Tales of Crazy Scientists
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San Diego Reader
San Diego Reader Photograph courtesy of CA State Parks Barrio Logan Camp Pendleton Cover Stories Escondido Imperial Beach Oceanside Waterfront San Diego’s most polluted areas 1 1 The grimy side of America’s finest. By Thomas Larson, Nov. 19, 2014 Facebook Twitter Google+ MoSrehare Email Story alerts Letter to Editor Pin it Photograph courtesy of CA State Parks Beginning our tour of San Diego’s most befouled spots (air, land, or water), we stop first for three summer holidays — Memorial Day, July Fourth, Labor Day — when local beaches turn from sun havens into trash dumps. When party-hardy masses overrun Mission Beach, west of Belmont Park, they leave behind swaths of crap. There, at dawn, Cathy Ives, in her sandals and sun visor, surveys the carnage. She’s a citizen trash-trawler, she and her little red wagon, holiday or not, scour the beach for the non-biodegradable: styrofoam and booze bottles (though both are banned); plastic water bottles; torn Mylar balloons; boogie boards that crumble into foam beads, becoming bird or fish “food”; fast- food wrappers for sandwiches; cardboard boxes for pizza; and those little packets of hot sauce. (Predacious gulls pick through the piles or hungrily eye human junk-haulers.) Top finds in a year (from Ives’s website): bottle caps (20,000), broken toys (4000), whole toys (2142), 1/2 flip-flops (500), pairs of shoes (397), socks (343), plus T-shirts, cigarette butts (the nicotine and tar they release can be toxic to sea life) underwear, plastic bags, straws, cup lids, lighters, tennis balls, and Frisbees. -
The Transition of Black One-Dimensional Characters from Film to Video Games
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 2016 The ewN Black Face: The rT ansition of Black One- Dimensional Characters from Film to Video Games Kyle A. Harris Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Harris, Kyle A. "The eN w Black Face: The rT ansition of Black One-Dimensional Characters from Film to Video Games." (Spring 2016). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE NEW BLACK FACE: THE TRANSITION OF BLACK ONE-DIMENSIONAL CHARACTERS FROM FILM TO VIDEO GAMES By Kyle A. Harris B.A., Southern Illinois University, 2013 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Science Department of Mass Communications and Media Arts in the Graduate School Southern Illinois University Carbondale May 2016 RESEARCH PAPER APPROVAL THE NEW BLACK FACE: THE TRANSITION OF BLACK ONE-DIMENSIONAL CHARACTERS FROM FILM TO VIDEO GAMES By Kyle A. Harris A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in the field of Professional Media, Media Management Approved by: Dr. William Novotny Lawrence Department of Mass Communications and Media Arts In the Graduate School Southern Illinois University Carbondale -
Mammy Figure
Mammy: A Century of Race, Gender, and Southern Memory Kimberly Wallace-Sanders http://www.press.umich.edu/titleDetailDesc.do?id=170676 The University of Michigan Press INTRODUCTION The “Mammi‹cation” of the Nation: Mammy and the American Imagination Nostalgia is best de‹ned as a yearning for that which we know we have destroyed. —david blight The various incarnations of the mammy ‹gure have had a profound in›uence on American culture. There is virtually no medium that has not paid homage to the mammy in some form or another. In his series “Ameri- can Myths,”for example, artist Andy Warhol included both the mammy and Aunt Jemima, along with Howdy Doody, Uncle Sam, Dracula, and the Wicked Witch of the West (‹gs. 1 and 2).1 In the late 1980s, Italian pho- tographer Olivero Toscani created an advertisement for Benetton featuring a close-up of a white infant nursing at the breast of a headless, dark- skinned black woman wearing a red Shetland sweater (‹g. 3). The adver- tisement was met with unbridled criticism from African Americans, yet it won more advertising awards than any other image in Benetton’s advertis- ing history.2 Today, tourists visiting Lancaster, Kentucky, can tour the for- mer slave plantation of Governor William Owsley, ironically called Pleas- ant Retreat. The restored home features many remnants of the Old South, including a “charming mammy bench,” a combination rocking chair and cradle designed to allow mammies to nurse an infant and rock an additional baby at the same time.3 Diminutive mammy “nipple dolls” made in the 1920s from rubber bottle nipples with tiny white baby dolls cradled in their arms are both a “well-kept secret”and an excellent investment by collectors of southern Americana (‹g. -
Names in Toni Morrison's Novels: Connections
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality or this reproduction is dependent upon the quaUty or the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A. Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml48106·1346 USA 313!761·4700 8001521·0600 .. -------------------- ----- Order Number 9520522 Names in Toni Morrison's novels: Connections Clayton, Jane Burris, Ph.D. The University of North Carolina at Greensboro, 1994 Copyright @1994 by Clayton, Jane Burris. -
The Making of a Racist
2 The Making of a Racist My favorite children’s book when I was growing up was entitled Ezekiel, written by a white Floridian named Elvira Garner. This slender volume was published in New York by Henry Holt and Company in 1937, the year I was born (Canadian distribution was by Oxford University Press). The first story in the book opens this way: “Away down in Sanford, Florida dar lives a lil’ cullerd boy, an’ he names Ezekiel. An’ dis boy he live wid he Pappy an’ he Mammy an’ he Sister Emancipation, an’ he brudder Lil’ Plural an’ Assa- fetida, de baby.” I took endless delight in Ezekiel’s adventures on “de St. John’s Ribber,” as he caught a “big ole cat- fish” in this opening story, un- successfully looked for work on a steamboat (“Lil’ nigger boy, you too small,” the “Cap’n” told him), but, through persistence and politeness, landed a job for “he Pappy” on the self-same vessel, “a- rollin’ an’ a- totin’ an’ a- draggin’ things onto ole freight boat.” This opening chapter, like all of the six stories in the book, is illustrated by the author’s watercolor drawings of stick figures with coal black faces acting out passages in the text, such as Eze- kiel “got lil’ ole fishin’ pole outen de shed,” while “Emancipation went ’long pullin’ de baby in lil’ ole cyart” and “Lil’ Plural toten’ de bait can.” Each chapter— each individual story— also ends with a four- line song, also in dialect, such as this one at the end of chapter 1: 33 the making of a racist Ole ribber run norf, an don’ run souf. -
Juice Cleanses: the Verdict Is In
TRE No 18 ND JUICE CLEANSES: THE VERDICT IS IN A GUIDE TO WEDDING ETIQUETTE IOWA STATE’S 2015 MOST ELIGIBLE BACHELOR MALE ATHLETES STOMP STEREOTYPES YOUR WEEKEND GETAWAY ESSENTIALS T | SPRING '15 2 TABLE OF CONTENTS ON THE COVER HAZY & HUNGRY: THE TRUTH ABOUT JUICE CLEANSES pg. 11 Our Editor in Chief journeys through a 5-day juice cleanse. WEDDING ETIQUETTE pg. 47 From the first dance to the final send-off, apply these tips to become the perfect wedding guest this summer. IOWA STATE’S 2015 MOST ELIGIBLE BACHELOR pg. 67 The votes are in. Meet the 2015 most eligible bachelor and his runner-ups. MALE ATHLETES IN CHARGE pg. 71 A gymnast, cheerleader and dancer stomp stereotypes about their sports. WEEKEND GETAWAY pg. 77 Learn what to trendy essentials and accessories to take and leave on a summer trip while still staying trendy. BEAUTY & BODY FLAWLESS BEAUTY TRENDS: SPRING/SUMMER 2015 pg. 7 Get inspired by our four favorite hair and makeup combinations of the season. THE GEL MANICURE: FRIEND OR FOE? pg. 13 Find out how gel manicures could cause damage your nails. GET TONED AT-HOME pg. 14 Shape up with a 30-minute at-home workout that will leave you feeling confident on the beach. FASHION AWAY WE GO pg. 17 On-Location photo shoot in LOVE ME MARSALA pg. 25 Bring this fall hue into spring by learning how Pantone decides its color of the year. Ames BAG BREAKDOWN pg. 27 Carry your essentials in style with the top five handbags every college woman needs. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
Download Article
Advances in Social Science, Education and Humanities Research, volume 356 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019) A New Exploration of the Combined Treatment of Symptoms and Social Work Psychology in Male Sexual Addiction Patients Chengchung Tsai Minyi Li School of Management School of Social Sciences Putian University University of Macau Putian, China Macau, China Abstract—Post-Orgasmic Illness Syndrome (POIS) was progesterone, low cholesterol, low dehydroepiandrosterone, first discovered by Professor Waldinger and Schweitzerl in low cortisol, high prolactin or hypothyroidism. Some cases 2002. After publishing several papers such as "POIS Records encountered by the author team indicate that when the of Emotional, Psychological and Behavioral Changes in Male mother was pregnant in the early years, she or her family had Patients" and "POIS Patients", "Clinical Observation Records smoking habits. Some mothers had long-term use of of Psychological and Behavioral Changes" and "POIS Male contraceptives or were used to eating animal internal organs. Disease Self-reports and Treatment Methods", in this paper, Even some cases were diagnosed as male gynecomastia. the author will cite the views of Chinese medicine practitioners on the treatment of POIS, and hope to provide more practical treatment methods and references for future research. TABLE I. SEVEN GROUPS OF POIS SYMPTOMS FOUND BY WALDINGER AND OTHER MEDICAL TEAMS Keywords—POIS; male; ejaculation; mental state; disorder; Body parts Various local sensations emotion Behavioral symptoms extreme fatigue, exhaustion, palpitations, forgetting words, being too lazy to talk, incoherent, inattention, irritability, I. INTRODUCTION photophobia, depression The main research objects of this paper are journalists, Flu symptoms fever, cold, hot, sweaty, trembling writers and other text workers, as well as creative designers Head symptoms head dizziness, groggy, confused and heavy who take creativity as the selling point as the research object. -
On Whiteness As Property and Racial Performance As Political Speech
PASSING AND TRESPASSING IN THE ACADEMY: ON WHITENESS AS PROPERTY AND RACIAL PERFORMANCE AS POLITICAL SPEECH Charles R. Lawrence IIl* 1. INTRODUCING OUR GRANDMOTHERS Cheryl Harris begins her canonical piece, Whiteness as Property, by in troducing her grandmother Alma. Fair skinned with straight hair and aquiline features, Alma "passes" so that she can feed herself and her two daughters. Harris speaks of Alma's daily illegal border crossing into this land reserved for whites. After a day's work, Alma returns home each evening, tired and worn, laying aside her mask and reentering herself.! "No longer immediately identifiable as 'Lula's daughter,' Alma could enter the white world, albeit on a false passport, not merely passing, but trespassing. "2 In this powerful metaphorical narrative of borders and trespass, of masking and unmasking, of leaving home and returning to reenter one self, we feel the central truths of Harris's theory. She asserts that white ness and property share the premise and conceptual nucleus of a right to exclude,3 that the rhetorical move from slave and free to black and white was central to the construction of race,4 that property rights include intan gible interests,s that their existence is a matter of legal definition, that the * Professor of Law, William S. Richardson School of Law, University of Hawaii. B.A. 1965, Haverford College; J.D. 1969 Yale Law School. The author thanks the William S. Richardson School of Law, University of Hawaii at Manoa, the UCLA Law School Critical Race Studies Program and the I, Too, am Harvard Blacktavism Conference 2014 where earlier versions of this paper were presented. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
Dr. Lenny Roberts Putting the High Back Into the High Holidays at P'nai
PAGE 24 THE SHUTTLE SEPTEMBER/OCTOBER 2006 Grass-Fed Meat Label dairying.“Many of the same nutritional, Putting the High Back into the High (continued from page 18) environmental, and animal husbandry from grass and forage could qualify for benefits are captured by pasturing organ- Holidays at P’nai Or ic dairy animals,”explains Kastel. But the the grass-fed label. That proposal was by Tobie Hoffman them even more powerful and personally strongly condemned in public comments USDA has let factory farms that primarily This fall, in Summit Church’s Fellowship relevant.“If you have grown past thinking the USDA received from consumers, pro- confine their milking herds in feedlots or Hall, a High Holiday gathering unlike of God as a judgmental King on a throne, ducer groups, nonprofit organizations, small sheds gain a significant and grow- anything you may have ever experienced and are ready for some of the more po- and academics. ing slice of the organic dairy market.“Co- will unfold again, as P’nai Or – the Mt. tent imagery that grows out of the Jewish Adds Kastel: “It’s important for the operatives and their consumer members Airy Jewish renewal congregation whose mystical tradition, P’nai Or will be a re- public to contact the USDA and let the need to continue pressuring the USDA name means “Faces of Light” – offers freshing change for you too,”said Abby agency know that grass-fed means grass- for a strong (organic) pasture rule that High Holiday services of a different stripe Michaleski who came to P’nai Or three fed. -
Goodies Rule – OK?
This preview contains the first part ofChapter 14, covering the year 1976 and part of Appendix A which covers the first few episodes in Series Six of The Goodies THE GOODIES SUPER CHAPS THREE 1976 / SERIES 6 PREVIEW Kaleidoscope Publishing The Goodies: Super Chaps Three will be published on 8 November 2010 CONTENTS Introduction ..........................................................................................................................................................................................................................7 ‘Well – so much for Winchester and Cambridge’ (1940-63) ...............................................................................................9 ‘But they’re not art lovers! They’re Americans!’ (1964-65) .............................................................................................23 ‘It’s a great act! I do all the stuff!’ (1965-66) ...................................................................................................................................31 ‘Give these boys a series’ (1967) .....................................................................................................................................................................49 ‘Our programme’s gonna be on in a minute’ (1968-69)THE .......................................................................................................65 ‘We shall all be stars!’ (1969-70) .....................................................................................................................................................................87