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The New Woman Criminal in British Culture at the Fin De Siècle
FRAMED DIGITALCULTUREBOOKS is a collaborative imprint of the University of Michigan Press and the University of Michigan Library. FRAMED The New Woman Criminal in British Culture at the Fin de Siècle ELIZABETH CAROLYN MILLER The University of Michigan Press AND The University of Michigan Library ANN ARBOR Copyright © 2008 by Elizabeth Carolyn Miller All rights reserved Published in the United States of America by The University of Michigan Press and the University of Michigan Library Manufactured in the United States of America c Printed on acid-free paper 2011 2010 2009 2008 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Miller, Elizabeth Carolyn, 1974– Framed : the new woman criminal in British culture at the fin de siècle / Elizabeth Carolyn Miller. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-472-07044-2 (acid-free paper) ISBN-10: 0-472-07044-4 (acid-free paper) ISBN-13: 978-0-472-05044-4 (pbk. : acid-free paper) ISBN-10: 0-472-05044-3 (pbk. : acid-free paper) 1. Detective and mystery stories, English—History and criticism. 2. English fiction—19th century—History and criticism. 3. Female offenders in literature. 4. Terrorism in literature. 5. Consumption (Economics) in literature. 6. Feminism and literature— Great Britain—History—19th century. 7. Literature and society— Great Britain—History—19th century. -
Angeli, Helen Rossetti, Collector Angeli-Dennis Collection Ca.1803-1964 4 M of Textual Records
Helen (Rossetti) Angeli - Imogene Dennis Collection An inventory of the papers of the Rossetti family including Christina G. Rossetti, Dante Gabriel Rossetti, and William Michael Rossetti, as well as other persons who had a literary or personal connection with the Rossetti family In The Library of the University of British Columbia Special Collections Division Prepared by : George Brandak, September 1975 Jenn Roberts, June 2001 GENEOLOGICAL cw_T__O- THE ROssFTTl FAMILY Gaetano Polidori Dr . John Charlotte Frances Eliza Gabriele Rossetti Polidori Mary Lavinia Gabriele Charles Dante Rossetti Christina G. William M . Rossetti Maria Francesca (Dante Gabriel Rossetti) Rossetti Rossetti (did not marry) (did not marry) tr Elizabeth Bissal Lucy Madox Brown - Father. - Ford Madox Brown) i Brother - Oliver Madox Brown) Olive (Agresti) Helen (Angeli) Mary Arthur O l., v o-. Imogene Dennis Edward Dennis Table of Contents Collection Description . 1 Series Descriptions . .2 William Michael Rossetti . 2 Diaries . ...5 Manuscripts . .6 Financial Records . .7 Subject Files . ..7 Letters . 9 Miscellany . .15 Printed Material . 1 6 Christina Rossetti . .2 Manuscripts . .16 Letters . 16 Financial Records . .17 Interviews . ..17 Memorabilia . .17 Printed Material . 1 7 Dante Gabriel Rossetti . 2 Manuscripts . .17 Letters . 17 Notes . 24 Subject Files . .24 Documents . 25 Printed Material . 25 Miscellany . 25 Maria Francesca Rossetti . .. 2 Manuscripts . ...25 Letters . ... 26 Documents . 26 Miscellany . .... .26 Frances Mary Lavinia Rossetti . 2 Diaries . .26 Manuscripts . .26 Letters . 26 Financial Records . ..27 Memorabilia . .. 27 Miscellany . .27 Rossetti, Lucy Madox (Brown) . .2 Letters . 27 Notes . 28 Documents . 28 Rossetti, Antonio . .. 2 Letters . .. 28 Rossetti, Isabella Pietrocola (Cole) . ... 3 Letters . ... 28 Rossetti, Mary . .. 3 Letters . .. 29 Agresti, Olivia (Rossetti) . -
Love Between the Lines: Paradigmatic Readings of the Relationship Between Dora Carrington and Lytton Strachey Janine Loedolff Th
Love Between The Lines: Paradigmatic Readings of the Relationship between Dora Carrington and Lytton Strachey Janine Loedolff Thesis presented in fulfilment of the requirements for the degree of Master of Arts at the University of Stellenbosch Department of English Faculty of Arts and Social Sciences Supervisor: Dr S.C. Viljoen Co-supervisor: Prof. E.P.H. Hees November 2007 Declaration I, the undersigned, hereby declare that the work contained in this thesis is my own original work and has not previously in its entirety or in part been submitted at any university for a degree. Signature: Date: Copyright ©2008 Stellenbosch University All rights reserved ii Acknowledgements Dr Shaun Viljoen, for teaching me about uncommon lives; My co-supervisor, Prof. Edwin Hees; Mathilda Slabbert, for telling me the story for the first time, and for her inspirational enthusiasm; Roshan Cader, for her encouragement and willingness to debate the finer points of performativity with me; Sarah Duff, for continuously demanding clarity, and for allowing me to stay at Goodenough College; Dawid de Villers, for translations; Evelyn Wiehahn, Neil Micklewood, Daniela Marsicano, Simon Pequeno and Alexia Cox for their many years of love and friendship; Larry Ferguson, who always tells me I have something to say; My father, Johan, and his extended family, for their continual love and support and providing me with a comforting refuge; My family in England – Chicky for taking me to Charleston, and Melanie for making her home mine while I was researching at the British Library; and Joe Loedolff, for eternal optimism, words of wisdom, and most importantly, his kinship. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
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A Bloomsbury Chronology 1866 Roger Fry born 1877 Desmond Maccarthy born 1879 E.M. Forster born Vanessa Stephen born 1880 Lytton Strachey born Thoby Stephen born Saxon Sydney-Turner born Leonard Woolf born 1881 Clive Bell born 1882 Virginia Stephen born Mary Warre-Cornish born 1883 J.M. Keynes born Adrian Stephen born 1885 Duncan Grant born Roger Fry enters King's College, Cambridge 1888 Roger Fry obtains a First Class honours in natural sciences and decides to study painting xx A Bloomsbury Chronology 1892 Roger Fry studies painting in Paris David Garnett born 1893 Dora Carrington born 1894 Roger Fry gives university extension lectures at Cambridge mainly on Italian art Desmond Maccarthy enters Trinity College, Cambridge 1895 Death of Mrs Leslie Stephen Virginia Stephen's first breakdown 1896 Roger Fry and Helen Coombe married 1897 E.M. Forster enters King's College, Cambridge Desmond MacCarthy leaves Trinity College Virginia Stephen attends Greek and history classes at King's College, London 1899 Roger Fry: Giovanni Bellini Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, Leonard Woolf all enter Trinity College, Cambridge The Midnight Society - a 'reading society' - founded at Trinity by Bell, Sydney-Turner, Stephen, and Woolf 1900 Roger Fry gives university extension lectures on art at Cambridge 1go1 Roger Fry becomes art critic for the Athenaeum Vanessa Stephen enters the Royal Academy Schools E.M. Forster leaves Cambridge, travels in Italy and Greece, begins A Room with a View 1902 Duncan Grant attends the Westminster Art School Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to 'The A Bloomsbury Chronology XXI Apostles' (older members include Roger Fry, Desmond MacCarthy, E.M. -
Dorothy Todd's Modernist Experiment in British Vogue, 1922 -1926, by Amanda
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. “A plea for a renaissance”: Dorothy Todd’s Modernist experiment in British Vogue, 1922 -1926 Figure 1 Amanda Juliet Carrod A thesis submitted for the degree of Doctor of Philosophy in English Literature June 2015 Keele University Abstract This is not a fashion paper: Modernism, Dorothy Todd and British Vogue "Style is thinking."1 In 1922, six years after its initial inception in England, Vogue magazine began to be edited by Dorothy Todd. Her spell in charge of the already renowned magazine, which had begun its life in America in 1892, lasted until only 1926. These years represent somewhat of an anomaly in the flawless history of the world's most famous fashion magazine, and study of the editions from this era reveal a Vogue that few would expect. Dorothy Todd, the most enigmatic and undocumented figure in the history of the magazine and, arguably within the sphere of popular publications in general, used Vogue as the vehicle through which to promote the innovative forms in art and literature that were emerging at the beginning of the twentieth century. -
From Idaho to Confucius, Or, from the American West to the Far East— on Explaining a Poet Misguided Or Misunderstood Mary De Rachewiltz
CONVERSATION Michael Wutz in Conversation with Mary de Rachewiltz on Ezra Pound From Idaho to Confucius, or, from the American West to the Far East— On Explaining a Poet Misguided or Misunderstood Mary de Rachewiltz Niccoló Caranti Mary de Rachewiltz and Erza Pound, following his release from St. Elisabeths Hospital and his return to Italy, at Schloss Brunnenburg, ca. 1958. Ezra Pound (1885-1972) INTRODUCTION Ezra (Weston Loomis) Pound may well (in collaboration with the poets H.D. and be the most famous (and perhaps misun- William Carlos Williams, and in com- derstood) American literary figure born petition with the poet Amy Lowell) with west of the Mississippi. Born in Hailey, developing the poetic aesthetic of Imagism, then still the Idaho Territory, in 1885, he and of importing classical Chinese and is often considered to be among the chief Japanese poetry into the modernist canon. architects of classical Anglo-American During his further migrations, first, to modernism, who helped launch the careers Paris, and eventually to Italy, where Pound of T.S. Eliot, James Joyce, Robert Frost, would spend most of his life (and where in and Ernest Hemingway, among others. 1972 he would be buried near Igor Stravin- Influential as the foreign editor of several sky and Sergei Dhiagilev in Venice), the literary magazines in London, he is credited Chinese philosopher Confucius resides likes a tutelary deity over much of his thinking, six-foot outdoor cage and where he wrote particularly in his unfinished 120-section the first drafts, often for days and nights on epic The Cantos (1917-1969), but also in end, of what later came to be known as The his writings on economics and politics. -
The Annotated Waste Land with Eliot's Contemporary Prose
the annotated waste land with eliot’s contemporary prose edited, with annotations and introduction, by lawrence rainey The Annotated Waste Land with Eliot’s Contemporary Prose Second Edition yale university press new haven & london First published 2005 by Yale University Press. Second Edition published 2006 by Yale University Press. Copyright © 2005, 2006 by Lawrence Rainey. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala by Duke & Company, Devon, Pennsylvania Printed in the United States of America. Library of Congress Control Number: 2006926386 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Commit- tee on Production Guidelines for Book Longevity of the Council on Library Resources. ISBN-13: 978-0-300-11994-7 (pbk. : alk. paper) ISBN-10: 0-300-11994-1 (pbk. : alk. paper) 10987654321 contents introduction 1 A Note on the Text 45 the waste land 57 Editor’s Annotations to The Waste Land 75 Historical Collation 127 eliot’s contemporary prose London Letter, March 1921 135 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 vi contents London Letter, May 1921 166 John Dryden 172 London Letter, July 1921 183 London Letter, September 1921 188 The Metaphysical Poets 192 Notes to Eliot’s Contemporary Prose 202 selected bibliography 251 general index 261 index to eliot’s contemporary prose 267 Illustrations follow page 74 the annotated waste land with eliot’s contemporary prose Introduction Lawrence Rainey when donald hall arrived in London in September 1951, bear- ing an invitation to meet the most celebrated poet of his age, T. -
Historicizing Ezra Pound
REVIEW ESSAY Light Enough Against Darkness? Historicizing Ezra Pound Ezra Pound’s Eriugena. Mark Byron. London: Bloomsbury Academic, 2014. Pp. 311 (cloth). Ezra Pound’s Adams Cantos. David Ten Eyck. London: Bloomsbury Academic, 2012. Pp. 241 (cloth). Ezra Pound’s Fascist Propaganda, 1935-45. Matthew Feldman. Houndmills: Palgrave Macmillan, 2013. Pp. 192 (cloth). Reviewed by Alexander Howard, University of New South Wales Blessed are those who pick the right artists and makers.1 I How do you solve a problem like Ezra? To put it another way: what critical methodologies should one use when attempting to catch and perhaps even pin down Pound, that most problematic of modernist figures? This is an important question that needs to be addressed when discussing the following works of recent Pound scholarship: Mark Byron’s Ezra Pound’s Eriugena (2014), David Ten Eyck’s Ezra Pound’s Adams Cantos (2012), and Matthew Feldman’s Ezra Pound’s Fascist Propaganda, 1935-45 (2013). The first two of these volumes appear on the Historicizing Modernism imprint run by Bloomsbury, whilst the third, belonging to Feldman (who also co-edits Historicizing Modernism with Erik Tonning), is a contribution to the Palgrave-Pivot series published by Palgrave MacMillan. All three authors are, in different ways, concerned with Pound’s life and literary career during the latter half of the 1930s. In particular, all three are interested in issues that directly effect the development and compositional history of the poet’s modernist epic The Cantos—that all- consuming yet tantalizingly incomplete poetic project which the critic Andrew 1 Ezra Pound, Selected Prose 1909-1965 (London: Faber and Faber, 1973), 185. -
Virginia Woolf and Vanessa Bell: Figuring Sisterhood Jenni Råback
Virginia Woolf and Vanessa Bell: Figuring Sisterhood Jenni Råback Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy 1 I, Jenni Råback, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below, and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Jenni Råback Date: 2 September 2019 2 Abstract This thesis argues that Virginia Woolf’s writing must be understood as enacting her sororal relationship with her sister Vanessa Bell. The argument is grounded in theorisations of kinship that regard relationships as actively performed and constructed and therefore allow interpretations of creative work as a site of ‘doing sisters’, or sistering. A focus on siblings provides a lateral alternative to conventional figurations of familial and social life, which tend to follow Oedipal models. -
Frederick Spotts Collection of Papers on Leonard Woolf
Frederick Spotts Collection of Papers on Leonard Woolf. Notes, June 2003. Box Folder Dates: Chapters from Letters of Leonard Woolf, edited by Frederic Spotts, Harcourt, Brace, Jovanovich, 1989. Woolf, Leonard, letters. Chapter I: Cambridge. 45 Letters from and to Leonard Woolf. Note: 1 additional letter, 1901 Dec 26. “My Dear Strache, The enclosed cutting…” Includes a Modern Hymn to Apollo. (photocopy) Dated: 1901 Mar 20–1904 Nov 18 AL, ALS, TL (photocopies). (85 leaves) 1901-04 Woolf, Leonard, letters. Chapter II: Ceylon. 88 Letters from and to Leonard Woolf. Dated: 1904 Nov 26–1911 Feb 9 AL, ALS, TL (photocopies). (214 leaves) 1904-11 Woolf, Leonard, letters. Chapter III: Life with Virginia. 142 Letters, postcard and newspaper clippings to and from Leonard Woolf. Dated: 1911 Aug 3–1941 Jun 23 AL, ALS, holograph, newspaper clippings (photocopies). (214 leaves) 1911-41 Woolf, Leonard, letters. Chapter IV: Publisher and editor. 146 Letters to and from Leonard Woolf. Dates: 1918 Jan 19–1968 Jan 31 AL, ALS, TL, (photocopies). (158 leaves) 1918-68 Woolf, Leonard, letters. Chapter V: “Socialist of a rather peculiar sort.” 88 Letters to and from Leonard Woolf. Dates: 1913 Jun 13–1968 Apr 12 ALS, AL, TL (photocopies), newspaper clippings and memorandums. (123 leaves) 1913-68 Woolf, Leonard, letters. Chapter VI: Later years. 165 Letters to and from Leonard Woolf, newspaper clippings and notes Dates: 1941 Jun 16–1969 May 30 ALS, AL, TL, holographs (photocopies). (174 leaves) 1941-69 1 plastic container (6.5 x 6.5 x 1.5) containing 18 floppy discs, 5 ¼ , labeled: 1 Introduction to chapter 1-6. -
Blooming of the Novel in the Bloomsbury Group
International Journal of Applied Linguistics & English Literature E-ISSN: 2200-3452 & P-ISSN: 2200-3592 www.ijalel.aiac.org.au Blooming of the Novel in the Bloomsbury Group: An Investigation to the Impact of the Members of Bloomsbury Group on the Composition of the Selected Works of Virginia Woolf and E.M. Forster Seyedeh Zahra Nozen1*, Bahman Amani2, Fatemeh Ziyarat2 1Amin Police Science University, Iran, 2University of Malayer, Iran, Corresponding Author: SeyedehZahra Nozen, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history “For masterpieces are not single and solitary births; they are the outcome of many years of Received: June 16, 2017 thinking in common, of thinking by the body of the people, so that the experience of the mass is Accepted: August 27, 2017 behind the single voice…”. Woolf’s belief has been put to the test in the Bloomsbury Group and Published: December 01, 2017 this paper intends to investigate the validity of her claim through a critical analysis of the selected works of its novelist members. In a central part of London during the first half of the twentieth Volume: 6 Issue: 7 century a group of intellectual and literary writers, artists, critics and an economist came together Special Issue on Language & Literature which later on was labeled as Bloomsbury group. The group’s members had an influential role Advance access: September 2017 in blooming novel in a different form of expression and profoundly affect its literary figures, Virginia Woolf and E.M. Forster, in the composition of their fictionsThe Waves, A Room of One’s Conflicts of interest: None Own, To the Lighthouse and Forster’s A Room with a view and Howards End.