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Narativno Izvješće Kino Klub Split 2016

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Narativno Izvješće Kino Klub Split 2016 A SPLIT 2016 F kraja prosinca 2016. P predavanja dvoje . Radi se o predavanjima Ane U nastavku su imena mentora/predavanja: Ana Peraica Povijest audiovizualnih medija kroz dva tematska predavanja: Uvod uz filmski esej Orsona reprezantacija ljudskog lika kroz povijest Teorija filma Ante Verzotti Filmska tehnika Produkcija u kinoklubovima danas Scenarij Digitalni formati Dokumentarni film Hermeneutika pokretne slike Autorski film a sugestije ovisno o individualnim preferencijama i potrebama. Ana Peraica F for Fake (filmski esej Orsona Wellesa) pristupa prikazanih kroz filmski esej Orsona Wellesa F for fake, s naknadnom diskusijom. Ana Peraica Konkavno i konveksno u vizualnoj kulturi Konkavno i konveksno u vizalnoj kulturi je analiza proizvodnje ogledala u Renesansi i njen utjecaj na "sliku sebe." Zapravo tim analizama dokazujem da je konkavno ogledalo (koje se danas koristi kao primitivni video nadzor u trgovinama i na benzinskim crpkama), u osnovi novo srednjovjekovlje. predavanje dalje ide u analizama paradigmi Panopticona (tu je ove analize dio nove Anine knjige. Hermeneutika pokretne slike prenositi ji je prezentirano i kako je tna slika razvijala kroz povijest i postala ovakvom kakvom je vidimo danas. Radionica "Rad na terenu", 18.- Rina Barbira Prvi dan radionice prikazan je niz primjera dokufikcije u filmu. Nakon analize primjera, s bile oformljene na radionici "Dokumentarnog filma" kraju dana gotovo su sve grupe donijele su nove materijale. U nedjelju su neke grupe o raskadriravanju scena i o pot je koncept dovoljno jasan da se rad na njima zasigurno isplati. Predavanje u subotu 22,10. u 19.30h u prostorijama Kino kluba Split. "Suodnos filmskog profesionalizma i amaterizma nosti amaterskog filma profesionalnom. Nasuprot tome, mi u Kinoklubu Zagreb vjerujemo da filmski amaterizam danas je, za razliku od akademskog i profesionalnog bavljenja filmom, otvoren i dostupan svima njima, dijele ova uvjerenja, eme i autorsku slobodu. 29: Leskur, Josipa Menegelo, Horvat Matea Od njih 29 prijavljenih, 10 polaznika RADIONICE Radionica eksperimentalnog filma ponedjeljka 21.03.2016 do nedjelje 27.03.2016. prijavljenim kandidatima. Radionica je bila besplatna. , Hrvoje Svalina Film je prikazan na 14. West Herzegowina Fest-u Radionica Unfound people's video technics 6. 18.09.2016 u Kino klubu Split. Prvi tjedan - subota 9. travnja Osobna mitologija Ne postoji autobiografija, samo automitologija. povijesti, i kako najbolje transformirati, prikriti, pretjerati i lagati o svojim osje ajima kroz umjetnost, ne bismo li otkrili jo fundamentalnije (i zabavne) istine. Drugi tjedan - subota 16. travnja Propadanje slike -produkcija mogu rezultirati vizualnom digitalnom vremenu, trebamo li se svejedno praviti da postoji, te na koje se sve n - subota 23. travnja strukture, asocijacije i teksture da zara - nedjelja 1. svibnja Manifesti, tvrdoglavost i samodisciplina. novom video radu. u Sarajevu 2015. -a. Nezavisan je umjetnik- njegovi filmovi prikazivani su na brojnim festivalima diljem svijeta. Uglavnom snima filmova baziranih na naraciji koje inficira senzibilitetom absurdista. Meta-naracija i rad u open- kartona i magle. Radionica kamere - uvod, prezentacija radionice - - osnove snimanja - analogni i digitalni zapis - formati - problematika rasvjete na filmu - upoznavanje s rasvjetnim tijelima i dodatnom opremom - - kreativno oblikovanje ideja - snimanja Radionica traje 7 dana po 8h dnevno. 14h i od 16h 20h. Prvi dan radionice polaznici su se upoznali s osnovama: kamerama i stativima, a gledanje materijala i diskusij temperatura boja, white balance. Peti dan s se o gain i shutter funkcije, boju na filmu, a na koncu dana su se gledali materijali te vodile diskusije o snimljenim pristupi snimanju. Radionica dokumentarnog filma ce. Prijedlog je bio da odaberu portretni film o osobi ili prostoru kojeg je moguce snimit u kratkom vremenskom periodu (aktivan glavni lik kojeg dobro poznaju unutar kruga , pisanje sastanci s aterijala se realizirala kroz Radionica produkcije i postprodukcije zvuka zvuk.jest. brzo medij, neizostavan i bitan moglo snimiti i kreativno realizirati-koristiti zvuk. Razbijanjem mitova i predrasuda o zvuku zbog sveprisutnoga neznanja, nesenzibiliteta i zapostavljenosti zvuka (unutar (glazba, eksperimentalni, dokumentarni i igrani film) u kojima je voditelj radionice bio autor ili suradnik, bilo kao ton majstor ili sound dizajner, te filmovima koje smo gledali i jedno od drugog. Primjeri: L`interieur de (kratki eksperimentalni) Marija Prusina Glazba Lisica i Roda (kratki eksperimentalni) - Glazba, Sound design Terarij (kratki igrani) - Dialog editing Tlo pod nogama (kratki igrani) Tonski snimatelj Svinjari (igrani film) ADR, Dialog editor, Mix J'ai un frère (dokumentarni film) Emmanuel Vigier tonski snimatelj Sve Besplatno (dokumentarni film) Tonski snimatelj, postprodukcija, Sound design Prtljaga (dokumentarni serijal) Miroslav Sikavica Postprodukcija, Sound design lm ke redateljice Pilar Palomero. Kinolab16 i radionica 16mm filma odnosu na suvremene digitalne medije i pogledali primjere snimanja na filmskoj traci. Rade v ilm upoznavanje s filmskim filmom, tema je Partija karata kratke scene pripreme za snimanje 16mm crno bijelim filmom. broj koji dozvoljava dosta osoban pristup svima i baziran je na stalnoj izmjeni, a rad se snimanja i razvijanja crno- -bijelo ili u boji. R Projekti nastali kroz program radionica: Paunovi Marko Solo Miro Lik s Nakon faksa Polaznici pod mentorstvom : - - analogni i digitalni zapis - - - kreativno oblikovanje filma/videa - postprodukcija, eksportiranje i formati - polaznika u sata dnevno. Radionica je trajala 6 dana po 4h dnevno, a . Radionica rasvjete Na radionicu je prijavljeno 8 polaznika i u prosjeku ih je bilo 6 po predavanju. Termin je po tri sata osim zadnji dan kada se snima film. Kako je ideja radionice da se zadnji dan napravi kratki film od par kadrova, prvi dan osnove rukovanja istom. Od motanja kabela, preko rukovanja stativima, upoznavanje s Upoznaju se sa svjetlomjerom te sami iznose ideje i realiziraju nekoliko svojih jednostavnih svjetlosnih varijacija na osnovnu svjetlosnu poziciju. ideja iz glave ili motivirana nekom scenom iz filma, polaznici sa mentorom provode ideju u svoje fotografije. Peti i zadnj smo kratku scenu od tri kadra i odmah potom je smontirali. Svi polaznici su bili motiviran Radionica je izrodila 8 fotografija i kratki dvominutni film. SMOTRA V la filmova nastalih u brojnim amaterskim i profesionalnim koprodukcijama tijekom prethodne godine, u organizaciji Kino kluba Split. Na Smotri je sudjelovalo 36 autora i jedna grupa autora s 39 naslova, od kojih je bilo 6 dokumentarnih, 6 spotova, 14 igranih, 3 eksperimentalna, dvije animacije, jedan promo spot, a prikazao Projekcije su bile . Nakon projekcija Coke i Tudora. PROGRAM 20.00H 1. Andrija Mard 9'40'' Burek i piv og frog dog 10. Igor Jelin PROGRAM 18.00H 1. '' / 6. M 8. Karolina Tekl 10. Jure Kne Da mi je stari Bill Gate 16. PROGRAM 16.00H igrani / 2'30'' 3. Karolina Tekli i / 5'30'' igrani / 2'30'' 10. ' KKS predstavlja Projekcija filma i Masteclass: la se projekcija filma uvjetima u kojima je film nastao. Film je biti prikazan sa 16mm vrpce. Projekcija i predavanje bili su javni su dio programa, dok je masterclass Lordana Svi odabrani polaznici imali su ultacije vezane uz prijavljeni projekt. Program je organizirao Kino klub Split, a bio je predstavljen u sklopu projekta 5C, financiran sredstvima HAVC-a, u suradnji s udrugom Balkanski Kulturni Krug, te Festivalom meditersnskog filma Split. Suradnje: - - 5C - Skribonauti - Kino Kabaret Adriatic - DokuMA - SUK Sinj -a, Kino kluba Spli, te Beton kina za djecu od 8 do 14 godina. a slobodnog vremena: problema i topli obrok. Frooom je i team bulding velikih i malih Frooomovaca, uz posebnu - pro projicirati ih na prethodno napravljenoj skulpturi od stiropora... Fro prima do 16 polaznika, naprednu za djecu od osam do 12 godina rezerviranu za do deset polaznika te majstorsku za djecu u dobi od deset do 14 godina za osam polaznika. Vodit jalni umjetnici 5C analize dugih i kratkih filmova suvremene i starije produkcije susjednih zemalja koji nikada susjednu kinematografiju. Glavna ciljna skupina programa je mlada publika, lokalni audio- cine- tvorenih radionica i onika projekta (izvori, blogovi, fotografije i video prilozi) redovito biti objavljivana tijekom cijele godine. Online povijesnim i ekonomskim okolnostima. Svi fil VIDEO BIT Program radionice koncipiran je tako da se polaznici u uvodnom dijelu kroz radova Nam June Paika, Vita Acconcija, Bruca Naumana, Petara Campusa, Billa Viole i radova Matthewa Barrneya, Briana Enoa i Laurie Anderson, te interaktivnih video instalacija. video radovi pristupima i osobnim poetikama video umjetnika. le su filmskih i obrazovnih programa. Likovna fotografije, Godina dana filma Kino Kabaret Adriatic Iako je format Kino kabare je o prvoj radionici tak u 60 sati trajanja radionice snimiti biti organizirane u daljnjim aktivnostima projekta. PLATFORMAT je manifestacija nezavisne kulture i umjetnosti u organizaciji Platforme Doma - koncerte, suvremene akcije, tribinu i druge aktivnosti. U sklopu platformata Kino klub je dokumentirao projekt. Produkcija 2016/17 1. sperimentalni / 10'34'' 2. 3. 4. -eksperimentalni / 19'50'' 5. Unfound People's Video Technics radionica Graema Cole-a / 10 eksperimentalnih 6. -eksperimentalni / 6' 7. Justin's Johnson 8. /16'23'' 9. 10. lazbeni spot / 3'20'' 11. 12. 13. 14. / 20'05'' 15. 16. 17. 18. 19. 20. 21. eksperimentalno-dokumentarni / 9' 22. 23. 24. 25. Tamara Bilankov 26. 27. Festivali, izbor:
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