My Queries Sha Tin College, Ko, Mary-Anne - 12

Total Page:16

File Type:pdf, Size:1020Kb

My Queries Sha Tin College, Ko, Mary-Anne - 12 My Queries Sha Tin College, Ko, Mary-Anne - 12 pparently, someone staked their claim upon your head and broke open your very first burden, and poured you out like the water which gushed out of the rock standing at Horeb, channelled by an A ancient power which summoned from two knocks it did come forth. Did you ever believe in the power of being carved by another power, a force not of this planet? I know not whether to be subjected to mankind’s thoughts- for foolish indeed they may be, but a paradox. As man consists not of one, nor an entire army uttering the same declaration of loyalty towards the country which they serve, but an intangible mass of various different forms. But just because you have earned my sympathies, which I guard very well, and my trust, should that mean that what my soul has been laid upon has been indented into yours? From what I have withdrawn from, you took in. Yet, you were scorned, which was an utterly wronged stance. For that would have made a fire-breathing dragon scorned, that would have made the sea-creatures which lay below scorned, that would have made everything else scorned. What made you different? Perhaps the fact that the fate of destiny never cried out from below, and instead came from above. But you weren’t born to be destined to join in the ranks of the Gods, a foolish monkey, and nothing more but a monkey- that’s what they said. And, I suppose, when you have lived an entire life in contrast, in vivid black and white, and being the contrast… Was that how you felt? Crushed, shattered, broken to the point of no repair, yet being the leader, the ruler of a colony of your kind… Did you conceal your true motifs, or did you hide it behind the unfairness of the situation and took advantage of it by locking yourself in the midnight dark? I have to say, I envy you for having stayed in peace, having the sense of privacy which one like I has always longed for, in that silence. But there wasn’t yourself to find, was there? It was what you could unleash that you had to find, it was what you had to seek for within yourself. But were you, for a moment, emotionally bounded. Hurting to see the truth, but it came unto full display, did it not? For even after you thought you found it, those who scorned you pulled you back to the ground, and the burden from which you were birthed from was once again placed upon your head. I wonder if there can be any correlation between history, stories, and one’s personal life. But history and stories are far from sincerity, for wouldn’t it be shameful to sacrifice your dignity to the judgement of those who could potentially scorn you? But, you had your army to pull you back onto your feet and to motivate you. You were always over those who were under you, yet you were under those who were over you. Perhaps, that is the fine line which draws us apart. For you were never under those who were over you, and under those who were over those who were over you. You’ve never felt the need to retreat to what’s buried deep inside your heart, which nobody can ever see or ever know of, nor have you shed those silent tears. Have you? Or did those agonies return after your burden shut you into its dark womb once again, waiting for the day when it would birth you? Did pain only ever lay inside your heart, with its walls clenching and unclenching, your memories bittersweet- those impossible dreams reaching out to knock your soul. Once, twice… Until all the sadness locked within rushes out, like those standing before that rock which Moses tapped twice with his staff? But they feasted upon that precious source- those who scorned you, those unforgiving memories. Did anyone truly free you after that? You were freed, but were you freed from yourself? I imagine, I desperately cling onto the hopes that someone can save one from the wolves chasing from within, and by the shoulders they shall grab me and pull me out of the nightmare. Shivering in their arms, waiting for the pain to reside, until it’s gone. But can it be? Maybe… For at some point, reality can claim back what hopes and dreams have taken, and down into reality- like how you fell from the sky, and for a moment stayed under those who were over you, and above everything else that stood over you- and no one else can save you from the monsters within except… Did you find inner peace at the end? I know that the man whom you followed found the answer, but did you? The thing about this mess which we know as humanity, our own separate ways we must go. And that is what pulls nightmares out of their homes, leaving victims shivering at the dead of night- worming its way into this war-torn heart, killing these hopes and dreams. Far from interested indeed am I, about what adventures did await you. For those emotions are much more tender, much more destructive, much more hopeful. For what you saw through your eyes wasn’t the story that has been a saga, passed down from generation unto generation. It wasn’t a story of friendship. It had hatred, jealousy, calamity, tiresome journeys, fear, anger… but no one knows that, do they? They see the best parts of you which you have put forth, but never the worst of the being which cultivates even beings like you. But you’re the only aspect of this which I have singled out, for since I met this broken version of you, thoughts have emerged… and from it, so much has yet to be drawn out… It’s all such a paradox, which you are perched just atop, omniscient to the true intent behind mankind’s words… Dear friend, I understand. Journey to the West Sha Tin College, Wong, Clement - 11 e all know about the journey to the west, but have we wondered what happened after that? W One particular day, the five travellers who journeyed to the west had a small re-union. The White Dragon decided to visit his family in heaven accompanied by Sandy and Pigsy. They were more than happy to tag along, knowing the Jade Emperor would have a large feast awaiting for their arrival. The Monk and the Monkey King however decided they would once again venture to the world of men to help the ones in need. The Monk and the Monkey King helped numerous people. Feeling proud and humble of their accomplishments, they decided it was time to return to heaven. While passing by a particularly large mountain, in the distance, they spotted a cottage. There was a small figure appearing to burying something. Without hesitation, they paced slowly towards what appeared to be a young boy. Weeping in deep sorrow over a dead lady’s body, presumably his mother. As they approached the boy, he hastily into a hut and slammed the door shut. The Monk and the Monkey King walked to the door at the house. Just as they were about to knock, the boy rushed out, holding a rake, pointing at them. He was relieved when he saw them and said his apologies. The two travellers asked for his name and story when the boy sat down in front of them in the meadows. The boy was named Zane and he had just lost his mother. He had lived without a father in this cottage, his mother always told his stories about how his father resided in a mysterious island that floated amongst the mists. As he spoke, a jade medallion tucked in his shirt began to glow. Reaching into his pocket, he turned the emerald green mineral over, showing the inscription to the travellers. ‘The Jade of Nature and Life’ there was also a riddle written on it. He was told that if he could solve it, it would guide him to his father. However, little did they know, someone was already waiting for them to begin their journey. High up in the mountains hidden by blankets of thick mist was a snake hissing frantically. Fuxi was no ordinary snake. It was a nine headed snake. The snake had nine individual daunting heads, linked together in one giant body, skin so thick that no electric shock could hurt them. Fuxi was idle in his den freely testing its own special skills on a freshly caught mountain goat. It spat venom, roared flames and finally, strangled its prey to death. Nearby, on the other side of the wall lived the most sinister evil villain in the world. The villain, seated on a throne, was not as cruel and as fearsome as you think, he is a very knowledgeable person. Being educated in a royal family, he was a descendant of the royal house of villainy. He hated to be evil and wished to be accepted by the Gods from heaven but was always rejected for the cruel ways his family treated them before. Years later after giving up upon the request for the Gods he turned evil. He was locked away in a palace where his parents taught him the arts of becoming a masterful trickster. He recruited a snake from the land of the dead, hidden miles beneath the Earth’s crust.
Recommended publications
  • Contemporary China: a Book List
    PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used.
    [Show full text]
  • The Misrepresentation of Representation: in Defense of Regional Storytelling in Netflix's the New Legends of Monkey
    The Misrepresentation of Representation: In Defense of Regional Storytelling in Netflix’s The New Legends of Monkey KATE MCEACHEN The 2018 Australian Broadcasting Corporation (ABC Me), Television New Zealand (TVNZ), and Netflix’s coproduction of the original series The New Legends of Monkey (2018) is a fantasy-based television series that reimagines Monkey (1978), a British Broadcasting Corporation (BBC) dubbing of the Japanese television series Saiyūki 西遊記. Saiyūki was an adaptation of the historically significant Chinese novel Xiyou ji (Wu Cheng’en, 1592), known in English as Journey to the West. Monkey gained a cult following in Australia, New Zealand, and other international markets leading to the 2018 reboot The New Legends of Monkey, which, unlike Monkey, was released in the United States (Flanagan). This new iteration prompted cultural confusion from those largely unfamiliar with the preceding series, the contexts in which it was introduced to English-speaking viewers in Australia and New Zealand, or the cult response that resulted. This article presents the recent series with this background in mind and within the context of locally produced television in New Zealand, where The New Legends of Monkey was filmed. Analysis of online discussions exposes the interpretive differences arising from this lack of context regarding the show’s connection to Monkey and highlights the problems viewers face interpreting stories outside of their local production markets—an increasingly relevant problem as more regional productions become accessible to a wide range of audiences through transnational streaming services like Netflix. The 2018 The New Legends of Monkey television adaptation, produced by and for the Australian and New Zealand markets and co-produced for international KATE MCEACHEN is currently pursuing her Doctoral Degree in Cultural Studies at The University of Southern Queensland in Australia.
    [Show full text]
  • 1 Chapter 3: China Proper: the Household As a Complex Human
    1 Chapter 3: China Proper: The Household as a Complex Human Ecosystem The people can go for a hundred years without money, but they cannot starve for a single morning, thus food is the most urgent thing. Liu Tao For at least a thousand years, since the Song period, the Intensive Agricultural Zone of China Proper has supported one of the world’s highest densities of population per unit of agricultural land. Supporting this population has depended on extremely intense level of land use and a continued process of further intensification, a process that was particularly rapid in the Qing period, from 1644 to 1911. At such high levels of intensity, most natural ecological buffers against disturbance have been sacrificed for gains in productivity. This has forced people to compensate for lost ecological resilience by strengthening infrastructural and institutional buffers. But the infrastructural and institutional buffers, in turn, require intensive upkeep, and if the upkeep fails, there is not much resilience left in the system, so that disturbances easily create ecological crises, something that has happened frequently in the last two hundred years. In this chapter, I first describe the spatial structure of China Proper. I then proceed to a detailed analysis of how the household, as the smallest-scale socio-ecosystem, was organized to attempt to buffer itself against these ever-looming disasters. In doing so, I explore the idea that traditional Chinese intensive agriculture was “everyday sustainable,” in Eugene Anderson’s words, at a household scale. This sets the stage for Chapter 6, where I examine how even a society and culture organized to buffer itself against disturbances lost resilience in the face of huge socio-ecosystem changes during the Qing: population growth, increase in cultivated land, and increase in the amount of water used to irrigate that land.
    [Show full text]
  • Archiving Movements: Short Essays on Materials of Anime and Visual Media V.1
    Contents Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui ………… 2 Utilizing the Intermediate Materials of Anime: Royal Space Force: The Wings of Honnêamise Ishida Minori ………… 17 The Film through the Archive and the Archive through the Film: History, Technology and Progress in Royal Space Force: The Wings of Honnêamise Dario Lolli ………… 25 Interview with Yamaga Hiroyuki, Director of Royal Space Force: The Wings of Honnêamise What Do Archived Materials Tell Us about Anime? Kim Joon Yang ………… 31 Exhibiting Manga: Impulses to Gain from the Archiving/Unearthing Anime Project Jaqueline Berndt ………… 36 Analyzing “Regional Communities” with “Visual Media” and “Materials” Harada Ken’ichi ………… 41 About the Archive Center for Anime Studies in Niigata University ………… 45 Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui presumably, the majority are in various storage Background of the Project places after their production cycles. It is not The exhibition “A World is Born: The uncommon that they are forgotten, displaced or Emerg­­ing Arts and Designs in 1980s Japanese eventually discarded due to the expenses incurred Animation” (19-31 March 2018) hosted at DECK, for storage. In many ways, these materials an independent art space in Singapore, is encompass an often forgotten yet significant part of an ongoing research collaboration research resource essential for understanding between the researchers from Puttnam School key aspects of Japanese animation production of Film and Animation in Singapore and the cultures and practices. Archive Center for Anime Studies in Niigata “A World is Born” was an exhibition focusing University (ACASiN).
    [Show full text]
  • Cycling Taiwan – Great Rides in the Bicycle Kingdom
    Great Rides in the Bicycle Kingdom Cycling Taiwan Peak-to-coast tours in Taiwan’s top scenic areas Island-wide bicycle excursions Routes for all types of cyclists Family-friendly cycling fun Tourism Bureau, M.O.T.C. Words from the Director-General Taiwan has vigorously promoted bicycle tourism in recent years. Its efforts include the creation of an extensive network of bicycle routes that has raised Taiwan’s profile on the international tourism map and earned the island a spot among the well-known travel magazine, Lonely Planet’s, best places to visit in 2012. With scenic beauty and tasty cuisine along the way, these routes are attracting growing ranks of cyclists from around the world. This guide introduces 26 bikeways in 12 national scenic areas in Taiwan, including 25 family-friendly routes and, in Alishan, one competition-level route. Cyclists can experience the fascinating geology of the Jinshan Hot Spring area on the North Coast along the Fengzhimen and Jinshan-Wanli bikeways, or follow a former rail line through the Old Caoling Tunnel along the Longmen-Yanliao and Old Caoling bikeways. Riders on the Yuetan and Xiangshan bikeways can enjoy the scenic beauty of Sun Moon Lake, while the natural and cultural charms of the Tri-Mountain area await along the Emei Lake Bike Path and Ershui Bikeway. This guide also introduces the Wushantou Hatta and Baihe bikeways in the Siraya National Scenic Area, the Aogu Wetlands and Beimen bikeways on the Southwest Coast, and the Round-the-Bay Bikeway at Dapeng Bay. Indigenous culture is among the attractions along the Anpo Tourist Cycle Path in Maolin and the Shimen-Changbin Bikeway, Sanxiantai Bike Route, and Taiyuan Valley Bikeway on the East Coast.
    [Show full text]
  • Essays on Monkey: a Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston
    University of Massachusetts Boston ScholarWorks at UMass Boston Critical and Creative Thinking Capstones Critical and Creative Thinking Program Collection 9-1997 Essays on Monkey: A Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/cct_capstone Recommended Citation Ping-I Mao, Isabelle, "Essays on Monkey: A Classic Chinese Novel" (1997). Critical and Creative Thinking Capstones Collection. 238. http://scholarworks.umb.edu/cct_capstone/238 This is brought to you for free and open access by the Critical and Creative Thinking Program at ScholarWorks at UMass Boston. It has been accepted for inclusion in Critical and Creative Thinking Capstones Collection by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ESSAYS ON MONKEY: A CLASSIC . CHINESE NOVEL A THESIS PRESENTED by ISABELLE PING-I MAO Submitted to the Office of Graduate Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1997 Critical and Creative Thinking Program © 1997 by Isabelle Ping-I Mao All rights reserved ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL A Thesis Presented by ISABELLE PING-I MAO Approved as to style and content by: Delores Gallo, As ciate Professor Chairperson of Committee Member Delores Gallo, Program Director Critical and Creative Thinking Program ABSTRACT ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL September 1997 Isabelle Ping-I Mao, B.A., National Taiwan University M.A., University of Massachusetts Boston Directed by Professor Delores Gallo Monkey is one of the masterpieces in the genre of the classic Chinese novel.
    [Show full text]
  • International Reinterpretations
    International Reinterpretations 1 Remakes know no borders… 2 … naturally, this applies to anime and manga as well. 3 Shogun Warriors 4 Stock-footage series 5 Non-US stock-footage shows Super Riders with the Devil Hanuman and the 5 Riders 6 OEL manga 7 OEL manga 8 OEL manga 9 Holy cow, more OEL manga! 10 Crossovers 11 Ghost Rider? 12 The Lion King? 13 Godzilla 14 Guyver 15 Crying Freeman 16 Fist of the North Star 17 G-Saviour 18 Blood: the Last Vampire 19 Speed Racer 20 Imagi Studios 21 Ultraman 6 Brothers vs. the Monster Army (Thailand) The Adventure Begins (USA) Towards the Future (Australia) The Ultimate Hero (USA) Tiga manhwa 22 Dragonball 23 Wicked City 24 City Hunter 25 Initial D 26 Riki-Oh 27 Asian TV Dramas Honey and Clover Peach Girl (Taiwan) Prince of Tennis (Taiwan) (China) 28 Boys Over Flowers Marmalade Boy (Taiwan) (South Korea) Oldboy 29 Taekwon V 30 Super Batman and Mazinger V 31 Space Gundam? Astro Plan? 32 Journey to the West (Saiyuki) Alakazam the Great Gensomaden Saiyuki Monkey Typhoon Patalliro Saiyuki Starzinger Dragonball 33 More “Goku”s 34 The Water Margin (Suikoden) Giant Robo Outlaw Star Suikoden Demon Century Akaboshi 35 Romance of the Three Kingdoms (Sangokushi) Mitsuteru Yokoyama’s Sangokushi Kotetsu Sangokushi BB Senshi Sangokuden Koihime Musou Ikkitousen 36 World Masterpiece Theater (23 seasons since 1969) Moomin Heidi A Dog of Flanders 3000 Leagues in Search of Mother Anne of Green Gables Adventures of Tom Sawyer Swiss Family Robinson Little Women Little Lord Fauntleroy Peter
    [Show full text]
  • The Chapter Titles in Xiyou Ji and Honglou Meng Continuity and Discontinuity
    Linking Ancient and Contemporary Continuities and Discontinuities in Chinese Literature edited by Tiziana Lippiello, Chen Yuehong 陈跃红 and Maddalena Barenghi The Chapter Titles in Xiyou ji and Honglou meng Continuity and Discontinuity Nicholas Koss (Peking University, China) Abstract This essay will first study the chapter titles in the early chapters of Xiyou ji (The Journey to the West), which will be followed by an examination of the chapter titles in the first eighty chapters of Honglou meng (Dream of the Red Chamber). The purpose of this study will be to show the continu- ity and discontinuity of the chapter titles in the final version of Xiyou ji (1592) with those in the first printed edition of Honglou meng (1791). The final part of this essay will relate some of the ideas of Gérard Genette about titles and chapter titles to the chapter titles in Honglou meng. Summary 1 Introduction. – 2 Formation of Xiyou ji. – 3 Ming Editions of Xiyou ji. – 4 Correspondence between the Zhu and 1952 Xiyou ji. – 5 Priority of the Zhu Text According to My Reading. – 6 Chapter Titles in Xiyou Ji, Chapters 1-14. – 7 How the Author/redactor of The 1592 Edition Uses the Titles from Chapters 1, 8, 13, and The 14 of the Zhu Text. – 8 Chapter Titles in Chapters 15-35 of The 1592 Editiong of Xiyou ji and Corresponding Ones from the Zhu Text. – 9 How The 1592 Author/Redactor Uses the Zhu Titles for Some of the Titles in Chapter 15-35 of Xiyou ji. – 10 How The 1592 Author/ Redactor Creates His Own Titles.
    [Show full text]
  • 5 Days Tour – AC01
    5 Days Tour – AC01 1 TPE-CTST-AC01: Sun Moon Lake/Tainan/Kaohsiung Day Itinerary Meals 1 0830 pick up from your hotel in Taipei Lunch Dinner Tour: Taichung National Theater / Sun Moon Lake ★Hotel: Lalu Sun Moon Lake or same category resorts/Hotels 2 Breakfast at hotel Breakfas t 0830 check out and pick up from your hotel Lunch Tour: Dinner Sun Moon Lake Tea Farm / Xitou/ Lukang Mazu Temple/Lukang Longshan temple/Tainan 2 ★Hotel: Tainan Tayih Landis Hotel or same category Hotels 3 Breakfast at hotel Breakfa st 0830 check out and pick up from your hotel Lunch Tour: Dinner Chikan Tower/Cheng Chen Kung Shrine/Anping fort/Anping Old Street/Confucius Temple/Forganshan Monastery /Kaohsiung ★Hotel: Chateau de Chine Kaohsiung or same category Hotels 4 Breakfast at hotel Breakfa 3 st 0830 check out and pick up from your hotel Lunch Tour: Dinner National Kaohsiung Center for Arts(Weiwuyin)/Pier 2 / Formosa subway station / Taichung ★Hotel: Taichung Maison de Chine Hotel or same category hotels 5 Breakfast at hotel Breakfa : st 0830 Check out after breakfast Lunch Tour: Taichung Rainbow Village / Sanyi Wood sculpture Museum/ Taipei Sun Moon Lake - The Sun Moon Lake, located in the middle of Taiwan, with 4 an elevation of 748 meters above sea level, is the only natural big lake in Taiwan. The southern part of Lalu Island is shaped like a new moon, and the northern part is shaped like a sun; hence the name Sun Moon Lake. The most famous sights around Sun Moon Lake are the Itashao, Lalu Island, the Xuanzang Temple, the Ci-en Pagoda, and the Wenwu Temple and so on.
    [Show full text]
  • Modern Taipei Let's Come Have Fun with Me in Taiwan Date City Hotel Schedule Meal Transportation
    Modern Taipei Let's come have fun with me in Taiwan Date City Hotel Schedule Meal Transportation Day1 India Taiwan Taipei Taoyuan/Orchard Park or same level Taipei Flight meals Airplane、Bus B: Hotel Taoyuan National Palace Museum Taipei/Sunworld Dynasty Hotel or same Day2 Taipei Chiang Kai-Shek Shilin Residence CKS L:Local Reataurant Bus level Memorial Hall Stay in Taipei D: Hotel B:Hotel Taipei National Taichung Theater Xitou Day3 Nantou Xitou/LE MIDI HOTEL or same level L:Local Reataurant Bus Nature Education Area stay in Nantou D: Hotel B:Hotel Chung Tai Chan Monastry Sun Moon Lake Day4 Nantou Xitou/Yoou Shan grand Hotel or same level L:India Reataurant Bus (Includes lake tours) stay in Nantou D: Hotel B:Hotel Nantou Jiufen Old Street Taipei 101 Taipei/Sunworld Dynasty Hotel or same Day5 Taipei shopping mall National Dr. Sun Yat-sen L: Local Reataurant Bus level Memorial Hall Stay in Taipei D: India Reataurant Day6 Taiwan Taipei India Sweet Home India Flight meals Bus、Airplane 【CKS Memorial Hall】 This memorial hall is home to several classical Chinese buildings, including the stately memorial itself as well as the National Concert Hall and National Theater. Another highlight is the hourly honor guard display. Chiang Kai-shek Memorial Hall is located in the heart of Taipei City. The area is 250,000 square meters and it is the attraction most visited by foreign tourists. Outside the gate of Chiang Kai-shek Memorial Hall, there are poles carrying the sign of true rightness. The architecture of Chiang Kai-shek Memorial Hall is inspired by Tientam in Beijing.
    [Show full text]
  • Fiction-2-2018-2.Pdf
    Journey the the West (With a Twist) Quarry Bay School, Bratton, Luke - 8 t was a usual evening. Sun Wukong, Zhu Bajie, White Dragon Horse and Tang Sanzang were all happily sitting around the Dining table feasting on a banquet. Everyone was having a good time. They I were telling jokes and reminding everyone about good times. Except for one thing. Zhu Bajie was acting very strangely. He just wasn't being himself. Tang Sanzang seemed to be the only one who noticed Zhu Bajie and his unusual behaviour. As it got late, they all accidentally fell asleep at the table. Sun Wukong was exhausted but just couldn't fall asleep. Out of the darkness, he saw a mysterious figure move around. When it left, Sun Wukong woke up White Dragon Horse and Tang Sanzang but Zhu Bajie was nowhere to be found. Sun Wukong explained everything about how he saw a mysterious shadow and how Zhu Bajie had disappeared. That is when Tang Sanzang joined into the conversation. He told Sun Wukong and White Dragon Horse about how he noticed that Zhu Bajie was acting strangely during dinner. The three of them decided that the next day the second they woke up they were going to search for Zhu Bajie. It was dawn. White Dragon Horse, Tang Sanzang and Sun Wukong set off for their terrific quest. White Dragon Horse agreed to carry all the supplies. Even though they knocked on every door they could find and asked if anyone had seen Zhu Bajie. But the truth fell upon them.
    [Show full text]
  • Shanghai Chinese Orchestra, Zhejiang Shaoju Opera to Perform Little Ants Kunqu Opera Art Troupe Will Also Perform During January 30 Concert
    FOR IMMEDIATE RELEASE JANUARY 8, 2020 Shanghai Chinese Orchestra, Zhejiang Shaoju Opera to perform Little Ants Kunqu Opera Art Troupe will also perform during January 30 concert MUSCATINE, Iowa – For the fifth consecutive year, Muscatine will be among just a handful of communities throughout the United States that will mark the celebration of the Chinese Lunar New Year with performances from three renowned groups from China. This highly energetic and enjoyable event, one of the must go to events of the winter, will be held at 7 p.m. on Thursday, January 30, 2020 in the auditorium at Muscatine High School, 2705 Cedar Street, Muscatine. The Shanghai Chinese Orchestra, Little Ants Kunqu Opera Art Troupe, and the Zhejiang Shaoju Opera Theatre will present a rare opportunity to experience a celebration of Chinese culture that is not to be missed. A dazzling combination of traditional and modern Chinese music, vocal artistry, costumes, and acrobatics will delight all in attendance. This is the fifth straight year that Muscatine has hosted a Chinese New Year’s concert and is, once again, made available free to the public. Muscatine is the fourth stop for the Shanghai Chinese Orchestra and the Zhejiang Shaoju Opera Theatre who will perform at the Kennedy Center in Washington, D.C., on January 22, in the Chicago Symphony Center, home of the Chicago Symphony Orchestra., on Jan. 26 and in Orchestra Hall of the Max M. & Marjorie S. Fisher Music Center, home of the Detroit Symphony Orchestra, on Jan. 28. The group will also perform in the Segerstrom Center for the Arts in Costa Mesa, Calif., on Feb.
    [Show full text]