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Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
MVLA Board Packet 3.27.17.Pdf
MOUNTAIN VIEW LOS ALTOS HIGH SCHOOL DISTRICT Board of Trustees Regular Meeting Agenda March 27, 2017 District Office Boardroom 6:30 pm – Closed Session 1299 Bryant Avenue, Mountain View 7:00 pm – Regular Session The Mountain View Los Altos Union High School District is committed to providing equal educational opportunities for all of our students in their preparation for employment, citizenship, and college entrance; offering a quality, comprehensive curriculum which encourages the participation and maximum growth of each student; reviewing, revising, and improving our educational programs and services on a continuing basis; and improving the school facilities and learning-working conditions for the students and staff. MARCH S M T W TH F S 1 2 3 4 5 6 7 8 9 11 12 14 15 16 17 18 19 21 22 23 24 25 26 28 29 30 31 APRIL S M T W TH F S 1 2 3 4 5 6 7 8 9 15 16 18 19 20 21 22 23 24 25 26 27 28 29 30 MAY S M T W TH F S 1 2 3 4 5 6 7 9 10 11 12 13 14 15 16 17 18 19 20 21 23 24 25 26 27 28 30 31 Board Meetings Teacher Service Day End of Quarter/Semester Recess/Holiday MOUNTAIN VIEW LOS ALTOS HIGH SCHOOL DISTRICT Board of Trustees Regular Meeting Agenda March 27, 2017 District Office Boardroom 6:30 pm – Closed Session 1299 Bryant Avenue, Mountain View 7:00 pm – Regular Session Mission Statement We are committed to creating a community of learners with the knowledge, skills and values necessary to combine personal success with meaningful contributions to our multicultural and global society. -
The Funky Diaspora
The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music. -
Palo Alto Weekly Will Host a Ered to Their Home Before the Event
Palo Vol. XLII, Number 48 Q September 3, 2021 Alto Getreu trial: Evidence suggests struggle before 1974 killing Page 5 www.PaloAltoOnline.com Fall Class Guide Page 29 Read up-to-the-minute news on PaloAltoOnline.com QUpfront Downtown bears brunt of economic recession Page 5 QUpfront Youths hit the streets to boost vaccinations Page 8 QA&E Musical lampoons tech’s embrace of Burning Man Page 27 LA monthly i special v section i n of news g Wel& information for seniors l BEYOND THE CALL OF DUTY Off the clock, these Avenidas honorees laid the groundwork for a better community 33 ach of this year’s nine Avenidas Life- Gay and Bill Krause, Alma and Jim Phillips, Tickets for this public event are $75 and gifts times of Achievement honorees has Stephen Player and Eliane and Armand Neuke- may also be made in honor of one or more of the gone beyond the call of duty year in and rmans have distinguished themselves as deeply honorees, with proceeds benefiting Avenidas’ Eyear out for decades to create positive changes committed to making their communities a bet- programs for older adults throughout the area. in the community by donating countless hours ter place. Ticket holders may choose to have a box of sa- of hands-on service to local organizations and To honor them, the senior-serving nonprofit vory snacks, dessert and a bottle of wine deliv- programs aimed at improving education, health Avenidas and the Palo Alto Weekly will host a ered to their home before the event. There also care, the environment and services for seniors, virtual celebration on Sunday, Sept. -
Grantee Advised Grants Grants That Support SVCF's Grantmaking Strategies Total 10 Books a Home $256,500.00 $256,500.00 10,000 De
Grants that support SVCF's Grantee Advised Grants Total grantmaking strategies 10 Books A Home $256,500.00 $256,500.00 10,000 Degrees $5,000.00 $5,000.00 100 Women Charitable Foundation, Inc. $1,500.00 $1,500.00 1000 Friends of Oregon $1,500.00 $1,500.00 10000 Cries for Justice $20,000.00 $20,000.00 108 Monkeys $50,000.00 $50,000.00 1-A District Agricultural Association $2,000.00 $2,000.00 31heroes Projects $5,000.00 $5,000.00 350 Org $400.00 $400.00 3rd I South Asian Independent Film $10,000.00 $10,000.00 4 Paws For Ability, Inc. $250.00 $250.00 4word $5,000.00 $5,000.00 826 Michigan $1,000.00 $1,000.00 826 Valencia $17,500.00 $17,500.00 826LA $262.50 $262.50 A Foundation Building Strength Inc. $13,500.00 $13,500.00 A Future in Hope $2,000.00 $2,000.00 A Gifted Education, Inc. $1,000.00 $1,000.00 A Home Within, Inc. $200.00 $200.00 A Network for Grateful Living, Inc. $1,000.00 $1,000.00 A Place to Start $50,000.00 $50,000.00 A Safe Place, Inc. $3,500.00 $3,500.00 A Window Between Worlds $1,000.00 $1,000.00 A Wish With Wings, Inc. $3,000.00 $3,000.00 A Woman's Work, Inc. $3,500.00 $3,500.00 Grants that support SVCF's Grantee Advised Grants Total grantmaking strategies A. J. Muste Memorial Institute $400.00 $400.00 A.S.S.I.A. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 115 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 115 CONGRESS, FIRST SESSION Vol. 163 WASHINGTON, TUESDAY, DECEMBER 5, 2017 No. 198 House of Representatives The House met at 10 a.m. and was Pennsylvania (Mr. THOMPSON) for 5 search will help farmers in the Com- called to order by the Speaker pro tem- minutes. monwealth of Pennsylvania better pro- pore (Mr. JODY B. HICE of Georgia). Mr. THOMPSON of Pennsylvania. tect their crops from bear-related dam- f Mr. Speaker, I rise today to acknowl- age. Pennsylvania has one of the larg- edge the work of a student at Penn est populations of black bears in North DESIGNATION OF SPEAKER PRO State DuBois. America, and thanks to studies like TEMPORE Alec Baker, a native of Clarion, Alec’s, the Commonwealth will be bet- The SPEAKER pro tempore laid be- Pennsylvania, is a student in the wild- ter able to understand how bears influ- fore the House the following commu- life technology degree program at Penn ence agriculture and how farmers can nication from the Speaker: State DuBois. He was recently awarded implement better management tactics WASHINGTON, DC, an Erickson Discovery Grant from to protect their crops. December 5, 2017. Penn State’s Office of Undergraduate I congratulate Alec for his achieve- I hereby appoint the Honorable JODY B. Education for an independent research ment and all those who received the HICE to act as Speaker pro tempore on this project. Erickson Discovery Award, and I look day. -
The Politics of Soul Music
UNLV Retrospective Theses & Dissertations 1-1-2005 Soul shakedown: The politics of soul music Melanie Catherine Young University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Young, Melanie Catherine, "Soul shakedown: The politics of soul music" (2005). UNLV Retrospective Theses & Dissertations. 1917. http://dx.doi.org/10.25669/9hmc-nb38 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. SOUL SHAKEDOWN: THE POLITICS OF SOUL MUSIC by Melanie Catherine Young Bachelor of Arts University of Nevada, Las Vegas 1 9 9 9 A thesis submitted in partial fulfillment of the requirements for the Master of Arts Degree in Political Science Department of Political Science College of Liberal Arts Graduate College University of Nevada, Las Vegas December 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1435648 Copyright 2006 by Young, Melanie Catherine All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
2007/02/03 I'm a Rattlesnakin' Daddy / Blind Boy Fuller East Coast
2007/02/03 I'm A Rattlesnakin' Daddy / Blind Boy Fuller East Coast Piedmont Style The Sun Didn't Shine / Golden Gate Quartet Swing Down, Chariot Mean Mistreater Blues / Tampa Red The Bluebird Recordings 1934-1936 One O' Clock Jump / Count Basie An Anthology of Big Band Swing (1930-1955) Choo Choo Ch' Boogie / Louis Jordan The Anthology 1938-1953 Caldonia / Louis Jordan The Anthology 1938-1953 Hound Dog / Willie Mae "Big Mama" Thornton There's a Riot Goin' On! - The Rock 'n' Roll Classics of Leiber & Stoller Bewildered / Amos Milburn One Scotch, One Bourbon, One Beer (box set) So Long / Charles Brown Charles Brown with Johnny Moore's Three Blazers Good Rocking Tonight / Wynonie Harris Good Rocking Tonight His Eye Is On The Sparrow / Mahalia Jackson The Essential Mahalia Jackson Sixty Minute Man / Billy Ward & The Dominoes Sixty Minute Man Crying In The Chapel / Orioles The Doo Wop Box: 101 Vocal Group Gems From The Golden Age of Rock 'N' Roll The Glory of Love / Five Keys The Doo Wop Box: 101 Vocal Group Gems From The Golden Age of Rock 'N' Roll One Mint Julep / The Clovers The Very Best of The Clovers Shake, Rattle & Roll / Big Joe Turner The Very Best of Big Joe Turner Work With Me Annie / Hank Ballard & The Midnighters Let 'em Roll Little Richard's Boogie / Little Richard The Best of Duke-Peacock Blues Tutti Frutti / Little Richard Here's Little Richard I'll Sail My Ship Alone / Moon Mullican All-Time Greatest Hits Harlem Nocturne / Earl Bostic Bill Doggett / Earl Bostic- Trading Licks Honky Tonk / Bill Doggett Bill Doggett / Earl Bostic- -
Download a PDF of the Inventory B
PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise. -
SEPTEMBER 1968 EDITORIAL TAKING CARE of OUR OWN This Last Month a .·Lot Has Happened a Revolutionary Identity
HAIGHT STREET BLUES P. 3 20¢ WILDCATS IN CHICAGO P. 6 CUBAN POEMS, PHOTOS P. 8 photo by stephen Shames by Karen Wald Oakland, California -- him. Garry hammered not only at the Laughter broke out in the courtroom Garry aske:i, "How do I find a juror racial compositionbut the economic class at one point when Zeisel was asked by who is not racist to the extent that he OUtside the Alameda County Courthouse bias of the jury panel. disciplined Black Panthers, men and the somewhat disconcerted judge, "Do will prejudge a black defendant?" women, lead a demonstration of thou Expert Testimony you think white jurors would wrongfully The most feasible way" , Blauner testi sands. Free Huey! Set our warrior free! convict a Negro defendant?" Zeisel, who fied, "would be not to have whiteson the GarrY's pre-trial motions were based had been trying to avoid strong condemn jury." (Exactly what the Panthers and Inside the seventh floor courtroom sits Garry have argued from the beginning). Huey P. Newton, Ministe-r of Defense, on several days of expert testimony by ations and stick to clear evidence, said, charged with first-degre-e murder. But social scientists. Dr. Jan Dizard of U.C. " It's been rumored to have happened." If this was not done, Blauner suggested, even as Huey Newton sits in the court cited a study he had made of Oakland Zeisel's testimony on capital punish there might be ways to eliminate the most room, it is America on trial. and various national studies to indicate ment included a description of what has serious racists. -
Santa Clara Magazine, Volume 54 Number 3, Winter 2013 Santa Clara University
Santa Clara University Scholar Commons Santa Clara Magazine SCU Publications 2013 Santa Clara Magazine, Volume 54 Number 3, Winter 2013 Santa Clara University Follow this and additional works at: https://scholarcommons.scu.edu/sc_mag Part of the Arts and Humanities Commons, Business Commons, Education Commons, Engineering Commons, Law Commons, Life Sciences Commons, Medicine and Health Sciences Commons, Physical Sciences and Mathematics Commons, and the Social and Behavioral Sciences Commons Recommended Citation Santa Clara University, "Santa Clara Magazine, Volume 54 Number 3, Winter 2013" (2013). Santa Clara Magazine. 20. https://scholarcommons.scu.edu/sc_mag/20 This Book is brought to you for free and open access by the SCU Publications at Scholar Commons. It has been accepted for inclusion in Santa Clara Magazine by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. WINTER 2013 Magazine DENIS CONCORDEL Features To catch a thief 16 BY VINCE BEISER. Mathematician George Mohler has helped equip police in Santa Cruz and L.A. with an algorithm that predicts where crimes might happen next. Is this the future of policing? How to prevent a bonfire 22 of the humanities BY MICHAEL S. MALONE ’75, MBA ’77. A veteran chronicler of Silicon Valley looks at why the high-tech industry needs—and wants—folks who know how to tell a story. A poem, a prayer, and a 26 martini for the rhino 16 Two conversations with Chancellor William J. Rewak, S.J.—who’s just published his first collection of poetry, The Right Taxi. This will not be on the test. -
THE CULTURAL IMPACT of KANYE WEST This Page Intentionally Left Blank the Cultural Impact of Kanye West
THE CULTURAL IMPACT OF KANYE WEST This page intentionally left blank The Cultural Impact of Kanye West Edited by Julius Bailey THE CULTURAL IMPACT OF KANYE WEST Copyright © Julius Bailey, 2014. Softcover reprint of the hardcover 1st edition 2014 978-1-137-39581-8 All rights reserved. First published in 2014 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-48439-3 ISBN 978-1-137-39582-5 (eBook) DOI 10.1057/9781137395825 Library of Congress Cataloging-in-Publication Data The cultural impact of Kanye West / edited by Julius Bailey. pages cm Includes bibliographical references and index. 1. West, Kanye—Criticism and interpretation. 2. Rap (Music)— History and criticism. 3. Rap musicians—United States. I. Bailey, Julius, editor of compilation. ML420.W452C85 2014 782.421649092—dc23 2013036142 A catalogue record of the book is available from the British Library. Design by Newgen Knowledge Works (P) Ltd., Chennai, India. First edition: March 2014 10 9 8 7 6 5 4 3 2 1 To all those whose complexities are misunderstood and rendered pathological when all you ever need and want is appreciation.