Europe Is Agog for Beards

Total Page:16

File Type:pdf, Size:1020Kb

Europe Is Agog for Beards Lifestyle FRIDAY, NOVEMBER 21, 2014 Metrosexuals be gone: Europe is agog for beards akub Marczewski grew a beard six years ago because he was too lazy to shave. Now he finds himself in the middle of a Jglobal trend. The 21-year-old got his hair and beard trimmed at a new shop with a hip retro vibe, the Barberian Academy & Barber Shop, which opened in Warsaw last month to serve the growing number of Polish men with facial hair. A revival in the cul- ture of barbering in this Eastern European capital is just one sign of how popular beards have become, with actors, athletes and hipsters leading the way. Metrosexuals be gone: Europe is agog for beards. “Worldwide, we are at the height of facial hair,” said Allan Peterkin, a Toronto psychiatrist and author of “One Thousand Beards: A Cultural History of Facial Hair.” “It’s a delightful expression of masculinity, people have more respect,” said Salvador Chanza, a 31-year-old but not a super-macho master barber from Spain who trains professionals. Sporting both expression.” After World a handlebar moustache and a substantial beard, he said the War II, men were mostly embrace of facial hair reflected a rejection of the previous clean- clean-shaven, reflecting a shaven metrosexual ethos. military ethos that came to Now facial hair is hugely popular across Western Europe, espe- dominate corporate life, cially in fashion-conscious Paris. And across the globe, it’s the Peterkin said. Over the next month of “Movember” - when men are encouraged to grow a decades facial hair was mustache to raise awareness and funds for men’s health issues. adopted by outcast groups Piotr Zuchowski, manager of the Warsaw shop, said barbering is like beatniks and hippies. reviving after vanishing during Poland’s communist era. Although Since the mid-1990s, it has democracy leader Lech Walesa sported an impressive walrus been slowly spreading to the point that now the mountain man moustache, most communist-era workers were clean-shaven. beard is all the rage across North America. Peterkin said the popularity of facial hair has always been cyclical. The 2008 financial crisis added to the beard momentum, with “When something once edgy becomes so commonplace, like tat- Salvador Chanza, right, 31, a master barber from some men who lost their jobs ditching the conformist look as they toos, it loses its edge,” he said. “If every guy across generations is Spain, who also calls himself Lord Jack Knife, finish- reinvented themselves. “To grow a beard is to start a new life and doing it, then there is going to be a shift back to clean shaven - es styling the beard and hair of Jakub Marczewski, to have more confidence in yourself. You look a little older, so ness.” — AP in Warsaw, Poland. — AP photos Swift remains at top of album Cosby under pressure as shows chart for third consecutive week scrapped amid sex claims aylor Swift’s “1989” has claimed the top expected to shove “1989” from the top slot he US network NBC pulled the plug in which he would share stories from his child- of the US album chart for a third consec- with a 400,000-unit-plus opening. Wednesday on a new Bill Cosby sitcom fol- hood, first romantic relationships and parent- Tutive week, but the singer will probably Foo Fighters’ “Sonic Highways” (RCA) was Tlowing a similar move by Netflix, piling hood. But the allegations of rape and sexual have to move aside for One Direction next the week’s top debut, bowing at No. 2 with pressure on the veteran comic over growing sex abuse made against him by several women in week. Swift’s Big Machine blockbuster reaped 190,000 sold. The rock band’s latest release assault claims. The double setback came after a recent weeks are tarnishing the public image of sales of 312,000 (down 22%), according to arrived on a wave of publicity generated by lawyer for the 77-year-old Cosby dismissed the the urbane actor, famous for his long TV career- Nielsen SoundScan data for the week ending front man Dave Grohl’s peripatetic HBO series, claims of a string of attacks made by several especially his role as a doting father on the pop- Nov. 16. The collection is now just shy of 2 mil- which surveys the various U.S. locales in which women as “old, discredited allegations.” “We can ular “Cosby Show” in the 1980s and 1990s. lion in cumulative sales. However, the UK boy the album was recorded. It’s the group’s fifth confirm that the Cosby project is no longer in Former model Janice Dickinson, now 59, on band’s new “Four” - which, ironically, features top 10 album; their last release, 2011’s development,” NBC said in a statement, declin- Tuesday added her claims to the list, telling Swift’s onetime paramour Harry Styles - is “Wasting Light,” reached No. 1. Classic rock’s Entertainment Tonight that Cosby sexually iconic Pink Floyd hit No. 3 with “Endless River” assaulted her in 1982. Dickinson said it hap- (Columbia), its first studio release in 20 years pened after a dinner they shared in Lake Tahoe, and purported swan song. The collection Nevada, where she said she had gone to talk shifted 170,000. It is the British band’s eighth about a job offer from Cosby. At the dinner she American top 10 set. The act, presently led by said she had red wine and a pill Cosby gave her guitarist David Gilmour, last reached the chart because she had menstrual and stomach pains. with its 1994 No. 1 set “The Division Bell.” “The next morning I woke up, and I wasn’t wear- The top-selling album act of the ing my pajamas, and I remember before I passed SoundScan era, country star Garth Brooks, out that I had been sexually assaulted by this made a relatively quiet return to the chart, as man,” Dickinson said. In all some 13 women have his comeback set “Man Against Machine” (RCA made similar allegations against him, including Nashville) claimed No. 4 with a 130,000-unit Joan Tarshis, who claimed she was drugged and tally. The album’s sluggish start may have had raped by Cosby in 1969. “I didn’t go to the police something to do with Brooks’ decision to keep In this Nov 18, 2013 file photo, actor- because I was 19 years old. I was scared and I his music off iTunes and Spotify. The new comedian Bill Cosby poses for a portrait in thought nobody would believe me... He was album - Brooks’ first since 2001’s “Scarecrow” - New York. — AP Mister America,” Tarshis told CNN on is his lowest-charting set since his self-titled ing any further comment on the accusations Wednesday. debut, which peaked at No. 13 in 1989. Rapper dogging the award-winning entertainer. That So far, Cosby himself has remained silent on Big K.R.I.T.’s “Cadillactica” (Def Jam) climbed came 12 hours after streaming video service the issue. Cosby lawyer John Schmitt told enter- aboard at No. 5 with a comparatively mild Netflix said it was postponing the launch of a tainment news website The Wrap at the week- 44,000 sold. The title matches his personal new stand-up comedy special, to be called “Bill end: “Over the last several weeks, decade-old, Taylor Swift performs on ABC’s “Good best: His 2012 debut “Live From the Morning America” in Times Square in Underground” peaked in the same slot, with Cosby 77.” discredited allegations against Mr Cosby have New York. — AP first-week sales of 41,000. —Reuters People magazine said the Netflix special was resurfaced.” “The fact that they are being repeat- supposed to be a birthday celebration for Cosby, ed does not make them true. —AFP.
Recommended publications
  • The Humanitarians FINISHED DRAFT Script
    THE HUMANITARIANS Contact Edwin Thompson: www.bustersfarm.com [email protected] FADE IN. EXT. AFRICA - SERENGETI PLAINS - NIGHT The landscape glows green from night vision goggles. Brush thicket to the left, open plains ahead and right. Sounds of exotic animals, fabric rustling, someone walking on dirt ground. An arm wearing a wrist altimeter reaches to an on/off switch, a gloved finger flips switch to on, pushes start button. Sound of engine idling, revs increase. Running toward open plains. Sounds of breathing, footsteps, and engine. Lifting off of the ground... flying now. The ground gets further away. Silhouette of a woman flying with powered paraglider, gaining altitude. Below, aerial view of plains, herds of animals move slowly, dreamlike. Above, velvet sky is dotted with thousands of stars. Swooping to treetop level, buzzing animals at watering hole, they scatter. Large ranch house compound comes into view, enclosed by a high wall. Gloved finger turns switch to off. Engine stops. Sound of wind. Gliding above the compound. Below, large dogs look up, turning in circles, confused by what they hear. Steaks fall to the ground. Dogs run to steaks. Circling the house, aiming to backside of a hedge row. Ground approaches fast... 20 feet... 10 feet... 5 feet -- FLARE sail. A perfect landing. Sound of harnesses releasing. EXT. GENERAL NKWATCHA’S COMPOUND - NIGHT Silhouette of woman walking crouched, toward the house. Looking around, dogs lie motionless. Silhouette sprinting toward house, disappears behind bushes. Looking in bedroom window, a man is asleep on the bed. INT. GENERAL NKWACHA’S HOUSE - BEDROOM - NIGHT Through the green glow of goggles, a large room, eclectic mix of African and West Indies furniture.
    [Show full text]
  • Jack's Bight : Solace of an Open Place
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-17-1994 Jack's Bight : Solace of an Open Place Hamish Winthrop Ziegler Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Nonfiction Commons Recommended Citation Ziegler, Hamish Winthrop, "Jack's Bight : Solace of an Open Place" (1994). FIU Electronic Theses and Dissertations. 4440. https://digitalcommons.fiu.edu/etd/4440 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida JACK'S BIGHT: SOLACE OF AN OPEN PLACE A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF FINE ARTS by Hamish Winthrop Ziegler 1994 To: Dean Arthur W. Herriott College of Arts and Sciences This thesis, written by Hamish Winthrop Ziegler, and entitled, Jack's Biaht: Solace of an Open Place, having been approved in respect to style and intellectual content, is referred to you for judgement. We have read this thesis and recommend that it be approved. Campbell McGrath Adele Newson Lyijrhe Barrett, Major Professor Date of Defense: November 17, 1994 The thesis of Hamish Winthrop Ziegler is approved. Dean»Arthur W. Herriott Collage of Arts and Sciences Dr.' Richard L. Campbell Dean of Graduate Studies Florida International University, 1994 ii I dedicate this thesis to my mother, Ann Williams McLean.
    [Show full text]
  • Baron Munchhausen and the Syndrome Which Bears His Name: History of an Endearing Personage and of a Strange Mental Disorder
    Baron Munchhausen and the syndrom which bears his name, Vesalius, VIII, 1, 53 - 57, 2002 Baron Munchhausen and the Syndrome Which Bears His Name: History of an Endearing Personage and of a Strange Mental Disorder R. Olry Summary Munchausen syndrome, a mental disorder, was named in 1951 by Richard Asher after Karl Fried rich Hieronymus, Baron Munchhausen (1720-1797), whose name had become proverbial as the nar- rator of false and ridiculously exaggerated exploits. The first edition of Munchausen's tales ap- peared anonymously in 1785 (Baron Munchausen's narrative of his marvellous travels and cam- paigns in Russia), and was wrongly attributed to the German poet Gottfried August Burger who actually edited the first German version the following year. The real author, Rudolph Erich Raspe, never claimed his rights over the successive editions of this book. This paper reviews the extraor- dinary personality of Baron Munchhausen, and the circumstances which led Rudolph Erich Raspe, Gottfried August Burger, and Richard Asher to pay homage to this very endearing personage. Résumé Le syndrome de Munchausen est un trouble psychologique ainsi baptisé en 1951 par Richard Asher, en hommage à Karl Friedrich Hieronymus, baron de Munchhausen (1720-1779), qui s'était rendu célèbre parla narration de ses exploits extravagants. La première édition des aventures de Munch- hausen apparu anonymement en 1785 (Baron Munchausen's narrative ofhis marvellous travels and campaigns in Russia), et fut attribuée à tort au poète allemand Gottfried August Bûrger, celui qui en réalité édita la première traduction allemande l'année suivante. Le véritable auteur, Rudolph Erich Raspe, ne réclama jamais ses droits sur les éditions successives de ce livre.
    [Show full text]
  • Customer Taster
    Published by Lazy Bee Scripts Customer Taster Death and Waxes A Moustache Murder Mystery by Barry Wood A serial killer who steals the moustaches from his victims is at large. Convinced she knows where the killer will strike next, Freya Yorke, a young criminology student, takes a job at an Edinburgh hotel that is hosting the International Moustache Championships. During the evening, Freya is proved right, and there follows a farcical murder investigation into the group of misfits who comprise the competitors and their partners. COPYRIGHT REGULATIONS This murder mystery is protected under the Copyright laws of the British Commonwealth of Nations and all countries of the Universal Copyright Conventions. All rights, including Stage, Motion Picture, Video, Radio, Television, Public Reading, and Translations into Foreign Languages, are strictly reserved. No part of this publication may lawfully be transmitted, stored in a retrieval system, or reproduced in any form or by any means, electronic, mechanical, photocopying, manuscript, typescript, recording, including video, or otherwise, without prior consent of Lazy Bee Scripts. A licence, obtainable only from Lazy Bee Scripts, must be acquired for every public or private performance of a script published by Lazy Bee Scripts and the appropriate royalty paid. If extra performances are arranged after a licence has already been issued, it is essential that Lazy Bee Scripts are informed immediately and the appropriate royalty paid, whereupon an amended licence will be issued. The availability of this script does not imply that it is automatically available for private or public performance, and Lazy Bee Scripts reserve the right to refuse to issue a licence to perform, for whatever reason.
    [Show full text]
  • 1 Herakleios' Handlebar: Contextualizing a Change in Imperial
    1 Herakleios’ Handlebar: Contextualizing a Change in Imperial Imagery Joel DowlingSoka A paper presented on November 3, 2012 at the Byzantine Studies Conference In 629 CE, the Emperor Herakleios, finally at peace after decades of war with Khusrow II, grew out his beard. Where he had previously worn a close cut beard, his new whiskers were significantly more imposing.1 They reached down to the middle of his chest and were topped by a handlebar moustache that seems to have been helped along with a good deal of wax. This appearance of the emperor is idiosyncratic for a Roman ruler, to say the least, and represents a dramatic departure from the previous centuries of imperial representation. However, scholarly analysis of Heraclius’ post-629 imperial image has mostly ignored the potential ramifications of this change. There have been a few explanations that focus on a new tendency in the seventh century towards portraiture on coinage. For example, Phillip Grierson, in Byzantine Coins, suggested that the image was either Herakleios reverting to a more youthful hairstyle that he had worn before he became emperor or that the hair had grown out on campaign and he “preferred it that way.2 Taking an almost polar opposite position, Walter Kaegi read the new appearance on the coinage as “reflecting aging and fatigue.”3 This latter description may be accurate enough, Herakleios was getting older, but why did he choose to show the entire empire his age with an image so different from prior Roman images? None of the explanations explain why Herakleios would decide to change his appearance in such a revolutionary way.
    [Show full text]
  • Turn the World Upside Down Reclaim the Flame Covenant Community LETTER from the EDITOR
    JULY 2017 Turn the World Upside Down Reclaim the Flame Covenant Community LETTER FROM THE EDITOR Fun at Conference y advice to United Methodist men going When I first braided my beard, a friend asked M to Annual Conference in 2018: stop if I could get away with looking like that at shaving this fall. By next June you should work. I scoffed, and explained that United have enough facial hair for beard braids and a Methodists are very accepting people. I could handlebar moustache. It’s a great ice-breaker get a large neck tattoo, and would probably get for your fellow Methodist friends whom you bonus points on my performance appraisal for haven’t seen in a while. taking a bold initiative to connect with people Fred Koenig, Editor You can use the No-Shave November outside the church walls. (Movember) movement that raises awareness of So Annual Conference was a lot of fun for men’s health issues as an excuse to get started, me. But you don’t really have to do strange Published by then just continue not shaving. I find it pretty things to your facial hair. Annual Conference The Missouri Conference of easy to make a practice of not doing something. looked like it was fun for everyone, from the the United Reactions to my braids varied. Southeast people who had to plan and run the whole Methodist Church 3601 Amron Court District Superintendent Fred Leist asked if my thing, to the first timers who just showed Columbia, MO 65202 braids were some variation on being Hasidic.
    [Show full text]
  • Seven Fictions Stephen Leech Clemson University, [email protected]
    Clemson University TigerPrints All Theses Theses 5-2010 Seven Fictions Stephen Leech Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the American Literature Commons Recommended Citation Leech, Stephen, "Seven Fictions" (2010). All Theses. 792. https://tigerprints.clemson.edu/all_theses/792 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. SEVEN FICTIONS A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English Literature by Steve J. Leech May 2010 Accepted by: Keith Lee Morris, Committee Chair Dr. Jillian Weise Dr. Barton Palmer For Grumps, Turps, Ichiban, Dunk, and the Spanner ii ACKNOWLEDGEMENTS I would first like to thank the members of my committee: Keith Morris, JillianWeise, and Barton Palmer, for their feedback and support in the creation of this project. I also owe Rick Wilbur and Sheila Williams for their guidance as an undergraduate writer and for their acknowledgement of my growth as such. Kath Flannery taught me to read, so on a very fundamental level, her name should be here, as should that of Madeline Gilmore, who encouraged me at a very young age to pursue creative writing. Thanks to Jilly Lang, too, a fellow writer whose insights have helped make this collection what it is. And, of course, my eternal gratitude to all my family and friends for their support and love.
    [Show full text]
  • Selected Works Selected Works Works Selected
    Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J.
    [Show full text]
  • Representations of Ottoman Masculinity in Kesik Bıyık1
    Modernity as an Ottoman Fetish: Representations of Ottoman Masculinity in Kesik Bıyık1 Müge Özoğlu PhD Student, Centre for the Arts in Society, Universiteit Leiden Abstract Because masculinity was a central part of Ottoman culture and politics, changes in these domains had a fundamental impact on discussions about masculinity. At the turn of the twentieth century, the Ottoman Empire’s dominant role in world politics began to weaken due to the increasing influence of modernity. This generated socio-political anxieties. Ömer Seyfettin’s short story, Kesik Bıyık (Trimmed Moustache), is a good example to use when discussing the influence of modernity in relation to the issue of masculinity. The transformation of a moustache into a fetish object can be read as an allegory of the Empire’s socio-political anxieties caused by the process of modernisation. This paper discusses the way in which Kesik Bıyık allegorically represents the Ottoman Empire’s socio-political anxieties as castration anxiety, and how modernity becomes a fetish throughout the narrative. Key words: castration anxiety, modernity, fetishism, Ottoman- Turkish literature, Ömer Seyfettin -Masculinities- A Journal of Identity and Culture, Aug., 2016/6, 79-101 Masculinities Journal Bir Osmanlı Fetişi Olarak Modernite: Kesik Bıyık’ta Osmanlı Erkekliğinin Temsilleri Müge Özoğlu PhD Student, Centre for the Arts in Society, Universiteit Leiden Özet Erkeklik, Osmanlı kültürünün ve siyasetinin merkezi bir parçası olduğundan bu alanlardaki değişimler Osmanlı erkeklik tartışmalarını da önemli ölçüde etkilemiştir. Osmanlı İmparatorluğu’nun dünya siyasetindeki egemen rolünün modernitenin artan etkisiyle zayıflayamaya başlaması pek çok sosyo-politik endişe doğurmuştur. Ömer Seyfettin’in Kesik Bıyık öyküsü, modernitenin İmparatorluk üzerindeki etkisini erkeklik tartışmaları bağlamında incelemek için iyi bir örnek teşkil etmektedir.
    [Show full text]
  • Cephas M. Huddleston Collection, Ca. 1900
    Collection # P 0159 CEPHAS M. HUDDLESTON COLLECTION, CA. 1900 Collection Information Biographical/Historical Sketch Scope and Content Note Series Contents Cataloging Information Processed by Dorothy A. Nicholson 8 August 2008 Biographical Sketch revised by Barbara Quigley, 23 January 2014 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org COLLECTION INFORMATION VOLUME OF 13 boxes of 4x5 glass plates, COLLECTION: 18 boxes of 5x7 glass plates, 2 boxes of 6.5 x 8.5 glass plates, 9 flat boxes of glass plates COLLECTION Ca. 1900 DATES: PROVENANCE: Richard Ratcliff, Spiceland, Indiana RESTRICTIONS: Glass plates may be viewed with assistance from library staff. COPYRIGHT: REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained from the Indiana Historical Society. ALTERNATE The glass plates have been scanned and most of the images are FORMATS: available for viewing on the library website in the Digital Image Collections. RELATED HOLDINGS: ACCESSION 2007.0029 NUMBER: NOTES: BIOGRAPHICAL/HISTORICAL SKETCH Cephas M. Huddleston: Huddleston was born in Indiana on 17 October 1832. His parents, William and Susannah (Osborn) Huddleston, were from North Carolina. The 1860 census shows Cephas married to his first wife, Caroline Scott (born July 1840), and living in Union, Indiana, where he was a farmer. Together they had seven children: Foster G. (born October 1859), Sherman (born 1861), Lawrence (died in infancy in 1863), Freeman (born 1866), Wilford W. (born 1869), Frederick (died in infancy ca. 1874), and Ralph Waldo (born 1877). The sons were born in Indiana except for Foster who was born in Kansas and Ralph who was born in Iowa.
    [Show full text]
  • Updated Guidance on Fit Testing of Biopak 60-P Respirator Users
    94 RECORD #94 TITLE: Guidance Concerning 10 CFR 20.103 and Use of Pressure Demand SCBAs FICHE: 38319-178 94 "0 UNITED STATES NUCLEAR REGULATORY COMMISSION WASHINGTON, D. C. 20555 i,4 MEMORANDUM FOR: Those on Attached List FROM: LeMoine J. Cunningham, Chief Section 2, Operating Reactor Programs Branch Division of Quality Assurance, Safeguards, and Inspection Programs Office of Inspection and Enforcement SUBJECT: UPDATED GUIDANCE ON FIT TESTING OF BIOPAK 60-P RESPIRATOR USERS This letter provides updated guidance on fit testing of BioPak 60-P respirator users in response to inquiries from licensees and inspectors regarding implemen- tation of previous guidance (memo to L.R. Greger, RIII, from L.J. Cunningham, IE August 8, 1983 - copy enclosed).- Licensee and inspectors have inquired as to what constitutes an acceptable method for performing quantitative fitting of the wearers of this apparatus as required in footnote 1, to Appendix A of Part 20; specifically, is it acceptable to check the fit of the device (the face to facepiece sealing capability) by testing the user while the user is wearing just the facepiece equipped with a high efficiency filter supplied by the manufacturer of the device. Previous guidance stated that the wearer must don the entire unit for-fit testing since it was 'felt that' fitting the face- piece with a high efficiency filter that is capable of allowing no more than 0.03% leakage would preclude measurement of the required 0.02% leakage or less through the face to facepiece sealing area. However, the 0.03% leakage allowed for high efficiency filters is determined with a more penetrating aerosol (monodispersed) than used in fit testing.
    [Show full text]
  • Shades of Sunflower County
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-16-2014 Shades of Sunflower County Louann Dorrough University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Dorrough, Louann, "Shades of Sunflower County" (2014). University of New Orleans Theses and Dissertations. 1790. https://scholarworks.uno.edu/td/1790 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Shades of Sunflower County A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Louann Dorrough B.A. University of Mississippi, 1978 May, 2014 Table of Contents Preface..................................................................................................................................1
    [Show full text]