DOCSLIB.ORG

March 2018 Fear & Getaway Registration Jay

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
March 2018 Fear & Getaway Registration Jay www.folkproject.org March 2018 TM A Folk Project Special Event Jay Ungar & Molly Mason Fri., Mar. 23, 2018, 7:30pm • At the Minstrel Tickets $20 in advance/$25 at the door Jay Ungar and Molly Mason complement each other like a finely crafted fiddle and a superbly drawn bow. They bring to the stage a wealth of skill, knowledge, and talent, pouring out hard-driving Appalachian melo- dies, Cajun and Celtic fiddle tunes, Civil War classics, sassy songs from swing and country, stunning waltzes, and moving original compositions. Jay originally wrote “Ashokan Farewell” for the Ashokan Fiddle and Dance Camps, an institution that is still going strong today. The melody became the signature tune of Ken Burns’ Civil War series on PBS and earned Jay an Emmy nomination. The soundtrack won a Grammy. Jay and Molly have appeared on Great Performances and A Prairie Home Companion, as well as their own radio specials and a host of Ken Burns’ PBS documenta- ries. They have performed at the White House for two sitting Presidents, and they continue to delight audiences in concerts across the country. For more information call 908/591-6491 or go to www.folkproject.org and click on Shows>Special Concerts Fear & Getaway Registration You feel the clock ticking in the middle of a dark and barren winter’s night. A cold fear creeps over you like a dark down blanket of despair. Your heart chills and fills with dread. You yearn for respite. Oh, the anguish, the pain, the agony! The guilt! You put off registering for Getaway, and now it's sold out. Argggghhhhh! You blew it. Everybody is happy but Yooooooou! (Fade to black. Suspenseful pause. The sound of happy people strumming in the distance emerges slowly, and a view of sun- light, trees, and happy hippies swells slowly from the emptiness.) It’s not too late! There is hope. But don’t wait. The Folk Project Acoustic Getaway always sells out, but we’re happiest when it’s filled with our old Project friends and new Project members. Check out FolkProject.org and don’t be afraid to register now. Before it’s too late. Getaway is Friday, May 25–27, 2018, Memorial Weekend. It’s three concerts, 40 workshops, 150 guests, and the best damn three-day music party ever. Its ridiculously-low price is $199, and that includes food, lodging, and all activities. Questions? Email [email protected]. QUICK GUIDE TO THE INSIDE Evening o' Music ............................................................................. 2 All New! Acoustic Kids Getaway .................................................... 6 Members’ Gigs (& Friends) ............................................................. 7 Happy Traum Concert & Lecture ................................................... 7 Board Meeting: The Summary .....................................................10 Good o’ the Order .........................................................................11 NOTE: web links in the eNewsletter are now clickable Evening o' Music March 2018 Sat., Mar. 10, 3pm • Nancy and Tim's The Minstrel presented by 79 DeMott Lane, Somerset, NJ • 732/354-0803 Acoustic Concert Series Please note the early 3pm start time! Concerts every Friday at the Morristown Unitarian Fellowship 7:30 start We win! Nancy and Tim have the privilege of hosting the March Evening O' Music! There will be great 21 Normandy Heights Road, Morristown, NJ $10 door musicians as well as non-musicians, all wonderful people who love homemade music. It will be still www.FolkProject.org • 973/335-9489 • [email protected] more wonderful if you come. Please bring food, drinks, snacks, and voices & instruments to share. Directions: Take 287 to Easton Avenue towards New Brunswick. Turn right on DeMott Lane. #79 is on the right, a beige house with a black Fri., Mar. 2: Magpie with Rhonda Schuster mailbox. If you see Dellwood Lane, you have gone a bit too far. Plenty of parking on the street. Partners in life as well as music, Greg Artzner and Terry Leonino are celebrating their 45th year of performing as the duo Magpie. It only follows that their music is instinctively tight. Their vocal harmonies blend perfectly. Their instrumental work on guitar, mandolin, and harmonica is top notch. And their music ranges from ‘30s swing to environmentally and socially active folk music. Rhonda Schuster is a new Folk Project member-musician discovered at our November Open Stage. She sings mostly her own songs with a blues influence and a powerful voice. Fri., Mar. 9: Open Stage ($5 admission Open Stage only) Open Stage is an opportunity for all acoustic musicians to perform on our stage, and for listeners to hear a wide variety of great musicians. In its revised format, it has generated a lot of excitement, and now provides a performance opportunity for all who come to An Invitation play on one of two stages running simultaneously. Admission price is only $5, or free to those under 25 years of age. (Free will donations encouraged.) Musicians wishing to perform should visit www.OpenStage.FolkProject.org. This month’s Featured Artist will be Chrissy Roberts, who appeared at the Folk Project Fall Getaway. Fri., Mar. 16: Split Bill—Geoff Bartley and Cosy Sheridan Two excellent Boston area songwriters Geoff Bartley was one of the brightest stars in the Minstrel’s lineup in its formative years. Geoff’s been hanging around his Cambridge home for the past 15 years, but we’re delighted to see him touring again. He’s an insightful songwriter with an expres- sive baritone voice, an exceptionally clean and tasty guitarist, and one of the best damn harmonica players in the country. The first thing that grabs you about songwriter Cosy Sheridan is her sharp, bubbly, almost manic stage presence. You’re whisked along on a joyful madcap ride from Sharon the myths of ancient Greece to an nuanced approach to long-term financial plan- ning. Her wryly insightful songs have been showcased everywhere from Carnegie Hall to The Dr. Demento Show. She supports this charismatic persona with solid Goldman guitar and strong vocals. She performs with her husband, bass player Charlie Koch. Fri., Mar. 23: Special Concert—An Evening with Jay Ungar & Molly Mason Sunday, March 18, 2018 • 2:00pm Tickets $20 advance/$25 door, no Concert Window webcast for this show Jay Ungar & Molly Mason, the heart and soul of American roots music, will grace House Concert at a Folk Project Member Home in New Providence, NJ The Folk Project’s Stage at The Minstrel for a special evening of music and song. Pot Luck to Follow Jay and Molly are musicians of enormous talent who draw their repertoire and inspiration from a wide range of American musical styles—19th-century classics, Sharon Goldman is a New Jersey-based contemporary singer-songwriter known for her intelligent, lively Appalachian, Cajun, and Celtic fiddle tunes, and favorites from the golden inventive storytelling, catchy melodies and pure, precise vocals. She combines heartfelt portraits and age of country and swing—along with their own songs, fiddle tunes, and orches- memorable lyrics with unforgettable melodies, taking a folk/pop sensibility to new artistic heights. tral compositions. Tickets $20 • Available at www.folkproject.org Fri., Mar. 30: Minstrel CLOSED For more information, email [email protected] or call 908-591-6491. Our show will be preempted by a Morristown Unitarian Fellowship Good Friday/Passover service. The Folk Project is a non-profit 501C3 corporation whose mission is to present high caliber folk music performances, dances and instructional workshops for the public and members; to encourage development of musicianship, performance, storytelling and dance skills in the Northern New Jersey area; and provide UPCOMING: 4/6 Joe Crookston with Emily Mure; 4/13 Open Stage; 4/20 Special Concert—Doolin’ (Irish music, interesting social and learning activities relating to traditional and participatory folk music and dance. French style); 4/27 Máire Ní Chathasaigh & Chris Newman; 5/4 The Heather Pierson Trio; 5/11 Open Stage; Funding for this concert has been made possible in part by funds from Morris Arts through the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts. 5/18 Jim Kweskin; 5/25 CLOSED for Spring Getaway; 6/1 Toby Walker with Quentin Callewaert 2 To volunteer, e-mail [email protected] 3 Mannion’s NJAMP Acoustic Jam: every Thursday, 6pm, Mannion’s, 150 West Main St., Somerville 908/203-9700, www.meetup.com/NJ-Acoustic-Music-in-the-Park All Venues That Fit We Print Morristown Uke Jam: Ukulele playalong and jam, 7pm ,every 1st Wed at Anthony’s Pizza & Pasta, 47 Please use contact information to verify dates and times of shows before you go S Park Pl, Morristown (on the Green in warm weather. Info: www.meetup.com/MorristownUkeJam, Mark 973/978-0751, [email protected] Albert Hall/Sounds of the NJ Pines: Country/bluegrass/folk 7:30 every Saturday. 125 Wells Mills Music on Main Street: Woodbridge Community Center, 600 Main St., Woodbridge, NJ, 7:30pm, Rd. (Route 532), Waretown, NJ, 609/971-1593 or www.AlbertHall.org www.WoodbridgeArtsNJ.org/music-on-main-street.html, 732/596-4048; Sat. 3/3 Aaron Lee Tasjan & Dylan LeBlanc, $22 advance/$25 door, Woodbridge Middle School Theatre, 525 Barron Ave., Birdhouse Center for the Arts: 7 North Main St., Lambertville, NJ, 8pm, concerts, open folk jams, Woodbridge, NJ song circles, $12, www.BirdhouseCenter.org, [email protected], 609/397-3964; Fri. 3/2 Evie Ladin & Keith Terry, $15, workshop at 6pm for $12 (workshop/concert combo $25); Sat. NJ Friends of Clearwater Circle of Song: Eatontown Library, 33 Broad Street (Route 71), Eatontown, 3/24 Blue Wave Ramblers NJ, 2–4pm, audience members can also do a number or two, $3–$7, www.IngridMusic.com, Bluegrass & Old Time Music Assoc. (BOTMA): every 3rd Sun.
Load more

Recommended publications
  • 174Th Historic Preservation Meeting Notes (Pdf)
    6 December 2108 State Board for Historic Preservation Meeting NYS Library Board Room Presentation by William Krattinger ROBINWOOD HISTORIC DISTRICT The Robinwood Historic District consists of 21 mid-century Modern houses erected as the centerpiece of a unified housing development in the mid-1960s in the Town of Ossining, Westchester County, and one preexisting house which was modified in association with the new development. The houses which form this cohesive housing enclave were designed by Harry Wenning, an MIT-trained architect, in collaboration with developer Marcel Robins. For the Robinwood houses, Wenning authored designs which were stylistically contemporary and well-integrated with their immediate site and natural surroundings. Although the various houses within the district feature relatively uniform setbacks from the road, their relationship to the physical traits of their individual parcels, and not their relationship to other adjacent houses, was the critical factor in the manner in which they were oriented. Many of the houses are elevated above the level of the roadway and feature consistent landscape elements such as grassy lawns, mature deciduous and coniferous trees, and ornamental plantings. Wenning’s Robinwood designs, characterized by their straightforward geometric massing, post-and-beam construction and large window expanses, maximized the interaction between house and landscape, one of their foremost and most enduring qualities. These houses incorporated features necessary for efficient and economical construction
    [Show full text]
  • American Road Trip
    Quapaw Quartet Presents American Road Trip New York City, New York (George Gershwin) Washington D.C. (John Philip Sousa) Nashville, Tennessee (Jay Ungar and Molly Mason) Texarkana, Arkansas (Scott Joplin) Los Angeles/ Hollywood, California (Carl Stalling) George Gershwin George Gershwin was one of the most significant American composers of the 20th century, known for popular stage and screen music as well as classical compositions. He was born Jacob Gershowitz on September 26, 1898, in Brooklyn, New York. The son of Russian-Jewish immigrants, George began to play piano at age eleven. His teacher, Charles Hambitzer wrote, “I have a new pupil who will make his mark if anybody will.” Beginning at age fifteen, Gershwin played in several New York nightclubs and as a ‘song plugger’ for one of Tin Pan Alley’s music publishers. After three years of doing this, he had become a highly skilled composer. To earn extra cash, he also worked as a rehearsal pianist for Broadway singers. In 1916, he composed his first published song. Gershwin wrote numerous songs for stage and screen that quickly became standards, including “Oh, Lady Be Good!” “Someone to Watch over Me,” “Strike Up the Band,” “Embraceable You” and “Let’s Call the Whole Thing Off.” [Listen to them on YouTube.] In 1925, he composed “Rhapsody in Blue” for piano and orchestra, which became his most often-performed work. Ten years later, his most ambitious composition, “Porgy and Bess” was staged. Gershwin called it his “folk opera” and it is considered to be among the most important American musical dramas of the 20th century.
    [Show full text]
  • From the Emerald Lands of Mist and Myth Comes the Music of Celtic Traditions
    From the emerald lands of mist and myth comes the music of Celtic traditions. Maestro Wes Kenney and the Fort Collins Symphony invite you to enjoy the virtual on-demand concert Celtic Fantasy. Featuring a variety of traditional and contemporary Celtic music for strings, winds, piano, and percussion this concert will highlight the broad symphonic traditions of Ireland, Scotland, Wales, Cornwall, Brittany, and Galicia. A wealth of Celtic folk songs, jigs, reels, hornpipes, and airs emigrated to Appalachia where this unique genre has influenced American music for more than 300 years. This concert includes: Joan Trimble’sIrish Suite for Strings, Jay Ungar’s Ashokan Farewell (from Ken Burn’s award-winning documentary The Civil War), Gaelic Storm’s An Irish Party in Third Class (from the movie Titanic), Jennifer Barker’s Suilean a’Chloinne (Children’s Eyes), Arthur Duff’s Irish Suite for Strings, Victor Herbert’s Yesterthoughts, and Gwyneth Walker’s Light of Three Mornings. Finally, Herbert’s Punchinello, while not exactly Celtic, is a chipper and cheerful concert bonus (think mischief- making leprechauns!). The Fort Collins Symphony Association is deeply grateful to our Friends of the Symphony whose financial support helped make it possible for us to present the Celtic Fantasy concert. With appreciation, we acknowledge the following FoS donors: Oren & Jennifer Anderson . Karel Applebee . Kathleen Batterton . David & Alison Dennis Fund* . Paul & Katherine Dudzinski Fund* Kay & Larry Edwards . K. Dawn & David Grapes . Howard & Phyllis Hay . Charlene & David Jones in honor of David & Alison Dennis Mary & Paul Kopco . Barbara & Albert Leung . Kathleen McKeown & Gary Betow . Robert C. Michael . Sharyn & Larry Salmen in memory of Jerry Applebee & Leabelle Schwartz .
    [Show full text]
  • Civil War to Civil Rights Commemoration
    National Park Service U.S Department of the Interior Washington Support Office: Cultural Resources, Partnerships and Science Interpretation, Education and Volunteers Civil War to Civil Rights Commemoration Summary Report DEDICATION This report honors all those who suffered and died in this nation’s struggles for freedom and equality. It is also dedicated to our colleague, Tim Sinclair, who was taken from us too soon. Timothy D. Sinclair, Sr. (1974-2016) Chief of Interpretation Selma to Montgomery NHT Tuskegee Airmen NHS and Tuskegee Institute NHS You took us on a walk from Selma to Montgomery. To keep your vision and memory alive, “We’re still marching!” Silent sentinels stood watch for 22 hours to commemorate the 22 hours of combat that took place at Spotsylvania’s Bloody Angle. FREDERICKSBURG AND SPOTSYLVANIA NMP Cover Graphic: Courtesy of Chris Barr FOREWORD The Civil War to Civil Rights Commemoration has been quite a journey. Thanks to all of you who helped make it a meaningful and memorable one for our country. We hope our efforts have helped Americans understand the connection between these two epic periods of time as a continuous march toward freedom and equality for all–a march that continues still today. Along the way, perhaps the National Park Service learned something about itself, as well. When we first began planning for this commemorative journey, there were several Civil War parks that had difficultly acknowledging slavery as the cause of the war. Both Civil War sites and civil rights sites questioned whether a combined “Civil War to Civil Rights” Commemoration would water down and weaken each.
    [Show full text]
  • Shelly Wright, on Behalf of Vincent Cozzolino, Chair of the Study Group
    To: Members of the College Council From: Shelly Wright, on behalf of Vincent Cozzolino, chair of the Study Group on Alternate Names for the Hasbrouck Building Complex Re: Recommendations of the Study Group on Alternate Names for the Hasbrouck Building Complex (finalized on February 4, 2019) Date: February 14, 2019 The Study Group on Alternate Names for the Hasbrouck Building Complex was created on November 15, 2018 and included the following individuals: a. N’della Seque, Student Association President and College Council member b. Vincent Cozzolino, alumnus and College Council member (chair) c. Ron Law, alumnus and College Council member. Ron also served on the Diversity & Inclusion Council during the Hasbrouck Naming Dialogue last year. d. Anne Balant, non-voting (ex-officio) faculty representative on the College Council and Presiding Officer of the Faculty e. Robin Cohen LaValle, non-voting (ex-officio) alumni representative on the College Council and Dean of Students f. Reynolds Scott Childress, co-chair of the Diversity & Inclusion Council, History Professor g. Veronica Claypool Butler, community member and daughter-in-law of Marjorie Butler, founder of the SUNY New Paltz Black Studies Department h. Michele Tejada, President of the Latin American Student Union i. Shelly Wright, VP for Communication and Chief of Staff, President’s Office j. Lucy Walker, Assistant Vice President for Institutional Research Charge of the Study Group: The Study Group was charged by Interim Chair of the SUNY New Paltz College Council, Eli Basch, and SUNY New Paltz President, Donald Christian, with soliciting replacement names for the Hasbrouck Complex Buildings via a campuswide electronic survey.
    [Show full text]
  • 2018 CLEARWATER FESTIVAL 1 Letter from the DIRECTOR
    “ ON EARTH cares for your trees and creates naturalized landscapes with attention to detail, deep knowledge, and sound experience.” – Steven A. Knapp ISA & Connecticut Certified Arborist & Forester; Certified Pesticide Applicator NYS DEC, #C3809834 & CT DEP, #62871; Certified Ornamental Horticulture, Forestry and Plant Science Teacher PROPERTY DESIGN & INSTALLATION: stone patios, steps large tree planting walkways, retaining walls vegetable, berry, herb gardens outdoor entertainment areas arbors, pergolas, firepits rustic outdoor furniture milled with portable sawmill To get started, call, email from your trees or text us for a TREES & SHRUBS: complimentary estimate! pruning, trimming, shaping take downs, emergency work cabling, bracing tel: 845-621-2227 planting, transplanting cel/txt: 914-490-3134 stump grinding, removal [email protected] lot clearing, mulching, firewood plant health care www.onearthplantcare.com Greg Lawler Greg TABLE OF CONTENTS 2 Letter From the Director 15 Handcrafters’ Village 34 Food Vendors About Clearwater Green Living Expo 3 18 36 Field & River Activities 4 Raffles 20 Volunteer 38 Zero Waste 5 Membership Village 22 Children’s Area 42 Stage Schedules 6 Sloop Clearwater 24 Artisanal Food & Farm Market Festival Performers 7 Letter from the 46 Board President 26 The Clearwater Store 56 Patron Fish 8 Education 27 Marketplace 58 Sloop Clubs 10 Environmental Action 28 Access 60 Who’s Who 12 Climate Solutions 30 Activist Area 13 Working Waterfront 32 Map 62 Behind the Scenes 2018 CLEARWATER FESTIVAL 1 Letter from the DIRECTOR over for me when I step down. She sang act locally.” Please consider talking with “The Water is Wide” at Circle of Song last your family and friends about what you year.
    [Show full text]
  • Ashokan Center Article from the New York Times [Pdf]
    Catskill Cultural Center Saved, and Renewed, Thanks to a Fiddler’s Tune By Dennis Gaffney The New York Times Published: May 12, 2013 Photo: Nathaniel Brooks for The New York Times OLIVEBRIDGE, N.Y. — On a spring Sunday in the Catskill Mountains, Jay Ungar, a fiddler wearing a black vest and hiking boots, and his wife, Molly Mason, playing guitar, stood on a stage in a barnlike performance hall that did not exist a year ago. “Can you stand to hear this tune one more time?” he asked the audience. Those gathered knew the tune — and the answer. With a quilt behind them on a wall wainscoted with locally cut pine, Mr. Ungar closed his eyes and pulled his bow to sound the three ascending notes — an A, a C-sharp and a D — that have moved him since the day he wrote them. The tune is “Ashokan Farewell,” the bittersweet lament familiar to millions as the theme song that the filmmaker Ken used for the emotional crescendos of his Civil War series. But most do not know that Mr. Ungar’s moving hymn helped save the Catskill place that inspired the song, resulting in the Ashokan Center, a $7.25 million campus here dedicated to traditional music, Catskill history, environmental education, and local arts and crafts. “The tune was born in this place and opened up opportunities,” Mr. Ungar said. “And I feel the duty to give back, and that’s what we’re doing here.” This recent event, held as a thank-you to all who supported the campus’s creation, was a preview of what the 374- acre center will provide: hikes along the 350-million-year-old Cathedral Gorge; an art show called “Catskill Water- scapes”; and a few impromptu performances by Mr.
    [Show full text]
  • Program Notes & Poster Design Engineer Palo Alto, CA Ian Morneau (Baritone) - Music Instrument Sales & Repair Dance
    Foothill Symphonic Winds David Bruce Adams, Director Piccolo: Bassoon: Foothill Norma Ford* - Household Engineer Chelsea Byom - Communications Mgr. Jennifer Co - Lawyer Peter Neumann - Computer Scientist Symphonic Flute: French Horn: Jennifer Co* - Lawyer Scott Dickerman* - Teacher Andrea Contreras - Sales Leader Chandler Baldwin - Retired Engineer Winds Norma Ford - Household Engineer Becky Bell - Pharmacist David Bruce Adams Raechel Harnoto - Biologist Kristina Granlund-Moyer - Teacher Director Ann Hepenstal - Program Manager Natalie Ives-Drouillard - Retired presents Julie McAfee - Speech Pathologist Alice Morneau - Music Store Manager Judy Quinn - Program Manager Trumpet and Cornet: Alto Flute: Tim Swensen* - Electrical Engineer Judy Quinn - Program Manager Scott Beeler - Aerospace Engineer Oboe: Paul Clement - Factory Worker Kim Hill* - Clinical Lab Scientist Paul Dhuse - QA Engineer Dianne Alexander - Mom Paul Hubel - Optical Engineer Alexandra Jiang - Software Engineer Steve Kitzerow - Draftsman Mari Masuda - Technical Writer English Horn: Fred Munic - Engineer Kim Hill - Clinical Lab Scientist Natalie Weires - Software Engineer E-flat Clarinet: Terry Yamaguchi - Engineer Roy Stehle 2 - Electronics Program Mgr. Trombone: B-flat Clarinet: Kyle Adler* - Marketing Manager David Huber* - Research Engineer John Brenneise - Software Developer Brian Becker - Engineer Pat Chow - Structural Engineer Arnar Birgisson - Security SW Engineer Kelly O’Brien - Software Architect Alicia Breen - Engineer Bass Trombone: Susan Byrne - Nurse Bruce
    [Show full text]
  • Bobbies Summer Series
    Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Bobbie’s Summer Series Four Evenings of Entertaining Performers Ranging From Folk Rock To Fiddle Tunes Susan Werner Diverse Songs and Charming Performance Michael Fabrizio Mixture of Americana and Folk Rock Mike Wartella Broadway Favorites Reimagined And Original Folk/Rock Music Jay Ungar & Molly Mason Original Fiddle Tunes and Favorites From The Golden Age of Country Click Here To Download Press Photos Pittsfield, MA - Bobbie’s Summer Series returns this summer with concerts just outside the beautiful Unicorn Theatre patio (6 East Street) at BTG’s Stockbridge Campus. A collection of talented musicians will entertain with a variety of genres ranging from folk-rock to fiddle tunes to country and more. Patrons are encouraged to bring a lawn chair or blanket for use on the grass. The grounds will open at 6pm and the performances will begin at 7pm. Tickets are $30 for adults and $20 for children 16 and under and BTG is offering a 25% discount for all healthcare workers. Food/beverage provided by KJ Nosh is an additional $20 per person and will be available for purchase in advance and on site. Bobbie’s Summer Series is generously sponsored by Bobbie Hallig. Tickets can be purchased online at www.BerkshireTheatreGroup.org or by calling (413) 997-4444. Ticket office hours are every day from 12pm–5pm, or on any performance day from 12pm until curtain.
    [Show full text]
  • Waitin' for the Waitin' for the Dawn of Peace Dawn of Peace
    Waitin’ for the Dawn of Peace February 28 & March 1, 2009 Concert Order L’Hommé Armé 15 th century tune Kyrie I, Agnus Dei III from Missa L’Homme Armé Guillaume Dufay (1397-1474) La Guerre Clement Janequin (c.1485-1560) Verleih uns Frieden Heinrich Schütz (1585-1672) The Harmonium Chamber Singers Oseh Shalom Nurit Hirsh arr. Elaine Ginsberg Conducted by Jeffrey Eames, conducting intern When David Heard Leslie Adler Norman Dinerstein (1937-1982) Workin’ for the Dawn of Peace arr. Ron Jeffers (b. 1943) Shiloh Julia Preseau, Emily Wolper Jeffrey Van (b. 1941) Ashokan Farewell Connor Leszczuk, fiddle Jay Ungar (b. 1946) The Vacant Chair Joan O’Donnell George F. Root (1820-1895) Charles Bumcrot, trumpet, Joan Tracy, piano arr. Ben Allaway (b. 1958) INTERMISSION Mass in D minor (“Lord Nelson”) Franz Joseph Haydn (1732-1809) Kyrie Ellie Escher, soprano Marilyn Kitchell, Beth Shirley, Adam Aguanno, Murray Spiegel; quartet Gloria Kiera Casper, Laura Kosmich, Matthew Shurts, Marty Sedek Qui Tollis Mark Hewitt, Kiera Casper Quoniam Kiera Casper, Laura Kosmich, Matthew Shurts, Marty Sedek Credo Et incarnatus Heather Baxter, Beth Shirley, Rob Morse, John Lamb Et vitam Ellie Escher Sanctus Osanna Benedictus Marilyn Kitchell, Laura Kosmich, Matt Shurts, Ben Shroeder Osanna Agnus Dei Julia Preseau, Beth Shirley, Joe Keefe, John Lamb Orchestra Violin I: Ruth Zumstein, Nancy Lederer, Eric Schaberg Violin II: Rebecca Harris, Victoria Stewart, Connor Leszczuk Viola: Marcia Hanjian, Mary Babiarz Cello: Jaqui Stern, Marnie Kaller Bass: Dennis Masuzzo Trumpets: Charles Bumcrot, Jerry Bryant, Douglas Haislip Timpani: Jim Thoma Organ: Joseph Arndt Waitin’ for the Dawn of Peace Concert Order Throughout human history musicians, poets and artists have tried to give voice to the cost of war.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1993, Tanglewood
    Tanglewopd Thursday, August 5, at 8:30 THOMAS HAMPSON, baritone CRAIG RUTENBERG, piano JAY UNGAR TRIO Jay Ungar, violin, mandolin Molly Mason, guitar, bass, vocal harmony David Alpher, piano AN EVENING OF AMERICAN SONG Song Texts ? -Ui-''- ^B^x' ''V. V t The audience is politely requested to withhold applause until '" 9l^^ ^ after each group of songs. ^Bi* ti/'^t *>\ ^jy ^B(f ' »' ' Richard Cory Whenever Richard Cory went down town, We people on the pavement looked at him: He was a gentleman from sole to crown. Clean favored and imperially slim. And he was always quietly arrayed. And he was always human when he talked; But still he fluttered pulses when he said, "Good morning,' And he glittered when he walked. And he ws rich, yes richer than a king. And admirably schooled in every grace: In fine, we thought that he was everything ^ To make us wish we were in his place. So on we worked, and waited for the light. And went without the meat and cursed the bread; And Richard Cory one calm summer night, Went home and put a bullet through his head. —Edwin Arlington Robinson Miniver Cheevy Miniver Cheevy, child of scorn. Grew lean when he assailed the seasons; He wept that he was ever born. And he had reasons. Miniver loved the days of old When swords were bright and steeds were prancing; The vision of a warrior bold Would set him dancing. Please turn the page quietly. — — —— Miniver sighed for what was not, And dreamed, and rested from his labors; He dreamed of Thebes and Camelot, And Priam's neighbors.
    [Show full text]
  • Clearwater's 2011 Annual Report
    INSPIRE EDUCATE ACTIVATE 2011 ANNUAL REPORT Hudson River Sloop Clearwater, Inc. 724 Wolcott Avenue, Beacon, NY 12508 P: 845-265-8080 | F: 845-831-2821 [email protected] | www.clearwater.org 2011 CLEARWATER ANNUAL REPORT is published by Hudson River Sloop Clearwater, Inc. To receive a copy, please visit www.clearwater.org. All rights reserved. No part of this publication can be published without permission. Cover Photo Credits: Clearwater Staff Designer: Raven + Crow Studio, ravenandcrowstudio.com 3 CLEARWATER.ORG Inspiring, educating, and activating the next generation of environmental leaders. 1 TABLE OF A Letter from Clearwater’s Chairman of the Board and Executive Director Our Mission Where We Work Inspire Educate Sail Program Statistics Activate 2011 Financials Giving Contributors The Seeger Society Memorials and In Honor Of Gifts in Kind Matching Gifts Vs olunteer Clearwater’s Great Hudson River Revival Performers Board of Directors Staff “If you want people to care about the river, you have to teach them about the river.” – Pete Seeger Hudson RiveR sloop CleaRwateR, inC. • 2011 annual RepoRt 2 Dear Friends, In 2011, Clearwater saw many beautiful sunrises and sunsets and the positive mile- stones that we reached are due to the continued support of people just like you! This past year, Clearwater’s education programs served almost 20,000 kids from New York City to Albany, making certain that Pete Seeger’s legacy continues on into the future. In February, a few of our youth were invited to the White House by President Obama’s staff to the America’s Great Outdoors Initiative (AGOI) Launch Cer- emony and were able to spend some time with Department of the Interior Secre- tary Ken Salazar.
    [Show full text]