), Max Brown (Mistresses, The Tudors), Iain Glen (The Blue Room, Lara Croft: Tomb Raider), Simon Russell Beale (Much Ado About Nothing, Uncle Vanya) and Laila Rouass (Primeval, Footballers’ Wives). Friendships will be tested and the depth of deceit will lead to an unprecedented game of cat and mouse and the impact this has on the team dynamic will have viewers enthralled. Follow the team on a whirlwind adventure tracking Somalian terrorists, preventing assassination attempts, avoiding bomb efforts and vicious snipers, and through it all face the personal consequences of working for the MI5. The complete Spooks: Series 9 DVD boxset contains never before seen extras such as a feature on The Cost of Being a Spy and a look at The Downfall of Lucas North. Episode commentaries with the cast and crew will also reveal secrets that have so far remained strictly confidential.