Australian Performing Arts Centres Association PO Box 265, Glen Forrest WA 6071 P 08 9298 8822 F 08 9298 8833

Total Page:16

File Type:pdf, Size:1020Kb

Australian Performing Arts Centres Association PO Box 265, Glen Forrest WA 6071 P 08 9298 8822 F 08 9298 8833 Australian Performing Arts Centres Association PO Box 265, Glen Forrest WA 6071 P 08 9298 8822 F 08 9298 8833 www.apaca.com.au Photograph inside: ‘Glen Street Auditorium’ by Keith Saunders, courtesy of Glen Street Theatre. Photograph cover: ‘The Perfect Gentlemen’ by Ferne Millen 2008 www.fernemillen.com, courtesy of Geelong Performing Arts Centre. MISSION StatEMENT The Australian Performing Arts Centres Association is the national network of performing arts centres, dedicated to the advocacy, and professional development and support of its membership, whilst contributing to the development of the performing arts throughout Australia. ASPIRatIONAL OBJECTIVES VaLUES To assist in the presentation To develop and/or disseminate The Australian Performing of the performing arts by and exchange information on Arts Centres Association its members. the management of performing Promotes and furthers the arts centres and the presentation interests of its members who To facilitate the bringing together of the performing arts including of artists and audiences. provide cultural leadership music, dance, theatre film, to their communities. To foster ethical standards and lectures and related programs. Promotes and furthers the effective business practices in the To promote the freedom of performing arts centre operation, development of performing artistic expression and the arts in Australia. presentation and management. pursuit of excellence within the To assist in the professional performing arts. Provides its membership with efficient, effective and proactive development of personnel To encourage cultural and involved in the operation of leadership with regard to policy, aesthetic diversity within the protocols and research. performing arts centres and in the performing arts. presentation and management of Is recognised as the peak performing arts centres. To extend the performing arts national body representing marketplace and stimulate the To influence public policy and performing arts centres integration of the performing arts throughout Australia. public opinion to advance the into the fabric of society. interest of its members. To assist in the promotion of activities which will enable members to develop audiences and the performing arts activity in their own communities. O2 O3 of Environment, Water, Heritage and a real interest in performing arts touring MEMBERSHIP President’s REPORT the Arts, in particular providing a having previously been employed as detailed response to a proposal that the Blue Heeler for Western Australia. the Playing Australia program be Rick has certainly been able to hit the There are two categories of APACA Membership. It is with a degree of sadness I moved to the management of ground running and I thank him for his commence to write what will be my the Australia Council for the Arts. genuine enthusiasm and interest in the 1. Ordinary Members consist of performing arts centres located in Australia, having the facilitation last president’s report for the role of the association and our industry The passing year has seen a in general. of the presentation of the performing arts as one of their primary functions. Australian Performing Arts Centres strengthening of our partnership with Association, APACA. I will continue in key industry bodies in Live Performance The 2007 conference also provided 2. Associate Members consist of any other individual or organisation with substantially similar the role of the Queensland member- Australia (LPA) and the Australian Major the association with the opportunity objectives to those listed in the Constitution of the Association, that is, to assist in the presentation representative until next year’s AGM Performing Arts Group (AMPAG). It to formally acknowledge the work of by which time I will have served three of the performing arts and to facilitate the bringing together of artists and audiences. was my very great pleasure earlier this outgoing Executive Officer Christine consecutive terms as a member of the financial year to attend LPA’s 2007 Dunstan and her partner at CDP, Management Committee. It is for this Helpmann Awards to see the inaugural Cherrie McDonald. reason I have decided not to stand for Regional Touring Award presented There has been little change in the the position of President at our AGM to the Ensemble Theatre / CDP co- ranks of the association’s management BENEFITS in 2008. production Six Dance Lessons in Six committee and to this band of active Weeks. In April 2008 the management 2007/2008 has again been a very and supportive members goes my committee agreed to support the work productive and successful year for our sincere thanks for their ongoing of AMPAG in establishing the “We All Ordinary and Associate Members Participating in strategic planning Delivery of the annual APACA association and I commend to you commitment to the growth and Play a Part” campaign. share all the same benefits with for national tours of professional Conference, providing relevant the work undertaken by the executive development of our association and the exception that only Ordinary performing arts products. and topical professional officer and management committee. During the year a whole-of-industry the performing arts industry as a whole. Members are able to be elected development and critical debate committee has continued the to the Committee of Management. Profiling members and the I am pleased to report that, as in past It would also be remiss of me, in my as well as unequalled networking development of the National Touring Association through the APACA years, the total membership of the last president’s report, to not express Otherwise benefits include: opportunities. Framework with a paper being sent to website [including venue association continues to increase my thanks to the Rockhampton the Federal Arts Minister late in 2007. To Advocacy and advice to Federal, specifications]. On-line discussion group with all with a total of 109 ordinary members Regional Council, the staff of State and Local Government on a members providing the collective and 15 associate members as at the date we understand that government Development of strategic Rockhampton Venues and Events and range of important industry issues. knowledge of hundreds of years end of the financial year. The advice has not considered the matter. alliances with other industry and especially a true partner in more ways experience in the performing arts. of the association and its collective The development and distribution relevant bodies including AMPAG While detailed in a separate report, than one, Roz Owens, the centre’s membership continues to be widely of industry benchmark codes (Australian Major Performing Arts On-line discussion group for I must make special mention of the Operations Manager who has allowed sought by both potential new members and best practice guidance for Group), LPA (Live Performance Member Marketing Managers/staff. work of our two Directors of Arts me to devote significant time and and existing long-term members as we members in regard to industry Australia), the Australia Council Services Australia, Bronwyn Edinger energy to the work of the association all strive to provide our communities issues e.g. Touring, OH&S, for the Arts, MEAA (Media APACA’s biennial Economic and David Lloyd. The past year has over the past five years. with the best performing arts government and funding policy, Entertainment Arts Alliance), RAA Impact Venue Charges and seen them consider the long-term infrastructure, services and programs. It has truly been an honour to have this value of the arts. (Regional Arts Australia), ALGA Salaries Report [50% discount position of the association’s continued to Associate Members]. opportunity to serve as the president (Australian Local Government While our association has continued investment in Arts House, a vital source Maintenance of effective of the association over the past Association), CHASS (Council for to build on our existing strong of income for APACA. association and relationships with Discounts across Arts Hub years. I look forward to maintaining the Humanities, Arts and Social working relationships with all levels of national performing arts networks packages providing all members 2007/2008 has also seen a significant my involvement with an association Sciences) and ArtsPeak. government, it has been particularly including Playing Australia, Long with weekly emails of national arts change in the day-to-day functioning that continues to be dedicated to disappointing for the management the professional development and Paddock, Arts On Tour NSW and Compilation and distribution of news and jobs bulletins. of the association. At last year’s committee that some eight months support of members, advocating for the Blue Heelers through Regional Venue and Membership Directory conference held in Launceston, I was after being appointed as the Minister its membership, whilst contributing to Arts Australia. in soft copy format. able to announce the appointment of for the Arts in the new Rudd Labor Rick Heath as the association’s new the development of the performing arts government, the association has executive officer following an extensive throughout Australia. been unable to secure a meeting with search which drew applications from the Honourable Peter Garrett AM MP. a number of experienced and capable Despite this difficultly, we have been contractors from across the country. able to maintain a positive dialogue As many of you would be aware, with
Recommended publications
  • 1 Sydney Theatre Company Annual Report 2014
    Sydney Theatre Company Annual Report 2014 1 Kate Box, Melita Jurisic, Robert Menzies, Hugo Weaving, Ivan Donato, Eden Falk, Paula Arundell and John Gaden in Macbeth. Photo: Brett Boardman Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director 5 2014 in Numbers ACTORS AND CREATIVES 237 EMPLOYED $350,791 C R 12TEACHING TIX OF TI KET P ICE TIX SAVINGS PASSED ON TO ARTISTS 733 4,877 SUNCORP TWENTIES CUSTOMERS EMPLOYED REGIONAL $20.834M AND INTERSTATE TOTAL TICKET PERFORMANCES INCOME EARNED WORLD 6PREMIERES 1,187 WEEKS PLAYWRIGHTS AVERAGE OF WORK 9 ON COMMISSION CAPACITY FOR ACTORS 6 7 David Gonski Andrew Chairman Upton In the last four annual reports, I have reported on work undertaken by the organisation to modernise operations and governance structures to best support the Company’s artistic aspirations into the Artistic Director future. Most recently, in 2013, I wrote about the security of 45 year leases over the Roslyn Packer Theatre (formerly Sydney Theatre) and James Duncan in The Long Way Home. Richard Roxburgh in Cyrano de Bergerac. our tenancy at The Wharf, and the subsequent winding up of New Photo: Lisa Tomasetti 2014 was a year that brought the Company together through thick Photo: Brett Boardman South Wales Cultural Management, the body that had previously and thin.
    [Show full text]
  • Molly Ringwald, Robert Greene and More
    smh.com.au A CRIMINAL , MOLLYMIND RINGWALD & A SEDUCTION WALKARTIST INTO A... HAVE WE GOT A STORY FOR YOU. Tara Moss, Molly Ringwald, Robert Greene and more. Live at Sydney Writers’ Festival May 20–26, 2013. 1HERSA1 S001 2 swf.org.au SYDNEY WRITERS’ FESTIVAL WOULD LIKE TO THANK CORE FUNDERS SUPPORTERS ABL Open Hachette Australia Randwick City Library Service Allen & Unwin HarperCollins Red Room Company Ashfield Library Head On Photo Festival Riverside Theatres Auburn Poets and Writers Group The Hills Shire Library Ryde Library Service Auckland Writers and Readers Service Scholastic Festival History Council of NSW Scribe Australian Poetry Hoopla Simmer on the Bay Australian Publishers Hornsby Central Library South Coast Writers Centre Association Hurstville City Library Stella Prize EXCLUSIVE LEGAL PARTNER Avant Card ICE Sydney Dance Lounge Black Inc Kathy Shand Sydney PEN Blacktown Arts Centre Kogarah Library Sydney Story Factory Blacktown City Libraries Lox & Smith Text Publishing Byteback Computing Macleay Museum The Folio Society Camden Council Library Service Meanjin The Langham Sydney Campbelltown Arts Centre Mont Blanc University of Queensland Press MAJOR PARTNERS Campbelltown City Library Murdoch Media Group University of Technology Casula Powerhouse Arts Centre Museum of Contemporary Sydney Chanelle Collier Art UWA Publishing Chatswood Concourse The Nest Varuna, The Writers’ House Children’s Book Council NSW Writers’ Centre Vivid Ideas of Australia Overland Walker Books City of Sydney Libraries Pan Macmillan The Walkley Foundation
    [Show full text]
  • Max Gillies Stars in Trust Williamson Production
    SEPTEMBER, 1987 Vol 11 No 8 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Max Gillies stars in Trust Williamson production THE DEPARTMENT by David Williamson Directed by Rodney Fisher Designed by Shaun Gurton Lighting by Nick Schlieper Cast: Max Gillies, Tracy Mann, Helmut Bakaitis, Ben Gabriel, Ron Graham, Jeff Morrell, Matthew O'Sullivan, Kris Ralph, John Sheerin, Paul Williams "Williamson's best play is an assured, rounded, acidly understanding dissec­ tion of bureaucracy. " Garrie Hutchinson, The Australian "The funnier it gets - and it is very funny - the more urgently Williamson asks: how can anything be made to work, from a relationship between two people right through to an educational institution when human beings are the headstrong, contrary, passionate and self-seeking creatures that they are?" Ron Blair, Sydney Morning Herald It Often hailed as Williamson's best A. play, perhaps because it mirrors his ~l early life as a teacher and, there­ fore, a lot of its content comes from his own experience, THE DEPARTMENT is an ascerbic dissection of the world of the committee meeting. Robby, the Max Gillies head of the department, desperately tries to conduct a staff meeting - he Max Gillies in the lead role of Robby Trust Members are invited to attend contrives, he cajoles, he manipulates, heads a strong cast, which also includes a preview performance on Monday sometimes he flounders, but always Tracy Mann, who has just completed a evening, October 26, when they may manages to remain ahead (just) of the season at the Wharf Theatre in WHEN purchase as many tickets as they wish rest! There are marvellous cameos in I WAS A GIRL.
    [Show full text]
  • Connecting People to Performance
    Connecting People to Performance “…an invaluable service in bringing producers and presenters together.” CEO, Critical Stages A national agenda The performing arts industry is a highly inter-dependent ecology. PAC Australia performs a unique and key role as Australia’s primary national industry connector. We have been transforming the business of presenting across Australia for over 30 years and our members continuously shape our national cultural identity. What we do Leadership We identify key industry issues and set the agenda to progress those issues, both independently and through collaborative action with strategic partners. We promote the value, and advocate for the needs of people and organisations in the performing arts industry. [Your advocate]. Connection We connect the industry in ways that create shared understanding and build relationships that support presenting and touring. [Your broker]. Best Practice We share information to help individuals and organisations in our membership develop best practice in audience development and presenting. [Your coach] Who are we? Our members comprise a broad group of performing arts professionals: presenters, producers, artists, funders, festivals, peak bodies and professional consultants; regional, metro, small and large. SEVICE ORGANISATION & AFFILIATE MEMBERS 13% | Roslyn Oades & Collaborators Image By: Amy Brown PRODUCER/ 48% 22% TOUR PRODUCER 52% REGIONAL METRO 65% PRESENTER/FESTIVAL PAC Australia is collaborative, progressive, inclusive and curious. We believe being part of a cooperative network is the key to success. Full memberships now start Hello, Goodbye, Happy Birthday from $220 so everyone can be a part. Image: What’s in it for me? In addition to helping transform the Australian performing arts sector, your membership provides: • Access to skills, knowledge and the confdence to improve individual and organisation practice and advocacy.
    [Show full text]
  • STC Annualreport 2015 Bigger.Pdf
    ANNUAL REPORT BETRAYAL CANNIBALISM COURAGE EYE WITNESS FAMILY TIES FEMINISM FRENEMIES HILARITY LONGING LOVE AND ATTRACTION MADNESS MORTALITY POLITICS RECKONING SINGING TRANSITION TRAVEL Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director Marshall Napier, Richard Roxburgh, Eamon Farren, Cate Blanchett and Martin Jacobs in The Present. Photo: Lisa Tomasetti 2015 in Numbers ACTORS 146% AND CREATIVES 2 889 255 EMPLOYED 131 $418,855 C R 19TEACHING OF TI KET P ICE 318,899 SAVINGS PASSED ON TO ARTISTS TIX 759 6,330 SUNCORP TWENTIES CUSTOMERS EMPLOYED TIX PAID PEOPLE OVERSEAS 10,045 SAW A AND ATTENDEES WAITING FOR GODOT N TIONAL OVER $20M TO STC’S 2015 PROGRAM INTERNATIONAL TOTAL TICKET 47.7% PERFORMANCES INCOME EARNED REDUCTION IN WORLD GREENHOUSE GAS EMISSIONS SINCE 2007 PREMIERES 1,273 4 71.3% WEEKS AVERAGE OF WORK 20,513 5,887 PLAYWRIGHTS REDUCTION CAPACITY TOTAL SUBSCRIBERS NEW SUBSCRIBERS 15 ON COMMISSION IN WATER USAGE SINCE 2007 86% FOR ACTORS 4 5 Ian Jonathan Narev Church CHAIR ARTISTIC DIRECTOR During Board discussions at Sydney Theatre Company, we refer Mark Leonard Winter, Jacek Koman, Geoffrey Rush and Robyn Nevin I am delighted and honoured to be the next Artistic Director of Paula Arundell (background), Eryn Jean Norvill and Paula Arundell regularly to Richard Wherrett’s founding aims of the Company: in King Lear.
    [Show full text]
  • Jonathan Biggins
    JONATHAN BIGGINS THEATRE: 2021 The Gospel According to Paul (Tour) Writer and Performer Soft Tread Enterprises Pete the Sheep Tour Co-Writer & Director Monkey Baa Theatre Company 2020 The Wharf Revue 2020 Co-Writer & Director/Performer Sydney Theatre Company Great Opera Hits Host Opera Australia 2019 Opera Australia New Year’s Eve Concert Host and Writer Opera Australia Krapps Last Tape Performer Red Line Productions Dir: Gale Edwards The Wharf Revue 2019 Co-Writer & Co-Director Sydney Theatre Company No Cabaret For Old Men Co-Writer & Performer Sydney International Cabaret Festival Great Opera Hits Host Opera Australia The Gospel According to Paul Writer and Performer Soft Tread Enterprises 2018 Wharf Revue 2018 Co-Writer & Director/Performer Sydney Theatre Company Great Opera Hits Concert Host Opera Australia Josephine Wants to Dance Director Monkey Baa Theatre Co. 2017 New Year’s Eve Gala Concert Host and Writer Opera Australia Wharf Revue 2017 Co-Writer & Director/Performer Sydney Theatre Company Helpmann Awards 2017 Co-Writer and Director Live Performance Australia Talk Director and Writer Sydney Theatre Company Mr Stink (remount) Director CDP Opera Australia Great Opera Hits Concerts Host and Co-Writer Opera Australia 2016 Opera Australia New Year’s Eve Concert Host and Co-Writer Opera Australia Mr Stink- International Tour Director CDP Helpmann Awards Co-Writer and Director Live Performance Australia Wharf Revue 2016 Co-Writer and Performer Sydney Theatre Company Wharf Revue 2015 Tour Co-Writer and Performer Sydney Theatre Company
    [Show full text]
  • Annual Report LPA’S Strategic Plan 2011–2014 Strategic Priorities
    2013 – 2014 Annual Report LPA’s Strategic Plan 2011–2014 Strategic Priorities Workplace Relations Develop and review Industry Vision Codes and Guidelines Lead industry vision and Ensure the growth and long term sustainability of policy for the industry Consumer education and protection the Australian live performance industry. Develop our long range industrial Membership Services, relations policy position Communications and Events Strategic Intent Negotiate new industrial agreements Strengthen Membership consistent with our policy position engagement As the peak body for the broad live performance industry LPA will and which reflect the global and continue to meet the needs and interests of Members through digital environment Ensure Members are well informed about, and can easily access, LPA the delivery of core services, communication and influence. Develop best practice frameworks resources Support industry WH&S Encourage Member engagement compliance and practice around key industry issues and policy positions Strategic flagship areas for LPA in the next three years are: Advise and support Members on new industrial relations best practice Continue to provide quality Policy and Strategy Membership services َ Use Industry knowledge to position and influence Build knowledge and information Deliver Professional Development including a national Producer Use the knowledge we have developed and continue to build this about the industry Development Program resource to represent and advance the business interests of the industry.
    [Show full text]
  • Vast - Dance on a New Scale
    FEBRUARY, 1988 Vol 12 No 1 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Vast - Dance on a New Scale VAST choreographed by Graeme Murphy Music by Barry Conyingham Design by Andrew Carter Costumes by Jennijer Irwin Lighting by Kenneth Rayner entral to any celebration of the Aus­ Ctralian arts must be a recognition of the spectacular advances made over the last decade by our dancers and dance companies. In a world precedent, the diversity and energy of four of these companies - the Sydney Dance Com­ pany, The Queensland Ballet, the West Australian Ballet Company and Aus­ tralian Dance Theatre - will be forged together in a specially commissioned ballet - VAST - choreographed by Graeme Murphy and featuring all 69 dancers. VAST will reflect the diversity of our landscapes, the reefs and coastlines, deserts and rainforests and, of course, the uniquely urban situation in which most Australians live. "The new work will reflect the vastness 0/ this country" says Murphy "I don't think you could tackle a subject as huge as this with any less than 69 dancers. It will not be a return to narrative slyle but at the same time I don't want it devoid a/humanity. You have to be bold enough to people that landscape, showing them coming to terms with their environment. Aus­ tralians are finding the beauty in the harshness, strength and vibrance 0/ the colours we dwell in, rather than craving the softness, the pastels and ease oj a more tamed environment. " Murphy will spend a fortnight with each of the four companies getting to know their styles before they come together for joint rehearsals in Sydney Graerne J;furphy rehearses VAST {/{ his sllIdio in Sydney at The Wharf and then Melbourne.
    [Show full text]
  • 2008 - 2009 Annual R
    Live Performance Australia 2008 - 2009 Annual Report Contents About LPA 2 President and Chief Executive Report 3 Workplace Relations 4 Policy and Strategy 6 Membership Services 8 Finance, Membership and Administration 10 Membership Events 12 Helpmann Awards® 13 Acknowledgements 14 Financials 16 Independent Auditors Report 28 Members List Inside back cover Live Performance Australia™ About LPA Membership Services LPA members are provided with the latest industry Evelyn Richardson Chief Executive Live Performance Australia™ (LPA) is the peak representative news and information through its many publications, David Hamilton Director, Workplace Relations body for the live entertainment industry in Australia. newsletters and circular updates. Information, member Soolin Ong Tan Workplace Relations Advisor Our members include producers, performing arts resources and research tools are also accessible from our Suzanne Daley Policy & Strategy Advisor companies, arenas, stadiums and performing arts websites: Kitsa Athanasiou Immigration Services Officer centres, ticketing agencies, cinemas and exhibition Claire Harris Membership Services Manager companies from across the country. www.liveperformance.com.au Anna Muscara Membership Services Officer http://members.liveperformance.com.au Neil Collins Finance & Membership Manager Established in 1917, LPA’s main focus was to protect www.liveperformance.com.au/halloffame Nicole Benson Administration Officer and further the interests of its members, working in www.helpmannawards.com.au conjunction with unions and government to promote www.claimsmart.com.au LPA Vision a healthy and vibrant live entertainment industry in Australia. Now, almost 100 years later, LPA continues The vision of Live Performance Australia™ centres on the to do this, fostering a harmonious policy and industrial LPA also provides education and skills development long-term wellbeing and sustainability of the Australian relations environment and assisting in creating an for producers wishing to expand their knowledge and live performance industry.
    [Show full text]
  • A Note from Reg Livermore
    A NOTE FROM REG LIVERMORE Nancye and I have keenly anticipated this chance to work together again, throughout the course of our extensive careers our paths have crossed too rarely. While playing in Opera Australia’s 2008 production of My Fair Lady we talked of devising a kind of autobiographical entertainment that might catch us an audience. Almost two years ago I began to write a show that is now called Turns, it isn’t exactly the show we discussed but it does I think give us a chance to show what we’re made of, show what we like to do on stage and what we think we do best, a series of theatrical turns tailored especially for this occasion. More than that it salutes the particular traditions in the theatre to which we are significant links; what we’ve done and observed in show business for so long now informs the nature and essence of our performances. Turns is a broad reflection on show business, matters of identity, of family and dependency, of the memory, and the commonality of an experience that lies ahead for most of us. Intertwined are some outrageous fun and games, elements of mystery, echoes of slapstick, 1940’s film noir gets a nod as does the music-hall, vaudeville, cabaret, above all traditional pantomime. This kaleidoscopic rainbow of theatrical styles underscores our storyline and makes for an evening in the theatre we hope is appealing and moving. We wouldn’t be standing up in front of you at all but for our producer, Christine Dunstan who has been enthusiastic from the outset; she is a rare breed, a commercial producer prepared to initiate, encourage and develop a show from scratch, she is one whose great love of the theatre has always emboldened her to take the risks.
    [Show full text]
  • By Meyne Wyatt
    GRIFFIN THEATRE COMPANY PRESENTS GRIFFIN THEATRE CITY COMPANY OF GOLD BY MEYNE WYATT SBW STABLES THEATRE 26 JULY – 31 AUGUST 2019 DIRECTOR ISAAC DRANDIC ASSISTANT DIRECTOR SHARI INDRIANI SET DESIGNERS SIMONE TESORIERI & SIMONA COSENTINI LIGHTING DESIGNER JASON GLENWRIGHT COMPOSER/SOUND DESIGNER TONY BRUMPTON COSTUME DESIGNER NATHALIE RYNER DRAMATURG PAIGE RATTRAY FIGHT DIRECTOR NIGEL POULTON DIRECTORIAL OBSERVATION ​​HANNAH BELANSZKY STAGE MANAGER KHYM SCOTT ASSISTANT STAGE MANAGER ELLA GRIFFIN WITH JEREMY AMBRUM MATHEW COOPER MAITLAND SCHNAARS SHARI SEBBENS ANTHONY STANDISH CHRISTOPHER STOLLERY MEYNE WYATT ACKNOWLEDGMENT OF COUNTRY Griffin would like to acknowledge the Gadigal people of the Eora Nation who are the Traditional Custodians of this land. We pay our respects to their Elders both past and present, and to all Aboriginal and Torres Strait Islander peoples. A co-production with Government partners Griffin’s Production Supported by Partner program Playwriting Australia as part of its Muru Salon and National Script Workshop programs Griffin acknowledges the generosity of the Seaborn, Broughton & Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. PLAYWRIGHT’S NOTE It is Thursday, 13th of June 2019 and I thought I would pursue later in life. But am in the third week of rehearsal for my I felt it was so urgent that it had to be first ever play, written by me: City of Gold. now or never. So, I went and got the skills I am the lead actor of the show, because I thought I needed. Learnt the basics of of course I am, and I just so happen to structure and whatnot.
    [Show full text]
  • Eligible Live Entertainment Venues Across the State Licence Number Licence Name Suburb LIQC300200035 Barooga Sports Club Ltd BAROOGA LIQC300225704 Berowra R.S.L
    Eligible live entertainment venues across the State Licence number Licence name Suburb LIQC300200035 Barooga Sports Club Ltd BAROOGA LIQC300225704 Berowra R.S.L. Club Limited BEROWRA LIQC300225828 Workers Blacktown BLACKTOWN LIQC300225925 Bowlers Club of NSW Ltd SYDNEY LIQC300226468 Clovelly Bowling & Recreation Club Ltd CLOVELLY LIQC300226751 Cronulla R S L Memorial Club Ltd CRONULLA LIQC300227413 Gladesville RSL & Community Club Limited GLADESVILLE LIQC300228509 Marrickville Bowling & Recreation Club Limited MARRICKVILLE LIQC300229025 NSW Masonic Club SYDNEY LIQC300229270 North Sydney Leagues Club Limited CAMMERAY Paddington/Woollahra RSL Memorial & Community LIQC300229335 Club Co-op Limited PADDINGTON LIQC300229378 Palm Beach Golf Club Limited PALM BEACH LIQC300229408 Panania East Hills RSL Club Limited PANANIA LIQC300229513 Petersham Bowling Club Limited PETERSHAM LIQC300229963 Roseville Returned Servicemens Memorial Club Ltd ROSEVILLE LIQC300230031 Royal Motor Yacht Club Broken Bay, New South Wales NEWPORT LIQC300230317 South Sydney Junior Rugby League Club Limited KINGSFORD LIQC300230694 Toongabbie Sports Club TOONGABBIE LIQC300235238 Ballina RSL Club Limited BALLINA LIQC300235297 Woodburn Evans Head RSL Club Ltd EVANS HEAD LIQC300235424 Bathurst Panthers BATHURST LIQC300235483 Bermagui Country Club BERMAGUI LIQC300235564 Coffs Harbour Golf Club COFFS HARBOUR LIQC300235580 Dorrigo Memorial RSL Club Co-operative Limited DORRIGO LIQC300235637 Urunga Bowling Club Limited URUNGA LIQC300235653 Bermagui Country Club BOWRAL LIQC300236056
    [Show full text]