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Introduction
Introduction Spatial studies that emerged as a nascent discourse in the post Second World War period has suddenly assumed prominence with the spatial turn in poststructuralist theories. Globalisation, with its liberal immigration policies, has transformed the spatial experiences of individuals and reconfigured the world, redefining spatial relations and reordering existing spatial structures. The virtual space provided by the Internet has added a new spatial experience, which is at once heterotopic and panoptic. The spatial turn in academic discourses leads to the emergence of the politics of spatiality in the practice of everyday life enacted in the social space. In this regard, Robert T. Tally Jr. explains: “The spatial turn is . a turn towards an understanding of our lives as situated in a mobile array of social and spatial relations that, in one way or another, need to be mapped” (17). The fundamental pattern of discursive enquiry has changed: every cultural critique is now punctuated with questions of space, spatiality and spatial relations. Spatial practices have become prominent along with cultural and social practices. The ontological enquiry of space has evolved from space as a container of objects to space as a structured and mediated reflection of social/power relations. Space has been a complex and problematic term in cultural critique. The noted geographer Bertrand Westphal observes that the cosmopolitan diaspora caused by “grand migrations occasioned by economic or political exigencies 2 specific to the industrial, and especially the post-industrial era” has called for a rereading of space (25). A study of the spatial representations in literature opens up a changing world where new spatial experiences and perplexities get constructed. -
Béla Tarr E Outras Memórias: O Animal, O Humano E O Incomum
UNIVERSIDADE FEDERAL DO ESTADO DO RIO DE JANEIRO CENTRO DE CIÊNCIAS HUMANAS E SOCIAIS PROGRAMA DE PÓS-GRADUAÇÃO EM MEMÓRIA SOCIAL MESTRADO EM MEMÓRIA SOCIAL VANESSA ROCHA DE SOUZA Béla Tarr e outras memórias: o animal, o humano, o incomum Rio de Janeiro 2019 VANESSA ROCHA DE SOUZA Béla Tarr e outras memórias: o animal, o humano, o incomum Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Memória Social, Universidade Federal do Estado do Rio de Janeiro, como requisito para obtenção do título de Mestre em Memória Social. Linha de Pesquisa: Memória e Linguagem Orientador: Prof. Dr. Manoel Ricardo de Lima Rio de Janeiro 2019 Catalogação informatizada pelo(a) autor(a) VANESSA ROCHA DE SOUZA Béla Tarr e outras memórias: o animal, o humano, o incomum Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Memória Social, Universidade Federal do Estado do Rio de Janeiro, como requisito para obtenção do título de Mestre em Memória Social. Linha de Pesquisa: Memória e Linguagem Orientador: Prof. Dr. Manoel Ricardo de Lima Banca Examinadora ____________________________________ Prof. Dr. Manoel Ricardo de Lima (Orientador) (Programa de Pós-Graduação em Memória Social – UNIRIO) ____________________________________ Prof. Dr. Leonardo Ramos Munk Machado (Programa de Pós-Graduação em Artes Cênicas – UNIRIO) ____________________________________ Prof. Dr. Rodrigo Gueron (Programa de Pós-Graduação em Artes – UERJ) ____________________________________ Profa. Dra. Júlia Vasconcelos Studart (Centro de Letras e Artes – UNIRIO) [Suplente] ____________________________________ Prof. Dr. Davi Pessoa Carneiro (Instituto de Letras – UERJ) [Suplente] Rio de Janeiro 2019 AGRADECIMENTOS RESUMO Essa pesquisa pretende articular outras leituras sobre o conceito de memória a partir de uma série montada em torno do pensamento do cineasta húngaro Béla Tarr. -
László Krasznahorkai Was Born in Gyula, Hungary, in 1954. He Has Written Five Novels and Won Numerous Prizes, Including the In
László Krasznahorkai was born in Gyula, Hungary, in 1954. He has written five novels and won numerous prizes, including the International Man Booker Prize 2015, the 2013 Best Translated Book Award in Fiction for Satantango, and the 1993 Best Book of the Year Award in Germany for The Melancholy of Resistance. For more about Krasznahorkai, visit his extensive website: http://www.krasznahorkai.hu/ PRAISE FOR LÁSZLÓ KRASZNAHORKAI “Throughout Krasznahorkai’s work, what strikes the reader above all are the extraordinary sentences, sentences of incredible length that go to incredible lengths, their tone switching from solemn to madcap to quizzical to desolate as they go their wayward way; epic sentences that, like a lint roll, pick up all sorts of odd and unexpected things as they accumulate inexorably into paragraphs that are as monumental as they are scabrous and musical” Man International Booker Prize judges’ citation “The universality of Krasznahorkai’s vision rivals that of Gogol’s Dead Souls and far surpasses all the lesser concerns of contemporary writing” WG Sebald “Krasznahorkai is a visionary writer” Theo Tait,Guardian “Krasznahorkai is the kind of writer who at least once on every page finds a way of expressing something one has always sensed but never known, let alone been able to describe” Nicole Krauss “László Krasznahorkai writes prose of breathtaking energy and beauty. He manages to combine our most earthly concerns with large cosmic questions. His tones and textures are filled with both risk and certainty. He has elevated the novel form and is to be ranked among the great European novelists” Colm Tóibín World Goes On prelims.indd 1 04/10/2017 10:46 “The contemporary Hungarian master of apocalypse who inspires THE WORLD GOES ON comparison with Gogol and Melville” Susan Sontag “Krasznahorkai’s subject is a total disenchantment with the world, and yet the manner in which he presents this disenchantment is hypnotically enchanting. -
Zbornik Vilenica 2014
29. Mednarodni literarni festival 29th International Literary Festival 29. Mednarodni literarni festival 29th International Literary Festival 29. Mednarodni literarni festival Vilenica / 29th Vilenica International Literary Festival Vilenica 2014 © Nosilci avtorskih pravic so avtorji sami, če ni navedeno drugače. © The authors are the copyright holders of the text unless otherwise stated. Uredili / Edited by Tanja Petrič, Maja Kavzar Hudej Založilo in izdalo Društvo slovenskih pisateljev, Tomšičeva 12, 1000 Ljubljana Zanj Veno Taufer, predsednik Issued and published by the Slovene Writers’ Association, Tomšičeva 12, 1000 Ljubljana Veno Taufer, President Jezikovni pregled / Proofreading Jožica Narat, Jason Blake Grafično oblikovanje / Design Goran Ivašić Prelom / Layout Klemen Ulčakar Tehnična ureditev in tisk / Technical editing and print Ulčakar&JK Naklada / Print run 500 izvodov / 500 copies Ljubljana, avgust 2014 / August 2014 Zbornik je izšel s finančno podporo Javne agencije za knjigo Republike Slovenije. The almanac was published with financial support of the Slovenian Book Agency. CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 821(4)-82 7.079:82(497.4Vilenica)”2014” MEDNARODNI literarni festival (29 ; 2014 ; Vilenica) Vilenica / 29. Mednarodni literarni festival Vilenica = 29th Vilenica International Literary Festival ; [uredili Tanja Petrič, Maja Kavzar Hudej]. - Ljubljana : Društvo slovenskih pisateljev = Slovene Writers’ Association, 2014 ISBN 978-961-6547-84-0 1. Petrič, Tanja, 1981- 274737152