Doctor Who: Time Trips (The Collection) Free
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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Tariq Jordan Actor
Tariq Jordan Actor Agents Lucia Pallaris Assistant [email protected] Eleanor Kirby +44 (0) 20 3214 0909 [email protected] Roles Film Production Character Director Company THE TURTLE AND THE Azeem Marek Budzynski The Turtle and the Sea SEA Ltd DESERT DANCER Mousavi Campaigner Richard Raymond May 13 Films CLEAN SKIN Paul Hadi Hajaig UK Film Studio MY LAD (Short) Sid Sami Khan Television Production Character Director Company MARCELLA Mr. Yusef Charles Martin ITV 1 EASTENDERS (1 Episode) Dr. Ali Various BBC INJUSTICE Jameel Colm McCarthy ITV SHAMELESS Gary Paul Walker Company Pictures LAW & ORDER (Series 1,2,3) Teddy Various Kudos GEORGE GENTLY Hamed Ciaran Donnelly Company Pictures LEWIS Barham Rezvani Billie Eltringham ITV United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company SPOOKS Jawad Peter Hoar Kudos WHITE GIRL Rehan Hettie Macdonald Tiger Aspect THE BILL (2 eps) Rahim Woods Steve Kelly Talkback Thames WIRED Jez Kenny Glenaan ITV DR WHO Sales Rep Graeme Harper BBC DOCTOR WHO BBC Stage Production Character Director Company MEET ME IN THE RUINS Narrator Coventry Cathedral SPEED Qal Poonam Brah Kali Theatre Company WAH WAH GIRLS Kabir Emma Rice Kneehigh for Sadler's Wells THE BOMB; A Partial History Speechwriter Nicholas Kent Tricycle Theatre 'Axis' THE BOMB; A Partial History Yuri Nicholas Kent Tricycle Theatre 'LIttle Russians;' THE BOMB; A Partial History Prakash Nicholas Kent The Tricycle Theatre 'Option' GREAT EXPECTATIONS Pip Nikolai Foster English Touring Theatre / Watford Palace GUANTANAMO Ruhel Nicholas Kent / Tricycle / New Sasha Wares Ambassadors FRAGILE LAND Quasim Paul Miller Hampstead Theatre United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected]. -
Download the Digital Booklet
DOCTOR WHO THE CAVES OF ANDROZANI MUSIC BY ROGER LIMB AND THE BBC RADIOPHONIC WORKSHOP 01 Doctor Who (Opening Theme) 0.39 20 Geostationary Orbit 1.43 02 Androzani Minor 1.46 21 The Girl Will Be Alone 1.00 03 Gun-Runners 0.59 22 Peri Abducted 1.28 04 Morgus and Chellak 1.06 23 Vertical Descent Pattern 0.32 05 Death Sentence 1.36 24 It Could Have Been Worse 2.08 06 Sharaz Jek 1.49 25 Do You Think I’m Mad? 2.56 07 Death Under the Red Cloth 2.10 26 The Doctor Pursued 3.13 08 Androids 0.50 27 Mud Burst 1.58 09 Next Time It’ll Be for Real 1.07 28 Morgus and Stotz 1.03 10 Nobody Lives for Ever 2.16 29 Face Off 1.11 11 Spectrox 1.11 30 Morgus Kaput 0.37 12 Salateen 0.32 31 Not Beaten Yet 1.21 13 Exile 1.06 32 Milk of the Queen Bat 7.04 14 Clever Little Android 0.44 33 Return to the TARDIS 0.50 15 Two Kilos, What a Deal 0.50 34 Is This Death? 2.18 16 The Magma Beast 2.14 35 Doctor Who (Closing Theme) 1.20 17 Blind Fools 0.34 18 Tear His Arms Out 2.37 19 Stage Three 1.54 Total Playing Time: 59.59 Working on The Caves of Androzani I was lucky enough to already have experience of creating music for TV drama including several Doctor Who stories. In 1984-5 we had new tools at our disposal including the Fairlight Computer Music Instrument (CMI) which I used to create the rhythmic percussion figures, and the wonderfully versatile Yamaha DX7 which was a landmark in the development of the synthesiser. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
MT337 201102 Earthshock
EARTHSHOCK By Eric Saward Mysterious Theatre 337 – Show 201102 Revision 3 By the usual suspects Transcription by Robert Warnock (1,2) and Steven W Hill (3,4) Theme starts Didn’t we just do this one? Stars More stars Bright stars Peter! Hey it’s that guy from the Gallifrey convention video. Peter zooms towards camera I saw a guy who looks just like him in the hotel. More bright stars Neon logo Neon logo zooms out Earthshock I love one-word titles. By Eric Saward Part One Star One. Long shot of the BBC Quarry. © Some people in coveralls rappel up the side of a hill. If that’s tug of war, you’re doing it wrong. I love the BBC quarry. Lieutenant Scott reaches out to help Professor Kyle Another boring planet in the middle of nowhere. over the top. She gasps. They run away from the camera towards another hill Is this Halo? where some other troopers are standing guard. They run past an oval-shaped, blue tent to where some other troopers are standing, and stop. Scott looks around a bit, the moves forward again. He heads towards a “tunnel” entrance where some more troopers are standing. Kyle and Snyder are looking into the entrance as Scott walks up. Look, she’s got headlights. Phwooar! Page 1 SNYDER Nothing. Kyle turns around and walks away from the tunnel Quarry. entrance very slowly. PROF KYLE How does this thing work? It’s called a microfiche. WALTERS It focuses upon the electrical activity of the body-heartbeat, things like that. -
Issue 30 Easter Vacation 2005
The Oxford University Doctor Who Society Magazine TThhee TTiiddeess ooff TTiimmee I ssue 30 Easter Vacation 2005 The Tides of Time 30 · 1 · Easter Vacation 2005 SHORELINES TThhee TTiiddeess ooff TTiimmee By the Editor Issue 30 Easter Vacation 2005 Editor Matthew Kilburn The Road to Hell [email protected] I’ve been assuring people that this magazine was on its way for months now. My most-repeated claim has probably Bnmsdmsr been that this magazine would have been in your hands in Michaelmas, had my hard Wanderers 3 drive not failed in August. This is probably true. I had several days blocked out in The prologue and first part of Alex M. Cameron’s new August and September in which I eighth Doctor story expected to complete the magazine. However, thanks to the mysteries of the I’m a Doctor Who Celebrity, Get Me Out of guarantee process, I was unable to Here! 9 replace my computer until October, by James Davies and M. Khan exclusively preview the latest which time I had unexpectedly returned batch of reality shows to full-time work and was in the thick of the launch activities for the Oxford Dictionary of National Biography. Another The Road Not Taken 11 hindrance was the endless rewriting of Daniel Saunders on the potentials in season 26 my paper for the forthcoming Doctor Who critical reader, developed from a paper I A Child of the Gods 17 gave at the conference Time And Relative Alex M. Cameron’s eighth Doctor remembers an episode Dissertations In Space at Manchester on 1 from his Lungbarrow childhood July last year. -
Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002
Description of document: Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002 Requested date: 2002 Release date: 2003 Posted date: 08-February-2021 Source of document: Information and Privacy Coordinator Central Intelligence Agency Washington, DC 20505 Fax: 703-613-3007 Filing a FOIA Records Request Online The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. 1 O ct 2000_30 April 2002 Creation Date Requester Last Name Case Subject 36802.28679 STRANEY TECHNOLOGICAL GROWTH OF INDIA; HONG KONG; CHINA AND WTO 36802.2992 CRAWFORD EIGHT DIFFERENT REQUESTS FOR REPORTS REGARDING CIA EMPLOYEES OR AGENTS 36802.43927 MONTAN EDWARD GRADY PARTIN 36802.44378 TAVAKOLI-NOURI STEPHEN FLACK GUNTHER 36810.54721 BISHOP SCIENCE OF IDENTITY FOUNDATION 36810.55028 KHEMANEY TI LEAF PRODUCTIONS, LTD. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Delia Derbyshire Sound and Music for the BBC Radiophonic Workshop, 1962-1973
Delia Derbyshire Sound and Music For The BBC Radiophonic Workshop, 1962-1973 Teresa Winter PhD University of York Music June 2015 2 Abstract This thesis explores the electronic music and sound created by Delia Derbyshire in the BBC’s Radiophonic Workshop between 1962 and 1973. After her resignation from the BBC in the early 1970s, the scope and breadth of her musical work there became obscured, and so this research is primarily presented as an open-ended enquiry into that work. During the course of my enquiries, I found a much wider variety of music than the popular perception of Derbyshire suggests: it ranged from theme tunes to children’s television programmes to concrete poetry to intricate experimental soundscapes of synthesis. While her most famous work, the theme to the science fiction television programme Doctor Who (1963) has been discussed many times, because of the popularity of the show, most of the pieces here have not previously received detailed attention. Some are not widely available at all and so are practically unknown and unexplored. Despite being the first institutional electronic music studio in Britain, the Workshop’s role in broadcasting, rather than autonomous music, has resulted in it being overlooked in historical accounts of electronic music, and very little research has been undertaken to discover more about the contents of its extensive archived back catalogue. Conversely, largely because of her role in the creation of its most recognised work, the previously mentioned Doctor Who theme tune, Derbyshire is often positioned as a pioneer in the medium for bringing electronic music to a large audience. -
Table of Contents
Table of contents Cover by nonasuch.tumblr.com Quote by the Seventh Doctor The Tenth Doctor by Melissa Dalton Farewell Ponds by nisiedrawsstuff.tumblr.com A Personal Voyage by Hiro Miyamoto Superfly The Doctor Who Dude Problem by Vivian Jamie McCrimmon by pikse.tumblr.com A !rief List by nonasuch The !ridge by Sage H Paul Mc#ann Doesn't Count by aralias Ma%e an Adipose !aby by nonasuch Si( )istorical Women by nonasuch Li*ard Woman + Wife by Noni Boynton Clara and ,leven by tallytodd.tumblr.com Come -n, We've/// by grey_bard 0There are worlds out there where the s%y is burning. where the sea's aslee& and the rivers dream. &eople made of smoke and cities made of song. Somewhere there's danger. somewhere there's injustice and somewhere else the tea is getting cold/ Come on, Ace, we've got wor% to do." Doctor Who: A Personal Voyage The second most common question I hear whenever I bring up Doctor Who is “What is Doctor Who?” (the most common one being “Who is Doctor Who?”) It’s really hard to summarize. Too few words and you don’t capture the spirit of it. Too many and you quickly alienate the newcomer. I’ve heard people describe it as “the story of an alien who travels through time and space in a box that’s bigger on the inside.” That’s great. It encapsulates the strangeness inherent in such a series. The only problem is that you shouldn’t just give all of this info to a newcomer right off the bat.