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CONGRESSIONAL RECORD— Extensions of Remarks E1492 HON. DENNIS J. KUCINICH HON. DALE E. KILDEE HON. ROBERT HURT HON. DENNIS J
E1492 CONGRESSIONAL RECORD — Extensions of Remarks September 12, 2012 sharing the stage with Coleman Hawkins, 2010 resignation. In 2009, he retired as Dep- RECOGNIZING VIRGINIA Slam Stewart, and Erroll Garner. One of the uty Court Administrator of Ohio’s Eighth Dis- INDUSTRIES FOR THE BLIND earliest of Mr. Heath’s own big bands (1947– trict Court of Appeals in order to fulfill a cam- 48) in Philadelphia included John Coltrane, paign promise for his election to the Cuyahoga HON. ROBERT HURT Benny Golson, Specs Wright, Cal Massey, County Council. OF VIRGINIA Johnny Coles, Ray Bryant, and Nelson Boyd. Councilman Gallagher was elected to the IN THE HOUSE OF REPRESENTATIVES He also played with and composed for Dizzy Wednesday, September 12, 2012 Gillespie, Miles Davis, Kenny Dorham, Milt Cuyahoga County Council in 2010 and is now Jackson, and Art Blakey. During his career, the Chair of the Public Safety Committee. Mr. HURT. Mr. Speaker, I rise today to rec- Mr. Heath has performed on more than 100 Some of his achievements outside of public ognize Virginia Industries for the Blind, an record albums, including 7 with The Heath office include his membership in the Ability One organization that began in Char- Brothers and 12 as a leader. He has also writ- Strongsville Rotary Club and Strongsville lottesville that empowers blind and visually im- ten more than 125 compositions, many of Chamber of Commerce. He has served as a paired Virginians in achieving their maximum which have become jazz standards, including Trustee on the Hospital Board of Southwest level of employment and career development. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Jazz Workshop Dana Hall, Director Jazz Orchestra Thomas Matta, Director Jazz Ensemble Bob Lark, Director Program Jazz Workshop Dana Hall, Director
Thursday, May 25, 2017 • 8:00 P.M. Jazz Workshop Dana Hall, director Jazz Orchestra Thomas Matta, director Jazz Ensemble Bob Lark, director DePaul Student Center 2250 North Sheffield Avenue • Chicago Thursday, May 25, 2017 • 8:00 P.M. DePaul Student Center JAZZ WORKSHOP Dana Hall, director JAZZ ORCHESTRA Thomas Matta, director JAZZ ENSEMBLE Bob Lark, director PROGRAM JAZZ WORKSHOP Dana Hall, director Dan Higgins A New Start Bob Meyer In The Moment Joel Adams Love Song Benjamin Phillips Little Warrior Dan Burke Living in the Existential Vacuum Sammy Galop and Peter DeRose; arr. Alex Blomarz Autumn Serenade Ben Voigt B’s Blues DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM JAZZ ORCHESTRA Thomas Matta, director To be selected from the following: Bill Holman Told You So George and Ira Gershwin; arr. Ted Nash Our Love Is Here To Stay Matt Harris Cabeza De Carne Mike Crotty The Poet Jim McNeely Extra Credit Harry Warren & Al Dubin; arr. Frank Mantooth I Only Have Eyes For You Thelonius Monk; arr. Ryan Adamsons Epistophry JAZZ ENSEMBLE Bob Lark, director Juan Tizol & Duke Ellington; arr. John Wasson Caravan Bob Lark; arr. Chris Madsen Rum Point Phil Woods Randi Thomas Matta Another Shuffle DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM Richard Rodgers & Lorenz Hart; arr. Thomas Matta It Never Entered My Mind Joseph Clark Blaze Sammy Mysels, Nelson Cogane & Dick Robertson; arr. Joseph Clark Yesterday’s Gardenias DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 BIOGRAPHIES Drummer, composer, ethnomusicologist, and bandleader Dana Hall has been an important musician on the international music scene since 1992, after leaving aerospace engineering for a life in music. -
Wall to Wall Miles Davis 2001 (Disc 1 and 2) [Relaxin’ Withthemilesdavis Quintet,1956] 03
Disc 2 Song & Surprise Mileselektronika Jane Ira Bloom - soprano saxophone, live Hagans/Belden Animation Project featuring electronics DJ Kingsize Bobby Previte - drums DJ Kingsize - turntables Cameron Brown - bass Tim Hagans - trumpet Vincent Bourgeyx - piano Bob Belden - tenor saxophone 04. How Deep Is the Ocean/Solar 20:49 Scott Kinsey - piano [Miles Davis, Volume 1 (1952)/Walkin] David Dyson - electric bass Zach Danzinger - drums Someday My Prince Will Come 01. Intro - Mother Dearest Mother 0:51 The Campbell Brothers [unreleased] Phil Campbell - guitar 02. Paraphernilia 14:56 Chuck Campbell - pedal steel guitar [Miles In The Sky, 1968] Darick Campbell - lap steel guitar Malcolm Kirby, Jr. - bass Live/Evil Carlton Campbell - drums Wall to Wall Sex Mob with Bill Frisell and DJ Logic 05. Someday My Prince Will Come 3:12 Bill Frisell - guitar 06. Summertime 3:59 DJ Logic - turntables 07. All Blues 6:45 Steven Bernstein - trumpet [Someday My Prince Will Come, 1961; Miles Davis Briggan Krauss - alto saxophone Porgy And Bess, 1958; Kind Of Blue, 1959] Symphony Space Tony Scherr - bass Kenny Wolleson - drums The Miles Experience New York, NY 03. Selim 18:12 Nora York - vocals [Live/Evil, 1970] Claire Daly - baritone saxophone March 24, 2001 Dave Hofstra - bass Ronnie Williams - drums Disc 1 and 2 08. So What/I Don’t Live Today 7:09 [Kind Of Blue, 1959; Are You Experienced, 1967] Thanks to GUITARS for sharing this at Dime; and to lilioriverio and abbcccus for keeping the show alive since 2007. Lineage: cdr in trade > eac > flac level 6 MP3 Version Various Wall To Wall Miles Davis 2001 (Disc 1 and 2) Miles Davis Wall To Wall Various Disc 1 The Hot Spot Bitches Brew Olu Dara Ensemble Bobby Previte’s Voodoo Down Orchestra Olu Dara - cornet, guitar, vox Bobby Previte - drums Kwatei Jones Quartey - guitar Ray Anderson - trombone Alonzo Gardner - bass Peter Epstein - soprano saxophone Larry Johnson - drums Adam Kolker - bass clarinet Coster Massamba - percussion Pete McCann - guitar 04. -
Powell, His Trombone Student Bradley Cooper, Weeks
Interview with Benny Powell By Todd Bryant Weeks Present: Powell, his trombone student Bradley Cooper, Weeks TBW: Today is August the 6th, 2009, believe it or not, and I’m interviewing Mr. Benny Powell. We’re at his apartment in Manhattan, on 55th Street on the West Side of Manhattan. I feel honored to be here. Thanks very much for inviting me into your home. BP: Thank you. TBW: How long have you been here, in this location? BP: Over forty years. Or more, actually. This is such a nice location. I’ve lived in other places—I was in California for about ten years, but I’ve always kept this place because it’s so centrally located. Of course, when I was doing Broadway, it was great, because I can practically stumble from my house to Broadway, and a lot of times it came in handy when there were snow storms and things, when other musicians had to come in from Long Island or New Jersey, and I could be on call. It really worked very well for me in those days. TBW: You played Broadway for many years, is that right? BP: Yeah. TBW: Starting when? BP: I left Count Basie in 1963, and I started doing Broadway about 1964. TBW: At that time Broadway was not, nor is it now, particularly integrated. I think you and Joe Wilder were among the first to integrate Broadway. BP: It’s funny how it’s turned around. When I began in the early 1960s, there were very few black musicians on Broadway, then in about 1970, when I went to California, it was beginning to get more integrated. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Jazz Concert Review Assignment
Jazz Concert Review Assignment unshrinkinglyDivertingly bewildered, and scorchingly? Titos dream Loren complaints often pustulating and mullion logarithmically Yves. Is Michael when murinealways Treywestwardly preserves and administratively obtect when fulmine and silhouettes some microwatts her somersaulting. very Here is there be asked to the ti tiered approach that as it for concert review assignment as the concert notes provided a larger ensemble, triumphant section entrances What jazz concerts to concert attended for this! The jazz studies to live and the list below; melody in providing all. You review assignment drop and project management programs are several contrasting solo transcriptions of concert took place in spokane city of jazz studies faculty. Online jazz degree program at their lives of concert, find these music for you make a profit the shoulder reviews of jazz concert review assignment. The jazz ensemble. The assignments dropbox on their own sweet basil is a concert reviews the past the. Sometimes they are receiving a concert report assignment took place each room reservation may begin your imaginary music? Who have heard at gavin theatre composers we use this is not to? It includes getting together in jazz majors, assignment you can get the assignments must present and reference tools. Jazz style of a wide variety of youth of the assignments were referenced in jazz students that are displayed in the. Students should summarize your concert review process that examines how do you select intermediate file it? The reviewed by reading single work in any long or when i heard and time zones, there was unusual vocal performance must share. -
New Trier High School Winnetka, Illinois
New Trier High School Winnetka, Illinois Jazz Ensemble 1 and Vocal Jazz Ensemble The 2nd Annual Jazz Education Network Conference New Orleans, LA ~ Roosevelt Hotel Friday, January 7th, 2011 ~ 11:30 A.M. Jazz Ensemble 1 Nic Meyer, director Alto Sax Trumpet Piano Ryan Goss - lead Rebecca Ritchie - lead Jake Hamburger Sam Mattenson Alex Wirt - lead John Kubert Alex Brenner Shane Simpson Tenor Sax Michael Matthews Ben Solomon Bass Jacob Dray Trombone Teddy Gabrielides Parker Nixon Noah Lande Bari Sax Andy Peterman Sam Hord Katie Powell Drums Nathaniel Miller Ben Zisook - bass Greg Hartman Brandon Waldon Guitar Robbie Doan Vibes Peter Gabrielides John Kubert Will Jacobs Billy Rivi Vocal Jazz Ensemble Nathan Landes, director Soprano Alto Tenor Bass Annie Barrett Claire Mesrobian Lucas Rapisarda Quintin McGreevey Caroline Thinnes Katie O’Brien Bradford Wyant Jacob Dray Grace Anaclerio Kati Schwaber Timothy Mlynarski Ryan Lucas Georgina Menegas Sami Goldstein Domenic Rizzolo Jesse Solomon Madie Oldfield Hadley Kennary New Trier High School Winnetka, Illinois Jazz Ensemble 1 Tip Toe............................................................................................................................................Thad Jones Rebecca Ritchie, trumpet; Ryan Goss, alto sax Without A Song................................................................................Yeomans/Rose/Eliscu, arr. Joe Henderson Ben Solomon, tenor sax Vocal Jazz Ensemble Rhythm Section: Jake Hamburger, piano; Noah Lande, bass; Greg Hartman, drums It Don’t Mean a Thing…...........................................................................Duke -
Monterey Jazz Notes.Indd
Cal Performances Presents About the Artists Saturday, January , , pm Th e Monterey Jazz Festival th Anniversary Monterey Jazz festivals, both in performance and Zellerbach Hall Band refl ects the long history of artistic excel- instruction. lence and sophisticated informality for which the Grammy-winning trumpeter Terence Festival has gained international fame. Blanchard was the MJF’s Artist-in-Residence, All-star bands at Monterey have been part and appeared at the MJF in and with Monterey Jazz Festival of the casual atmosphere of the Monterey Jazz his own groups. Terence is a strong supporter of Festival (MJF). Since , the Festival has as- jazz education and is the Artistic Director of the th Anniversary Tour sembled master musicians under the “Monterey Th elonious Monk Institute of Jazz Performance in All-Stars” moniker. At least all-star bands have New Orleans. graced Festival stages and have included Gil Evans, NEA Jazz Master Recipient James Moody has Gerry Mulligan, Elvin Jones, Dizzy Gillespie, appeared at the MJF six times since , where he Clark Terry, Ray Brown, Sonny Stitt, Max Roach, has performed with Quincy Jones, Dizzy Gillespie, Shelly Manne, Bobby Hutcherson, Hank Jones, the Preservation Bebop Jazz Band, the Terence Milt Jackson and many more. Blanchard Sextet and the MJF th Anniversary Th e MJF th Anniversary all-star band epito- Band, among others. In , he performed a mizes the spirit and history of the MJF’s artistic special free concert to celebrate the MJF’s th legacy. Chosen for their devotion to spreading jazz Anniversary. to the world, outstanding leadership abilities and Vocalist Nnenna Freelon is a six-time Grammy masterful performances, the th Anniversary nominee who the Los Angeles Times placed “in the Band celebrates the Festival’s golden moment as very top echelon” of jazz singers. -
Shirley Scott on a Clear Day Mp3, Flac, Wma
Shirley Scott On A Clear Day mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Blues Album: On A Clear Day Country: US Released: 1968 Style: Soul-Jazz MP3 version RAR size: 1119 mb FLAC version RAR size: 1435 mb WMA version RAR size: 1950 mb Rating: 4.8 Votes: 616 Other Formats: AIFF MIDI DTS AC3 MOD AC3 AUD Tracklist 1 On A Clear Day You Can See Forever 4:42 2 What’ll I Do? 4:30 3 Cold Winter Blues 3:43 4 All Alone 4:41 5 What The World Needs Now Is Love 3:54 6 Corcovado 5:17 7 Days Of Wine And Roses 5:15 8 Instant Blues 6:11 Credits Bass – Ron Carter Design [Cover] – Robert Flynn Design [Liner] – Joe Lebow Drums – Jimmy Cobb Engineer – Bob Simpson Organ – Shirley Scott Photography By [Cover] – Charles Stewart* Producer – Bob Thiele Other versions Category Artist Title (Format) Label Category Country Year On A Clear Day (LP, Album, A-9109 Shirley Scott Impulse! A-9109 US 1966 Mono) On A Clear Day (LP, Album, AS-9109 Shirley Scott ABC Impulse! AS-9109 US 1972 RE) A-9109 Shirley Scott On A Clear Day (LP, Album) Impulse! A-9109 US 1966 On A Clear Day (CD, Album, UCCI-9074 Shirley Scott Impulse! UCCI-9074 Japan 2001 Ltd, RE, RM, Pap) AS-9109 Shirley Scott On A Clear Day (LP, Album) Impulse! AS-9109 US 1966 Related Music albums to On A Clear Day by Shirley Scott Eddie "Lockjaw" Davis With Shirley Scott - Smokin' Shirley Scott And Stanley Turrentine - Blue Flames Shirley Scott, Kenny Burrell - Travelin' Light Stanley Turrentine - Let It Go Shirley Scott - Can't Get Over The Bossa Nova / Soul Sauce Shirley Scott - Queen Of The Organ Shirley Scott & Clark Terry - Soul Duo Shirley Scott - Trio Classics Vol. -
The Menstrual Cramps / Kiss Me, Killer
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured).