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/ MI *************5- GI T 48240 . 2VK02 10449 DAL92 SEP85 tr1 02010 eN.J 000 012 1 HIF JOHN R VEKOFF 20449 DALBY DBG JP REDFORD HIS MI 48240 You'll know why we're first, the second you hear us. STEREO RA/A144 • 1 2 3 4 6 SISIZIOUSS: =SS m u m = F M rs n SO 3o 0 • SO SO L i L g. : I M Hz LOCKED EEC CAL RE MODE IF RAND NOM CANCELER FM Selma DIGITAL SYNTHESIZER TUNER TU-D99X •,1 ••• 0 . L O CAL Wei ED AMPLIFIER AU-G99X NA, AM Amp •NsTi 41, 300 — •2 INPUT SELECTOR — 200 _ — 0 TAPE-I Co PHONO - Ft- _ 20 _ — -10 - 20 — — — — -20 TAPE-2 AUX T./NER -30 — _ 02 _ — -30 -40 — , — 002 — — -40 -50 _ - 0002 -50 -oo — dB LEFT WATTS/B9 RIGHT dB BASS MID RANGE TREBLE REC SELECTOR OTT 9 DISPLAY METER RANGE -2 ° -.2 _2 0 .42 _2 0 4.2 TONE CD — \ . /- - SOURCE MUTING LOU R•B TUNER —. „..........) .— .6 -6 +6 — 21. I +8 - +8 xl la DEFEAT Off C OFF 010 10 10 ON -20d11 a C First it was DC. Then DD/DC and Super Feed- forward. Now Sansui astounds the audiophile with the greatest improvement in an amp. 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The VCR with the picture that sounds as good as it looks. It features studio quality hi-fi audio; a 134 channel, CATV-ready PLL Quartz tuner, 21 day 8 event programmable timer; 4 heads for clear; special effects; three slow motion speeds; picture sharpness control; segment recording; electronic tape counter and full function intrared wireless remote control. NEC Home Electronics (U 5 A ) Inc , 1401 Estes Avenue, Elk Grove Village, Illinois 60007, (312)228-5900 Circle 49 on Reader-Service Card Sherwood announces the latest thing in second generation CD audio technology: Affordability 001.. 1100 0 4 4 44, 13.111C 141C -o w 41. 41 4•I 4 The compact disc just may be the most heart-stopping sound generates a sampling frequency which must be concept in sound since stereo. But the most heart- filtered out, or distortions will be heard. stopping feature of compact disc players has been their Other CD players use one very steep analog filter; this price. 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Ontario arninpraulrillEPPIPPRIP111 min n I MAI I II mu i mu E1 ii MI TIME! 1111111E 111 I I IL:11 ii MI I II II ,Q1ii 11111 /N M 11 II NI MI II 11 II 1E1 El El 1E1 MEIN" JL 1111161111611=•16 A1m1•11611111111111 1 LI 0 00••••••••••000 VOLU ME 34 NUMBER 10 OCTOBER 1984 AUDIO Currents: Compact Discs today: Going for mass appeal . 14 CrossTalk by Robert Long 21 Basically Speaking by Michael Riggs 23 Oversampling and the Holy Grail: Should a CD player have separate D/A converters for each channel? New Equipment Reports Kenwood DP-110013 Compact Disc player 24 Audio-Technica AT-160ML phono cartridge 34 NAD Model 4125 tuner 26 ESB 7/08 loudspeaker 35 Sansui AU-G9OX integrated amplifier 30 *Car Stereo Special Refinements for the Road by Gary Stock 39 Style and function prevail as manufacturers show off their latest high-performance gear. Lab and Road Tests Sony CDX-5 car Compact Disc player 43 Pioneer KE-A880 receiver/tape deck 46 NEW TECHNOLOGIES Video Lab Test: Quasar VH-5845XQ VHS Hi-Fi videocassette recorder 49 Sample and Hold by Paul D. Lehrman 56 Digital sound recording. real-time playback, and more in an add-on package for the Apple II computer *Compact Disc Special CD Players—How They Compare: Buying guide to 58 models by Peter Dobbin 59 Music Reviews: A sampler of pop and classical discs, from Beethoven to Bowie 64 Playing the Name Game: What gets released on CD by Sam Sutherland 67 Latest Pop Releases: What's really available in the stores 68 CD Indexing—A Classic Betrayal by Theodore W. Libber. Jr. 70 1985 Annual Preview of Forthcoming Recordings, Part 2—Compact Discs 74 CLASSICAL MUSIC Odd Man Out—Or In? Reviewed by Thomas L.
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    GE THE ORIGINS OF SYNTHETIC TIMBRE SERIALISM AND THE PARISIAN CONFLUENCE, 1949–52 by John-Philipp Gather October 2003 A dissertation submitted to the Faculty of the Graduate School of State University of New York at Buffalo in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music COPYRIGHT NOTE The first fifty copies were published by the author. Berlin: John-Philipp Gather, 2003. Printed by Blasko Copy, Hilden, Germany. On-demand copies are available from UMI Dissertation Services, U.S.A. Copyright by John-Philipp Gather 2003 ii ACKNOWLEDGEMENTS Many persons have contributed to the present work. I would like to name first and foremost my major advisor Christopher Howard Gibbs for his unfailing support and trust throughout the five-year writing period, guiding and accompanying me on my pathways from the initial project to the present study. At the State University of New York at Buffalo, my gratitude goes to Michael Burke, Carole June Bradley, Jim Coover, John Clough, David Randall Fuller, Martha Hyde, Cort Lippe, and Jeffrey Stadelman. Among former graduate music student colleagues, I would like to express my deep appreciation for the help from Laurie Ousley, Barry Moon, Erik Oña, Michael Rozendal, and Matthew Sheehy. A special thanks to Eliav Brand for the many discussion and the new ideas we shared. At the Philips Exeter Academy in New Hampshire, I am grateful to Jacquelyn Thomas, Peter Schulz, and Rohan Smith, who helped this project through a critical juncture. I also extend my warm thanks to Karlheinz Stockhausen, who composed the music at the center of my musicological research.
  • Young Adults in the Urban Consumer Society of the 1980S in Janowitz

    Young Adults in the Urban Consumer Society of the 1980S in Janowitz

    The Self in Trouble: Young Adults in the Urban Consumer Society of the 1980s in Janowitz, Ellis, and McInerney Inaugural-Dissertation zur Erlangung des Grades eines Doktors der Philosophie in der Fakultät für Philologie der RUHR-UNIVERSITÄT BOCHUM vorgelegt von GREGOR WEIBELS-BALTHAUS Gedruckt mit Genehmigung der Fakultät für Philologie der Ruhr-Universität Bochum Referent: Prof. Dr. David Galloway Koreferentin: Prof. Dr. Kornelia Freitag Tag der mündlichen Prüfung: 11. Mai 2005 Danksagungen Ich bedanke mich für die Promotionsförderung, die ich von der Konrad- Adenauer-Stiftung (Institut für Begabtenförderung) erhalten habe. Meinem Lehrer, Herrn Prof. Dr. David Galloway, gilt mein besonderer Dank für seine kompetente Unterstützung und für sein nicht erlahmendes Wohlwollen, das er mir und meinem Projekt allzeit entgegenbrachte. Vielfache Anregungen erhielt ich von Edward de Vries, Michael Wüstenfeld und Doerthe Wagelaar. Meiner Frau, Dr. med. Bettina Balthaus, danke ich in Liebe für ihre Hilfe und für ihr Verständnis, das sie auch dann noch aufbrachte, wenn niemand sonst mehr verstand. Table of Contents 1 Introduction 8 1.1 A Literary-Commercial Phenomenon 8 1.2 The Authors and Their Works 14 1.3 Relevant Criticism 18 1.4 The Guiding Questions 23 2 The Rise and Demise of the Self 27 2.1 The Rise of the Imperial Self of Modernity 28 2.1.1 From the Origins to the Modernist Self 28 2.1.2 The Emergence of the Inner-directed Character in America 31 2.1.2.1 The Puritan Heritage 33 2.1.2.2 The Legacy of the Frontier 36 2.2 The Self on the Retreat