“Reality – Is It a Horror?”: Richard Shaver's Subterranean World and the Displaced Self
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Magic and the Supernatural
Edited by Scott E. Hendrix and Timothy J. Shannon Magic and the Supernatural At the Interface Series Editors Dr Robert Fisher Dr Daniel Riha Advisory Board Dr Alejandro Cervantes-Carson Dr Peter Mario Kreuter Professor Margaret Chatterjee Martin McGoldrick Dr Wayne Cristaudo Revd Stephen Morris Mira Crouch Professor John Parry Dr Phil Fitzsimmons Paul Reynolds Professor Asa Kasher Professor Peter Twohig Owen Kelly Professor S Ram Vemuri Revd Dr Kenneth Wilson, O.B.E An At the Interface research and publications project. http://www.inter-disciplinary.net/at-the-interface/ The Evil Hub ‘Magic and the Supernatural’ 2012 Magic and the Supernatural Edited by Scott E. Hendrix and Timothy J. Shannon Inter-Disciplinary Press Oxford, United Kingdom © Inter-Disciplinary Press 2012 http://www.inter-disciplinary.net/publishing/id-press/ The Inter-Disciplinary Press is part of Inter-Disciplinary.Net – a global network for research and publishing. The Inter-Disciplinary Press aims to promote and encourage the kind of work which is collaborative, innovative, imaginative, and which provides an exemplar for inter-disciplinary and multi-disciplinary publishing. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission of Inter-Disciplinary Press. Inter-Disciplinary Press, Priory House, 149B Wroslyn Road, Freeland, Oxfordshire. OX29 8HR, United Kingdom. +44 (0)1993 882087 ISBN: 978-1-84888-095-5 First published in the United Kingdom in eBook format in 2012. First Edition. Table of Contents Preface vii Scott Hendrix PART 1 Philosophy, Religion and Magic Magic and Practical Agency 3 Brian Feltham Art, Love and Magic in Marsilio Ficino’s De Amore 9 Juan Pablo Maggioti The Jinn: An Equivalent to Evil in 20th Century 15 Arabian Nights and Days Orchida Ismail and Lamya Ramadan PART 2 Magic and History Rational Astrology and Empiricism, From Pico to Galileo 23 Scott E. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
The Supernatural Is What the Paranormal May Be: Real
66 http://onfaith.washingtonpost.com/onfaith/panelists/willis_e_elliott/2008/07/the_supernatural_is_what_the_p.html The Supernatural Is What the Paranormal May Be: Real “Please leave,” said Mircea Eliade (editor-in-chief of the 17-volume “Encyclopedia of Religion”). With a question, he had just begun a lecture to a group of liberal clergy at the University of Chicago. His question: “Do you think that the sacred tree in the center of the clearing is not holy? If so, please raise your hand.” To the hand-raisers – about a third of us – he said, “Please leave.” The room became dead quiet; nobody left. Minds not open to the supernaturalseemed to him subhuman: openness to experiencing the transcendent, the beyond, is a constitutive characteristic of human consciousness. The great phenomenologist was talking about the supernatural, not the paranormal. The current “On Faith” question asks about the two: “Polls routinely show that 75% of Americans hold some form of belief in the paranormal such as astrology, telepathy and ghosts. All religions contain beliefs in the supernatural. Is there a link? What’s the difference?” 1.....The difference appears in the delightful, uproarious film, “The Gods Must Be Crazy.” Out of the open cockpit of a small biplane, somebody throws an empty coke bottle, which lands in a small village of near-naked primitives, overwhelming them with fear of the unknown and befuddling them with cognitive dissonance. We viewers know that the event was natural, almost normal. But to the primitives, the event was para-normal, preter- natural, beyond both expectation and explanation. What to do? The leader rose and supernaturalized the event. -
Occult Feelings: Esotericism and Queer Relationality in The
OCCULT FEELINGS: ESOTERICISM AND QUEER RELATIONALITY IN THE NINETEENTH-CENTURY UNITED STATES A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Brant Michael Torres January 2014 © 2014 Brant Michael Torres ii Brant Michael Torres, Ph.D. Cornell University 2014 Occult Feelings: Esotericism and Queer Relationality in Nineteenth-Century US Literature uncovers the esoteric investments central to American Transcendentalism to analyze how authors used the occult to explore new, and often erotic, relational possibilities. I reveal the different ways that authors, such as Nathaniel Hawthorne, Margaret Fuller, and Amos Bronson Alcott, employed the occult to reimagine intimacy. To this end, my project studies literary representations of occult practices like alchemy and spirit contact, as well as the esoteric philosophies of writers like Emanuel Swedenborg and Jakob Böhme that fascinated authors in the nineteenth-century. Authors of American Transcendentalism—with their depictions of an esoteric correspondence between embodied and disembodied subjects, celestial bodies, plants, and inanimate objects— envisioned relationality as hidden, mystical, and non-dyadic. As such, the occult became a way to find more open and dynamic modes of relation beyond direct interpersonal contact. For example, reading alchemy in Hawthorne, I reveal how an obsessive interest in creating and then suspending homoerotic intimacies allows for queer modes of relation. In Fuller, I illustrate how her mystic intimacy with flowers highlights affective connections while insisting on an ever-present distance with objects. For Bronson Alcott, I demonstrate how his esoteric investments transform his relation to divinity. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Club Add 2 Page Designoct07.Pub
H M. ADVS. HULK V. 1 collects #1-4, $7 H M. ADVS FF V. 7 SILVER SURFER collects #25-28, $7 H IRR. ANT-MAN V. 2 DIGEST collects #7-12,, $10 H POWERS DEF. HC V. 2 H ULT FF V. 9 SILVER SURFER collects #12-24, $30 collects #42-46, $14 H C RIMINAL V. 2 LAWLESS H ULTIMATE VISON TP collects #6-10, $15 collects #0-5, $15 H SPIDEY FAMILY UNTOLD TALES H UNCLE X-MEN EXTREMISTS collects Spidey Family $5 collects #487-491, $14 Cut (Original Graphic Novel) H AVENGERS BIZARRE ADVS H X-MEN MARAUDERS TP The latest addition to the Dark Horse horror line is this chilling OGN from writer and collects Marvel Advs. Avengers, $5 collects #200-204, $15 Mike Richardson (The Secret). 20-something Meagan Walters regains consciousness H H NEW X-MEN v5 and finds herself locked in an empty room of an old house. She's bleeding from the IRON MAN HULK back of her head, and has no memory of where the wound came from-she'd been at a collects Marvel Advs.. Hulk & Tony , $5 collects #37-43, $18 club with some friends . left angrily . was she abducted? H SPIDEY BLACK COSTUME H NEW EXCALIBUR V. 3 ETERNITY collects Back in Black $5 collects #16-24, $25 (on-going) H The End League H X-MEN 1ST CLASS TOMORROW NOVA V. 1 ANNIHILATION A thematic merging of The Lord of the Rings and Watchmen, The End League follows collects #1-8, $5 collects #1-7, $18 a cast of the last remaining supermen and women as they embark on a desperate and H SPIDEY POWER PACK H HEROES FOR HIRE V. -
The Presence of the Jungian Archetype of Rebirth in Steven Erikson’S Gardens Of
The Presence of the Jungian Archetype of Rebirth in Steven Erikson’s Gardens of the Moon Emil Wallner ENGK01 Bachelor’s thesis in English Literature Spring semester 2014 Center for Languages and Literature Lund University Supervisor: Ellen Turner Table of Contents Introduction..........................................................................................................................1 The Collective Unconscious and the Archetype of Rebirth.................................................2 Renovatio (Renewal) – Kellanved and Dancer, and K’rul...................................................6 Resurrection – Rigga, Hairlock, Paran, and Tattersail.........................................................9 Metempsychosis – Tattersail and Silverfox.......................................................................15 The Presence of the Rebirth Archetype and Its Consequences..........................................17 Conclusion..........................................................................................................................22 Works Cited........................................................................................................................24 Introduction Rebirth is a phenomenon present in a number of religions and myths all around the world. The miraculous resurrection of Jesus Christ, and the perennial process of reincarnation in Hinduism, are just two examples of preternatural rebirths many people believe in today. However, rebirth does not need to be a paranormal process where someone -
Religion of Science-Fantasy Cults Martin Gardner
Summer 1987 Vol. 7, No. 3 .40,11 Was the Universe Created? Victor Stenger The New Religion of Science-Fantasy Cults Martin Gardner The Relativity of Biblical Ethics Joe Edward Barnhart Plus "Pearlygate" Morality • New Directions for Humanism • Personal Paths to Humanism with Joseph Fletcher, Anne Gaylor, Rita Mae Brown, Ashley Montagu, and Mario Bunge • Tyranny of the Creed by John Allegro _- FreeC SUMMER 1987, VOL. 7, NO. 3 ISSN 0272-0701 Contents 3 LETTERS TO THE EDITOR 9 PERSPECTIVE 10 ON THE BARRICADES 61 IN THE NAME OF GOD 62 CLASSIFIED 6 EDITORIALS "Pearlygate" Morality Paul Kurtz / New Directions for Humanism / Catholic Consistency at Any Cost Tom Flynn 12 The Tyranny of the Creed John Allegro BELIEF AND UNBELIEF AROUND THE WORLD 14 Japan and Biblical Religion Richard L. Rubenstein 21 Letter to a Missionary Ronn Nadeau ARTICLES 22 The Relativity of Biblical Ethics Joe Edward Barnhart 25 Xenoglossy and Glossolalia Don Laycock 26 Was the Universe Created? Victor Stenger 31 Science-Fantasy Religious Cults Martin Gardner PERSONAL PATHS TO HUMANISM 36 A Secular Humanist Confession Joseph Fletcher 37 Free from Religion Anne Nicol Gay!or 38 Surrender to Life Rita Mae Brown 40 As if Living and Loving Were One Ashley Montagu 42 Growing Up Agnostic in Argentina Mario Bunge 46 The Case Against Reincarnation (Part 4) Paul Edwards BOOKS 54 The Cult of Objectivism Nathaniel Branden 55 Propaganda Before Education Gordon Stein 56 Critiquing the Old Unities Robert Basil Rita Mae Brown's and Ashler Montagu's articles are adapted by permission from The Courage of Conviction, edited by Philip Berman, published in hardcover by Dodd, Mead, and Company and in paperback by Ballantine Books. -
Works Like a Charm: the Occult Resistance of Nineteenth-Century American Literature
WORKS LIKE A CHARM: THE OCCULT RESISTANCE OF NINETEENTH-CENTURY AMERICAN LITERATURE by Noelle Victoria Dubay A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland August 2020 Abstract Works like a Charm: The Occult Resistance of Nineteenth-Century American Literature finds that the question of whether power could work by occult means—whether magic was real, in other words—was intimately tied, in post-Revolutionary America, to the looming specter of slave revolt. Through an examination of a variety of materials—trial narratives, slave codes, novels and short stories, pamphlets, popular occult ephemera—I argue that U.S. planters and abolitionists alike were animated by reports that spiritual leaders boasting supernatural power headed major rebellions across the Caribbean, most notably in British-ruled Jamaica and French-ruled Saint-Domingue. If, in William Wells Brown’s words, the conjurer or root-doctor of the southern plantation had the power to live as though he was “his own master,” might the same power be capable of toppling slavery’s regimes altogether? This question crossed political lines, as proslavery lawmakers and magistrates as well as antislavery activists sought to describe, manage, and appropriate the threat posed by black conjuration without affirming its claims to supernatural power. Works like a Charm thus situates the U.S. alongside other Atlantic sites of what I call “occult resistance”—a deliberately ambivalent phrase meant to register both the documented use of occult practices to resist slavery and the plantocracy’s resistance to the viability of countervailing powers occulted (i.e., hidden) from their regimes of knowledge—at the same time as it argues that anxiety over African-derived insurrectionary practices was a key factor in the supposed secularization of the West. -
Wonder Woman by John Byrne Vol. 1 1St Edition Kindle
WONDER WOMAN BY JOHN BYRNE VOL. 1 1ST EDITION PDF, EPUB, EBOOK John Byrne | 9781401270841 | | | | | Wonder Woman by John Byrne Vol. 1 1st edition PDF Book Diana met the spirit of Steve Trevor's mother, Diana Trevor, who was clad in armor identical to her own. In the s, one of the most celebrated creators in comics history—the legendary John Byrne—had one of the greatest runs of all time on the Amazon Warrior! But man, they sure were not good. Jul 08, Matt Piechocinski rated it really liked it Shelves: graphic-novels. DC Comics. Mark Richards rated it really liked it Mar 29, Just as terrifying, Wonder Woman learns of a deeper connection between the New Gods of Apokolips and New Genesis and those of her homeland of Themyscira. Superman: Kryptonite Nevermore. Enabling JavaScript in your browser will allow you to experience all the features of our site. There's no telling who will get a big thrill out of tossing Batman and Robin Eternal. This story will appear as an insert in DC Comics Presents A lot of that is probably due to a general dislike for the 90s style of drawing superheroes, including the billowing hair that grows longer or shorter, depending on how much room there is in the frame. Later, she rebinds them and displays them on a platter. Animal Farm. Azzarello and Chiang hand over the keys to the Amazonian demigod's world to the just-announced husband-and-wife team of artist David Finch and writer Meredith Finch. Jun 10, Jerry rated it liked it. -
Super Satan: Milton’S Devil in Contemporary Comics
Super Satan: Milton’s Devil in Contemporary Comics By Shereen Siwpersad A Thesis Submitted to Leiden University, Leiden, the Netherlands in Partial Fulfillment of the Requirements for the Degree of MA English Literary Studies July, 2014, Leiden, the Netherlands First Reader: Dr. J.F.D. van Dijkhuizen Second Reader: Dr. E.J. van Leeuwen Date: 1 July 2014 Table of Contents Introduction …………………………………………………………………………... 1 - 5 1. Milton’s Satan as the modern superhero in comics ……………………………….. 6 1.1 The conventions of mission, powers and identity ………………………... 6 1.2 The history of the modern superhero ……………………………………... 7 1.3 Religion and the Miltonic Satan in comics ……………………………….. 8 1.4 Mission, powers and identity in Steve Orlando’s Paradise Lost …………. 8 - 12 1.5 Authority, defiance and the Miltonic Satan in comics …………………… 12 - 15 1.6 The human Satan in comics ……………………………………………… 15 - 17 2. Ambiguous representations of Milton’s Satan in Steve Orlando’s Paradise Lost ... 18 2.1 Visual representations of the heroic Satan ……………………………….. 18 - 20 2.2 Symbolic colors and black gutters ……………………………………….. 20 - 23 2.3 Orlando’s representation of the meteor simile …………………………… 23 2.4 Ambiguous linguistic representations of Satan …………………………... 24 - 25 2.5 Ambiguity and discrepancy between linguistic and visual codes ………... 25 - 26 3. Lucifer Morningstar: Obedience, authority and nihilism …………………………. 27 3.1 Lucifer’s rejection of authority ………………………..…………………. 27 - 32 3.2 The absence of a theodicy ………………………………………………... 32 - 35 3.3 Carey’s flawed and amoral God ………………………………………….. 35 - 36 3.4 The implications of existential and metaphysical nihilism ……………….. 36 - 41 Conclusion ……………………………………………………………………………. 42 - 46 Appendix ……………………………………………………………………………… 47 Figure 1.1 ……………………………………………………………………… 47 Figure 1.2 ……………………………………………………………………… 48 Figure 1.3 ……………………………………………………………………… 48 Figure 1.4 ………………………………………………………………………. -
DC Comics Jumpchain CYOA
DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe.