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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Mahler's Symphony No. 10
SCHEDULE OF EVENTS WEDNESDAY, MAY 17, 7:30PM [Concert] Gordon Gamm Theater at The Dairy Center • G. Kurtág: Signs, Games, Messages (Jelek, Játékok és Üzenetek) • D. Matthews: Romanza for Violin and Piano, op 119a (U.S. Premiere) • G. Mahler/A. Schnittke: Piano Quartet in a (fragments) • F. Schubert: String Quintet in C, D. 956, Op. posth. 163 THURSDAY, MAY 18, 1:30PM [Master Class] Boulder Public Library • The Conducting Fellows, Kenneth Woods, David Matthews and Mahler specialists. • Mahler: Lieder eines fahrenden Gesellen– Chamber version (Schoenberg) FRIDAY, MAY 19, 2:00PM [FILM] BOEDECKER THEATRE AT THE DAIRY CENTER, BOULDER • Ken Russell’s Mahler SATURDAY, MAY 20, [Symposium] (speaker order subject to change) • Morning Session – 8:30am – C-199 – Imig Building, CU Boulder • Frans Bouwman ”Transcribing Mahler 10: what does it show?” • David Matthews ”Mahler’s 10th Symphony – Restored to Life” • Kenneth Woods, Artistic Director and Conductor, Colorado MahlerFest “A Conductor’s Perspective on the Tenth Symphony” • Jerry Bruck assisted by Louise Bloomfield In“ Search of Mahler: A Personal Recollection” • Lunch – Atrium Lobby, ATLAS building, University of Colorado • Afternoon Session – 1:30pm - Rm 102 – ATLAS Building, CU Boulder • Panel Discussion with David Matthews, Kenneth Woods and Donald Fraser • Jason Starr’s “For the Love of Mahler – The Inspired Life of Henry-Louis de La Grange” Presented in Memory of Henry-Louis de La Grange SATURDAY, MAY 20, 7:30 PM [Orchestral Concert] Macky Auditorium, University of Colorado SUNDAY, MAY 21, 3:30 PM [Orchestral Concert] Macky Auditorium, University of Colorado • Sir Edward Elgar (arr. David Matthews): String Quartet in e, opus 83 – arranged for string orchestra (2010) (US Premiere) • Gustav Mahler: Symphony No. -
Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC STANLEY HASTY: HIS LIFE AND TEACHING By ELIZABETH MARIE GUNLOGSON A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2006 Copyright @ 2006 Elizabeth M. Gunlogson All Rights Reserved The members of the Committee approve the Treatise of Elizabeth M. Gunlogson defended on November 10, 2006. ______________________ Frank Kowalsky Professor Directing Treatise ______________________ Seth Beckman Outside Committee Member ______________________ Patrick Meighan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Stanley and June Hasty iii ACKNOWLEDGEMENTS First and foremost I would like to thank Stanley and June Hasty for sharing their life story with me. Your laughter, hospitality and patience throughout this whole process was invaluable. To former Hasty students David Bellman, Larry Combs, Frank Kowalsky, Elsa Ludewig- Verdehr, Tom Martin and Maurita Murphy Mead, thank you for your support of this project and your willingness to graciously share your experiences with me. Through you, the Hasty legacy lives on. A special thanks to the following people who provided me with valuable information and technical support: David Coppen, Special Collections Librarian and Archivist, Sibley Music Library (Eastman School of Music); Elizabeth Schaff, Archivist, Peabody Institute/Baltimore Symphony Orchestra; Nicole Cerrillos, Public Relations Manager, Pittsburgh Symphony Orchestra; Tom Akins, Archivist, Indianapolis Symphony Orchestra; James Gholson, Professor of Clarinet, University of Memphis; Carl Fischer Music Publishing; and Annie Veblen-McCarty. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Piano Concerto No. 1 in C minor with Trumpet and String Orchestra, Op. 35 (1933) Dmitri Alexeyev (piano)/Philip Jones (trumpet)/Jerzy Maksymiuk/English Chamber Orchestra ( + Piano Concerto No. 2, Unforgettable Year 1919, Gadfly: Suite, Tahiti Trot, Suites for Jazz Orchestra Nos. 1 and 2) CLASSICS FOR PLEASURE 382234-2 (2007) Victor Aller (piano)/Murray Klein (trumpet)/Felix Slatkin/Concert Arts Orchestra ( + Hindemith: The Four Temperaments) CAPITOL P 8230 (LP) (1953) Leif Ove Andsnes (piano)/Håkan Hardenberger (trumpet)/Paavo Järvi/City of Birmingham Symphony Orchestra ( + Britten: Piano Concerto and Enescu: Legende) EMI CLASSICS 56760-2 (1999) Annie d' Arco (piano)/Maurice André (trumpet)/Jean-François Paillard/Orchestre de Chambre Jean François Paillard (included in collection: "Maurice André Edition - Volume -
Claude Debussy Iberia Rochester Philharmonic Orchestra / Theodore Bloomfield, Conductor
Claude Debussy Iberia Rochester Philharmonic Orchestra / Theodore Bloomfield, Conductor 1 I. Par les rues et par les chemins 07:08 2 II. Les parfums de la nuit 08:27 3 III. Rondes de printemps 04:27 Maurice Ravel Rochester Philharmonic Orchestra / Theodore Bloomfield, Conductor 4 La Valse 11:54 Maurice Ravel Rhapsodie espagnole Rochester Philharmonic Orchestra / Theodore Bloomfield, Conductor 5 I. Prelude a la Nuit 04:21 6 II. Malaguena 02:01 7 III. Habanera 02:33 8 IV. Feria 06:03 Debussy: Ibéria orchestral pieces. As it turned out, he never falls; nature sleeps and is at rest until bells Ravel: La Valse – a choreographic did orchestrate Gigues; that task he assigned and aubades announce the dawn, and the poem /Rapsodie Espagnole to his pupil André Caplet. world awakens to life.” Theodore Bloomfield conducting The Rochester Philharmonic The first sketches for Ibéria date from Ravel: La Valse Orchestra 1906. At one point during its composition, Debussy wrote his publisher that he had in Maurice Ravel composed his choreo- With these three colorful French orches- mind three different finales for Ibéria, and graphic poem La Valse in 1920 at the sugges- tral masterpieces, a brilliant young American didn’t know whether to toss a coin in order to tion of Sergei Diaghilev, who wished to have conductor – Theodore Bloomfield – and a decide which to use or to sit down and devise an “Apotheosis of the Waltz” to make into great American orchestra – the Rochester a fourth ending. a ballet for his Russian troupe. When Ravel Philharmonic – make their debuts on Everest showed him the music, however, he did not Records. -
CENTRAL OPERA SERVICE BULLETIN Sponsored by the Metropolitan Opera National Council • 147 West 39Th Street • New York, N.Y
CENTRAL OPERA SERVICE BULLETIN Sponsored by the Metropolitan Opera National Council • 147 West 39th Street • New York, N.Y. 10018 • PE 6-1200 May, 1965 NEW OPERAS AND PREMIERES Ludwig Lenel, in-residence composer at Muhlenberg College, Pa., will have his second opera, THE BOSS , premiered by Muhlenbergfs opera work- shop. The one-act work will be presented on May 13, 14, and 15 together with Wolf-Ferrari's "Secret of Suzanna". The Opera Workshop, started in 1960, became a joint college-community venture in 1962 and, in addi- tion to its annual Spring performances at the college, has performed for local clubs and organizations in the community and in surrounding areas. In 1963 the group premiered Lenel's "Young Goodman Brown". ******* Henry Papale, 28-year old composer from Pittsburgh, based his most re- cent opera on Gogol's THE NOSE, choosing the same subject matter as did Shostakovich. Other works by Mr. Papale include THE BALLOON, a one-act "abstract tragedy" with a cast of four, scored for chamber orchestra or piano accompaniment, and two children's operas, THE ONLY GREEN PLANET, a two-act space musical for seventh and eighth graders, and THE PRINCE AND THE SHOVEL-TOOTHED WITCH to be performed by an adult cast. This 35-minute opera recently won first prize at the Penn State Children's Dramatic Radio Show competition. Por further informa- tion contact Mr. Papale at 521 Collins Ave., Pittsburgh, Pa. ******* After the copyrights expired on Gilbert and Sullivan works in 1961, George Rowell and Kenneth Mobbs, two British Savoyard specialists, combined Gilbert's play "Engaged" with various unknown musical numbers by Sullivan. -
Tanglewood, Kripalu Center for Yoga & Health Is the Largest Yoga-Based Retreat Center in North America
summer 2016 boston symphony orchestra andris nelsons music director Explore the power of you. Located just down the road from Tanglewood, Kripalu Center for Yoga & Health is the largest yoga-based retreat center in North America. From our breathtaking views to our renowned cuisine, we invite you to join us to enjoy everything Kripalu has to offer. Stockbridge, MA | 888.893.1957 | kripalu.org MISSION DRIVEN, DONOR SUPPORTED Kripalu® is a registered trademark of Kripalu Center for Yoga & Health. All rights reserved. (detail), c. 1617–19. Oil on canvas. Image © Photographic Archive. Museo Nacional del Prado, Madrid (detail), c. 1617–19. Oil on canvas. Image © Photographic Archive. Museo Nacional Saint Sebastian SPLENDOR, Guido Reni, MYTH, AND VISION THROUGH OCTOBER 10 CLARKART.EDU WILLIAMSTOWN, MASSACHUSETTS Splendor, Myth, and Vision is co-organized by the Clark Art Institute and the Museo Nacional del Prado, Madrid. Major underwriting is provided by Denise Littlefield Sobel and Diane and Andreas Halvorsen. Generous contributors include the National Endowment for the Arts and the Malcolm Hewitt Wiener Foundation. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Andris Nelsons, Ray and Maria Stata Music Director Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 135th season, 2015–2016 Trustees of the Boston Symphony Orchestra, Inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. -
BPM Proudly Supports the Santa Rosa Symphony
2020 SEASON 2021 RESIDENT ORCHESTRA GREEN MUSIC CENTER SHARE EVERY MOMENT FRANCESCO LECCE-CHONG Music Director srsymphony.org 54-MUSIC (707) 546-8742 MODERNIZING MISSISSIPPI EXPLOR ATION Only with Viking, the small ship experts. Make your dreams come true in 2022 and be among the first to explore America’s mightiest of waterways with us. Visit viking.com/santarosasymphony, call 1-800-304-9616 or see your Travel Advisor. 2 Santa Rosa Symphony RESIDENT ORCHESTRA | WEILL HALL, THE GREEN MUSIC CENTER CST: #2052644-40 Serving Sonoma County musicians and their families since 1947 Serving Sonoma County musicians and their families since 1947. STANROY MUSIC CENTER 850 4th Street Santa Rosa (707)545-4827 www.stanroy.com 2020 – 2021 Season 3 When looking for the right people to manage your trust, start with the word itself. Trust. Expert financial advice is here whenever you need it. Ask a banker or visit exchangebank.com Trust and investment products are not FDIC insured. Not a bank deposit. Not insured by any federal government agency. No bank guarantee. May lose value. Trust Administration | Retirement Plan Management Investment Management | Estate Settlement 4 Santa Rosa Symphony RESIDENT ORCHESTRA | WEILL HALL, THE GREEN MUSIC CENTER santa kids know that... rosa sYMPHONY FRANCESCO LECCE-CHONG MUSIC DIRECTOR Contents Francesco Lecce-Chong Welcome . 7 Welcome from the Association Chair . 9 Welcome from the President & CEO . 9 Board of Directors and Staff . 10 Francesco Lecce-Chong Biography . 12 HELPING Orchestra Roster . 13 Ellen Taaffe Zwilich . 14 Program Notes Begin . 16 Ways to Watch . 27 Heritage Society . 34-35 Encore Society . -
High-Fidelity-1965-Dec.Pdf
REVIEWS OF MORE THAN 150 NEW RECORDS AND TAPES a.* www.americanradiohistory.com her rece 4.40 N S I S T O R F M- M R X R E C E v ER 9Z 99 96198 109 oz i 106 1[18 .- D D O . p ,t.. I . , ,. , . E t M M TUNING :.aotielPto MEMO EOE: 'Ave HOrvS' FM AUTO O TAPE l TAPE L EM MONO HEAD TAPE R AUX ellilliS . O 1 ' oMOti - TREBLE BALANCE MONITOR PHONES SELECTOR receiver is the kind of gift everyone Features and Specifications Tuner Section: 4 -gang transistor front end: 4 IF stages; 3 limiters; STEREO BEACON*: automatic everyone would like to receive. Solid - stereo switching; sensitivity, 2.0 µv (IHF); stereo separation, 35 db; S'N (100% mod.), 68 db; amplifier and solid -state stereo control selectivity, 50 db; capture ratio, 2.2 db. Amplifier Section: Silicon output transistors; short circuit protection: speaker selector switch (main or ; very cir- and all of the latest Fisher remote.); front -panel headphone jack; music ( IHF ),4- ohms,70watts; harmonic and 1M distor- power ± ,pments in transistor technology. If the tion, O.R'; : frequency response (overall), 20- 22,000 cps 1.5 db; hum and noise, 80 db; input phono magnetic (low), 4.5 mv; stereo separation, phono magnetic, 50 db. what would you say if it sensitivity. aurally." But Mechanical: Size: 1634 wide x 51/4" high x II" deep (123" including knobs and heat sink). tional cabinet? "Gift wrap it, please "? Weight: 21 pounds. 'PATENT PENDING CIRCLE 35 ON READER -SERVICE CARD www.americanradiohistory.com FREE! $2.00 VALUE! Send for your free copy of The New Fisher Handbook. -
Sibelius (1865-1957, Finland)
FINNISH & BALTIC SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Jean Sibelius (1865-1957, Finland) Born in Hämeenlinna. Slated for a career in law, he left the University of Helsingfors (now Helsinki) to study music at the Helsingfors Conservatory (now the Sibelius Academy). His teachers were Martin Wegelius for composition and Mitrofan Vasiliev and Hermann Csilag. Sibelius continued his education in Berlin studying counterpoint and fugue with Albert Becker and in Vienna for composition and orchestration with Robert Fuchs and Karl Goldmark. He initially aimed at being a violin virtuoso but composition soon displaced that earlier ambition and he went on to take his place as one of the world's greatest composer who not only had fame in his own time but whose music lives on without any abatement. He composed a vast amount of music in various genres from opera to keyboard pieces, but his orchestral music, especially his Symphonies, Violin Concertos, Tone Poems and Suites, have made his name synonymous with Finnish music. Much speculation and literature revolves around Sibelius so- called "Symphony No. 8." Whether he actually wrote it and destroyed it or never wrote it all seems less important than the fact that no such work now exists. Symphony No. 1 in E minor, Op. 39 (1899) Maurice Abravanel/Utah Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6 and 7) MUSICAL CONCEPTS MC 132 (3 CDs) (2012) (original release: VANGUARD SRV 381-4 {4 LPs}) (1978) Nikolai Anosov/Moscow Radio Symphony Orchestra MELODIYA D 02952-3 (LP) (1956) Vladimir Ashkenazy/Philharmonia Orchestra ( + Symphonies Nos. -
Portland Symphony Orchestra
Portland State University PDXScholar City Club of Portland Oregon Sustainable Community Digital Library 3-25-1960 Portland Symphony Orchestra City Club of Portland (Portland, Or.) Follow this and additional works at: https://pdxscholar.library.pdx.edu/oscdl_cityclub Part of the Urban Studies Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Recommended Citation City Club of Portland (Portland, Or.), "Portland Symphony Orchestra" (1960). City Club of Portland. 191. https://pdxscholar.library.pdx.edu/oscdl_cityclub/191 This Report is brought to you for free and open access. It has been accepted for inclusion in City Club of Portland by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. PORTLAND CITY CLUB BULLETIN 107 REPORT ON THE PORTLAND SYMPHONY ORCHESTRA To THE BOARD OF GOVERNORS, THE CITY CLUB OF PORTLAND ASSIGNMENT Your Committee < i) was originally asked to study the status of the symphony or- chestras in Portland, Oregon, but the problems and complexities of the Portland Sym- phony Orchestra were so fundamental that, with your consent, this report is directed to an analysis of that orchestra alone. (2) The Portland Junior Symphony Orchestra has recently celebrated its 35th anniversary < 3 > and is distinguished as one of the pioneers in its field, and the Portland Chamber Orchestra has achieved recognition both here and abroad. These other orchestras, too, have their serious problems. Their continued existence is made possible by the devotion of their players, the dedicated personnel of their boards, their distinguished conductors, the work and sweat of countless volunteers, and—however much it has to be prodded—the gratitude of the community. -
Everest Classical Discography by David Edwards & Mike Callahan © 2018 by Mike Callahan Everest Classical Discography
Everest Classical Discography by David Edwards & Mike Callahan © 2018 by Mike Callahan Everest Classical Discography Everest LBPR-6000/SBPR-3000 Series: LPBR 6001 mono, SDBR 3001 stereo – Prokofiev Chout – Walter Susskind Conducting the London Symphony Orchestra [1958] Chout (The Buffoon) Ballet Suite Op. 21a LPBR 6002 mono, SDBR 3002 stereo – Copland Appalachian Spring Ballet/Gould Spirituals for String Choir and Orchestra – Walter Susskind Conducting the London Symphony Orchestra [1958] LPBR 6003 mono, SDBR 3003 stereo – Corroboree and Panambi: Suite from the Ballet – Antill and Ginastera and Sir Eugene Goossens Conducting the London Symphony Orchestra [1958] Corroboree: Suite from the Ballet//Panambi: Suite from the Ballet LPBR 6004-2 mono, SDBR 3004-2 stereo – Respighi Feste Romane and Rachmaninoff Symphonic Dances Op. 45 – Sir Eugene Goossens Conducting the London Symphony Orchestra [1958] Two record set. Respighi: Feste Romane: Circus Maximus/Jubilee//October Excursion/Epiphany//Rachmaninoff: Symphonic Dances Op. 45: First Movement: Non Allegro/Second Movement: Andante Con Moto//Third Movement: Lento Assai LPBR 6005 mono, SDBR 3005 stereo – Mahler Symphony No. 1 in D – Sir Adrian Boult and London Philharmonic Orchestra [1958] First Movement: Langsam, Schleppend Wie Ein Nauriaut/Second Movement: Kraftig, Doch Nicht Zu Schnell//Third Movement: Feirtich Und Gemmersen, Ohne Zu Schleppen/Forth Movement Sturmisch Bewegt LPBR 6006 mono, SDBR 3006 stereo – Williams Symphony No. 9 in E Minor – Sir Adrian Boult Conducting London Philharmonic