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Sydney Program Guide
4/23/2021 prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Reports.Dsp_SHAKE_Guide?psStartDate=09-May-21&psEndDate=15-… SYDNEY PROGRAM GUIDE Sunday 09th May 2021 06:00 am Totally Wild CC C Get inspired by all-access stories from the wild side of life! 06:30 am Top Wing (Rpt) G Rod's Beary Brave Save / Race Through Danger Canyon Rod proves that he is a rooster (and not a chicken) as he finds a cub named Baby Bear lost in the Haunted Cave. A jet-flying bat roars into Danger Canyon to show off his prowess. 07:00 am Blaze And The Monster Machines (Rpt) G Treasure Track Blaze, AJ, and Gabby join Pegwheel the Pirate-Truck for an island treasure hunt! Following their treasure map, the friends search jungle beaches and mountains to find where X marks the spot. 07:30 am Paw Patrol (Rpt) G Pups Save The Runaway Turtles / Pups Save The Shivering Sheep Daring Danny X accidently drives off with turtle eggs that Cap'n Turbot had hoped to photograph while hatching. Farmer Al's sheep-shearing machine malfunctions and all his sheep run away. 07:56 am Shake Takes 08:00 am Paw Patrol (Rpt) G Sea Patrol: Pups Save A Frozen Flounder / Pups Save A Narwhal Cap'n Turbot's boat gets frozen in the Arctic Ice. The pups use the Sea Patroller to help guide a lost narwhal back home. 08:30 am The Loud House (Rpt) G Lincoln Loud: Girl Guru / Come Sale Away For a class assignment Lincoln and Clyde must start a business. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Gruda Mpp Me Assis.Pdf
MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK ASSIS 2011 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Orientador: Prof. Dr. José Sterza Justo Trabalho financiado pela CAPES ASSIS 2011 Dados Internacionais de Catalogação na Publicação (CIP) Biblioteca da F.C.L. – Assis – UNESP Gruda, Mateus Pranzetti Paul G885d O discurso politicamente incorreto e do escracho em South Park / Mateus Pranzetti Paul Gruda. Assis, 2011 127 f. : il. Dissertação de Mestrado – Faculdade de Ciências e Letras de Assis – Universidade Estadual Paulista Orientador: Prof. Dr. José Sterza Justo. 1. Humor, sátira, etc. 2. Desenho animado. 3. Psicologia social. I. Título. CDD 158.2 741.58 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM “SOUTH PARK” Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Data da aprovação: 16/06/2011 COMISSÃO EXAMINADORA Presidente: PROF. DR. JOSÉ STERZA JUSTO – UNESP/Assis Membros: PROF. DR. RAFAEL SIQUEIRA DE GUIMARÃES – UNICENTRO/ Irati PROF. DR. NELSON PEDRO DA SILVA – UNESP/Assis GRUDA, M. P. P. O discurso do humor politicamente incorreto e do escracho em South Park. -
1 United States District Court for The
UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ________________________________________ ) VIACOM INTERNATIONAL INC., ) COMEDY PARTNERS, ) COUNTRY MUSIC TELEVISION, INC., ) PARAMOUNT PICTURES ) Case No. 1:07-CV-02103-LLS CORPORATION, ) (Related Case No. 1:07-CV-03582-LLS) and BLACK ENTERTAINMENT ) TELEVISION LLC, ) DECLARATION OF WARREN ) SOLOW IN SUPPORT OF Plaintiffs, ) PLAINTIFFS’ MOTION FOR v. ) PARTIAL SUMMARY JUDGMENT ) YOUTUBE, INC., YOUTUBE, LLC, and ) GOOGLE INC., ) Defendants. ) ________________________________________ ) I, WARREN SOLOW, declare as follows: 1. I am the Vice President of Information and Knowledge Management at Viacom Inc. I have worked at Viacom Inc. since May 2000, when I was joined the company as Director of Litigation Support. I make this declaration in support of Viacom’s Motion for Partial Summary Judgment on Liability and Inapplicability of the Digital Millennium Copyright Act Safe Harbor Defense. I make this declaration on personal knowledge, except where otherwise noted herein. Ownership of Works in Suit 2. The named plaintiffs (“Viacom”) create and acquire exclusive rights in copyrighted audiovisual works, including motion pictures and television programming. 1 3. Viacom distributes programs and motion pictures through various outlets, including cable and satellite services, movie theaters, home entertainment products (such as DVDs and Blu-Ray discs) and digital platforms. 4. Viacom owns many of the world’s best known entertainment brands, including Paramount Pictures, MTV, BET, VH1, CMT, Nickelodeon, Comedy Central, and SpikeTV. 5. Viacom’s thousands of copyrighted works include the following famous movies: Braveheart, Gladiator, The Godfather, Forrest Gump, Raiders of the Lost Ark, Breakfast at Tiffany’s, Top Gun, Grease, Iron Man, and Star Trek. -
Program Guide Report
Schedule Program Guide For TCN/GO Sun Jan 8, 2012 06:00 THUNDERBIRDS Repeat WS G Richochet Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 THE FLINTSTONES Repeat G At The Races Fred encounters unforeseen problems when he wins money at the dinosaur racetrack. 07:30 SMURFS Repeat G Gnoman Holiday / The Monumental Grouch When in Rome, Grouchy has a change of heart when his likeness is made of granite. 08:00 ANIMANIACS Repeat G Noah's Lark/The Big Kiss/Hiccup First, in "Noahs' Lark," the Hip Hippos board Noah's ark, much to Noah's chagrin. Then, "The Big Kiss" features Chicken Boo disguising himself as one of Hollywood's leading men. 08:30 CAMP LAZLO Repeat WS G No Beads, No Business!/ Miss Fru Fru Raj's dream of turning the camp store into something special is tested when he hires his best friend, Lazlo. 09:00 CAMP LAZLO Repeat WS G Parents Day/ Club Kidney-ki When the Jellies discover that Lumpus' parents did not come to visit him at Camp, they try to set things right. 09:30 BATMAN: THE BRAVE AND THE BOLD Repeat WS PG Trials Of The Demon! After taking on the Scarecrow with the aid of the Golden Age Flash, Batman must travel to 19th century London to capture the Gentleman Ghost. Cons.Advice: Mild Violence 10:00 GENERATOR REX Repeat WS PG Rampage Rex and the gang are dispatched to deal with a commotion going on at the port. -
Lt Col Andrew Tanner
Lt col andrew tanner Continue This article is about the 1984 film. For the 2012 remake, watch the film Red Dawn (2012). For other purposes, see Red Dawn (disambiguation). 1984 action movie directed by John Milius Red DawnOriginal theatrical poster John AlvinDirector John MiliusProduzyBuzz FeitshansBarry BeckermanSidney BeckermanScreenplay Kevin ReynoldsJohn MiliusStroy Kevin ReynoldsStarring Patrick Swayze C. Thomas Howell Lea Thompson Ben Johnson Harry Dean Stanton Ron O'Neill William Smith Powers Booth Music Poseila PoledourisCinematographyRic WaiteEdited byThom NobleProductioncompany United ArtistsValkyrie FilmsDistributed byMGM/UA Entertainment CompanyRelease Date August 10, 1984 (1984-08-10) 114 minutes(114 minutes) - American action film directed by John Milius in 1984, Red Dawn, based on the screenplay by Kevin Reynolds and Milius. Starring Patrick Swayze, Charlie Sheen, C. Thomas Howell, Lea Thompson, Jennifer Gray, Ben Johnson, Harry Dean Stanton, Ron O'Neill, William Smith, and Powers Booth. It was the first film released in the United States with a PG-13 rating (according to the modified rating system introduced on July 1, 1984). The film depicts the United States, captured by the Soviet Union and its Cuban and Nicaraguan allies. However, the beginning of the Third World War is in the background and has not been fully worked out. The story follows a group of American schoolchildren who resist occupation with guerrilla warfare, calling themselves Wolverines, after their high school mascot. The United States became strategically isolated after NATO was completely dissolved. At the same time, the Soviet Union and its Allies under the Warsaw Pact are actively expanding their sphere of influence. In addition, the Ukrainian wheat crop fails, while in Mexico there is a socialist coup d'etat. -
Additional Images of Journalists in South Park by Todd Smilovitz
Appendix: Additional Images of Journalists in South Park By Todd Smilovitz Episode 1: “Cartman Gets an Anal Probe.” First aired August 13, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. Aliens abduct Eric Cartman and install a satellite dish in his rectum. News 8 reports on crop circles, which actually look like Eric in outline. A field reporter says, “Could it be that aliens are trying to make contact with us here on Earth?” Episode 2: “Volcano.” First aired August 20, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. A volcano erupts near South Park while the boys are camping on its mountainside. Mostly banal reporting on the story by HBC standards, but Tom’s thoughts on the successful rescue of the boys is a bit melodramatic. “And now these humble people can rejoice and celebrate their jovial victory over nature. I’m getting word that the chef of the school cafeteria wants to sing a song about this thrilling struggle of humanity.” Episode 3: “Weight Gain 4000.” First aired August 27, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. Eric Cartman, already overweight, begins inhaling Weight Gain 4000 to become buff. Instead, he becomes a Jabba the Hut look-alike. Meanwhile, Kathy Lee Gifford is coming to town to present Eric with an award for best essay on the rainforest. He actually wrote the essay by copying from On Walden Pond. Unfortunately for Eric, Kathy Lee is almost assassinated and leaves town just before handing the award to Eric. Eric says, “Hey, wait a minute, when do I get to be on television?” The reporter answers, “Forget it, kid. -
South Park's Expression of Legal Ideology and Contribution to Legal Culture
Vanderbilt Journal of Entertainment & Technology Law Volume 11 Issue 3 Issue 3 - Spring 2009 Article 1 2009 Respect My Authority! South Park's Expression of Legal Ideology and Contribution to Legal Culture Kimberlianne Podlas Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Cultural Heritage Law Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Society Commons Recommended Citation Kimberlianne Podlas, Respect My Authority! South Park's Expression of Legal Ideology and Contribution to Legal Culture, 11 Vanderbilt Journal of Entertainment and Technology Law 491 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol11/iss3/1 This Article is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. VANDERBILT JOURNAL OF ENTERTAINMENT AND TECHNOLOGY LAW VOLUME 11 SPRING 2009 NUMBER 3 Respect My Authority! South Park's Expression of Legal Ideology and Contribution to Legal Culture Kimberlianne Podlas* ABSTRACT This Article recognizes that television programs outside of the law genre can engage in legal discourse: to wit, South Park. South Park has been called one of the most profane programs on television as well as one of the most ideological. Indeed, through sophisticated, no- holds-barred satire, South Park contemplates a number of American culture's most complex and contentious legal issues. This Article systematically analyzes the legal ideologies conveyed by South Park, combining an interpretive ethnographic analysis with quantitative content analyses. -
Masaryk University Faculty of Education
MASARYK UNIVERSITY FACULTY OF EDUCATION DEPARTMENT OF ENGLISH AND AMERICAN STUDIES American cartoons: the Image of Interpersonal Relationships in South Park and The Simpsons BRNO 2012 Supervisor: Author: Mgr. Zdeněk Janík, M.A., Ph.D. Mgr. Jana Brandová Prohlašuji, že jsem tuto práci zpracovala samostatně a použila jen prameny uvedené v seznamu literatury. Souhlasím, aby práce byla uložena na Masarykově univerzitě v Brně v knihovně Pedagogické fakulty a zpřístupněna ke studijním účelům. Mgr. Jana Brandová Acknowledgement: I would like to thank to my supervisor, Mgr. Zdeněk Janík, M.A., Ph.D., for his constructive comments and valuable advice. I would also like to thank to my partner and family for their support. Abstract: The thesis provides the reader with a detailed comparison of the image of interpersonal relationships in two popular American cartoons for adults South Park and The Simpsons. The thesis analyzes several episodes of these two cartoons and focuses on the different depiction of parent-child relationship, relationships with the elderly and community relations in both cartoons. In addition, the thesis compares and contrasts kinds of satire and parody which are used in both shows. Key words: South Park, The Simpsons, cartoons for adults, parody, satire, family, parent-child relationships, senior citizens, community relations Souhrn Tato závěrečná práce seznamuje čtenáře s rozdílným vyobrazením mezilidských vztahů ve dvou populárních kreslených seriálech South Parku a Simpsnových. Práce analyzuje několik epizod výše zmíněných kreslených seriálů a na základě této analýzy popisuje rozdílný přístup k zobrazení vztahů mezi rodiči a dětmi, postoji k seniorům a vztahů v místním společenství, které oba seriály zaujímají. -
Distribution Agreement in Presenting This Thesis As a Partial Fulfillment Of
Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter know, including display on the World Wide Web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Michael Finnell 4/19/11 Appreciating Aristophanes Through Comparison by Michael Finnell Dr. Niall Slater Adviser Department of Classics Dr. Niall Slater Adviser Dr. Louise Pratt Committee Member Dr. Cynthia Patterson Committee Member 4/19/11 Appreciating Aristophanes Through Comparison By Michael Finnell Dr. Niall Slater Adviser An abstract of a thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors Department of Classics 2011 Abstract Appreciating Aristophanes Through Comparison By Michael Finnell Aristophanes has been one of the most influential comedians to ever bring laughter to an audience. His works have survived extinction and remained relevant because they are not only brilliantly written but also truly hilarious. Yet much of the humor Aristophanes’ original audience would have experienced is lost due to the great social, political, and cultural distance between our modern society and classical Athens. -
Representations of Age and Ageing in Comedy Film
ResearchOnline@JCU This file is part of the following reference: Gatling, Margaret Catherine (2013) Representations of age and ageing in comedy film. PhD thesis, James Cook University. Access to this file is available from: http://researchonline.jcu.edu.au/39247/ The author has certified to JCU that they have made a reasonable effort to gain permission and acknowledge the owner of any third party copyright material included in this document. If you believe that this is not the case, please contact [email protected] and quote http://researchonline.jcu.edu.au/39247/ Representations of Age and Ageing in Comedy Film Margaret Catherine Gatling, RN, RM, BA(Hons) Adel, MNSt JCU For the Degree of Doctor of Philosophy in the School of Nursing, Midwifery & Nutrition James Cook University October, 2013 Advisory Team Associate Professor Jane Mills (Principal Advisor) Associate Professor David Lindsay (Advisor) STATEMENT OF ACCESS I, the undersigned, the author of this thesis, understand that James Cook University Library, by microfilm or by other means, allows access to users in other approved libraries. All users consulting this thesis will have to sign the following statement: “In consulting this thesis, I agree not to copy or closely paraphrase it in whole or part without the consent of the author; and to make proper written acknowledgement for any assistance, which I have obtained from it”. Beyond this I do not wish to place any restriction on access to this thesis. Signed Date: 10 October, 2013 i STATEMENT OF SOURCES DECLARATION I declare that this thesis is my own work and had not been submitted in any form for another degree or diploma at any university or other institution of tertiary education.