Dinner in Utopia: Why Did Plato Propose “Amazing and Frightening” Meals in Common?
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De Theognide Megarensi. Nietzsche on Theognis of Megara. a Bilingual Edition
FRIEDRICH NIETZSCHE De Theognide Megarensi Nietzsche on Theognis of Megara – A Bilingual Edition – Translated by R. M. Kerr THE NIETZSCHE CHANNEL Friedrich Nietzsche De Theognide Megarensi Nietzsche on Theognis of Megara A bilingual edition Translated by R. M. Kerr ☙ editio electronica ❧ _________________________________________ THE N E T ! " # H E # H A N N E $ % MM&' Copyright © Proprietas interpretatoris Roberti Martini Kerrii anno 2015 Omnia proprietatis iura reservantur et vindicantur. Imitatio prohibita sine auctoris permissione. Non licet pecuniam expetere pro aliquo, quod partem horum verborum continet; liber pro omnibus semper gratuitus erat et manet. Sic rerum summa novatur semper, et inter se mortales mutua vivunt. augescunt aliae gentes, aliae invuntur, inque brevi spatio mutantur saecla animantum et quasi cursores vitai lampada tradiunt. - Lucretius - - de Rerum Natura, II 5-! - PR"#$CE %e &or' presente( here is a trans)ation o* #rie(rich Nietzsche-s aledi!tionsarbeit ./schoo) e0it-thesis12 *or the "andesschule #$orta in 3chu)p*orta .3axony-$nhalt) presente( on 3epte4ber th 15678 It has hitherto )arge)y gone unnotice(, especial)y in anglophone Nietzsche stu(- ies8 $t the ti4e though, the &or' he)pe( to estab)ish the reputation o* the then twenty year o)( Nietzsche and consi(erab)y *aci)itate( his )ater acade4ic career8 9y a)) accounts, it &as a consi(erab)e achie:e4ent, especial)y consi(ering &hen it &as &ri;en: it entai)e( an e0pert 'no&)e(ge, not =ust o* c)assical-phi)o)ogical )iterature, but also o* co(ico)ogy8 %e recent =u(ge4ent by >"+3"+ .2017<!!2< “It is a piece that, ha( Nietzsche ne:er &ri;en another &or(, &ou)( ha:e assure( his p)ace, albeit @uite a s4a)) one, in the history o* Ger4an phi)o)ogyB su4s the 4atter up quite e)o@uently8 +ietzsche )ater continue( his %eognis stu(ies, the sub=ect o* his Crst scho)ar)y artic)e, as a stu(ent at Leip,ig, in 156 D to so4e e0tent a su44ary o* the present &or' D a critical re:ie& in 156!, as &e)) as @uotes in se:eral )e;ers *ro4 1567 on. -
Toronto! Welcome to the 118Th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies
TORONTO, ONTARIO JANUARY 5–8, 2017 Welcome to Toronto! Welcome to the 118th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies. This year we return to Toronto, one of North America’s most vibrant and cosmopolitan cities. Our sessions will take place at the Sheraton Centre Toronto Hotel in the heart of the city, near its famed museums and other cultural organizations. Close by, you will find numerous restaurants representing the diverse cuisines of the citizens of this great metropolis. We are delighted to take this opportunity of celebrating the cultural heritage of Canada. The academic program is rich in sessions that explore advances in archaeology in Europe, the Table of Contents Mediterranean, Western Asia, and beyond. Among the highlights are thematic sessions and workshops on archaeological method and theory, museology, and also professional career General Information .........3 challenges. I thank Ellen Perry, Chair, and all the members of the Program for the Annual Meeting Program-at-a-Glance .....4-7 Committee for putting together such an excellent program. I also want to commend and thank our friends in Toronto who have worked so hard to make this meeting a success, including Vice Present Exhibitors .......................8-9 Margaret Morden, Professor Michael Chazan, Professor Catherine Sutton, and Ms. Adele Keyes. Thursday, January 5 The Opening Night Public Lecture will be delivered by Dr. James P. Delgado, one of the world’s Day-at-a-Glance ..........10 most distinguished maritime archaeologists. Among other important responsibilities, Dr. Delgado was Executive Director of the Vancouver Maritime Museum, Canada, for 15 years. -
Lauri B. Reitzammer Associate Professor Department of Classics
Lauri B. Reitzammer Associate Professor Department of Classics University of Colorado at Boulder, UCB 248 Boulder, CO 80309-0248 303-492-6570; [email protected] EDUCATION: University of California, Berkeley, Ph.D. Classics 2006 American School of Classical Studies at Athens, Associate Member 2003-2004 University of California, Berkeley, M.A. Greek 2001 UCLA, Post-Baccalaureate, Classics 1997-1999 Brown University, B.A. Comparative Literature (French & English), magna cum laude 1995 EMPLOYMENT: Associate Professor of Classics, University of Colorado, Boulder 2016- Assistant Professor of Classics, University of Colorado, Boulder 2008-16 Postdoctoral Fellow, Introduction to the Humanities, Stanford University 2007-08 Full-Time Lecturer, Temple University 2006-07 TEACHING AND RESEARCH INTERESTS: • Greek Literature and Cultural History • Gender and Sexuality • Greek Religion BOOK: • The Athenian Adonia in Context: The Adonis Festival as Cultural Practice (May 2016, Wisconsin University Press, 261 pages, 23 illustrations) o Reviews o S. Deacy, Journal of Hellenic Studies, November 7, 2017 o J. McInerney, Bryn Mawr Classical Review, May 30, 2017 o J. Larson, Journal of Folklore Research, January 11, 2017 PEER-REVIEWED JOURNAL ARTICLES: • “Sightseeing at Colonus: Oedipus, Ismene, and Antigone as Theôroi in Oedipus at Colonus,” Classical Antiquity 37.1: 108-50 (2018) • “Aristophanes' Adôniazousai,” Classical Antiquity 27.2:282-333 (2008) • “A Hellenistic Terracotta and the Gardens of Adonis” (co-authored with John Oakley), Journal of Hellenic Studies 125: 142-44 (2005) INVITED PUBLICATIONS: • “Oedipus’ Lament: Waking and Refashioning the Traumatic Past in Sophocles’ Oedipus at Colonus” (in press, in Emotional Trauma in Greece and Rome: Representations and Reactions, A. Karanika and L. -
Why Does Plato's Laws Exist?
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Why Does Plato's Laws Exist? Harold Parker University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Philosophy Commons Recommended Citation Parker, Harold, "Why Does Plato's Laws Exist?" (2017). Publicly Accessible Penn Dissertations. 2515. https://repository.upenn.edu/edissertations/2515 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2515 For more information, please contact [email protected]. Why Does Plato's Laws Exist? Abstract If the ideal city described at length in Plato’s Republic is a perfect and philosophically attractive encapsulation of Plato’s political philosophy, why does Plato go on to write the Laws – which also describes an ideal city, albeit one very different from the Republic? The fundamental challenge of scholarship concerning the Laws is to supply a comprehensive account of the dialogue that explains all aspects of it while also distinguishing the Laws from the Republic in a way that does not devalue the Laws as a mere afterthought to the Republic. Past attempts at meeting this challenge, I argue, can be classified under the headings of the democratic, legal, and demiurgic approaches. Although each is prima facie plausible, each also faces its own set of problems. Furthermore, none are truly capable of explaining the Laws in its full specificity; the intricate array of customs, regulations, and practices making up the life of the city described form a complex totality not reducible to the concept of democracy, the rule of law, or demiurgy. -
Devising Descent Mime, Katabasis and Ritual in Theocritus' Idyll 15 Hans Jorgen Hansen a Thesis Submitted to the Faculty of Th
Devising Descent Mime, Katabasis and Ritual in Theocritus’ Idyll 15 Hans Jorgen Hansen A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2010 Approved by: Dr. William H. Race Dr. Owen Goslin Dr. Werner Riess Abstract Hans Jorgen Hansen: Devising Descent: Mime, Katabasis and Ritual in Theocritus’ Idyll 15 (Under the direction of Dr. William H. Race) In this thesis I investigate the genres and structure of Theocritus’ fifteenth Idyll, as well as its katabatic and ritual themes. Though often considered an urban mime, only the first 43 lines exhibit the formal qualities of mime found in Herodas’ Mimiambi, the only other surviving corpus of Hellenistic mime. The counterpoint to the mimic first section is the Adonia that makes up the last section of the poem and amounts to an urban recasting of pastoral poetry. A polyphonic, katabatic journey bridges the mimic and pastoral sections and is composed of four encounters that correspond to ordeals found in ritual katabases. The structure of the poem is then tripartite, beginning in the profane world of the household mime, progressing through the liminal space of the streets and ending in the sacred world of the Adonia. This progression mirrors Theocritus’ evolution from Syracusan mimic poet to Alexandrian pastoral poet. ii Table of Contents Introduction 1 Chapter 1: Mime and Structure in the Adoniazusae 6 1.1: Introduction 6 1.2.1: The Formal Features of Herodas’ Poetry 12 1.2.2: Homophony and Herodas’ Fourth Mimiamb 21 1.3.1: Theocritus’ Household-Mime 26 1.3.2: The Streets of Alexandria and Theocritus’ Polyphonic Mime 32 1.4: Conclusion 41 Chapter 2: Katabasis and Ritual in the Adoniazusae 44 2.1: Introduction 44 2.2: The Katabatic Structure, Characters and Imagery of Theoc. -
Studia Varia from the J
OCCASIONAL PAPERS ON ANTIQUITIES, 10 Studia Varia from the J. Paul Getty Museum Volume 2 LOS ANGELES, CALIFORNIA 2001 © 2001 The J. Paul Getty Trust Getty Publications 1200 Getty Center Drive Suite 500 Los Angeles, California 90049-1682 www. getty. edu Christopher Hudson, Publisher Mark Greenberg, Editor in Chief Project staff: Editors: Marion True, Curator of Antiquities, and Mary Louise Hart, Assistant Curator of Antiquities Manuscript Editor: Bénédicte Gilman Production Coordinator: Elizabeth Chapin Kahn Design Coordinator: Kurt Hauser Photographers, photographs provided by the Getty Museum: Ellen Rosenbery and Lou Meluso. Unless otherwise noted, photographs were provided by the owners of the objects and are reproduced by permission of those owners. Typography, photo scans, and layout by Integrated Composition Systems, Inc. Printed by Science Press, Div. of the Mack Printing Group Cover: One of a pair of terra-cotta arulae. Malibu, J. Paul Getty Museum 86.AD.598.1. See article by Gina Salapata, pp. 25-50. Library of Congress Cataloging-in-Publication Data Studia varia. p. cm.—-(Occasional papers on antiquities : 10) ISBN 0-89236-634-6: English, German, and Italian. i. Art objects, Classical. 2. Art objects:—California—Malibu. 3. J. Paul Getty Museum. I. J. Paul Getty Museum. II. Series. NK665.S78 1993 709'.3 8^7479493—dc20 93-16382 CIP CONTENTS Coppe ioniche in argento i Pier Giovanni Guzzo Life and Death at the Hands of a Siren 7 Despoina Tsiafakis An Exceptional Pair of Terra-cotta Arulae from South Italy 25 Gina Salapata Images of Alexander the Great in the Getty Museum 51 Janet Burnett Grossman Hellenistisches Gold und ptolemaische Herrscher 79 Michael Pfrommer Two Bronze Portrait Busts of Slave Boys from a Shrine of Cobannus in Gaul 115 John Pollini Technical Investigation of a Painted Romano-Egyptian Sarcophagus from the Fourth Century A.D. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
A Companion to Greek Religion
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition Kernos Revue internationale et pluridisciplinaire de religion grecque antique 21 | 2008 Varia Daniel OGDEN (ed.), A Companion to Greek Religion Joannis Mylonopoulos Electronic version URL: http://journals.openedition.org/kernos/1683 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2008 ISSN: 0776-3824 Electronic reference Joannis Mylonopoulos, « Daniel OGDEN (ed.), A Companion to Greek Religion », Kernos [Online], 21 | 2008, Online since 15 September 2011, connection on 21 April 2019. URL : http:// journals.openedition.org/kernos/1683 Kernos RevuedesL vres 319 2. Comptes rendus et notices 1i1liogr phiques Dan elO8DEN(ed.),A Companion to ree) Religion,Oxford,BlackEell,2007.1 vol.18×2Icm,097p.(Blac)well Companions to the Ancient.orld).ISBN:978+1+ 00I1+20I0+8. Recent scholarsh p n the f eld of Class cs s def n tely dom nated by compan ons, ntroduct ons,asEellasEinf-hrungen tol terallyalmosteveryth ng,and t sleg t matetoask hoEnecessarytheyreallyare,EhethertheyaddneE ns ghtstoourknoEledge,ordothey s mplyrepresenttheproductofaneEscholarlyfast+food+era?Itshouldbestressedfrom theverybeg nn ngthatth sneEcompan oncerta nlydoesnotbelongtothelastcategory, for the sheer Qcollect onR of renoEned contr butors guarantees the h ghest standards. Nevertheless,already nh s ntroductorynote,theed torrevealsthebook’smost mportant Eeakness2 although Ee may or may not agree -
Plant and Garden Imagery in Plato's Phaedrus
From the Plane Tree to the Gardens of Adonis: Plant and Garden Imagery in Plato’s Phaedrus By Daniel Carey Supervised by Dennis J. Schmidt Submitted in fulfilment for the requirements of the degree of Master of Research School of Humanities and Communication Arts WESTERN SYDNEY UNIVERSITY 2021 For Torrie 2 Acknowledgements A project like this would not have been completed without the help of some truly wonderful people. First and foremost, I would like to thank my supervisor, Professor Dennis J. Schmidt, for his patience, excitement, and unwavering commitment to my work. This thesis was initially conceived as a project on gardening in the history of philosophy, although it quickly turned into an examination of plant and garden imagery in Plato’s dialogue the Phaedrus. If not for Denny’s guiding hand I would not have had the courage to pursue this text. Over this past year he has taught me to appreciate the art of close reading and pushed me to think well beyond my comfort levels; for that, I am eternally grateful. I would also like to thank Professor Drew A. Hyland, who through the course of my candidature, took the time to answer several questions I had about the dialogue. In addition, I would like to thank Associate Professors Jennifer Mensch and Dimitris Vardoulakis. While they might not have had any direct hand in this project, my time spent in their graduate classes opened my eyes to new possibilities and shaped my way of thinking. Last but not least, I owe a great debt of thanks to Dr. -
Gender and Religion in Theocritus, Idyll 15: Prattling Tourists at the Adonia*
ACTA CLA551CA XUV (2001) 87-103 155N 0065-1141 GENDER AND RELIGION IN THEOCRITUS, IDYLL 15: PRATTLING TOURISTS AT THE ADONIA* Michael Lambert University ofNatal, Pietermaritzburg ABSTRACT Modem scholars such as Davies, Griffiths and Bunon, influenced by feminist lilcmry criticism, have argued that Theocritus' Idyll 15 is an exploration of the experience and attitudes of two Symcusan women al an Alexandrian version oftheAdoIlia. In this paper, I argue that Theocritus, as a male poet inheriting, from comedy and mime, a trndition of representing women at religious festivals, does not give us the women's perspective, but constructs a parody of women's perspectives of a religious festival, which extends to the hymn performed at the Adollia as well, perhaps for the entertainment of his cultured audience. In short, Theocritus sends up the women's superficial religiosity, rather than uses the poem as a means to express genuine female religious experience. It is also suggested that Theocritus, acutely aware of the cultural tensions generated by the Plolemies' flirtation with Egyptian cultural practices, does not offend Arsinoe with his parody, bUI allempts to be as subtle and diplomatic as possible. 'It is a page tom fresh outofthe bookofhuman life. Whatfreedom! What animation! What gaiety! What naturalness!' The rapturous response of Matthew Arnold (1910:205) to Idyll 15 finds many echoes in the work of some modem scholars who, anxious to flesh outthe lives ofGreek women in antiquity, use the poem as if it were papyrological evidence; I even ,., This is a revised version of a paper presented at the II th Congress of the FlEC, held at Kavala, Greece, from 24-30 August, 1999. -
The World of Greek Religion and Mythology
Wissenschaftliche Untersuchungen zum Neuen Testament Herausgeber/Editor Jörg Frey (Zürich) Mitherausgeber/Associate Editors Markus Bockmuehl (Oxford) ∙ James A. Kelhoffer (Uppsala) Tobias Nicklas (Regensburg) ∙ Janet Spittler (Charlottesville, VA) J. Ross Wagner (Durham, NC) 433 Jan N. Bremmer The World of Greek Religion and Mythology Collected Essays II Mohr Siebeck Jan N. Bremmer, born 1944; Emeritus Professor of Religious Studies at the University of Groningen. orcid.org/0000-0001-8400-7143 ISBN 978-3-16-154451-4 / eISBN 978-3-16-158949-2 DOI 10.1628/978-3-16-158949-2 ISSN 0512-1604 / eISSN 2568-7476 (Wissenschaftliche Untersuchungen zum Neuen Testament) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available at http://dnb.dnb.de. © 2019 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitt- ed by copyright law) without the publisher’s written permission. This applies particular- ly to reproductions, translations and storage and processing in electronic systems. The book was typeset using Stempel Garamond typeface and printed on non-aging pa- per by Gulde Druck in Tübingen. It was bound by Buchbinderei Spinner in Ottersweier. Printed in Germany. in memoriam Walter Burkert (1931–2015) Albert Henrichs (1942–2017) Christiane Sourvinou-Inwood (1945–2007) Preface It is a pleasure for me to offer here the second volume of my Collected Essays, containing a sizable part of my writings on Greek religion and mythology.1 Greek religion is not a subject that has always held my interest and attention. -
VALOUR, DUTY, SACRIFICE: SPARTA ‘In Sparta Are to Be Found Those Who Are Most Enslaved and Those Who Are the Most Free.’
CHAPTER 2 VALOUR, DUTY, SACRIFICE: SPARTA ‘In Sparta are to be found those who are most enslaved and those who are the most free.’ CRITIAS OF ATHENS sample pages Spartan infantry in a formation called a phalanx. 38 39 CHAPTER 2 VALOUR, DUTY, SACRIFICE: SPARTA KEY POINTS KEY CONCEPTS OVERVIEW • At the end of the Dark Age, the Spartan polis emerged DEMOCRACY OLIGARCHY TYRANNY MONARCHY from the union of a few small villages in the Eurotas valley. Power vested in the hands Power vested in the hands A system under the control A system under the control • Owing to a shortage of land for its citizens, Sparta waged of all citizens of the polis of a few individuals of a non-hereditary ruler of a king war on its neighbour Messenia to expand its territory. unrestricted by any laws • The suppression of the Messenians led to a volatile slave or constitution population that threatened Sparta’s way of life, making the DEFINITION need for reform urgent. KEY EVENTS • A new constitution was put in place to ensure Sparta could protect itself from this new threat, as well as from tyranny. Citizens of the polis all A small, powerful and One individual exercises Hereditary rule passing 800 BCE • Sweeping reforms were made that transformed Sparta share equal rights in the wealthy aristocratic class complete authority over from father to son political sphere all aspects of everyday life Sparta emerges from the into a powerful military state that soon came to dominate Most citizens barred from Family dynasties claim without constraint Greek Dark Age the Peloponnese.