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Coexistence of Mythological and Historical Elements
COEXISTENCE OF MYTHOLOGICAL AND HISTORICAL ELEMENTS AND NARRATIVES: ART AT THE COURT OF THE MEDICI DUKES 1537-1609 Contents Introduction ........................................................................................................................................................ 3 Greek and Roman examples of coexisting themes ........................................................................ 6 1. Cosimo’s Triumphal Propaganda ..................................................................................................... 7 Franco’s Battle of Montemurlo and the Rape of Ganymede ........................................................ 8 Horatius Cocles Defending the Pons Subicius ................................................................................. 10 The Sacrificial Death of Marcus Curtius ........................................................................................... 13 2. Francesco’s parallel narratives in a personal space .............................................................. 16 The Studiolo ................................................................................................................................................ 16 Marsilli’s Race of Atalanta ..................................................................................................................... 18 Traballesi’s Danae .................................................................................................................................... 21 3. Ferdinando’s mythological dream ............................................................................................... -
IN FOCUS: COUNTRYSIDE of TUSCANY, ITALY Nana Boussia Associate
MAY 2017 | PRICE €400 IN FOCUS: COUNTRYSIDE OF TUSCANY, ITALY Nana Boussia Associate Pavlos Papadimitriou, MRICS Associate Director Ezio Poinelli Senior Director Southern Europe HVS.com HVS ATHENS | 17 Posidonos Ave. 5th Floor, 17455 Alimos, Athens, GREECE HVS MILAN | Piazza 4 Novembre, 7, 20124 Milan, ITALY Introduction 2 Tuscany is a region in central Italy with an area of about 23,000 km and a LOCATION OF TUSCANY population of about 3.8 million (2013). The regional capital and most populated town is Florence with approximately 370,000 inhabitants while it features a Western coastline of 400 kilometers overlooking the Ligurian Sea (in the North) and the Tyrrhenian Sea (in the Center and South). Tuscany is known for its landscapes, traditions, history, artistic legacy and its influence on high culture. It is regarded as the birthplace of the Italian Renaissance, the home of many influential in the history of art and science, and contains well-known museums such as the Uffizi and the Pitti Palace. Tuscany produces several well-known wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano and Brunello di Montalcino. Having a strong linguistic and cultural identity, it is sometimes considered "a nation within a nation". Seven Tuscan localities have been designated World Heritage Sites by UNESCO: the historic centre of Florence (1982); the historical centre of Siena (1995); the square of the Cathedral of Pisa (1987); the historical centre of San Gimignano (1990); the historical centre of Pienza (1996); the Val d'Orcia (2004), and the Medici Villas and Gardens (2013). Tuscany has over 120 protected nature reserves, making Tuscany and its capital Florence popular tourist destinations that attract millions of tourists every year. -
Catalogue-Garden.Pdf
GARDEN TOURS Our Garden Tours are designed by an American garden designer who has been practicing in Italy for almost 15 years. Since these itineraries can be organized either for independent travelers or for groups , and they can also be customized to best meet the client's requirements , prices are on request . Tuscany Garden Tour Day 1 Florence Arrival in Florence airport and private transfer to the 4 star hotel in the historic centre of Florence. Dinner in a renowned restaurant in the historic centre. Day 2 Gardens in Florence In the morning meeting with the guide at the hotel and transfer by bus to our first Garden Villa Medici di Castello .The Castello garden commissioned by Cosimo I de' Medici in 1535, is one of the most magnificent and symbolic of the Medici Villas The garden, with its grottoes, sculptures and water features is meant to be an homage to the good and fair governing of the Medici from the Arno to the Apennines. The many statues, commissioned from famous artists of the time and the numerous citrus trees in pots adorn this garden beautifully. Then we will visit Villa Medici di Petraia. The gardens of Villa Petraia have changed quite significantly since they were commissioned by Ferdinando de' Medici in 1568. The original terraces have remained but many of the beds have been redesigned through the ages creating a more gentle and colorful style. Behind the villa we find the park which is a perfect example of Mittle European landscape design. Time at leisure for lunch, in the afternoon we will visit Giardino di Boboli If one had time to see only one garden in Florence, this should be it. -
Notes on a Florence Visit
Notes on A Florence Visit For Great Views of Florence without the Steps Frescoes of the Last Supper in Florence Roof of the Rinascente Department store Roof of the Ospedele degli Innocenti Upper floor of the Orsanmichele Church Recectory at San Marco Piazzale Michelangelo – take the #12 or #13 bus Refectory at St. Maria del Carmine Roof of the Oblate Library – 2 blocks from Duomo Refectory of Ognissante Church Take the bus from San Marco up to Fisole Refectory at Santa Maria Novella -painted by a nun- Sister Trattoria Le Mossacce Nelli Refectory at Santa Croce Videos to View Refectory of San Salvi Refectory at Sant’Apollonia Cenacolo of Fuligno The Medicis – on Netflick Rick Ruggiero on Road Scholar’s Virtual Lecture Medici: Godfathers of the Renaissance -PBS YouTube – 3 hour walking tour of Florence Room With a View Secrets of Florence (on Hoopla) Books To Read Brunelleschi’s Dome – Ross King The Lives of the Artists – Vasari The Stones of Florence – McCarthy Birth of Venus – Dunant Looking at Painting in Florence – Paterson The Light in the Piazza - Spencer Places Not to Miss Mercato Centrale –Market, Food Court, Cooking School Grom Gelato Badia Fiorentina - for Night Vespers Duomo – inside without line – side entrance for English Mass on Sat. PM or Sun. Amici Card at the Uffizi for immediate entry Officina Profumo-Farmaceutica di Santa Maria Novella Ognissante Church – tomb of Botticello Giotto Crucifix Pazzi Chapel next to Santa Croce Leather School and Factory behind Santa Croce Vasari Corridor – expected to be opened this year Galileo Museum San Miniato Church Santissima Annunziata Church – painting of Mary completed by an angel Museum of Precious Stones Riccardo- Medici Palace – Chapel of the Magi San Maria dell Carmine Church -Brabcacci Chapel Santo Spirito Church – Michelangelo’s Crucifix . -
Gender Dynamics in Renaissance Florence Mary D
Early Modern Women: An Interdisciplinary Journal Vol. 11, No. 1 • Fall 2016 The Cloister and the Square: Gender Dynamics in Renaissance Florence Mary D. Garrard eminist scholars have effectively unmasked the misogynist messages of the Fstatues that occupy and patrol the main public square of Florence — most conspicuously, Benvenuto Cellini’s Perseus Slaying Medusa and Giovanni da Bologna’s Rape of a Sabine Woman (Figs. 1, 20). In groundbreaking essays on those statues, Yael Even and Margaret Carroll brought to light the absolutist patriarchal control that was expressed through images of sexual violence.1 The purpose of art, in this way of thinking, was to bolster power by demonstrating its effect. Discussing Cellini’s brutal representation of the decapitated Medusa, Even connected the artist’s gratuitous inclusion of the dismembered body with his psychosexual concerns, and the display of Medusa’s gory head with a terrifying female archetype that is now seen to be under masculine control. Indeed, Cellini’s need to restage the patriarchal execution might be said to express a subconscious response to threat from the female, which he met through psychological reversal, by converting the dangerous female chimera into a feminine victim.2 1 Yael Even, “The Loggia dei Lanzi: A Showcase of Female Subjugation,” and Margaret D. Carroll, “The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence,” The Expanding Discourse: Feminism and Art History, ed. Norma Broude and Mary D. Garrard (New York: HarperCollins, 1992), 127–37, 139–59; and Geraldine A. Johnson, “Idol or Ideal? The Power and Potency of Female Public Sculpture,” Picturing Women in Renaissance and Baroque Italy, ed. -
Santo Spirito Neighborhood Crawl
florence for free free walks and work-arounds for rich italian adventures neighborhood crawl: santo spirito Distance: 2 km (about 1.2 miles) Time: 25 minute walk in total, plus time (up to a day!) for leisurely exploring Cost: $0 Directions: Start out by crossing the Ponte Vecchio. At the bridge’s end, walk straight ahead, looking for a small piazza on your left with a church tucked in the back corner (Sant Felicita). Venture further down Via de’ Guicciardini, past Palazzo Pitti, onto Via Romana, until you reach Via del Campuccio. Turn right, and then make the next right again at Via Caldaie. Walk up to Santo Spirito, head out at the far right of the piazza and turn left on Via Maggio. Walk down to St. Mark’s Church, cross the street and take that right on Via dei Vellutini down to Piazza della Passera. Take Via dello Sprone back out and follow it until you reach Ponte Santa Trinita. Places to see: • Santa Felicita – One of the oldest worship sites in the city, although the current structure mostly dates back to the 18th century. Head here when open in the early morning and venture in under the Vasari Corridor (the arch-shaped interruption in the church’s facade), which also doubled as a private balcony the Medici could worship from without mingling with ordinary plebs. The inside is certainly inspired by the style of Renaissance heavyweight Brunelleschi – the man who solved the riddle of the cathedral dome. He even designed the chapel immediately to the entrance’s right, today known as the Capponi Chapel, which features two masterpieces by Mannerist favorite Jacopo Pontormo. -
The Ashgate Research Companion to Giorgio Vasari Vasari and Vincenzo
This article was downloaded by: 10.3.98.104 On: 26 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Ashgate Research Companion to Giorgio Vasari David J. Cast Vasari and Vincenzo Borghini Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315613017.ch2 Robert Williams Published online on: 28 Dec 2013 How to cite :- Robert Williams. 28 Dec 2013, Vasari and Vincenzo Borghini from: The Ashgate Research Companion to Giorgio Vasari Routledge Accessed on: 26 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315613017.ch2 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 2 Vasari and Vincenzo Borghini Robert Williams Vasari’s association with Don Vincenzo (or Vincenzio) Borghini, the Benedictine monk and scholar who was also one of Duke Cosimo de’ Medici’s most trusted advisors and civil servants, stretched from at least the end of the 1540s until the artist’s death in 1574. -
Florence Celebrates the Uffizi the Medici Were Acquisitive, but the Last of the Line Was Generous
ArtNews December 1982 Florence Celebrates The Uffizi The Medici were acquisitive, but the last of the line was generous. She left all the family’s treasures to the people of Florence. by Milton Gendel Whenever I vist The Uffizi Gallery, I start with Raphael’s classic portrait of Leo X and Two Cardinals, in which the artist shows his patron and friend as a princely pontiff at home in his study. The pope’s esthetic interests are indicated by the finely worked silver bell on the red-draped table and an illuminated Bible, which he has been studying with the aid of a gold-mounted lens. The brass ball finial on his chair alludes to the Medici armorial device, for Leo X was Giovanni de’ Medici, the second son of Lorenzo the Magnificent. Clutching the chair, as if affirming the reality of nepotism, is the pope’s cousin, Cardinal Luigi de’ Rossi. On the left is Cardinal Giulio de’ Medici, another cousin, whose look of reverie might be read, I imagine, as foreseeing his own disastrous reign as Pope Clement VII. That was five years in the future, of course, and could not have been anticipated by Raphael, but Leo had also made cardinals of his three nephews, so it wasn’t unlikely that another member of the family would be elected to the papacy. In fact, between 1513 and 1605, four Medici popes reigned in Rome. Leo X was a true Renaissance prince, whose civility and love of the arts impressed everyone - in the tradition of his father, Lorenzo the Magnificent. -
Celebrating the City: the Image of Florence As Shaped Through the Arts
“Nothing more beautiful or wonderful than Florence can be found anywhere in the world.” - Leonardo Bruni, “Panegyric to the City of Florence” (1403) “I was in a sort of ecstasy from the idea of being in Florence.” - Stendahl, Naples and Florence: A Journey from Milan to Reggio (1817) “Historic Florence is an incubus on its present population.” - Mary McCarthy, The Stones of Florence (1956) “It’s hard for other people to realize just how easily we Florentines live with the past in our hearts and minds because it surrounds us in a very real way. To most people, the Renaissance is a few paintings on a gallery wall; to us it is more than an environment - it’s an entire culture, a way of life.” - Franco Zeffirelli Celebrating the City: the image of Florence as shaped through the arts ACM Florence Fall, 2010 Celebrating the City, page 2 Celebrating the City: the image of Florence as shaped through the arts ACM Florence Fall, 2010 The citizens of renaissance Florence proclaimed the power, wealth and piety of their city through the arts, and left a rich cultural heritage that still surrounds Florence with a unique and compelling mystique. This course will examine the circumstances that fostered such a flowering of the arts, the works that were particularly created to promote the status and beauty of the city, and the reaction of past and present Florentines to their extraordinary home. In keeping with the ACM Florence program‟s goal of helping students to “read a city”, we will frequently use site visits as our classroom. -
Rome, Florence and Venice
Rome, Florence and Venice The best of Italy with expert Guides in 7 days. Group size and private day tours are both included. Move by no stop train from one city to the other. Rome 7 7 Days Semi-independent Rome, Florence and Venice - The Best of Italy Tour 7 days/6 nights Land | Rome airport Departure | Venice Airport Route: Day 1: Rome airport > Rome Day 2: Half day Rome Tour (Vatican Museums, Sistine Chapel and St. Peter Basilica OR Colosseum, Roman Forum and Palatine Hill) Day 3: Rome > Florence Day 4: Florence walking tour Day 5: Florence > Venice Day 6: Venice walking tour Day 7: Venice> Venice airport Customized semi independent Tour: Private and Group size day tours are both included Speedy transfers by no stop train: this is the best way to move from one city to the other. Rome (2 nights) – Florence (2 nights) – Venice (2 nights) Hotel package on request. This itinerary is only an example. Our Booking office will be glad to offer a solution based on your request. Sicily package tour available to add. Enquire us for all details! Day 1 Rome Airport > Rome Private vehicle and Italian speaking driver disposal: transfer-in only Welcome to Rome! Upon arrival at Fiumicino Airport (FCO | Your Arrival by TBA ) please proceed through Passport Control and collect your luggage inside the customs area. Then meet your driver and transfer to Rome. The balance of the day is at leisure. Day 2 Half Day Rome Tour CHOICE BETWEEN ONE OF THE FOLLOWING TOURS: Half Day Colosseum, Roman Forum and Palatine Hill Medium size (up to 30 people) group tour Get ready to enter into the legend! Jump into Roman history and discover with an expert guide the “Anfiteatro Flavio”, the Colosseum: the largest amphitheater not only in the Eternal City, but in the world! get the most complete tour of the Colosseum , Roman Forum and Palatine Hill. -
Profiling Women in Sixteenth-Century Italian
BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and -
Three Perfect Days in Tuscany
14 DECEMBER 2012 CATERINA POMINI 6481 THREE PERFECT DAYS IN TUSCANY This three day itinerary covers some of the best things to do during your Tuscany vacation, we will give you some awesome tips for making the most of your time under the Tuscan sun! One day in Lucca, one day in Florence and one day between Chianti and Siena: an itinerary dedicated to art, nature and gastronomy. If you are considering a short trip to Tuscany, this could be the perfect article for you: we're here to give you some tips for making the most out of a three day vacation dedicated to art, nature and gastronomy. Are you ready? So let's leave together for this lovely Tuscany tour! First day: Lucca. If you come to Tuscany, you must absolutely pay a visit to the heart of downtown Lucca, whose 16th century walls have remained intact and became a world-famous pedestrian promenade in the nineteenth century. In addition to this, the best thing about this town is that you can wonder at random and stumble across hundreds of interesting corners, old churches, Roman streets, museums and tiny delicious restaurants, where you can taste real traditional dishes without feeling like a stupid, uninformed tourist. Don't miss Piazza Anfiteatro, San Michele, the Cathedral and the Clock Tower! Day Second: Florence. Leave Lucca in the very early morning and head to the Capital of Tuscany; here is a list of things you can't miss, even if you only have a short time: the Cathedral (whose dome was built by Filippo Brunelleschi), the Bell Tower (partly designed by Giotto) the nearby Baptistry (one of the oldest buildings in Florence) Piazza della Signoria and the Uffizi Gallery (book in advance because queues outside can be really discouraging!).