A Concise Dictionary of Phonetic Terms
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Prosody and Intonation in Non-Bantu Niger-Congo Languages: an Annotated Bibliography
Electronic Journal of Africana Bibliography Volume 11 Prosody and Intonation in Non- Bantu Niger-Congo Languages: An Annotated Article 1 Bibliography 2009 Prosody and Intonation in Non-Bantu Niger-Congo Languages: An Annotated Bibliography Christopher R. Green Indiana University Follow this and additional works at: https://ir.uiowa.edu/ejab Part of the African History Commons, and the African Languages and Societies Commons Recommended Citation Green, Christopher R. (2009) "Prosody and Intonation in Non-Bantu Niger-Congo Languages: An Annotated Bibliography," Electronic Journal of Africana Bibliography: Vol. 11 , Article 1. https://doi.org/10.17077/1092-9576.1010 This Article is brought to you for free and open access by Iowa Research Online. It has been accepted for inclusion in Electronic Journal of Africana Bibliography by an authorized administrator of Iowa Research Online. For more information, please contact [email protected]. Volume 11 (2009) Prosody and Intonation in Non-Bantu Niger-Congo Languages: An Annotated Bibliography Christopher R. Green, Indiana University Table of Contents Table of Contents 1 Introduction 2 Atlantic – Ijoid 4 Volta – Congo North 6 Kwa 15 Kru 19 Dogon 20 Benue – Congo Cross River 21 Defoid 23 Edoid 25 Igboid 27 Jukunoid 28 Mande 28 Reference Materials 33 Author Index 40 Prosody and Intonation in Non-Bantu Niger-Congo Languages Introduction Most linguists are well aware of the fact that data pertaining to languages spoken in Africa are often less readily available than information on languages spoken in Europe and some parts of Asia. This simple fact is one of the first and largest challenges facing Africanist linguists in their pursuit of preliminary data and references on which to base their research. -
Downstep and Recursive Phonological Phrases in Bàsàá (Bantu A43) Fatima Hamlaoui ZAS, Berlin; University of Toronto Emmanuel-Moselly Makasso ZAS, Berlin
Chapter 9 Downstep and recursive phonological phrases in Bàsàá (Bantu A43) Fatima Hamlaoui ZAS, Berlin; University of Toronto Emmanuel-Moselly Makasso ZAS, Berlin This paper identifies contexts in which a downstep is realized between consecu- tive H tones in absence of an intervening L tone in Bàsàá (Bantu A43, Cameroon). Based on evidence from simple sentences, we propose that this type of downstep is indicative of recursive prosodic phrasing. In particular, we propose that a down- step occurs between the phonological phrases that are immediately dominated by a maximal phonological phrase (휙max). 1 Introduction In their book on the relation between tone and intonation in African languages, Downing & Rialland (2016) describe the study of downtrends as almost being a field in itself in the field of prosody. In line with the considerable literature on the topic, they offer the following decomposition of downtrends: 1. Declination 2. Downdrift (or ‘automatic downstep’) 3. Downstep (or ‘non-automatic downstep’) 4. Final lowering 5. Register compression/expansion or register lowering/raising Fatima Hamlaoui & Emmanuel-Moselly Makasso. 2019. Downstep and recursive phonological phrases in Bàsàá (Bantu A43). In Emily Clem, Peter Jenks & Hannah Sande (eds.), Theory and description in African Linguistics: Selected papers from the47th Annual Conference on African Linguistics, 155–175. Berlin: Language Science Press. DOI:10.5281/zenodo.3367136 Fatima Hamlaoui & Emmanuel-Moselly Makasso In the present paper, which concentrates on Bàsàá, a Narrow Bantu language (A43 in Guthrie’s classification) spoken in the Centre and Littoral regions of Cameroon by approx. 300,000 speakers (Lewis et al. 2015), we will first briefly define and discuss declination and downdrift, as the language displays bothphe- nomena. -
Prosody – Introductory
THE PHONOLOGY OF RHONDDA VALLEYS ENGLISH. (Rod Walters, University of Glamorgan, 2006) 4. PROSODY – INTRODUCTORY (Readers unfamiliar with the prosodic terms used will find explanations in the Glossary.) 4.1 Aims of RVE Research Prosody (stress, rhythm, intonation etc) contributes strongly towards the ‘melody’ of Welsh English accents. Chapter 5 will attempt to describe the main features of RVE prosody. Like t'Hart, Collier, and Cohen of the Institute for Perception Research in Eindhoven (1990: 2-6), the approach will be primarily ‘from the phonetic level of observation’.35 Comments will be made concerning the functions / meanings of the prosodic forms identified, but the researcher is very aware that the links between meaning and prosody are seldom straightforward: (1) discerning the meaning of an utterance is a matter of pragmatic interpretation in which many factors beside prosody need to be taken into account (propositional content of the lexis-grammar, full context of the situation, speakers’ body language etc) (2) several prosodic features, e.g. voice quality, loudness and intonation, may be operative at the same time and therefore difficult to disentangle (3) the same prosodic feature may be involved in ‘doing’ more than one thing at the same time – for example a given pitch movement may be simultaneously involved in accentuation and demarcation (4) nearly all prosodic features – including pitch level – are subject to gradient variation and can be used to carry signals that many analysts would consider paralinguistic rather than linguistic (cf discussion in Ladd 1996: 33-41). Due to such factors, suggestions as to the meanings of RVE prosodic forms will be tentative and restricted to discourse functions such as the segmenting, structuring and highlighting of information. -
Prosodic Processes in Language and Music
Prosodic Processes in Language and Music Maartje Schreuder Copyright © 2006 by Maartje Schreuder Cover design: Hanna van der Haar Printed by Print Partners Ipskamp, Enschede The work in this thesis has been carried out under the auspices of the Research School of Behavioral and Cognitive Neurosciences (BCN), Groningen Groningen Dissertations in Linguistics 60 ISSN 0928-0030 ISBN 90-367-2637-9 RIJKSUNIVERSITEIT GRONINGEN Prosodic Processes in Language and Music Proefschrift ter verkrijging van het doctoraat in de Letteren aan de Rijksuniversiteit Groningen op gezag van de Rector Magnificus, dr. F. Zwarts, in het openbaar te verdedigen op donderdag 15 juni 2006 om 13:15 uur door Maartje Johanneke Schreuder geboren op 25 augustus 1974 te Groningen Promotor: Prof. dr. J. Koster Copromotor: Dr. D.G. Gilbers Beoordelingscommissie: Prof. dr. J. Hoeksema Prof. dr. C. Gussenhoven Prof. dr. P. Hagoort Preface Many people have helped me to finish this thesis. First of all I am indebted to my supervisor Dicky Gilbers. Throughout this disseration, I speak of ‘we’. That is not because I have some double personality which allows me to do all the work in collaboration, but because Dicky was so enthusiastic about the project that we did all the experiments together. The main chapters are based on papers we wrote together for conference proceedings, books, and journals. This collaboration with Dicky always was very motivating and pleasant. I will never forget the conferences we visited together, especially the fun we had trying to find our way in Vienna, and through the subterranean corridors in the castle in Imatra, Finland. -
Your Feet's Too Big: Downsizing English Metrics
Mad River Review Volume 1 Issue 1 Article 9 2016 Your Feet's Too Big: Downsizing English Metrics William Wilborn Follow this and additional works at: https://corescholar.libraries.wright.edu/mrr Part of the Fiction Commons Recommended Citation Wilborn, W. (2016). Your Feet's Too Big: Downsizing English Metrics, Mad River Review, 1 (1). This Criticism is brought to you for free and open access by CORE Scholar. It has been accepted for inclusion in Mad River Review by an authorized editor of CORE Scholar. For more information, please contact library- [email protected]. Wilborn: Your Feet's Too Big: Downsizing English Metrics WILLIAM WILBORN Your Feet’s Too Big: Downsizing English Metrics Classical English metrics, as in Shakespeare's iambic pentameter, is a method of grouping the local rhythms of language into two ascending levels of organization, the foot and the line or verse. Unfortunately our understanding of this method has long been clouded by theory. That is because verse is more like dancing than computation. A gardener at Rydal Mount remembered watching Wordsworth as he composed. In his innocence he reveals the physical basis of practical metrics. Essentially he tells us that for Wordsworth iambic meter was walking: I think I can see him at it now. He was ter'ble thrang [busy] with visitors and folks, you mun kna, at times, but if he could git awa fra them for a spell, he was out upon his gres [grass] walk; He would set his head a bit forrad, and put his hands behint his back. And then he would start bumming, and it was bum, bum, bum, stop; then bum, bum, bum, reet down til t'other end [of the walk], and then he'd set down and git a bit o' paper out and write a bit; and then he git up, and bum, bum, bum, and goa on bumming for long enough right down and back agean. -
Some Problems in Prosody
1903·] Some Problems in Prosody. 33 ARTICLE III. SOME PROBLEMS IN PROSODY. BY PI10PlCSSOI1 R.aBUT W. KAGOUN, PR.D. IT has been shown repeatedly, in the scientific world, that theory must be supplemented by practice. In some cases, indeed, practice has succeeded in obtaining satisfac tory results after theory has failed. Deposits of Urate of Soda in the joints, caused by an excess of Uric acid in the blood, were long held to be practically insoluble, although Carbonate of Lithia was supposed to have a solvent effect upon them. The use of Tetra·Ethyl-Ammonium Hydrox ide as a medicine, to dissolve these deposits and remove the gout and rheumatism which they cause, is said to be due to some experiments made by Edison because a friend of his had the gout. Mter scientific men had decided that electric lighting could never be made sufficiently cheap to be practicable, he discovered the incandescent lamp, by continuing his experiments in spite of their ridicule.1 Two young men who "would not accept the dictum of the authorities that phosphorus ... cannot be expelled from iron ores at a high temperature, ... set to work ... to see whether the scientific world had not blundered.'" To drive the phosphorus out of low-grade ores and convert them into Bessemer steel, required a "pot-lining" capable of enduring 25000 F. The quest seemed extraordinary, to say the least; nevertheless the task was accomplished. This appears to justify the remark that "Thomas is our modem Moses";8 but, striking as the figure is, the young ICf. -
On the Theoretical Implications of Cypriot Greek Initial Geminates
<LINK "mul-n*">"mul-r16">"mul-r8">"mul-r19">"mul-r14">"mul-r27">"mul-r7">"mul-r6">"mul-r17">"mul-r2">"mul-r9">"mul-r24"> <TARGET "mul" DOCINFO AUTHOR "Jennifer S. Muller"TITLE "On the theoretical implications of Cypriot Greek initial geminates"SUBJECT "JGL, Volume 3"KEYWORDS "geminates, representation, phonology, Cypriot Greek"SIZE HEIGHT "220"WIDTH "150"VOFFSET "4"> On the theoretical implications of Cypriot Greek initial geminates* Jennifer S. Muller The Ohio State University Cypriot Greek contrasts singleton and geminate consonants in word-initial position. These segments are of particular interest to phonologists since two divergent representational frameworks, moraic theory (Hayes 1989) and timing-based frameworks, including CV or X-slot theory (Clements and Keyser 1983, Levin 1985), account for the behavior of initial geminates in substantially different ways. The investigation of geminates in Cypriot Greek allows these differences to be explored. As will be demonstrated in a formal analysis of the facts, the patterning of geminates in Cypriot is best accounted for by assuming that the segments are dominated by abstract timing units such as X- or C-slots, rather than by a unit of prosodic weight such as the mora. Keywords: geminates, representation, phonology, Cypriot Greek 1. Introduction Cypriot Greek is of particular interest, not only because it is one of the few varieties of Modern Greek maintaining a consonant length contrast, but more importantly because it exhibits this contrast in word-initial position: péfti ‘Thursday’ vs. ppéfti ‘he falls’.Although word-initial geminates are less common than their word-medial counterparts, they are attested in dozens of the world’s languages in addition to Cypriot Greek. -
Chapter 3 Distributed Morphology and the Pieces of Inflection Morris Halle
Chapter 3 Distributed Morphology and Morris Halle and the Pieces of Inflection Alec Marantz 1 Morphology with or without Affixes The last few years have seen the emergence of several clearly articulated alternative approaches to morphology. One such approach rests on the notion that only stems of the so-called lexical categories (N, V, A) are morpheme "pieces" in the traditional sense—connections between (bun- dles of) meaning (features) and (bundles of) sound (features). What look like affixes on this view are merely the by-product of morphophonological rules called word formation rules (WFRs) that are sensitive to features associated with the lexical categories, called lexemes. Such an a-morphous or affixless theory, adumbrated by Beard (1966) and Aronoff (1976), has been articulated most notably by Anderson (1992) and in major new studies by Aronoff (1992) and Beard (1991). In contrast, Lieber (1992) has refined the traditional notion that affixes as well as lexical stems are "mor- pheme" pieces whose lexical entries relate phonological form with mean- ing and function. For Lieber and other "lexicalists" (see, e.g., Jensen 1990), the combining of lexical items creates the words that operate in the syntax. In this paper we describe and defend a third theory of morphol- ogy, Distributed Morphology,1 which combines features of the affixless and the lexicalist alternatives. With Anderson, Beard, and Aronoff, we endorse the separation of the terminal elements involved in the syntax from the phonological realization of these elements. With Lieber and the lexicalists, on the other hand, we take the phonological realization of the terminal elements in the syntax to be governed by lexical (Vocabulary) entries that relate bundles of morphosyntactic features to bundles of pho- nological features. -
Contrastive Modelling of the Intonation of Recapitulatory Echo Interrogative Sentences in Modern American English and Cuban Spanish
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham ePrints Garcia Romero, Gilberto (2013) Contrastive modelling of the intonation of recapitulatory echo interrogative sentences in modern American English and Cuban Spanish. MA(Res) thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/13527/1/AN_INTONATIONAL_ANALYSIS_OF_THE_INTERR OGATIVE_SYSTEMS_IN_MODERN_ENGLISH_AND_CUBAN_SPANISH_2012.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. -
Robert Hayden (1913-1980)
ROBERT HAYDEN (1913-1980) “RUNAGATE RUNAGATE” (1962) √A highly moving—rhythmic—poetic evocation of the Underground Railroad: sights, sounds, fears, threats, the heroine Harriet Tubman, language from “WANTED” posters. Different VOICES. √ THE CONCISE OXFORD COMPANION TO AFRICAN AMERICAN LITERATURE: “One of Robert Hayden’s most successful historical poems, ‘Runagate Runagate’ (first published in 1962), employs a montage of voices to portray the tumultuous world of escaped slaves, and ultimately the fundamental human impulse toward freedom. ‘Runagate,’ a term for a runaway slave, refers specifically to Harriet Tubman and by extension to a series of symbols suggesting freedom and emancipation.” [http://oxfordindex.oup.com/view/10.1093/oi/authority.20110803100433238] √ Cental Idea: Quest for Freedom, of slaves in the American South √ Poetic Meter: Utilizes a variety of meters: dactyl, iamb, amphibrach, cretic, anapest, spondee—yet is strongly grounded in the TROCHAIC. The poem’s opening line is in Trochaic Heptameter, with other major line-groupings of 6 trochees, 4 trochees, 3 trochees, pairs of trochees “bookending” another single meter; the “hoot-owl calling” quatrain near the poem’s conclusion has all 4 lines in Trochaic Tetrameter. The use of TROCHEE is, further, associated with moments of high drama. Three MOLOSSUS in highly emotionally charged moments. √ Historical, Evocative, Powerful, Personal √ Historical sources of some of the poetic language: spirituals, hymns, abolitionist songs, WANTED posters, voices of slaves, the voice of Harriet Tubman. √ Reiteration and Alliteration: “Catch them if you can….”; “she says”; “movering, movering”; “Mean (mean mean) to be free”; “brethren brethren”; “air”; “leaves”; “No more”; “Some go (some in)”; “for me”; “darkness”; “beckoning beckoning”; “and the hunters pursuing and the hounds pursuing”; “and the night cold and the night long”; “keep on going”; “when you try to catch them”; “Many thousands”; “If you see”; “woman of earth, whipscarred, a summoning, a shining”; “Tell me . -
The Check-List Halle's Condition 2 and the Form and Meaning Of
The check-list Halle’s Condition 2 and the form and meaning of phonological features Daniel Currie Hall Meertens Instituut University of Toronto Sixth North American Phonology Conference Concordia University, Montréal April 30–May 2, 2010 1 D. C. Hall: The check-list NAPhC 6 O: C 2 Halle (1959: 19) Condition (2): e phonetic properties in terms of which segments are characterized belong to a specific, narrowly restricted set of such properties called the distinctive features. All distinctive features are binary. In accepting Condition (2), one commits oneself to characterizing all segments in all languages in terms of a restricted check list of aributes like “nasality, voicing, palatalization, etc.”, with regard to which the only relevant question is “does the segment possess the particular aribute?” It follows, therefore, that differences between segments can be expressed only as differences in their feature composition and that consequently segments (even in different languages) can differ from each other only in a restricted number of ways. 2 D. C. Hall: The check-list NAPhC 6 O: C 2 In other words: 1. Segments are sets of features 2. Features are binary 3. Features are drawn from an innate universal set 4. Features have phonetic content These fundamental assumptions of SPR are all more or less controversial 51 years later. 3 D. C. Hall: The check-list NAPhC 6 1: S H ? One possibility: I Segments (or unsegmented uerances) are represented exactly as spoken/heard, in full phonetic detail. I This is the view of Exemplar Theory (e.g., Johnson 1996, 2007; Pierrehumbert 2001, 2002; Cole 2009). -
Prolegomena To, Prolegomena to a Theory of Wordformation. a Reply To
AMSTERDAM STUDIES IN THE THEORY AND HISTORY OF LINGUISTIC SCIENCE E. F. K. KOERNER, General Editor Series IV - CURRENT ISSUES IN LINGUISTIC THEORY Advisory Editorial Board Henning Andersen (Albany, N.Y.); Raimo Anttila (Los Angeles) Tomaz V. Gamkrelidze (Tiflis); Klaus J. Kohler (Kiel) J. Peter Mäher (Hamburg);Ernst Pulgram (Ann Arbor, Mich.) E. Wyn Roberts (Vancouver, B.C.); Danny Steinberg (Honolulu) Volume 1 E. F. K. Koerner, ed. The Transformational-Generative Paradigm and Modern Linguistic Theory THE TRANSFORMATIONAL-GENERATIVE PARADIGM AND MODERN LINGUISTIC THEORY edited by E. F. K. KOERNER with the assistance of JOHN ODMARK and J. HOWARD SHAW AMSTERDAM / JOHN BENJAMINS B.V. 1975 © Copyright 1975 - John Benjamins B.V. ISBN 90 272 0901 4/90 272 0902 2 No part of this book may be reproduced in any form, by print, photoprint, microfilm or any other means, without written permission from the publisher. CONTENTS Preface v I. SYNTAX AND SEMANTICS Dwight Bolinger: Meaning and Form: Some fallacies of asemantic grammar 3 Adam Makkai: Stratificational Solutions to Unbridgeable Gaps in Transformational-Generative Grammar 37 Fred C. C. Peng: Non-Uniqueness in the Treatment of the Separabil- ity of Semantics and Syntax in Compound Expressions 87 II. PHONOLOGY AND MORPHOLOGY Hsin-I Hsieh: How Generative is Phonology? (On listing phonolog- ical surface forms in the lexicon) 109 Michael Kenstowicz: Rute Application in Pre-Generative American Phonology 145 Leonhard Lipka: Prolegomena to "Prolegomena to a Theory of Word- Formation":, A reply to Morris Halle 175 Royal Skousen: On the Nature of Morphophonemic Alternation . .185 Danny D. Steinberg and Robert K.