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Europe Is Agog for Beards
Lifestyle FRIDAY, NOVEMBER 21, 2014 Metrosexuals be gone: Europe is agog for beards akub Marczewski grew a beard six years ago because he was too lazy to shave. Now he finds himself in the middle of a Jglobal trend. The 21-year-old got his hair and beard trimmed at a new shop with a hip retro vibe, the Barberian Academy & Barber Shop, which opened in Warsaw last month to serve the growing number of Polish men with facial hair. A revival in the cul- ture of barbering in this Eastern European capital is just one sign of how popular beards have become, with actors, athletes and hipsters leading the way. Metrosexuals be gone: Europe is agog for beards. “Worldwide, we are at the height of facial hair,” said Allan Peterkin, a Toronto psychiatrist and author of “One Thousand Beards: A Cultural History of Facial Hair.” “It’s a delightful expression of masculinity, people have more respect,” said Salvador Chanza, a 31-year-old but not a super-macho master barber from Spain who trains professionals. Sporting both expression.” After World a handlebar moustache and a substantial beard, he said the War II, men were mostly embrace of facial hair reflected a rejection of the previous clean- clean-shaven, reflecting a shaven metrosexual ethos. military ethos that came to Now facial hair is hugely popular across Western Europe, espe- dominate corporate life, cially in fashion-conscious Paris. And across the globe, it’s the Peterkin said. Over the next month of “Movember” - when men are encouraged to grow a decades facial hair was mustache to raise awareness and funds for men’s health issues.
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The Humanitarians FINISHED DRAFT Script
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Jack's Bight : Solace of an Open Place
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-17-1994 Jack's Bight : Solace of an Open Place Hamish Winthrop Ziegler Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Nonfiction Commons Recommended Citation Ziegler, Hamish Winthrop, "Jack's Bight : Solace of an Open Place" (1994). FIU Electronic Theses and Dissertations. 4440. https://digitalcommons.fiu.edu/etd/4440 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida JACK'S BIGHT: SOLACE OF AN OPEN PLACE A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF FINE ARTS by Hamish Winthrop Ziegler 1994 To: Dean Arthur W. Herriott College of Arts and Sciences This thesis, written by Hamish Winthrop Ziegler, and entitled, Jack's Biaht: Solace of an Open Place, having been approved in respect to style and intellectual content, is referred to you for judgement. We have read this thesis and recommend that it be approved. Campbell McGrath Adele Newson Lyijrhe Barrett, Major Professor Date of Defense: November 17, 1994 The thesis of Hamish Winthrop Ziegler is approved. Dean»Arthur W. Herriott Collage of Arts and Sciences Dr.' Richard L. Campbell Dean of Graduate Studies Florida International University, 1994 ii I dedicate this thesis to my mother, Ann Williams McLean.
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Baron Munchhausen and the Syndrome Which Bears His Name: History of an Endearing Personage and of a Strange Mental Disorder
Baron Munchhausen and the syndrom which bears his name, Vesalius, VIII, 1, 53 - 57, 2002 Baron Munchhausen and the Syndrome Which Bears His Name: History of an Endearing Personage and of a Strange Mental Disorder R. Olry Summary Munchausen syndrome, a mental disorder, was named in 1951 by Richard Asher after Karl Fried rich Hieronymus, Baron Munchhausen (1720-1797), whose name had become proverbial as the nar- rator of false and ridiculously exaggerated exploits. The first edition of Munchausen's tales ap- peared anonymously in 1785 (Baron Munchausen's narrative of his marvellous travels and cam- paigns in Russia), and was wrongly attributed to the German poet Gottfried August Burger who actually edited the first German version the following year. The real author, Rudolph Erich Raspe, never claimed his rights over the successive editions of this book. This paper reviews the extraor- dinary personality of Baron Munchhausen, and the circumstances which led Rudolph Erich Raspe, Gottfried August Burger, and Richard Asher to pay homage to this very endearing personage. Résumé Le syndrome de Munchausen est un trouble psychologique ainsi baptisé en 1951 par Richard Asher, en hommage à Karl Friedrich Hieronymus, baron de Munchhausen (1720-1779), qui s'était rendu célèbre parla narration de ses exploits extravagants. La première édition des aventures de Munch- hausen apparu anonymement en 1785 (Baron Munchausen's narrative ofhis marvellous travels and campaigns in Russia), et fut attribuée à tort au poète allemand Gottfried August Bûrger, celui qui en réalité édita la première traduction allemande l'année suivante. Le véritable auteur, Rudolph Erich Raspe, ne réclama jamais ses droits sur les éditions successives de ce livre.
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Published by Lazy Bee Scripts Customer Taster Death and Waxes A Moustache Murder Mystery by Barry Wood A serial killer who steals the moustaches from his victims is at large. Convinced she knows where the killer will strike next, Freya Yorke, a young criminology student, takes a job at an Edinburgh hotel that is hosting the International Moustache Championships. During the evening, Freya is proved right, and there follows a farcical murder investigation into the group of misfits who comprise the competitors and their partners. COPYRIGHT REGULATIONS This murder mystery is protected under the Copyright laws of the British Commonwealth of Nations and all countries of the Universal Copyright Conventions. All rights, including Stage, Motion Picture, Video, Radio, Television, Public Reading, and Translations into Foreign Languages, are strictly reserved. No part of this publication may lawfully be transmitted, stored in a retrieval system, or reproduced in any form or by any means, electronic, mechanical, photocopying, manuscript, typescript, recording, including video, or otherwise, without prior consent of Lazy Bee Scripts. A licence, obtainable only from Lazy Bee Scripts, must be acquired for every public or private performance of a script published by Lazy Bee Scripts and the appropriate royalty paid. If extra performances are arranged after a licence has already been issued, it is essential that Lazy Bee Scripts are informed immediately and the appropriate royalty paid, whereupon an amended licence will be issued. The availability of this script does not imply that it is automatically available for private or public performance, and Lazy Bee Scripts reserve the right to refuse to issue a licence to perform, for whatever reason.
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1 Herakleios' Handlebar: Contextualizing a Change in Imperial
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Turn the World Upside Down Reclaim the Flame Covenant Community LETTER from the EDITOR
JULY 2017 Turn the World Upside Down Reclaim the Flame Covenant Community LETTER FROM THE EDITOR Fun at Conference y advice to United Methodist men going When I first braided my beard, a friend asked M to Annual Conference in 2018: stop if I could get away with looking like that at shaving this fall. By next June you should work. I scoffed, and explained that United have enough facial hair for beard braids and a Methodists are very accepting people. I could handlebar moustache. It’s a great ice-breaker get a large neck tattoo, and would probably get for your fellow Methodist friends whom you bonus points on my performance appraisal for haven’t seen in a while. taking a bold initiative to connect with people Fred Koenig, Editor You can use the No-Shave November outside the church walls. (Movember) movement that raises awareness of So Annual Conference was a lot of fun for men’s health issues as an excuse to get started, me. But you don’t really have to do strange Published by then just continue not shaving. I find it pretty things to your facial hair. Annual Conference The Missouri Conference of easy to make a practice of not doing something. looked like it was fun for everyone, from the the United Reactions to my braids varied. Southeast people who had to plan and run the whole Methodist Church 3601 Amron Court District Superintendent Fred Leist asked if my thing, to the first timers who just showed Columbia, MO 65202 braids were some variation on being Hasidic.
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Seven Fictions Stephen Leech Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2010 Seven Fictions Stephen Leech Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the American Literature Commons Recommended Citation Leech, Stephen, "Seven Fictions" (2010). All Theses. 792. https://tigerprints.clemson.edu/all_theses/792 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. SEVEN FICTIONS A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English Literature by Steve J. Leech May 2010 Accepted by: Keith Lee Morris, Committee Chair Dr. Jillian Weise Dr. Barton Palmer For Grumps, Turps, Ichiban, Dunk, and the Spanner ii ACKNOWLEDGEMENTS I would first like to thank the members of my committee: Keith Morris, JillianWeise, and Barton Palmer, for their feedback and support in the creation of this project. I also owe Rick Wilbur and Sheila Williams for their guidance as an undergraduate writer and for their acknowledgement of my growth as such. Kath Flannery taught me to read, so on a very fundamental level, her name should be here, as should that of Madeline Gilmore, who encouraged me at a very young age to pursue creative writing. Thanks to Jilly Lang, too, a fellow writer whose insights have helped make this collection what it is. And, of course, my eternal gratitude to all my family and friends for their support and love.
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Selected Works Selected Works Works Selected
Celebrating Twenty-ﬁve Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-ﬁve Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J.
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Representations of Ottoman Masculinity in Kesik Bıyık1
Modernity as an Ottoman Fetish: Representations of Ottoman Masculinity in Kesik Bıyık1 Müge Özoğlu PhD Student, Centre for the Arts in Society, Universiteit Leiden Abstract Because masculinity was a central part of Ottoman culture and politics, changes in these domains had a fundamental impact on discussions about masculinity. At the turn of the twentieth century, the Ottoman Empire’s dominant role in world politics began to weaken due to the increasing influence of modernity. This generated socio-political anxieties. Ömer Seyfettin’s short story, Kesik Bıyık (Trimmed Moustache), is a good example to use when discussing the influence of modernity in relation to the issue of masculinity. The transformation of a moustache into a fetish object can be read as an allegory of the Empire’s socio-political anxieties caused by the process of modernisation. This paper discusses the way in which Kesik Bıyık allegorically represents the Ottoman Empire’s socio-political anxieties as castration anxiety, and how modernity becomes a fetish throughout the narrative. Key words: castration anxiety, modernity, fetishism, Ottoman- Turkish literature, Ömer Seyfettin -Masculinities- A Journal of Identity and Culture, Aug., 2016/6, 79-101 Masculinities Journal Bir Osmanlı Fetişi Olarak Modernite: Kesik Bıyık’ta Osmanlı Erkekliğinin Temsilleri Müge Özoğlu PhD Student, Centre for the Arts in Society, Universiteit Leiden Özet Erkeklik, Osmanlı kültürünün ve siyasetinin merkezi bir parçası olduğundan bu alanlardaki değişimler Osmanlı erkeklik tartışmalarını da önemli ölçüde etkilemiştir. Osmanlı İmparatorluğu’nun dünya siyasetindeki egemen rolünün modernitenin artan etkisiyle zayıflayamaya başlaması pek çok sosyo-politik endişe doğurmuştur. Ömer Seyfettin’in Kesik Bıyık öyküsü, modernitenin İmparatorluk üzerindeki etkisini erkeklik tartışmaları bağlamında incelemek için iyi bir örnek teşkil etmektedir.
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Cephas M. Huddleston Collection, Ca. 1900
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