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174Th Historic Preservation Meeting Notes (Pdf)
6 December 2108 State Board for Historic Preservation Meeting NYS Library Board Room Presentation by William Krattinger ROBINWOOD HISTORIC DISTRICT The Robinwood Historic District consists of 21 mid-century Modern houses erected as the centerpiece of a unified housing development in the mid-1960s in the Town of Ossining, Westchester County, and one preexisting house which was modified in association with the new development. The houses which form this cohesive housing enclave were designed by Harry Wenning, an MIT-trained architect, in collaboration with developer Marcel Robins. For the Robinwood houses, Wenning authored designs which were stylistically contemporary and well-integrated with their immediate site and natural surroundings. Although the various houses within the district feature relatively uniform setbacks from the road, their relationship to the physical traits of their individual parcels, and not their relationship to other adjacent houses, was the critical factor in the manner in which they were oriented. Many of the houses are elevated above the level of the roadway and feature consistent landscape elements such as grassy lawns, mature deciduous and coniferous trees, and ornamental plantings. Wenning’s Robinwood designs, characterized by their straightforward geometric massing, post-and-beam construction and large window expanses, maximized the interaction between house and landscape, one of their foremost and most enduring qualities. These houses incorporated features necessary for efficient and economical construction -
Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001
http://oac.cdlib.org/findaid/ark:/13030/c8nc66v5 No online items Guide to the Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001 Ann Galvan Historic Collections, J. Paul Leonard Library 2018 1630 Holloway Ave San Francisco, California 94132-1722 URL: http://library.sfsu.edu/historic-collections asc.2018.001 1 Contributing Institution: Historic Collections, J. Paul Leonard Library Title: Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection Source: Rue, Thomas Bentley, 1937-2016 Accession number: asc.2018.001 Extent: 18 Cubic Feet (17 boxes, 1 oversize box) Date (inclusive): 1938-1956 Abstract: The Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection features comics and adventure strips ranging from the 1930s to the 1950s. Language of Material: English Conditions Governing Access Collection is open for research. Preferred Citation [Title], Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Archive, Historic Collections, J. Paul Leonard Library. Separated Materials A number of comic book reprints and compilations have been added to the J. Paul Leonard Library's general collection. A collection of Big Little Books are housed in Historic Collections within Special Collections. Immediate Source of Acquisition Gift of Virginia D.H. Rue In Memory of Thomas Bentley Rue, Accession number 2018/001. Conditions Governing Use Copyrighted. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
July 26, 2013 Bugs Bunny and the NSO Come to Wolf Trap
July 26, 2013 Bugs Bunny and the NSO come to Wolf Trap By Roger Catlin For a generation of Americans, the earliest love of classical music came not through shared family symphony experiences or early childhood music appreciation classes, but through mayhem-laced TV cartoons, often involving a bunny in drag. Walt Disney may have taken the high road to classical music interpretation through some early Silly Symphony cartoons and “Fantasia” (which in its first run was a flop). But it was Warner Bros. and particularly the animators behind Bugs Bunny who may have been the most successful in drumming key classical passages into the heads of impressionable audiences when the studio’s theatrical cartoons of the 1940s and ’50s were incessantly replayed on TV in the ’60s. Warner Bros. - Still image from the 1950's Merrie Melodies short, “What's Opera, Doc?” Even today, the most serious gray-haired music lover, sitting in the world’s most august concert halls, may be listening to the timeless refrains of Rossini or Wagner only to have the phrase “Kill the Wabbit!” come to mind. Conductor George Daugherty has embraced this meld of classical knowledge and pop-culture conditioning and celebrates it in his “Bugs Bunny at the Symphony.” Its first tour, in 1990, was such a success that it spawned, as most successes in Hollywood do, a sequel. “Bugs Bunny at the Symphony II” comes to Wolf Trap on Thursday and Friday, with Daugherty conducting the National Symphony Orchestra. In its honor, we pause to hail the greatest uses of classical music by Warner Bros. -
America Animated: Nationalist Ideology in Warner
AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Except where reference is made to the work of others, the work described in this thesis is my own or was done in collaboration with my advisory committee. This thesis does not include proprietary or classified information. ___________________________ Megan Elizabeth Rector Certificate of Approval: ____________________________ ____________________________ Susan Brinson Kristen Hoerl, Chair Professor Assistant Professor Communication and Journalism Communication and Journalism _________________________ ____________________________ George Plasketes George T. Flowers Professor Dean Communication and Journalism Graduate School AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Megan Elizabeth Rector A Thesis Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Master of the Arts Auburn, Alabama December 19, 2008 AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Megan Elizabeth Rector Permission is granted to Auburn University to make copies of this thesis at its discretion, upon request of individuals or institutions at their expense. The author reserves all publication rights. _____________________________ Signature of Author _____________________________ Date of Graduation iii VITA Megan Elizabeth Rector, daughter of Timothy Lawrence Rector and Susan Andrea Rector, was born June 6, 1984, in Jacksonville, Florida. She graduated from Lewis-Palmer High School with distinction -
Precious Metals Catalogue Looney Tunes
Precious Metals Catalogue Looney Tunes Precious Metals Catalogue — Looney Tunes Contents 1.1 Looney Tunes — Merrie Melodies .............................................................. 3 1.2 Looney Tunes — 4 Coin Set ..................................................................... 4 1.3 Looney Tunes — Gold Coin and Watch — Bugs Bunny and Friends ........................ 5 1.4 Looney Tunes — Tweety Bird .................................................................. 6 CONFIDENTIAL | http://www.cibc.com/preciousmetals Precious Metals Catalogue — Looney Tunes 3 Looney Tunes 1.1 Looney Tunes — Merrie Melodies Front Side: Description Faithfully rendered in rich detail, the characters are seen emerging from the circular opening towards the viewer. Bugs Bunny stands in the centre in a true entertainer’s pose, while below him sits the Tasmanian Devil. Peering over Bugs’ shoulder is the amorous skunk, Pepé Le Pew and Pussyfoot. Also appearing over Bugs’ shoulder is Daffy Duck and Sylvester, both bearing wide smiles. Last but not least is Tweety. Back Side: Specifications Approximate: No. 144947 Mintage 12,500 Composition: 99.9% Pure Silver Finish: Proof Weight (g): 31.39 Diameter (mm): 38 Edge: Serrated Certificate: Serialized Face Value: 20 Dollars Artist: Warner Bros. (reverse), Susanna Blunt (obverse) CONFIDENTIAL | http://www.cibc.com/preciousmetals Precious Metals Catalogue — Looney Tunes 4 1.2 Looney Tunes — 4 Coin Set Front Side: Description From 1942 until the late 1960s, Looney Tunes were the most popular animated shorts to be shown in film theatres. But as the golden era wound down, television would be the one to keep the laughs going by introducing the characters and their (mis)adventures to new generations. In keeping with the playful nature of Looney Tunes, each coin features a hidden surprise element—look closely. -
Bugs Bunny Stamps Now Available Nationwide Forever Stamps Celebrate ‘Wascally Wabbit’ Who Has Gleefully Foiled Foes and Delighted Cartoon Audiences for 80 Years
FOR IMMEDIATE RELEASE Contact: Mauresa R. Pittman July 27, 2020 (O) 202-268-2220 [email protected] usps.com/news Bugs Bunny Stamps Now Available Nationwide Forever Stamps Celebrate ‘Wascally Wabbit’ who has gleefully foiled foes and delighted cartoon audiences for 80 years. WASHINGTON, DC — The U.S. Postal Service issued the Bugs Bunny commemorative Forever stamps today, the character’s 80th birthday. The Bugs Bunny stamps were dedicated in a virtual ceremony and are now being sold at Post Office locations nationwide and online at usps.com/bugsbunny80. “It’s a special privilege to celebrate the 80th anniversary of one of the most popular and iconic characters in history”, said dedicating official Kristin Seaver, chief information officer and executive vice president, U.S. Postal Service. “Bugs is both timeless and timely, a quick-change artist who can get out of a jam, win any battle, through his wits and clever disguises. He simply summons up whatever talent, costume or personality is needed to escape every perilous situation.” Seaver was joined for the ceremony by Pete Browngardt, executive producer of “Looney Tunes Cartoons,” and Alex Kirwan, supervising producer of “Looney Tunes Cartoons.” The virtual stamp event can be viewed on the Postal Service’s Facebook and Twitter pages. The stamp artwork was developed in partnership with Warner Bros. Consumer Products, featuring work from Warner Bros. Animation artists. The stamps show iconic moments of Bugs Bunny’s career. The Warner Bros. Animation artists also created the sketches on the back of the stamp pane. Greg Breeding was the designer, and William J. -
Guide to the Mahan Collection of American Humor and Cartoon Art, 1838-2017
Guide to the Mahan collection of American humor and cartoon art, 1838-2017 Descriptive Summary Title : Mahan collection of American humor and cartoon art Creator: Mahan, Charles S. (1938 -) Dates : 1838-2005 ID Number : M49 Size: 72 Boxes Language(s): English Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Mahan, Charles S., 1938 - Acquisition Information: Donation. Access Conditions: None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/for more information. Preferred Citation: Mahan Collection of American Humor and Cartoon Art, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Biographical Note Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002). University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. University of South Florida Library Links, 10(3), 2-3. Scope Note In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. -
From the Emerald Lands of Mist and Myth Comes the Music of Celtic Traditions
From the emerald lands of mist and myth comes the music of Celtic traditions. Maestro Wes Kenney and the Fort Collins Symphony invite you to enjoy the virtual on-demand concert Celtic Fantasy. Featuring a variety of traditional and contemporary Celtic music for strings, winds, piano, and percussion this concert will highlight the broad symphonic traditions of Ireland, Scotland, Wales, Cornwall, Brittany, and Galicia. A wealth of Celtic folk songs, jigs, reels, hornpipes, and airs emigrated to Appalachia where this unique genre has influenced American music for more than 300 years. This concert includes: Joan Trimble’sIrish Suite for Strings, Jay Ungar’s Ashokan Farewell (from Ken Burn’s award-winning documentary The Civil War), Gaelic Storm’s An Irish Party in Third Class (from the movie Titanic), Jennifer Barker’s Suilean a’Chloinne (Children’s Eyes), Arthur Duff’s Irish Suite for Strings, Victor Herbert’s Yesterthoughts, and Gwyneth Walker’s Light of Three Mornings. Finally, Herbert’s Punchinello, while not exactly Celtic, is a chipper and cheerful concert bonus (think mischief- making leprechauns!). The Fort Collins Symphony Association is deeply grateful to our Friends of the Symphony whose financial support helped make it possible for us to present the Celtic Fantasy concert. With appreciation, we acknowledge the following FoS donors: Oren & Jennifer Anderson . Karel Applebee . Kathleen Batterton . David & Alison Dennis Fund* . Paul & Katherine Dudzinski Fund* Kay & Larry Edwards . K. Dawn & David Grapes . Howard & Phyllis Hay . Charlene & David Jones in honor of David & Alison Dennis Mary & Paul Kopco . Barbara & Albert Leung . Kathleen McKeown & Gary Betow . Robert C. Michael . Sharyn & Larry Salmen in memory of Jerry Applebee & Leabelle Schwartz . -
Civil War to Civil Rights Commemoration
National Park Service U.S Department of the Interior Washington Support Office: Cultural Resources, Partnerships and Science Interpretation, Education and Volunteers Civil War to Civil Rights Commemoration Summary Report DEDICATION This report honors all those who suffered and died in this nation’s struggles for freedom and equality. It is also dedicated to our colleague, Tim Sinclair, who was taken from us too soon. Timothy D. Sinclair, Sr. (1974-2016) Chief of Interpretation Selma to Montgomery NHT Tuskegee Airmen NHS and Tuskegee Institute NHS You took us on a walk from Selma to Montgomery. To keep your vision and memory alive, “We’re still marching!” Silent sentinels stood watch for 22 hours to commemorate the 22 hours of combat that took place at Spotsylvania’s Bloody Angle. FREDERICKSBURG AND SPOTSYLVANIA NMP Cover Graphic: Courtesy of Chris Barr FOREWORD The Civil War to Civil Rights Commemoration has been quite a journey. Thanks to all of you who helped make it a meaningful and memorable one for our country. We hope our efforts have helped Americans understand the connection between these two epic periods of time as a continuous march toward freedom and equality for all–a march that continues still today. Along the way, perhaps the National Park Service learned something about itself, as well. When we first began planning for this commemorative journey, there were several Civil War parks that had difficultly acknowledging slavery as the cause of the war. Both Civil War sites and civil rights sites questioned whether a combined “Civil War to Civil Rights” Commemoration would water down and weaken each. -
Animated Television: the Narrative Cartoon” Was Originally Published in the Third Edition of Jeremy G
“Animated Television: The Narrative Cartoon” was originally published in the third edition of Jeremy G. Butler, Television: Critical Methods and Applications (Mahwah, NJ: Erlbaum, 2007), 325-361. It was not included in subsequent editions of Television and consequently it was placed online, although not in the public domain. All © copyrights are still reserved. If citing this chapter, please use the original publication information (above). Questions? Contact Jeremy Butler at [email protected] or via TVCrit.com. ch11_8050_Butler_LEA 8/11/06 8:46 PM Page 325 CHAPTER 11 Animated Television: The Narrative Cartoon Beginnings The Aesthetics of the 1930s Sound Cartoon: Disney’s Domination UPA Abstraction: The Challenge to Disney Naturalism Television’s Arrival: Economic Realignment TV Cartooning Since the 1980s Summary edition FurtherTELEVISION Readings 3rd nimation has had a rather erratic presence on television. A A mainstay of Saturday morning children’s programming, small snippets of it appear regularly in commercials,TVCrit.com credit sequences, music videos, news and sports, but there have been long stretches when there were no prime-time cartoon shows. After The Flintstones ended its original run in 1966 there wasn’t another successful prime-time show until 23 years later, when The Simpsons debuted. Since 1989 there has been something of a Renaissance in television animation. Numerous prime-time cartoon pro- grams have appeared and at least three cable channels have arisen that fea- ture cartoons—the Cartoon Network, Nickleodeon, and Toon Disney. And, of course, cartoons continue to dominate the TV ghettos of Saturday morn- ing and weekday afternoons. Although numerous new animated programs are now being created, many of the cartoons regularly telecast today were produced fifty, sixty, or even seventy years ago. -
Shelly Wright, on Behalf of Vincent Cozzolino, Chair of the Study Group
To: Members of the College Council From: Shelly Wright, on behalf of Vincent Cozzolino, chair of the Study Group on Alternate Names for the Hasbrouck Building Complex Re: Recommendations of the Study Group on Alternate Names for the Hasbrouck Building Complex (finalized on February 4, 2019) Date: February 14, 2019 The Study Group on Alternate Names for the Hasbrouck Building Complex was created on November 15, 2018 and included the following individuals: a. N’della Seque, Student Association President and College Council member b. Vincent Cozzolino, alumnus and College Council member (chair) c. Ron Law, alumnus and College Council member. Ron also served on the Diversity & Inclusion Council during the Hasbrouck Naming Dialogue last year. d. Anne Balant, non-voting (ex-officio) faculty representative on the College Council and Presiding Officer of the Faculty e. Robin Cohen LaValle, non-voting (ex-officio) alumni representative on the College Council and Dean of Students f. Reynolds Scott Childress, co-chair of the Diversity & Inclusion Council, History Professor g. Veronica Claypool Butler, community member and daughter-in-law of Marjorie Butler, founder of the SUNY New Paltz Black Studies Department h. Michele Tejada, President of the Latin American Student Union i. Shelly Wright, VP for Communication and Chief of Staff, President’s Office j. Lucy Walker, Assistant Vice President for Institutional Research Charge of the Study Group: The Study Group was charged by Interim Chair of the SUNY New Paltz College Council, Eli Basch, and SUNY New Paltz President, Donald Christian, with soliciting replacement names for the Hasbrouck Complex Buildings via a campuswide electronic survey.