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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
Gender, Ethnicity, and Identity in Virtual
Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225 -
Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
2 UNLIMITED- No Limit 2PAC - All Eyez On Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad At Cha 2PAC Feat. Dr DRE & ROGER TROUTMAN - California Love 311 - Amber 311 - Beautiful Disaster 311 - Down 3 DOORS DOWN - Away From The Sun 3 DOORS DOWN – Be Like That 3 DOORS DOWN - Behind Those Eyes 3 DOORS DOWN - Dangerous Game 3 DOORS DOWN – Duck An Run 3 DOORS DOWN – Here By Me 3 DOORS DOWN - Here Without You 3 DOORS DOWN - Kryptonite 3 DOORS DOWN - Landing In London 3 DOORS DOWN – Let Me Go 3 DOORS DOWN - Live For Today 3 DOORS DOWN – Loser 3 DOORS DOWN – So I Need You 3 DOORS DOWN – The Better Life 3 DOORS DOWN – The Road I'm On 3 DOORS DOWN - When I'm Gone 4 NON BLONDES - Spaceman 4 NON BLONDES - What's Up 4 NON BLONDES - What's Up ( Acoustative Version ) 4 THE CAUSE - Ain't No Sunshine 4 THE CAUSE - Stand By Me 5 SECONDS OF SUMMER - Amnesia 5 SECONDS OF SUMMER - Don't Stop 5 SECONDS OF SUMMER – Good Girls 5 SECONDS OF SUMMER - Jet Black Heart 5 SECONDS OF SUMMER – Lie To Me 5 SECONDS OF SUMMER - She Looks So Perfect 5 SECONDS OF SUMMER - Teeth 5 SECONDS OF SUMMER - What I Like About You 5 SECONDS OF SUMMER - Youngblood 10CC - Donna 10CC - Dreadlock Holiday 10CC - I'm Mandy ( Fly Me ) 10CC - I'm Mandy Fly Me 10CC - I'm Not In Love 10CC - Life Is A Minestrone 10CC - Rubber Bullets 10CC - The Things We Do For Love 10CC - The Wall Street Shuffle 30 SECONDS TO MARS - Closer To The Edge 30 SECONDS TO MARS - From Yesterday 30 SECONDS TO MARS - Kings and Queens 30 SECONDS TO MARS - Teeth 30 SECONDS TO MARS - The Kill (Bury Me) 30 SECONDS TO MARS - Up In The Air 30 SECONDS TO MARS - Walk On Water 50 CENT - Candy Shop 50 CENT - Disco Inferno 50 CENT - In Da Club 50 CENT - Just A Lil' Bit 50 CENT - Wanksta 50 CENT Feat. -
Gorilla Glue Album Torrent Download Pirate
gorilla glue album torrent download pirate bay Gorillaz – 6 Official Albums (2001 – 2017) Gorillaz – 6 Official Albums (2001 – 2017) Digital Download | FLAC Tracks @16bit/44.1kHz (CD-Format) | FLAC Tracks @24bit/44.1- 96kHz (Hi-Res) Total Size: 2.52 GB (16/44) + 5.16 GB (24/44-96) | 3% RAR Recovery Label: Various | Genre: Alternative Rock, Electronica. Gorillaz (2001) Digital Download | FLAC Tracks @16bit/44.1kHz (CD-Format) | FLAC Tracks @24bit/44.1kHz (Hi-Res) Tracklist: 01. Re-Hash – 03:40 02. 5/4 – 02:42 03. Tomorrow Comes Today – 03:14 04. New Genius (Brother) – 04:00 05. Clint Eastwood – 05:43 06. Man Research (Clapper) – 04:33 07. Punk – 01:39 08. Sound Check (Gravity) – 04:43 09. Double Bass – 04:47 10. Rock the House – 04:09 11. 19-2000 – 03:28 12. Latin Simone (Que Pasa Contigo) – 03:39 13. Starshine – 03:34 14. Slow Country – 03:38 15. M1 A1 – 04:02 16. Clint Eastwood (Ed Case & Sweetie Irie Refix) [Edit] – 03:41 17. 19-2000 (Soulchild Remix) – 03:29. Demon Days (2005) Digital Download | FLAC Tracks @16bit/44.1kHz (CD-Format) | FLAC Tracks @24bit/44.1kHz (Hi-Res) Tracklist: 01. Intro – 01:03 02. Last Living Souls – 03:10 03. Kids With Guns – 03:46 04. O Green World – 04:32 05. Dirty Harry – 03:44 06. Feel Good Inc – 03:41 07. El Mañana – 03:50 08. Every Planet We Reach Is Dead – 04:53 09. November Has Come – 02:41 10. All Alone – 03:30 11. White Light – 02:08 12. -
Earth Day, April 22
Earth Day, April 22 LENGTH TITLE ARTIST bpm 2:11 Never Turn Your Back On Mother Earth Neko Case 100 4:07 Heaven Is A Place On Earth Belinda Carlisle 123 2:59 I Feel the Earth Move Carole King 120 2:50 Protectors of the Earth Thomas Bergersen 110 6:46 Earth Song Michael Jackson 138 4:04 Back to Earth Steve Aoki 128 3:52 Love Song to the Earth Paul McCartney 140 2:15 Big Yellow Taxi Joni Mitchell 86 3:17 Mercy Mercy Me (The Ecology) Marvin Gaye 94 2:57 Monkey Gone to Heaven Pixies 116 3:52 Where Do The Children Play? Yusuf / Cat Stevens 127 3:46 After The Gold Rush - Remastered Neil Young 98 4:49 The Landscape Is Changing Depeche Mode 95 3:34 License to Kill Bob Dylan 126 4:45 The Trees Rush 136 5:03 Kids MGMT 123 8:21 The Prophet's Song Queen 140 2:53 Outta Space Van Halen 186 4:50 Hungry Planet The Byrds 89 5:25 My City Was Gone Pretenders 108 4:26 Nobody's Fault Aerosmith 179 2:34 Never Turn Your Back On Mother Earth Sparks 117 2:42 Don't Go Near the Water The Beach Boys 117 3:59 Hole in the Sky - Remastered Version Black Sabbath 116 6:41 Blackened Metallica 129 4:33 Down to Earth Jem 98 5:59 Down To Earth - From "WALL-E" Peter Gabriel 118 3:53 Apeman - 2014 Remastered Version The Kinks 75 5:32 [Nothing But] Flowers Talking Heads 121 3:51 Earth From Outer Space Michael Franti & Spearhead 174 3:18 No Place Like Home DEVO 146 2:55 Superfast Jellyfish (feat. -
Deutsche Nationalbibliografie 2010 T 04
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 04 Stand: 21. April 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT04_2010-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
Seite 1 Von 315 Musik
Musik East Of The Sun, West Of The Moon - A-HA 1 A-HA 1. Crying In The Rain (4:25) 8. Cold River (4:41) 2. Early Morning (2:59) 9. The Way We Talk (1:31) 3. I Call Your Name (4:54) 10. Rolling Thunder (5:43) 4. Slender Frame (3:42) 11. (Seemingly) Nonstop July (2:55) 5. East Of The Sun (4:48) 6. Sycamore Leaves (5:22) 7. Waiting For Her (4:49) Foot of the Mountain - A-HA 2 A-HA 1. Foot of the Mountain (Radio Edit) (3:44) 7. Nothing Is Keeping You Here (3:18) 1. The Bandstand (4:02) 8. Mother Nature Goes To Heaven (4:09) 2. Riding The Crest (4:17) 9. Sunny Mystery (3:31) 3. What There Is (3:43) 10. Start The Simulator (5:18) 4. Foot Of The Mountain (3:58) 5. Real Meaning (3:41) 6. Shadowside (4:55) The Singles 1984-2004 - A-HA 3 A-HA Train Of Thought (4:16) Take On Me (3:48) Stay On These Roads (4:47) Velvet (4:06) Cry Wolf (4:04) Dark Is The Night (3:47) Summer Moved On (4:05) Shapes That Go Together (4:14) The Living Daylights (4:14) Touchy (4:33) Ive Been Losing You (4:26) Lifelines (3:58) The Sun Always Shines On TV (4:43) Minor Earth Major Sky (4:02) Forever NOt Yours (4:04) Manhattan Skyline (4:18) Crying In The Rain (4:23) Move To Memphis (4:13) Worlds 4 Aaron Goldberg 7. -
Getting Hip to the Hop: a Rap Bibliography/Discography
Music Reference Services Quarterly. 1996, vol.4, no.4, p.17-57. ISSN: 1540-9503 (online) 1058-8167 (print) DOI: 10.1300/J116v04n04_02 http://www.tandfonline.com/toc/wmus20/current http://www.tandfonline.com/toc/wmus20/4/4 © 1996 The Haworth Press, Inc. All rights reserved. Getting Hip to the Hop: A Rap Bibliography/Discography Leta Hendricks ABSTRACT. This bibliographic/discographic essay examines works which may be used to develop a core collection on Rap music. A selected bibliography and discography is also provided. INTRODUCTION Research interest has recently emerged in the popular African-American musical idiom known as Rap and continues to grow as social and cultural scholars have embarked on a serious study of Rap music and culture. Therefore, the student, scholar, and general library patron may seek information on Rap and its relationship with the African-American community. During the 1970's, libraries rushed to include in their holdings culturally diverse materials, especially materials on African-American history, literature, and culture. Today, emphasis is placed on cultural diversity, Rap is sometimes deemed to be low art and may be overlooked in the collecting of diverse materials. However, Rap has already celebrated its sixteenth anniversary and, like Rock and Roll, Rap is here to stay. Rap music research is difficult because (1) the librarian or information provider generally lacks knowledge of the category,' and (2) primary/ephemeral materials are not widely accessible.2 This selective bibliographic and discographic essay examines a variety of Rap resources and materials including biographies, criticisms, discographies, histories, recordings, and serials to help fill the Rap knowledge and culture gap and assist in the development of a core collection on Rap music. -
Parody As a Borrowing Practice in American Music, 1965–2015
Parody as a Borrowing Practice in American Music, 1965–2015 A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by John P. Thomerson BM, State University of New York at Fredonia, 2008 MM, University of Louisville, 2010 Committee Chair: bruce d. mcclung, PhD ABSTRACT Parody is the most commonly used structural borrowing technique in contemporary American vernacular music. This study investigates parody as a borrowing practice, as a type of humor, as an expression of ethnic identity, and as a response to intellectual trends during the final portion of the twentieth century. This interdisciplinary study blends musicology with humor studies, ethnic studies, and intellectual history, touching on issues ranging from reception history to musical meaning and cultural memory. As a structural borrowing technique, parody often creates incongruity—whether lyrical, stylistic, thematic, evocative, aesthetic, or functional—within a recognized musical style. Parodists combine these musical incongruities with other comic techniques and social conventions to create humor. Parodists also rely on pre-existing music to create, reinforce, and police ethnic boundaries, which function within a racialized discourse through which parodists often negotiate ethnic identities along a white-black binary. Despite parody’s ubiquity in vernacular music and notwithstanding the genre’s resonance with several key themes from the age of fracture, cultivated musicians have generally parody. The genre’s structural borrowing technique limited the identities musicians could perform through parodic borrowings. This study suggests several areas of musicological inquiry that could be enriched through engagement with parody, a genre that offers a vast and largely unexplored repertoire indicating how musical, racial, and cultural ideas can circulate in popular discourse. -
To Search This List, Hit CTRL+F to "Find" Any Song Or Artist Song Artist
To Search this list, hit CTRL+F to "Find" any song or artist Song Artist Length Peaches & Cream 112 3:13 U Already Know 112 3:18 All Mixed Up 311 3:00 Amber 311 3:27 Come Original 311 3:43 Love Song 311 3:29 Work 1,2,3 3:39 Dinosaurs 16bit 5:00 No Lie Featuring Drake 2 Chainz 3:58 2 Live Blues 2 Live Crew 5:15 Bad A.. B...h 2 Live Crew 4:04 Break It on Down 2 Live Crew 4:00 C'mon Babe 2 Live Crew 4:44 Coolin' 2 Live Crew 5:03 D.K. Almighty 2 Live Crew 4:53 Dirty Nursery Rhymes 2 Live Crew 3:08 Fraternity Record 2 Live Crew 4:47 Get Loose Now 2 Live Crew 4:36 Hoochie Mama 2 Live Crew 3:01 If You Believe in Having Sex 2 Live Crew 3:52 Me So Horny 2 Live Crew 4:36 Mega Mixx III 2 Live Crew 5:45 My Seven Bizzos 2 Live Crew 4:19 Put Her in the Buck 2 Live Crew 3:57 Reggae Joint 2 Live Crew 4:14 The F--k Shop 2 Live Crew 3:25 Tootsie Roll 2 Live Crew 4:16 Get Ready For This 2 Unlimited 3:43 Smooth Criminal 2CELLOS (Sulic & Hauser) 4:06 Baby Don't Cry 2Pac 4:22 California Love 2Pac 4:01 Changes 2Pac 4:29 Dear Mama 2Pac 4:40 I Ain't Mad At Cha 2Pac 4:54 Life Goes On 2Pac 5:03 Thug Passion 2Pac 5:08 Troublesome '96 2Pac 4:37 Until The End Of Time 2Pac 4:27 To Search this list, hit CTRL+F to "Find" any song or artist Ghetto Gospel 2Pac Feat. -
Students Celebrate Diversity in Annual Multicutural Assembly
THE NA T IO N 'S OLDES T ON THE WEB: COU nt RY DAY SC HOOL www.pingry.org/record NEWSPAPER VOLUME CXXXVI, NUMBER 5 The Pingry School, Martinsville, New Jersey APRIL 22, 2010 Students Celebrate Diversity in Ashley Feng Wins Robert H. Annual Multicutural Assembly turing Jay Sean’s “Down.” dance to Ne-Yo’s “Waiting.” LeBow Oratorical Competition By LAKSHMI DAVEY (V) Next up was Mai-Lee Lakshmi Davey (V), Vinita For the past eight years, Picard (IV), who danced Davey (III), Malvi Hemani the annual Multicultural As- a variation from the ballet (V) and Michaela Scrudato sembly has featured students “Paquita.” Then, Keri For- (III) followed with an Indian from different backgrounds ness (V) and Alysia Tsui dance performed to a mix of performing for their class- (VI) sang “Once upon a popular Bollywood songs. mates. This year, the event December” in several differ- The next number was the took place on Friday, March ent languages. Forness said, song “The Butterfly Lovers,” 13. Nahema Carty (VI) em- “Alysia and I knew from the which was executed on the ceed the event, which show- beginning of the school year piano and violin by Ashley cased a variety of different that we wanted to perform in Zhou (III) and Vicky Wei cultures and talents. this Multicultural Assembly (V). This song is based on an Myles Bristow (VI) began because we both had enjoyed ancient Chinese legend about the assembly by reading participating in last year. a pair of star-crossed lovers. a poem. He was followed We wanted to do something Jo LaCosta (VI), accompa- by Luke Pounder (VI), Jon special since it was Alysia’s nied by Misha Fatkhiyev, an Brenner (VI), and Glenn last year.” adjunct in the music depart- Friedman (VI), who per- Afterwards, Tori Mar- ment, then sang a Spanish formed a dance to a mix fea- tin (V) performed a lyrical song entitled “Solamente Una Vez.” Tanvi Gupta (VI) and An- jana Ganti (V) finished the Courtesy of Communications Office assembly with another ener- Ashley Feng (V) spoke about the importance of reading.