DOCSLIB.ORG

Kaytranada Releases Instrumental Version of Bubba Via Rca Records

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kaytranada Releases Instrumental Version of Bubba Via Rca Records KAYTRANADA RELEASES INSTRUMENTAL VERSION OF BUBBA VIA RCA RECORDS HEAR BUBBA (INSTRUMENTAL VERSION) NOW KAYTRANADA BY Xaiver Tera LISTEN: BUBBA (Instrumental Version) https://smarturl.it/BUBBAInstrumentalVer What the press is saying about BUBBA: "this is undeniably KAYTRANADA's show" DJ Booth "BUBBA, unsurprisingly, is KAYTRANADA at his finest" Forbes "BUBBA delivers immaculate rhythms and grooves" Highsnobiety "KAYTRANADA blesses this woeful decade with one last great dance record" Pitchfork "sounds...like the future." TIME [September 4, 2020 – New York, NY] Today, Canadian artist and producer KAYTRANADA returns to release an instrumental version of his sophomore album, the critically acclaimed BUBBA. BUBBA (Instrumental Version) arrives after his single with Lucky Daye, "Look Easy," and features vocal- free versions of all tracks featured on the original album, with exception to those that originally debuted as instrumentals. BUBBA (Instrumental Version) is out now via RCA Records. BUBBA is the highly-anticipated follow up to KAY's breakout debut album 99.9%, and features Pharrell Williams, Tinashe, Kali Uchis, GoldLink, Charlotte Day Wilson, Estelle, VanJess, Masego, Mick Jenkins, SiR, and more. The album landed at #1 on the Billboard Electronic Albums chart and #3 on the Billboard R&B Albums chart upon it's release. Listen to BUBBA (Instrumental Version) above, see album details below, and stay tuned for more from KAYTRANADA coming soon. cover art KAYTRANADA BUBBA (Instrumental Version) RCA Records September 4, 2020 1. The Music 2. Go DJ 3. Gray Area 4. 10% 5. Need It 6. Taste 7. Oh No 8. What You Need 9. Vex Oh 10. Freefall 11. Culture 12. The Worst In Me 13. Midsection (Download hi-res assets HERE) .
Load more

Recommended publications
  • 2017 JUNO Award Nominees Updated: February 7, 2017
    2017 JUNO Award Nominees Updated: February 7, 2017 JUNO FAN CHOICE (PRESENTED BY TD) ​ Alessia Cara Def Jam*Universal ​ ​ Belly Roc Nation*Universal ​ ​ Drake Cash Money*Universal ​ ​ Hedley Universal ​ ​ Justin Bieber Def Jam*Universal ​ ​ Ruth B Columbia*Sony ​ ​ Shawn Mendes Island*Universal ​ ​ The Strumbellas Six Shooter*Universal ​ ​ The Weeknd The Weeknd XO*Universal ​ ​ Tory Lanez Interscope*Universal ​ ​ SINGLE OF THE YEAR Wild Things Alessia Cara Def Jam*Universal ​ ​ ​ One Dance ft. Wizkid & Kyla Drake Cash Money*Universal ​ ​ Treat You Better Shawn Mendes Island*Universal ​ ​ ​ Spirits The Strumbellas Six Shooter*Universal ​ ​ ​ ​ Starboy ft. Daft Punk The Weeknd The Weeknd XO*Universal ​ ​ ​ INTERNATIONAL ALBUM OF THE YEAR (SPONSORED BY IDLA ASSOCIATED LABEL DISTRIBUTION) ​ Dangerous Woman Ariana Grande Republic*Universal ​ ​ A Head Full of Dreams Coldplay Parlophone*Warner ​ ​ Made in the A.M. One Direction Sony ​ ​ ​ ANTI Rihanna Westbury Road*Universal ​ ​ ​ ​ ​ This is Acting Sia RCA*Sony ​ ​ ​ ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) ​ Encore un Soir Céline Dion Sony ​ ​ ​ Views Drake Cash Money*Universal ​ ​ ​ You Want It Darker Leonard Cohen Sony ​ ​ ​ Illuminate Shawn Mendes Island*Universal ​ ​ ​ Starboy The Weeknd The Weeknd XO*Universal ​ ​ ​ ​ ARTIST OF THE YEAR Alessia Cara Def Jam*Universal ​ Drake Cash Money*Universal ​ Leonard Cohen Sony ​ Shawn Mendes Island*Universal ​ The Weeknd The Weeknd XO*Universal ​ GROUP OF THE YEAR Arkells Arkells*Universal ​ Billy Talent Warner ​ Tegan and Sara Warner Bros.
    [Show full text]
  • Vanjess Release Stunning New Song “Come Over” – out Now on Keep Cool/ Rca Records
    VANJESS RELEASE STUNNING NEW SONG “COME OVER” – OUT NOW ON KEEP COOL/ RCA RECORDS NEW SINGLE FOLLOWS COLLABORATIONS WITH SINEAD HARNETT, MASEGO, ANT SAUNDERS, MANNYWELLZ & MORE LISTEN & WATCH HERE “HARMONIES SO FLUID, THAT IT’S IMPOSSIBLE TO IMAGINE ONE WITHOUT THE OTHER” – PITCHFORK [New York, NY – September 3, 2020] Today, Nigerian-American sister duo VanJess present “Come Over,” their latest soulful release for Keep Cool/RCA Records. With a driving bass and drums that could soundtrack any bedroom disco, “Come Over” is another showcase for these sisters’ perfected harmonies. The “Come Over” music video is even more indebted to smooth ‘90s R&B – a throwback to landline phones and talking to our crushes in our basements. As VanJess proves, some activities, and some emotions, are timeless. "For this video, we really wanted to capture vintage glamour but still feel like the future and represent who we are," VanJess explain. "Early in quarantine we were really inspired looking at old photos of our parents in Nigeria and thought about what being at home living the lyrics of this record would look like in their world. We hope this song makes everyone feel good and dance, we believe energy and soul and tempo still has a place in R&B!" Listen & Watch “Come Over”: https://smarturl.it/xComeOverx “Come Over” is the latest track in a current hot streak for VanJess. They have previously worked with KAYTRANADA, Ari Lennox, Xavier Omăr & more, and within the past three months, have collaborated with some of their most acclaimed peers on songs including “Stickin’” (Sinead Harnett and Masego, who appeared on VanJess’ 2018 debut LP), “I Had A Love Song” (Ant Saunders), and “Floating” (Mannywellz).
    [Show full text]
  • Like Musical Theatre and Scripted Television, Jazz and Hip-Hop Are Uniquely, Undeniably North American Art Forms
    Like musical theatre and scripted television, jazz and hip-hop are uniquely, undeniably North American art forms. Though the latter genre was born out of funk and disco in the late 1970s, many of its landmark artists embody the ethos of jazz: loose, visceral, instinctive. Some hip-hop acts--A Tribe Called Quest, or more recently Kendrick Lamar--have successfully repurposed jazz, but the older genre has seldom made successful inroads into new generations of rap fans. And that's what makes BADBADNOTGOOD, the four-piece, Toronto-bred jazz outfit that has melded jazz and instrumental hip-hop into something elusive, something altogether their own, so unique. On their latest full-length effort, IV (due out via Innovative Leisure on July 8th), BBNG decide to expand their universe, which was already one of the most compelling, labyrinthine worlds in pop music today. Saxophonist Leland Whitty, a long-time collaborator, joins Chester Hansen, Matthew Tavares, and Alexander Sowinski on a full-time basis; for the first time, guest vocalists are welcomed into the fold. Some artists find collaboration stressful and cluttering, but BBNG simply seems freer to chase down creative rabbit holes than ever before. The effect is apparent immediately. See "Lavender," a collaboration with the Montreal-based producer Kaytranada, which pairs delicate, skittering production with a punishing low end. Or take the virtuosic closer, which underscores superb performances by Whitty and Tavares with a grand swell of strings. On "Hyssop of Love," upstart Chicago rapper Mick Jenkins moves languidly, stretching out taunts ("I heard your plug was drrrrry") before he snaps upright ("Never needed no dollars to prove worth").
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Resume | Dop Kelly Jeffrey | 2018 09 20 | Page 1 [ 2 ]
    Resume | DoP Kelly Jeffrey | 2018 09 20 | Page 1 [ 2 ] Resume DoP Kelly Jeffrey ​ Short Films PRACTICE!, Dir. Fantavious Fritz Paradise Falls, Dir. Fantavious Fritz Lessons with Toro y Moi, Dir. Liam McRae Her friend Adam, Dir. Ben Petrie 5 Films about technology, Dir. Peter Huang Maverick, Dir. Cara Stricker For nonna Anna, Dir. Luis De Filippis Commercials Ralph Lauren, BVLGARI, Stella McCartney, Nike, Asics, Adidas, Bai, Double Magazine, Nike x Clinique, Habitat For Humanity, Milo, Hermes, Shea Moisture, SportChek, Wrigley’s, LA2024, OVO ft. Drake, Air Canada, Samsung, People’s Jewellery, Pepsi x Puma, Instagram, CNN, Apple. Music Videos Charlotte Day Wilson, Troye Sivan, Emily Yacina, Majid Jordan, TOPS, Alicia Keys, Badbadnotgood, KAYTRANADA, Braids, Okay Kaya, Daniel Caesar, The Weekend, Tegan and Sara, PARTYNEXTDOOR, The Vaccines, Big Sean, Future. Directors Columbine Goldsmith, A.V. Rockwel, Albert Moya, Andrew B Myers, Bardia Zeinali, Ben Petrie, BRTHR, Cara Sticker, Common Good, Fantavious Fritz, Henry Busby, Jeremy Power Regimbal & Justin Tyler, Close, Joachim Jonson, Kevan Funk, Kid Studio, Laurent Barthelemy, Liam MacRae, Luis de Filippis, Natalie Rae, Nick Jaseovic, Omri Cohen, Peter Huang, Sam Kuhn, Sophie Savides, Tamir Moscovici, TJ O’Grady Peyton, Tom Gould. Production Companies OPC, Anonymous Content, Pulse Films, Alldayeveryday, Decon, Everything All At Once, FF Films, Fra Diavolo Films, Arts & Sciences, Voyager Creative, Lion Attack Motion Picture, Vision Film, Markham Street Films, Unicorns & Unicorns, Matte Projects, The Herd Films & Purbrook Entertainment, Must Films, The Creator Class, Nice is Cool, The Collective Shift, Part & Parcel, Strangelove, Spy Films, HPLA, Agence VE, Sanctuary. Website www.kellyjeffrey.com MGMT XO ​ | Brahegatan 27 | 114 37 Stockholm | www.xomgmt.se | +46 73-93 93 693 | [email protected] ​ Resume | DoP Kelly Jeffrey | 2018 09 20 | Page 2 [ 2 ] Resume DoP Kelly Jeffrey ​ Awards 2018 For nonna Anna Winner.
    [Show full text]
  • 2020 Polaris Music Prize Grand Jury Revealed / Dévoilement Du Grand
    2020 POLARIS MUSIC PRIZE GRAND JURY REVEALED WINNER TO BE REVEALED OCTOBER 19 ON CBC GEM AND CBC MUSIC TORONTO, ON – Monday, September 14, 2020 The Polaris Music Prize, presented by CBC Music, has revealed its 2020 Grand Jury. The 11 members of the Grand Jury are: CHAD BRUNET (CJSR) RICKY CASTANEDO LAREDO (CJSF) BRUNO COULOMBE (Le Canal Auditif) CHAKA V. GRIER (Freelance journalist / Journaliste pigiste) KIMBERLEY DOOSHIMA JEV (Freelance journalist / Journaliste pigiste) LIISA LADOUCEUR (Freelance journalist / Journaliste pigiste) SARAH MACDONALD (Freelance journalist / Journaliste pigiste) SOFIE MIKHAYLOVA (DJ Sonja) CHAD PELLEY (Music Researcher / Chercheur en musique) ANUSKA SARKAR (Freelance journalist / Journaliste pigiste) IAN STEAMAN (Different Kitchen) The 11-member Grand Jury was chosen from the greater Polaris jury pool, which includes 201 music journalists, broadcasters and related music media from across Canada. The Grand Jury will convene virtually on October 19 to select a winner from the 10 albums on the 2020 Polaris Music Prize Short List. Those albums are: Backxwash - God Has Nothing To Do With This Leave Him Out Of It Caribou - Suddenly Junia-T - Studio Monk Kaytranada - Bubba nêhiyawak - nipiy Pantayo - Pantayo Lido Pimienta - Miss Colombia Jessie Reyez - BEFORE LOVE CAME TO KILL US U.S. Girls - Heavy Light Witch Prophet - DNA Activation Polaris will be celebrating the Short List with a special cinematic tribute hosted by CBC Music’s Angeline Tetteh-Wayoe, set to be broadcast in Canada on the free CBC Gem streaming service, CBC Music’s Facebook, Twitter and YouTube pages and around the globe at CBCMusic.ca/Polaris on October 19 at 8 p.m.
    [Show full text]
  • Goldlink 2015 Deck
    GOLDLINK 2015 DECK V.5 BIOGRAPHY Where the intersections of the DMV collide, GoldLink is a direct product. The first time 21-year-old GoldLink picked up a mic was only three years ago in his hometown and he has no intentions of putting it down. The emcee is piloting the “Future Bounce” genre, accruing over one million plays on his Soundcloud and capturing the attention of an entire industry with this first project, The God Complex, which released in late spring of 2014. GoldLink’s sound is densely weighted with shimmering polyrhythmic sounds, constructed with formidable producers like Kaytranada, Lakim and Louie Lastic. His sound milks nostalgic cuts of 90s hip-hop and R&B and the area’s natural go-go heritage with transcending circadian drops of EDM and Afro-Caribbean drum patterns. GoldLink’s raps are calculated, tackling them with a roller-coaster delivery, with a distinct voice and unmeasurable cadence. With his unyielding charm, Goldlink tackles his own battles of social and cultural injustice, pursuing a relatable voice of romantic instability. Without relying on talent alone, GoldLink has studied rap’s hierarchy, building his biting flow that’s quicker than a sales- man and fouler than a sailor. Citing Edgar Allan Poe, Grimes, and Pink Floyd as his main influences, GoldLink’s subject matter highlights dealing cocaine, gun-toting friends, an absent father, and the general hardship of growing up in the ghetto. With only one full project (The God Complex) under his belt, he has still been able to receive the support of outlets like FADER, Complex, Noisey, Shade 45 and VSCO––which documented GoldLink’s meeting with Def Jam co-founder Rick Rubin at his Malibu-based Shangri La studio.
    [Show full text]
  • Triller Network Acquires Verzuz: Exclusive
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app.
    [Show full text]
  • Issue No. 38 July/August 2016 3 Addictive Deep House Cut Effectively Put EYE His Name on the Map in the Electronic of the Music Scene
    That's So 90's Alan Walker Kevin Gates Hayden James Foals Robert DeLong and more THE STORM ISSUE NO. 38 REPORT JULY/AUGUST 2016 TABLE OF CONTENTS 4 EYE OF THE STORM That's So 90's What Goes Around Comes Around 5 STORM TRACKER STORM Festivals Part 2 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Ellie Rowsell, the lead singer of Wolf Alice. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Nostalgia is a powerful emotion – and one artists who are worth watching. Only those showing the most that marketers frequently use to excite and promising potential for future commercial success make it onto our engage their consumers. As we look back monthly list. at 2016 so far, we’ve observed a decided yearning for a return to the 1990s. An How do we know? inaugural “I Love the 90s Tour” kicks off this month featuring performances by Vanilla Through correspondence with industry insiders and our own ravenous Ice, Salt N Peppa, Kid N Play, Coolio and media consumption, we spend our month gathering names of artists more; “MTV Classic” debuts on August 1 who are “bubbling under”. We then extensively vet this information, and features programming entirely from the analyzing an artist’s print & digital media coverage, social media 90s and early 2000s; The Backstreet Boys growth, sales chart statistics, and various other checks and balances to are back in the studio working on a country ensure that our list represents the cream of the crop.
    [Show full text]
  • Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill
    Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Author Shill, Gene Published 2016-12 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3631 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/370569 Griffith Research Online https://research-repository.griffith.edu.au Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Gene Shill BA, MA (Distinction) Queensland Conservatorium Arts, Education & Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December 2016 “The most beautiful experience we can have is the mysterious - the fundamental emotion which stands at the cradle of true art and true science.” Albert Einstein Abstract Through analysis, observation, critical listening, interviews and creative practice, this study explores how techniques of appropriation via digital music sampling are used for electronic musical composition and production. Included is an examination of literature and creative work focused on the Golden Age of Hip-Hop that explores early sampling processes and techniques. Through original compositions and an exegesis, the study provides unique and significant contributions to the field including the identification of four approaches to the design and construction of sample-based composition and associated techniques for achieving them using contemporary music technologies. The Golden Age of Hip-Hop is presented as a historical period of musical significance, not only for defining new genres and sub genres of music, but because of the influencing factors that emerging technologies had on new compositional processes and outcomes.
    [Show full text]
  • Kaytranada Free Things in Life Download
    kaytranada free things in life download Kaytranada: “At All” Fast-rising Montreal beat producer and DJ Kevin Celestin, aka Kaytranada , is having quite a year! After dropping the single “Free Things In Life” on Brodinski’s Bromance label and some sexy R&B remixes, now he’s back for more heat with an infectious new single, called “At All”, for HW&W Recordings. This dance tune will get some serious rotations in our car stereo. He was also kind enough to offer “At All” as a free download, so make sure to grab your copy below. Fill it up! Post written by. Related Articles. New Air France: “It Feels Good To Be Around You” It’s been too long since we last heard a new track from the Swedish . Junior Byron: “Dance To The Music (Gigamesh Version)” The hits keep coming from the always amazing producer Gigamesh, who is preparing to . Kaytranada free things in life download. The 2021 GRAMMY awards are well underway. The awards that are rewarded during the primetime national broadcast are just a small fraction of the amount of GRAMMY awards that are given out each year. The dance categories haven't quite made their way to the national broadcast (yet) so these awards are handed out earlier in the day. Kaytranada has officially won his first and … [Read more. ] Flume, Baauer, Diplo, Kaytranada, Madeon + More Nominated for 2021 Grammys. Your 2021 official Grammy nominations are here, and it's safe to say we're extremely happy with this year's dance music nominations. Some of these were definitely expected - Disclosure, Madeon, and Kaytranada were all given nods for best dance album of the year.
    [Show full text]
  • Judas and the Black Messiah: the Inspired Album out Now
    JUDAS AND THE BLACK MESSIAH: THE INSPIRED ALBUM OUT NOW CLICK HERE TO LISTEN ALBUM FEATURES MUSIC BY NIPSEY HUSSLE, JAY-Z, HIT-BOY, H.E.R., NAS, G HERBO, A$AP ROCKY, LIL DURK, BLACK THOUGHT, POLO G, DOM KENNEDY, WHITE DAVE, RAKIM, AND MORE [New York, NY – February 12, 2021] Today, Six Course Music Group/RCA Records releases Judas and the Black Messiah: The Inspired Album. Chairman Fred Hampton Jr. kicks off the 22-track album which features music by Nipsey Hussle, Jay-Z, Hit-Boy, H.E.R., Nas, G Herbo, Lil Durk, A$AP Rocky, Black Thought, Polo G, Rakim, SiR, Dom Kennedy, White Dave, and more. “Where There’s People, There’s Power” is the underlining theme on this collection of powerful music destined to inform and inspire today’s generation. Click here to listen. Judas and the Black Messiah: The Inspired Album is executive produced by Hit-Boy, RCA’s SVP of A&R Dash Sherrod, Ryan Coogler and RCA’s SVP of Marketing/CEO of Six Course Inc. Archie Davis. Judas and the Black Messiah: The Inspired Album track list: 01 Cointelpro / Dec. 4 - Chairman Fred Hampton Jr. 02 Fight For You - H.E.R. 03 EPMD - Nas 04 Welcome to America - Black Thought 05 What It Feels Like - Nipsey Hussle & Jay-Z 06 Broad Day – Hit-Boy 07 Plead the .45th - Smino & Saba 08 Somethin Ain’t Right - Masego ft. JID and Rapsody 09 Letter 2 U - BJ The Chicago Kid 10 On Your Mind – Lil Durk 11 Appraise - White Dave 12 All Black - G Herbo 13 I Declare War - Nardo Wick 14 No Profanity - Pooh Shiesty 15 Last Man Standing - Polo G 16 Respect My Mind – DOM KENNEDY 17 Revolutionary – G Herbo ft.
    [Show full text]