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James Taylor: Making Music and Memories by John Fries
Pittsburgh Boomers | August 2005 James Taylor: Making Music and Memories By John Fries If you went to high school during the 1970's, as I did, you'll recall a lot of really great music -- on the radio, in the school cafeteria at lunchtime, and on the eight track tapes you punched into your car dashboards at night while driving around. While the musical landscape offered something for everyone, much of it seemed to fall into two distinct categories: straight-ahead rock and top 40 pop. Here in Pittsburgh, we were either tuned to Trevor Ley playing Led Zeppelin or Pink Floyd on 'DVE or listening to the "New Sound of 13Q," which played a wide and eclectic mix of whatever was in the top 40 at the time. The top hits of the day were listed each week in the pocket-sized "hit parades" KQV and 13Q published and provided for free in local record stores. The list could include any combination of rock, power pop, country, rhythm and blues, vocalists, the occasional novelty record, and that 70's radio staple known as the singer-songwriter. Remember them? The mellow music makers who played guitar or piano, wrote meaningful, introspective lyrics, and served up gentle melodies? The singer-songwriter sections of our 45 collections included titles by such artists as Jackson Browne, Neil Young, Carole King, Joni Mitchell, John Denver, Paul Simon and a West Coast band of country rock upstarts called the Eagles. Although they were - and are -- all great artists, James Taylor became the undisputed king of the genre. -
College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark D
James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2017 College orchestra director programming decisions regarding classical twentieth-century music Mark D. Taylor James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Arts and Humanities Commons Recommended Citation Taylor, Mark D., "College orchestra director programming decisions regarding classical twentieth-century music" (2017). Dissertations. 132. https://commons.lib.jmu.edu/diss201019/132 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark David Taylor A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music August 2017 FACULTY COMMITTEE Committee Chair: Dr. Eric Guinivan Committee Members/ Readers: Dr. Mary Jean Speare Mr. Foster Beyers Acknowledgments Dr. Robert McCashin, former Director of Orchestras and Professor of Orchestral Conducting at James Madison University (JMU) as well as a co-founder of College Orchestra Directors Association (CODA), served as an important sounding-board as the study emerged. Dr. McCashin was particularly helpful in pointing out the challenges of undertaking such a study. I would have been delighted to have Dr. McCashin serve as the chair of my doctoral committee, but he retired from JMU before my study was completed. -
Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Mahler's Symphony No. 10
SCHEDULE OF EVENTS WEDNESDAY, MAY 17, 7:30PM [Concert] Gordon Gamm Theater at The Dairy Center • G. Kurtág: Signs, Games, Messages (Jelek, Játékok és Üzenetek) • D. Matthews: Romanza for Violin and Piano, op 119a (U.S. Premiere) • G. Mahler/A. Schnittke: Piano Quartet in a (fragments) • F. Schubert: String Quintet in C, D. 956, Op. posth. 163 THURSDAY, MAY 18, 1:30PM [Master Class] Boulder Public Library • The Conducting Fellows, Kenneth Woods, David Matthews and Mahler specialists. • Mahler: Lieder eines fahrenden Gesellen– Chamber version (Schoenberg) FRIDAY, MAY 19, 2:00PM [FILM] BOEDECKER THEATRE AT THE DAIRY CENTER, BOULDER • Ken Russell’s Mahler SATURDAY, MAY 20, [Symposium] (speaker order subject to change) • Morning Session – 8:30am – C-199 – Imig Building, CU Boulder • Frans Bouwman ”Transcribing Mahler 10: what does it show?” • David Matthews ”Mahler’s 10th Symphony – Restored to Life” • Kenneth Woods, Artistic Director and Conductor, Colorado MahlerFest “A Conductor’s Perspective on the Tenth Symphony” • Jerry Bruck assisted by Louise Bloomfield In“ Search of Mahler: A Personal Recollection” • Lunch – Atrium Lobby, ATLAS building, University of Colorado • Afternoon Session – 1:30pm - Rm 102 – ATLAS Building, CU Boulder • Panel Discussion with David Matthews, Kenneth Woods and Donald Fraser • Jason Starr’s “For the Love of Mahler – The Inspired Life of Henry-Louis de La Grange” Presented in Memory of Henry-Louis de La Grange SATURDAY, MAY 20, 7:30 PM [Orchestral Concert] Macky Auditorium, University of Colorado SUNDAY, MAY 21, 3:30 PM [Orchestral Concert] Macky Auditorium, University of Colorado • Sir Edward Elgar (arr. David Matthews): String Quartet in e, opus 83 – arranged for string orchestra (2010) (US Premiere) • Gustav Mahler: Symphony No. -
Program for the Elixir of Love
DONIZETTI’S THE ELIXIR OF LOVE A potent potion to drive devotion APRIL 21, 24, 27, 29, 2018 STUDENT MATINEE: APRIL 26, 2018 BENEDUM CENTER 2017-18 SEASON TABLE OF CONTENTS THE ELIXIR EstatementJEWELRY OF LOVE (L’elisir d’amore) Set the stage for compliments and make a statement Music by Gaetano Donizetti every time you wear a piece of fine jewelry from Libretto by Felice Romani, after Eugène Scribe’s libretto for Daniel Auber’s Le philtre (1831) our Vintage & Contemporary Estate Collection. Affordable luxury that steals the spotlight. 2 .............Letter From Our Board Leadership Michele Fabrizi 3 .............Letter From Our General Director Board Chair 5 .............The Cast Gene Welsh 7 .............Synopsis Board President Christopher Hahn 11 ............Artist Biographies General Director 22 ...........Director’s Note Antony Walker 24 ...........Learn About Opera Music Director 25 ...........Student Matinee 26 ...........The Monteverdi Society Allison M. Ruppert Managing Editor 27 ............Board of Directors Platinum rings featuring Greenawalt Design LLC Rubies, Pink Tourmaline, 31 ............Annual Fund Listings Graphic Design and Precious Topaz. To schedule 38 ...........Orchestra your advertising in Pittsburgh Opera’s Authentic • Curated • Quality 39 ...........Chorus and Supernumeraries program, please call 412-471-1497 or VINTAGE & CONTEMPORARY 43 ...........Staff and Volunteers email advertising@ culturaldistrict.org. MOSES 44 ...........Benedum Directory Jewelers SINCE 1949 This program is published by Pittsburgh Opera, Inc., 2425 Liberty Avenue, Pittsburgh, PA 15222. EstateJEWELRY COLLECTION Phone: 412-281-0912; Fax 412-281-4324; Website www.pittsburghopera.org. Celebrating 69 years in business! All correspondence should be sent to the above address. Pittsburgh Opera assumes no responsibility for unsolicited manuscripts. Articles may be reprinted with permission. -
Kourier Document Setup 6-13-19
Kourier ALABAMA DISTRICT Summer 2019 Published by Alabama Kiwanis Foundation 28 pages District Convention is Aug. 2-4 By Patrice Stewart president of the Kiwanis Club of Kiwanis Kourier editor Huntsville and chairman of the con- It’s almost time to celebrate in vention. “We asked to host this year Huntsville, where the 101st Alabama because of our club’s 100th anniver- District Convention will be held Aug. sary. Huntsville is growing, and we 2-4 at Embassy Suites. want to show off our city.” The Kiwanis Club of Huntsville will The Huntsville club must receive serve as the host club, and Kiwanians other Kiwanis clubs formed that year registrations by July 26 to give meal and guests from around the state are will also be recognized at this conven- numbers to the hotel. invited to join in celebrating the club’s tion. Huntsville Kiwanians and district 100th anniversary. This Huntsville club “We are looking forward to hosting leaders have planned several speakers was organized July 14, 1919; several the whole district,” said Marc Byers, (See HUNTSVILLE, Page 5) Scenes from Kiwanis International Convention, from President-elect Vigneron from the Belgium-Luxembourg left: Kiwanis Club of Montgomery officers Sam Johnson District; and KI Executive Director Stan Soderstrom, left, and John Hutcheson, Kiwanis International President- greets Alabama Past Governor Armand St. Raymond, who elect Daniel Vigneron and Alabama Kiwanis Governor has been appointed to the Kiwanis Children’s Fund board Ben Taylor with two gold plaques for top Signature Proj- beginning Oct. 1. Soderstrom will be the luncheon ect; Alabama Governor-elect Bob Brown, left, meets with speaker at the District Convention in Huntsville Aug. -
Attendee List by Company Name
Attendee List by Company Name As of September 24, 2018 George Hansen Art Lewis Benjamin Roberts A M Best Company AARP Services Inc ABS Group Oldwick, NJ Washington, DC Knoxville, TN Bonnie Birns Ross Bradshaw Tim Eddy Accenture Accenture Accenture Jericho, NY North Brunswick, NJ Tampa, FL Bill Luo Philip Moreland Paul Pflieger Accenture Accenture Accenture Franklin Park, NJ Denville, NJ Minneapolis, MN Steven de Jong Kevin Pledge Stephen Camilli Acceptiv Acceptiv ACTEX Learning Auckland, New Zealand Toronto, ON New Hartford, CT Jennifer Hart Emil Chacko Aimee Kaye Actuarial Careers Actuarial Careers Actuarial Careers Inc White Plains, NY White Plains, NY White Plains, NY Barbara Roman Jesse West Ted Jackness Actuarial Careers Inc Actuarial Careers Inc Actuarial Careers, Inc. White Plains, NY White Plains, NY White Plains, NY Tim Cardinal Ben Wolzenski Edward Kuo Actuarial Compass Actuarial Innovations, LLC Actuarial Perspective Inc. Morrow, OH Saint Louis, MO Mississauga, ON Nate Campbell Bob Crompton John Hegstrom Actuarial Resources Corporation Actuarial Resources Corporation Actuarial Resources Corporation Overland Park, KS Alpharetta, GA San Antonio, TX Roger Loomis Craig Maly John Marsteller Actuarial Resources Corporation Actuarial Resources Corporation Actuarial Resources Corporation Overland Park, KS Overland Park, KS Indianapolis, IN Jim Merwald Robert Peterson Tom Schroeder Actuarial Resources Corporation Actuarial Resources Corporation Actuarial Resources Corporation Overland Park, KS Overland Park, KS Overland Park, KS Eric -
Volume 88, Book 2 • October 28 - November 20, 2010 B:8.75 in T:8.5 In
B:5.75 in T:5.5 in Season 10-11 Volume 88, Book 2 • October 28 - November 20, 2010 B:8.75 in T:8.5 in T:8.5 beyond measure. Christopher Seaman, Music Director • Jeff Tyzik, Principal Pops Conductor Michael Butterman, Principal Conductor for Education and Outreach • The Louise and Henry Epstein Family Chair Arild Remmereit, Music Director-Designate Job #: J10-01085_#2 Internal Route Client/Product: RPO Initials Date w/changes Initials Date w/changes Ad Description: Bravo Covers 2010/2011 Color: CMYK Client Creative Director (Art) Art Director: Joe Live: N/A Traffic/Proofreader Creative Director (Copy) Copywriter: Earl Trim: 5.5 x 8.5 Production: Daniel Bleed: 3 sides + .125” Production Account Executive Mac Operator: Daniel AE: Christan/Kate Copywriter Mac Supervisor Proof #: 3 Art Director Mac Operator Publication(s) & Issue Date(s): We applaud all great artists. Like a beautiful symphony, Stickley furniture design is timeless. COMPLIMENTARY DESIGN SERVICE 40 Eastview Park Mall, Victor, NY 14564 • 585.425.2302 StickleyAudi.com 2 rochesterPO.indd 1 9/10/10 4:44 PM ROCHESTERROCHESTER PHILHARMONICPHILHARMONIC ORCHES ORCHESTRATRA CHRISTOPHERCHRISTOPHER SEAMAN,SEAMAN, MUSICMUSIC DIRE DIRECTORCTOR beyondbeyond measure. measure. BRAVO!BRAVO! The officialofficial magazine of the RochesterRochester Philharmonic Philharmonic OrOrchestrachestra We believe that CONTENTS CONTENTS our patrons are at the FromFrom the PrPresidentesident & CEO............................................................................... 57 Rochester Philharmonic OrchestraOrchestra...............................................69 -
A Pioneering Twentieth Century African-American Musician: the Choral Works of George T
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 A Pioneering Twentieth Century African- American Musician: The Choral Works of George T. Walker Jeffery La'Moun Ames Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A PIONEERING TWENTIETH CENTURY AFRICAN-AMERICAN MUSICIAN: THE CHORAL WORKS OF GEORGE T. WALKER By JEFFERY L. AMES A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2005 The members of the Committee approve the Dissertation of Jeffery L. Ames defended on March 31, 2005. ______________________________________ André J. Thomas Professor Directing Dissertation ______________________________________ Patrick J. Meighan Outside Committee Member ______________________________________ Judy K. Bowers Committee Member ______________________________________ Kevin A. Fenton Committee Member Approved: _______________________________ Jon R. Piersol, Dean, College of Music The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is affectionately dedicated to: God for His awesome work in my life! Kimberly Ames, my wife - Thank you for praying with me, encouraging me, And being the one God ordained to walk by my side on this journey. I love you Princess! and My mother Mrs. Erma Ames, and the memory of my father Therman E. Ames, Sr. I have good plans for you, not plans to hurt you. I will give you hope and a good future. And when you search for me with all your heart, You will find me. -
The James Taylor Encyclopedia
The James Taylor Encyclopedia An unofficial compendium for JT’s biggest fans Joel Risberg GeekTV Press Copyright 2005 by Joel Risberg All rights reserved Published 2005 Printed in the United States of America James Taylor Online www.james-taylor.com [email protected] Cover photo by Joana Franca. This book is not approved or endorsed by James Taylor, his record labels, or his management. For Sandra, who brings me snacks. CONTENTS BIOGRAPHY 1 TIMELINE 16 SONG ORIGINS 27 STUDIO ALBUMS 31 SINGLES 43 WORK ON OTHER ALBUMS 44 OTHER COMPOSITIONS 51 CONCERT VIDEOS 52 SINGLE-SONG MUSIC VIDEOS 57 APPEARANCES IN OTHER VIDEOS 58 MISCELLANEOUS WORK 59 NON-U.S. ALBUMS 60 BOOTLEGS 63 CONCERTS ON TELEVISION 70 RADIO APPEARANCES 74 MAJOR LIVE PERFORMANCES 75 TV APPEARANCES 76 MAJOR ARTICLES AND INTERVIEWS 83 SHEET MUSIC AND MUSIC BOOKS 87 SAMPLE SET LISTS 89 JT’S FAMILY 92 RECORDINGS BY JT ALUMNI 96 POINTERS 100 1971 Time cover story – and nearly every piece of writing about James Taylor since then – characterized the musician Aas a troubled soul and the inevitable product of a family of means that expected quite a lot of its kids. To some extent, it was true. James did find inspiration for much of his life’s work in his emotional torment and the many years he spent fighting drug addiction and depression. And he did hail from an affluent, musically talented family that could afford to send its progeny to exclusive prep schools and expensive private mental hospitals. But now James Taylor in his fifties has the benefit of hindsight to moderate any lingering grudges against a press that persistently pigeonholed him – first as a sort of Kurt Cobain of his day, and much later as a sleepy crooner with his most creative years behind him. -
An Annotated Bibliography and Performance Commentary of The
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-1-2016 An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble Stephen Andrew Hunter University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Fine Arts Commons, Music Education Commons, Music Performance Commons, and the Other Music Commons Recommended Citation Hunter, Stephen Andrew, "An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble" (2016). Dissertations. 333. https://aquila.usm.edu/dissertations/333 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. AN ANNOTATED BIBLIOGRAPHY AND PERFORMANCE COMMENTARY OF THE WORKS FOR CONCERT BAND AND WIND ORCHESTRA BY COMPOSERS AWARDED THE PULITZER PRIZE IN MUSIC 1993-2015, AND A LIST OF THEIR WORKS FOR CHAMBER WIND ENSEMBLE by Stephen Andrew Hunter A Dissertation Submitted to the Graduate School and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: ________________________________________________ Dr. Catherine A. Rand, Committee Chair Associate Professor, School of Music ________________________________________________ Dr.